Actor Scott Glenn calls into Sway In The Morning to talk about the new movie Greenland. John Garrity, his estranged wife and their young son embark on a perilous journey to find sanctuary as a planet-killing comet hurtles toward Earth.
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Scott Glenn Talks New Disaster Thriller ‘Greenland’ | SWAY’S UNIVERSE https://youtu.be/UPZuMyczQlE
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0:02
Yeah.
0:03
Okay.
0:05
Man, that was from the movie. That's a
0:06
clip of the film Greenland, which is
0:08
available now on Blu-ray and DVD.
0:11
Got a lot of a lot of folks in that
0:13
movie that I particularly like, and one
0:14
of them is on the phone with us right
0:16
now. You know I'm a big Training Day
0:18
fan. And this dude played Roger in
0:21
Training Day, and I I I got to ask him
0:23
about one of those scenes. But first,
0:24
DB, run it down the line. Who we got on
0:26
the show today, DB?
0:28
Well, uh you know, while a lot of people
0:30
were celebrating Valentine's Day on the
0:32
14th, I myself, being single and a big
0:34
fan of The Silence of the Lambs, was
0:36
celebrating the 30th anniversary of the
0:38
film's release, which came out on
0:40
Valentine's Day back in 1991. Uh the uh
0:43
he played Jack Crawford, uh who worked
0:45
for the FBI, who was responsible for
0:46
sending Clarice Starling over to talk
0:49
with Hannibal Lecter, and that movie has
0:51
just become like a a major piece of
0:53
history in in film, and one of my
0:56
favorites. I also have to mention he was
0:58
part of Apocalypse Now, The Hunt for Red
1:00
October. Rest in peace to Sean Connery,
1:01
we lost him last year. He was also in
1:03
Backdraft, he was in Courage Under Fire
1:05
with Denzel Washington before he joined
1:07
Denzel again on screen in Training Day
1:09
as Roger. He was also in The Bourne
1:11
Ultimatum and The Bourne Legacy. He had
1:13
one of my favorite lines in The Bourne
1:14
Ultimatum. My number one rule is hope
1:16
for the best, plan for the worst. But
1:18
now he's starring as Dale in the film
1:19
Greenland, available now on Blu-ray and
1:21
DVD. Please welcome Scott Glenn.
1:23
Scott Glenn.
1:28
Hey, Scott.
1:29
Good morning.
1:31
Scott, how you doing, man? This is Sway,
1:33
uh big fan of yours, man. Happy to have
1:35
you on the show.
1:36
Happy to have you on the show, brother.
1:38
sir.
1:38
Absolutely, man.
1:39
good.
1:41
Hey, man, it sound like you doing good.
1:42
When he read back all your accolades,
1:44
man, I figured, man, this dude must be
1:46
sitting pretty right now, man. When When
1:48
you hear uh
1:50
When you hear it back and you hear your
1:51
life back to yourself, man, how does
1:53
that make you feel?
1:55
Yeah, what it what what it makes me feel
1:57
is uh stuck here in quarantine wishing I
2:01
was
2:02
wishing I had a 4:00 in the morning call
2:04
sheet.
2:04
Oh, I heard that.
2:07
Wishing for it, right? Huh. That's
2:09
interesting. You'd rather be working.
2:11
You'd rather be out and about.
2:13
Yeah. Yeah, we My wife and I get our get
2:16
our second vaccine tomorrow, so maybe
2:18
we're getting closer to it. But yeah, I
2:20
mean, you know that. It's just things
2:22
have changed.
2:23
Things have changed, right? So, you
2:25
going you're on your second vaccine.
2:26
What was it like? How how's that
2:27
experience been like? You know, still
2:29
people
2:29
It was the first one was, you know,
2:31
chills and like feeling kind of shitty
2:34
for about a day and then it was okay.
2:36
Second one's supposed to be a little bit
2:38
harder hitting, but you know, I'm
2:40
willing to pay that price just to put
2:42
this thing in the rearview mirror.
2:44
And keep it moving.
2:46
I'm I'm not mad at that, man. I'm not
2:48
mad at that. Scott, man, when I listen
2:49
to when I listen to Man, by the way, can
2:52
I call you Scott? Is that okay? Or
2:54
Yeah, call me
2:56
Yes, if and and what do I call you?
3:00
Swayze or Mr. Callaway?
3:02
Hey, man, Swayze works for me. First
3:04
name basis with us, Scott. Come on,
3:06
brother. First name basis, man. When I
3:08
when I listen I want to talk about all
3:09
these movies, but I just listened to
3:11
your beginnings, you know, and where you
3:13
actually started from. There's a lot of
3:15
folks that end up in high places that
3:17
never planned on it. And when I look at
3:19
your your history, you went from the
3:21
Marines to working as a sports reporter,
3:25
uh to being a person to becoming an
3:27
author but who could not write dialogue.
3:30
And so, how did you end up acting? Did
3:32
was acting never really your first never
3:34
really a goal? You just fell into it?
3:37
No, I I I never thought I never really
3:40
thought of it. It kind of ambushed me.
3:42
What happened was uh
3:44
uh
3:45
I
3:46
I didn't like the job I had. I was
3:48
working as newspaper reporter and I it
3:50
was a I was doing police desk and
3:53
feeling like uh
3:55
I was making my living off of other
3:57
people's misery.
3:58
And uh so I I applied for a job on the
4:02
sports desk of a of a paper in the
4:04
Virgin Islands. I got the job, but I
4:06
wasn't starting for 6 months. I was
4:07
talking to a friend of mine on the phone
4:09
and she
4:10
She And what I love more than anything
4:12
else is poetry. And what That's what I
4:14
wanted to do, write poetry and short
4:16
stories. And she told me she said, "Why
4:18
don't you You're not doing anything for
4:21
You know, you got this job, it's not
4:22
starting for 6 months. You hate what
4:24
you're doing now. Why don't you get get
4:26
your ass to New York and
4:28
take an acting class?" And I said,
4:30
"Where's that coming from?" And she
4:31
said, "I I'll be honest with you, Scott.
4:34
You You're right, you know, ideas of of
4:37
action and place and
4:40
pretty good, but your dialogue
4:42
essentially sucks. It's stiff and it's
4:45
not the way anybody ever talks. The
4:47
minute you put words in anybody's mouth,
4:49
you lose
4:50
So, she said, "If you have to get on
4:52
stage in front of people and say words,
4:54
you you'll kick you in your ass to
4:57
listen to the way people really talk.
4:59
And if you're dealing with theater,
5:00
you'll be dealing with arguably, you
5:02
know, the best dialogue ever written.
5:04
So, after I got over about 30 seconds of
5:07
being pissed off for for telling me the
5:09
truth,
5:10
I thought, you know, it's true. So, I
5:12
went to New York and
5:14
I got a couple jobs
5:16
uh
5:17
laying brick and bouncer in a bar over
5:20
in the East Village. And I looked up
5:21
acting in the newspaper, nothing under
5:24
A, under B it said Berghof's and I
5:27
called him up and uh I got this guy
5:29
named Bill Hickey, who was one of
5:31
America's greatest character actors. He
5:33
said, "Yeah, work on something bring it
5:34
over Wednesday."
5:36
And
5:37
uh I went that Wednesday I went down in
5:40
the basement of Berghof Studios in the
5:43
West Village and
5:45
walked in front of about 11 tired people
5:48
and before I even opened my mouth it was
5:50
like a light bulb went off literally
5:53
between my eyes. The only time in my
5:55
life and
5:56
I just thought holy [ __ ] I'm an actor
5:59
and
6:01
it wasn't like a big epiphany or
6:03
anything like that. It was just
6:05
I don't know it's where it was like my
6:07
life made sense to me. Just it just
6:09
didn't Hickey saw it and he pointed at
6:11
me. He said yeah that's right you're one
6:13
of us.
6:14
And
6:15
I never did the scene. I walked I walked
6:17
outside and I remember I called my mom
6:20
and dad up and I said I'm not going to
6:22
the Virgin Islands.
6:24
I'm going to be an actor. I knew that
6:27
that quick and but I had never really
6:29
planned on it and
6:32
My dad told me he said I don't know
6:34
anything about what you're talking about
6:35
but he said the only advice I can give
6:38
you is don't give yourself any
6:39
deadlines. Don't say if I haven't made
6:41
this in four years I'm going to
6:43
you know
6:45
paint buildings or something
6:47
and he said if you love it make it your
6:50
life and that's pretty much how it went.
6:54
And it's been his life ever since. Man I
6:56
love that story man. I didn't even
6:57
realize all that. Scott Glenn is here
6:59
man. We're talking about Greenland.
7:01
Tracy go ahead and jump in talk with
7:02
Scott for a second.
7:03
Yeah absolutely Scott. You know
7:06
hearing just as you shared with us the
7:09
trajectory of your life and I couldn't
7:12
help but think about your wife Carol and
7:15
how you guys have been married for
7:17
decades upon decades upon decades. I
7:19
mean she she has had you know what I
7:22
mean like a front row seat of your
7:24
evolution and in Hollywood we're so used
7:26
to hearing an actor be married for a
7:28
second time for a third time. You know
7:31
what I mean? Divorces are more the way
7:33
that tale goes versus
7:36
long-standing unions. Can you share just
7:38
some of your standout reflections on how
7:42
you guys make this work.
7:45
Well, to begin with, she's a she's
7:48
she's a tough lady from Brooklyn.
7:51
And
7:53
probably put up with an awful lot from
7:55
me, but I
7:56
you know, she's an artist, too. She's a
7:59
she's a potter.
8:00
And the truth be known, she's a way
8:03
better artist than I am. But, you know,
8:05
somebody one time said to asked her,
8:07
we've been married now for 52 years,
8:10
which is
8:11
hard to
8:12
wrap my head around, but
8:14
she was asked a number of years back,
8:16
you know, what's your secret? And she
8:18
said, "Well, Scott goes away on
8:20
on on long locations." And then she
8:24
said, she thought for a minute and she
8:26
said, "You know, we're we're we're very
8:29
together because we've never grown up."
8:31
She said, you know, "Scott's still into
8:33
make-believe and I'm still playing in
8:35
the mud."
8:41
Inner child connects.
8:43
Yeah, and we're both the East Coast city
8:46
kids, so, you know, I mean,
8:48
call myself a kid. I'm a I'm a skinny
8:50
old man right now, but
8:52
You're in good shape, Scott.
8:53
But, you know, we we got that, you know,
8:56
that's that's our mentality, you know. I
8:59
hope I'm not Well, as way I know is from
9:02
Oakland.
9:03
Yeah.
9:03
Uh which is which is kind of which is
9:07
kind of East Coast anyway.
9:09
Mhm.
9:09
But, we both grew up in in in places
9:12
where uh
9:15
where you don't have to read between the
9:16
lines when you talk to people.
9:18
Yeah.
9:18
Mhm.
9:19
Yeah.
9:20
Just be straight up.
9:21
Straightforward. Everybody's, you know,
9:23
Oakland's the same way. It's the exact
9:26
same way. I'm also
9:28
interested in your background cuz I I
9:30
read that you have a Native American
9:32
ancestry, but I also read that
9:35
Scott Glenn that you you like to go
9:37
spear fishing. And I I'm I grew up you
9:39
mentioned the bay. I grew up an angler.
9:41
You know, I grew up fishing with, you
9:43
know, of course, you know, live bait. I
9:46
like to fish with
9:48
you know, lures. I've done it all, but
9:50
I've never done spear fishing. Does that
9:52
have anything to do with your ancestry
9:54
or is that just something you grew up
9:56
doing?
9:57
You know, you know, it's it's hard to
10:00
it's really hard to answer that question
10:02
cuz I in some ways I think whatever the
10:05
genetic messages are that are running
10:07
around in my bloodstream that's, you
10:09
know, talk to me, but what happened with
10:13
that was I was uh
10:16
I was a
10:18
a snorkeler and a free diver and a
10:20
friend of mine just said
10:22
he said he lived in Hawaii and he said
10:25
have you ever been deep water spear
10:28
fishing? I said, no. He said, I think
10:30
you might enjoy it because
10:33
it forces you to live in the present and
10:35
which it does. And I just tried it and
10:40
it it's a
10:41
you know, when you go 30 mi off the
10:43
coast, so you know, the water is no
10:46
longer at hundreds of feet deep, it's
10:48
now thousands of feet deep and jump into
10:51
the water and there are always a bunch
10:53
of sharks around. Some
10:57
people either really freak out and
10:59
because it's almost like being in outer
11:01
space and other people, me me being one
11:04
of them,
11:05
kind of feel like I've come home. I
11:08
don't do it anymore. I quit I quit doing
11:10
it, but not not because I didn't love
11:12
it. I was just
11:14
I was just told by uh
11:17
by a dermatologist that it was uh
11:21
that you're courting skin cancer if you
11:24
spend too much time out there doing
11:25
that, but uh I just I just really loved
11:29
it. I loved being in the water with
11:31
with, know, with with wild crazy things
11:34
and
11:35
and and it
11:37
it's one of those things
11:39
I was thinking about it, you know, cuz I
11:41
do track days on motorcycles and stuff
11:43
that
11:44
a lot of people think is
11:46
risky.
11:47
But the odd thing about that, maybe you
11:49
you know,
11:51
the odd thing about that is you
11:53
it's you know, in a kind of an emotional
11:56
spiritual way, it's very restful because
11:59
Mhm.
12:00
you don't think about oh [ __ ] I'm
12:03
I feel bad about what happened yesterday
12:05
or I or I'm worried about what's going
12:07
to happen tomorrow. There is no
12:09
yesterday or tomorrow. You
12:11
you're you're right there in the moment
12:13
and it's so it's a weird kind of
12:16
peace that you get from doing that kind
12:17
of stuff.
12:18
Mhm. That that that that's why I fish.
12:21
That's That's for me it's therapeutic.
12:23
You're surrounded by nature, you got
12:25
that water running, banging off the
12:27
rocks, Scott. You know, it's creating
12:29
that that vibe, that energy, that
12:31
rhythm.
12:32
Um
12:32
you know, I got I got a different
12:34
relationship with the sun, Scott, so I
12:36
can step out there a little longer than
12:37
you
12:38
um because of
12:41
You know, we You know, you know what I
12:43
mean? So I
12:44
little different ancestry going on here
12:46
so that you know
12:48
but
12:51
I I'll catch a few for you, man. Scott
12:54
Glenn is here, man. I'm really happy to
12:55
have him here. DB, I know you want to
12:57
jump in.
12:58
Um and let's talk a little about a
13:00
growth Greenland, but I also want to ask
13:02
you, you know, you you work with so many
13:04
legends from Anthony Hopkins and Denzel
13:06
and the list could go on and Training
13:08
Day obviously was one of um that was one
13:11
of my favorite movies and one of my
13:13
favorite scenes is when Ethan Hawke and
13:15
and
13:16
and Denzel and Dr. Dre are all they come
13:20
and invade your home and you know,
13:22
Denzel is acting really trying to get to
13:25
that money
13:26
anyway possible and and we all know that
13:30
it ain't going to end well.
13:34
Not for Roger at least. It's not going
13:36
to end well. He got to get this million
13:38
dollars before the Russian mob get to
13:40
him. It's just ugly. Um for you though,
13:43
do you ever have some real moments like,
13:45
"Damn, I cannot believe I'm I mean, I
13:47
got to work. I got to deliver these
13:49
lines, but I'm in the room with Ethan
13:50
Hawke. I'm in the room with Denzel
13:53
Washington. That's Dr. Dre." What was
13:56
that What was it like? Like, what can
13:57
you share with us?
13:59
Did it Did it not Did it not Did it not
14:00
register? Like, what was it like sharing
14:02
the scene with them during that
14:04
particular
14:04
Well, to be to begin with,
14:07
you know, in my book Denzel is the
14:10
finest American actor working right now
14:12
and maybe
14:13
quite possibly just the finest period. I
14:16
I I I met D during
14:19
uh Courage Under Fire and and and uh
14:23
I was when when I got got offered
14:25
Training Day, I
14:26
I've been working straight for 2 years
14:29
and and uh I knew I was going to start
14:31
this movie called Shipping News in 2
14:33
weeks. So, I had 2 weeks off and I
14:35
thought I'd just go home and hang out
14:37
with my wife and play and and then
14:40
somebody said, "We You know,
14:43
Denzel wants you to be in a movie with
14:45
him." And and I I just instinctively
14:47
said, "God, you know, I love working
14:49
with Denzel, but
14:51
but no, I I got to have some time off."
14:53
So, he got a hold of you and he said,
14:55
"You mean, this is the way it works. Uh
14:58
I need somebody to play, you know, my
15:01
best friend, a white guy who uh
15:05
who I kill at the end of the movie and
15:07
everybody in the audience is going to be
15:09
pissed off at me for betraying this
15:12
relationship."
15:13
And he said, "That's you. So, nobody
15:15
else can do it and uh and you got to do
15:19
it." So, I said, "Okay." And um
15:22
working with Denzel is just
15:25
you know, it's joyful because what the
15:28
two of us worked out what our history
15:30
was, fictional history,
15:33
that's never really mentioned in the
15:35
scene, but
15:37
how did we get together and how did we
15:38
get close and and how do we get, you
15:41
know, into the ritual drinking, you
15:43
know,
15:45
$5,000 bottles of scotch and all the
15:48
[ __ ] So, we we both decided that
15:52
what we had shared was never mentioned
15:54
in the movie and
15:55
didn't need to be was Vietnam. So,
15:59
we we worked out that and then would
16:02
when when Dre came in, I never said this
16:05
to him. Uh
16:08
he's chance
16:10
when when we first started doing the
16:13
scene, they had a bunch of guns on the
16:14
set. And uh one of Dre's bodyguards
16:18
looked across and they had there was
16:20
there was a uh an automatic pistol
16:22
across the the the room and
16:25
and Dre said, "What is that?" And the
16:26
guy said, "That's a that's a Glock." And
16:28
I said, "No, it's not. It's a SIG."
16:30
So,
16:32
uh the guy went over and he said, "No,
16:34
Scott's right. It's a SIG." And then
16:36
later on one of their they they had uh I
16:39
don't know an MP5 that got jammed and
16:42
nobody could fix it. So, I field
16:44
stripped it and Dre said, "Hey, dog, is
16:46
there anything about guns you don't
16:48
know?"
16:49
And I said, "I don't
16:51
maybe not. I don't know." My grandkids
16:54
were on the set at the time and they
16:55
heard him call me dog. So, for the rest
16:58
of my life for two of my grandkids, I am
17:01
GRANDPA DOG.
17:05
WHAT WHAT WHAT I DIDN'T
17:07
What I didn't say to Dr. Dre was that uh
17:12
he I
17:13
I believe this is true. You guys can
17:16
tell me whether you know, maybe it's
17:17
[ __ ] But I believe he produced
17:21
the first song that I really listened to
17:24
from
17:26
one of I probably my three favorite
17:29
poets,
17:31
Tupac Shakur.
17:33
And it was California Love. And I think
17:35
Drake produced that song. Maybe he
17:37
didn't, I don't know.
17:39
Yes, God Glenn, your hip-hop knowledge
17:42
runs deep. You are absolutely correct.
17:44
Yep, deep like those waters.
17:47
You a hip-hop head, dog.
17:50
Well, it was you know, it's a fun That's
17:52
a you know, it's the funny thing about
17:53
California.
17:55
You know, I finally like really listened
17:57
to it because Tupac,
17:59
you know, I mean, he's
18:02
Do you guys know who Francois Villon
18:04
was? He was a middle-aged one of
18:06
France's greatest poets.
18:08
Mhm.
18:09
And and and
18:11
and his life makes Tupac's life look
18:14
like a choir boy.
18:16
Uh
18:17
but but I always saw kind of they the
18:19
the big rap against Villon and until
18:22
history treated him differently was he
18:24
was just a gangster and a criminal and
18:27
you know, and he was. I mean, he
18:30
he
18:31
his first crime was
18:34
killing a priest in a knife fight and
18:36
then they he was sentenced to hang three
18:38
or four times, but the stuff he wrote
18:40
was so beautiful and so profound and it
18:44
spoke to
18:45
the street life in Paris at the time for
18:48
somebody who grew up with nothing.
18:51
And and
18:52
and I think that history's going to
18:54
treat Tupac the same way.
18:56
But
18:57
you know, but anyway, I was So I was
18:59
listening to that to to California Love
19:02
and I realized
19:05
years later
19:06
that that I got the the words wrong and
19:09
I I may have it
19:12
It was uh
19:14
You know, where he says uh we in the
19:16
sunset sign we in the sunshine state
19:19
where the bomb ass hampton state where
19:21
you never find dance floor empty.
19:23
Mhm.
19:24
And pimp's beyond a mission for them
19:26
greens lean mean money making machine
19:29
serving fiends and I
19:31
I thought up for a number of years
19:34
what he said was intense street on a
19:37
mission for them greens giving me money
19:40
making machines selling dreams.
19:43
But uh
19:44
Well, that was bars too though. Like I
19:46
like what you did with that Scott man.
19:48
That wasn't what he said, but I see
19:50
where you went with it I like those bars
19:53
too.
19:54
Wow, that's interesting and I like the
19:56
comparison of
19:57
Is it true that you had the like the
20:00
last major interview with him?
20:02
Wow.
20:04
Scott, this is your interview. Uh but I
20:06
will do this. Uh I have one of the last
20:10
I don't know who had the exact last. I
20:12
know he and I sat down
20:15
um on a set of how do you want it video
20:18
I believe it was. I had to sneak on the
20:19
set.
20:20
He wasn't allowed he wasn't being
20:22
permitted to speak out publicly, but he
20:24
had called me I'd known him I knew him
20:25
from Oakland. You know, Scott before
20:28
before you know, once he was with
20:29
Digital Underground and he was in that
20:31
group Digital Underground.
20:33
And then he blew up he start going I
20:34
knew him from that time the come up
20:36
time. So it was a different kind of
20:38
relationship for us. It was like friends
20:40
who were in the same field. He went off
20:42
and did it.
20:43
His star ascended way faster than mine
20:46
ever could. And for obvious reasons and
20:50
like a
20:51
I can't say how long it was before he
20:54
passed after that before he was shot and
20:56
killed. But it was a couple of months
20:58
before that we did that interview. Yeah,
21:00
man. Actually yeah, it's a lot in that
21:02
interview. Some stuff that never even
21:04
been put out there in the public that I
21:06
didn't release because I wasn't for
21:08
that.
21:09
Yeah,
21:10
yeah man. Yeah man. Yeah Scott. Scott
21:13
Glenn man, come on. Round of applause.
21:16
THIS IS AWESOME.
21:19
HOLD ON MAN. WE GOT
21:20
an Iowa Chuck in Iowa. Go ahead Chuck.
21:23
You want to say something with Scott
21:24
Glenn?
21:24
Chuck Chuck.
21:25
Yeah, I do. How you doing Mr. Glenn? Hey
21:28
family. This is Way family. How y'all
21:29
doing? But Mr. Glenn
21:32
you're in my favorite movie
21:35
and my favorite movie line came from
21:37
that movie and that was Silverado.
21:40
How how was that how was that set like?
21:45
Was it humorous? Was it really I know
21:46
it's probably hard work riding horses
21:49
and whatnot. But what what was that
21:51
like? What was that experience like
21:52
working on Silverado?
21:54
Well, the thing the thing is I
21:56
was doing I was doing a
21:58
a movie that I won't mention in Germany
22:00
that was actually pretty much a piece of
22:03
[ __ ] and
22:04
and and and I felt like I was stuck in
22:06
it and I got sent the script by Lawrence
22:08
Kasdan with a note that said read this.
22:11
I wrote the part of Emmett for you. So
22:13
that thing was written for me. I
22:15
remember when I first maybe a third of
22:18
the way into it and I just threw it up
22:19
in the air and went yeehaw. I was so
22:22
happy.
22:23
It was doing that movie was
22:26
you know, you get lucky sometimes. I
22:29
I remember we
22:30
we all
22:32
were out in New Mexico three about three
22:35
weeks before we started shooting to
22:37
rehearse everything because
22:39
we were shooting in high country which
22:42
meant we only had about five hours of
22:45
decent light a day to
22:47
to work. So everything had to be
22:49
worked out ahead of time. And at the
22:52
beginning of rehearsal what Kasdan said
22:54
is there anybody here who cannot ride
22:56
horses?
22:57
And
22:59
only two people took one step forward
23:01
and it's me and Danny and um
23:05
Danny Glover and uh
23:07
they looked at me and they said, "You
23:09
You You don't know how to ride." And I
23:10
said, "No, I
23:12
I've discovered in life that especially
23:14
with physical things, it's best to tell
23:17
the truth."
23:18
You know, it it catch up on you really
23:20
fast.
23:22
So,
23:22
they
23:23
they brought this horse over.
23:26
Well, they they they they they gave me
23:28
riding lessons for about two two and a
23:31
half weeks.
23:32
And then Larry Carson went out and
23:34
looked at all the horses they had and he
23:36
saw this big gray horse, one I wound up
23:38
riding.
23:39
And he said, "That's what That's the
23:40
horse I want Scott on." And the the the
23:42
wrangler said, "No, no, that's I brought
23:45
that That's my horse. That's a national
23:47
steer roping champion.
23:49
He's uh only 5 years old and the stunt
23:52
riders can't ride him. He's dangerous.
23:55
You get near him with spurs and he'll
23:57
kill you." And uh I can ride him, but
24:00
no, Scott can't ride that horse. Nobody
24:02
can. And And uh
24:05
so, Larry Carson just said, "I I want I
24:08
just love the color of that horse and I
24:10
like the way it looks. So, I said, "Why
24:12
don't you saddle the horse up and and
24:15
and and I'll walk out and if he makes a
24:18
bad move towards me, you know, I'm not
24:20
brave. I'll run away. I'll get I'll get
24:22
out of here, but
24:24
So, as I was walking out to the horse, I
24:26
remembered this woman
24:28
in England
24:30
I that I was listening to as a She was
24:32
an animal trainer named Barbara
24:33
Woodhouse and she said the horses
24:35
communicate by
24:37
blowing in each other's noses. So, I
24:39
walked out and I And they also said,
24:42
"You've got to let let this horse know
24:44
who the boss is right away. You cannot
24:47
let this horse be in charge of you." So,
24:50
I walk out and it's just me and the
24:51
horse. I'm looking at at Ajax and I
24:54
said, "To begin with, Ajax, I don't know
24:57
if you can understand any the I'm saying
24:59
to you, but the way it works is you're
25:01
the boss. You're way bigger and way
25:03
stronger than me. I don't know [ __ ]
25:05
about riding. And what I As I was
25:07
talking to the horse, he put his nose
25:10
real near me, and I blew in it as far as
25:12
I could. And he blew back and hit me in
25:14
the face with a wad of snot the size of
25:17
a snowball.
25:19
And then And then he started rubbing his
25:21
head up against my chest.
25:24
And And I got up on him,
25:26
and he didn't move. I
25:28
touched him with my heels. He started
25:31
off galloping. I touched him a little
25:33
harder. He started off really running
25:36
hard, but smooth. And it was like And
25:39
then at one point I wanted him to stop,
25:41
so I dropped my heels and I said,
25:43
"Whoa." Forgetting that he was a steer
25:45
roping champion. So, he just
25:47
puts his heels in and stops, and I go
25:50
out over his head and land on the
25:52
ground. Thank God I didn't break my you
25:55
know, I didn't didn't get a concussion
25:57
or anything.
25:58
Wow.
25:58
But, I'm lying on the ground, and the
26:00
horse walk
26:02
trots over to me, puts his big wet
26:04
muzzle on my face, and starts rubbing me
26:07
to make sure I'm okay.
26:09
And so, the horse would let me do
26:11
anything I wanted. I mean, I did things
26:13
called fender drags and shot full load
26:15
blanks between his head. And he just
26:19
just took care of me. They They would
26:20
open the the the corral in the morning
26:23
and let him up loose, and he would walk
26:25
He would trot over to my motor home and
26:27
wait for me to come out.
26:29
Wow.
26:29
So, people see that movie, and they
26:31
think, "Wow, Scott Glenn, he's a He's
26:34
like a
26:35
real cowboy. He's a expert rider."
26:38
I don't know [ __ ] about riding. It's
26:40
just the horse just made me look good.
26:42
And the Everything in that movie was
26:46
kind of like that. You know, sometimes
26:48
you do things, and you just feel like
26:50
there's
26:51
I don't know what the word is, a
26:52
blessing over the whole thing.
26:54
Yeah, it's anointed.
26:55
Mhm.
26:56
The whole thing is anointed.
26:58
Yeah, there you go.
26:59
Yeah. Yeah. I Hey, man, that's a Chuck
27:02
Chuck, thank you for your call and your
27:03
question, man. I hope that answer your
27:05
question, man. You citizen, brother.
27:07
Yeah. That's way in the morning.
27:08
That's right. All right, man.
27:11
DB, uh before I know Scott, I know you
27:13
got to go, but man, I you know, when
27:14
this whole thing opens up and and you
27:16
can come by the building, we would love
27:17
to have you on on the show in person,
27:19
but um
27:21
Where are you, Sway? What What What
27:23
Where are you?
27:24
We're in New York We're in New York. I'm
27:25
in New York right now. We We We
27:27
broadcast out of New York. Right now,
27:28
I'm in Harlem. I'm at my home.
27:30
Uh but we
27:32
the minute we the minute we put this
27:34
thing in the rearview mirror, I would
27:35
love to come and see you face-to-face.
27:38
It would be my honor.
27:40
Okay, man. It'd be our honor as well,
27:42
man. Thank you, sir. Before you go
27:44
though, DB, he's he's a big fan of yours
27:46
and he got something special he wants to
27:48
run by you real quick. DB, you go ahead,
27:50
man.
27:51
Well, uh
27:52
I mean, I know we're short on time at
27:53
this point, so really I just wanted to
27:55
to ask about uh Greenland because uh
27:58
when when we meet your character Dale, I
28:00
won't give away too much, but when we
28:01
meet him, he's kind of just hanging
28:02
around and um
28:04
really doesn't seem to be too concerned
28:06
about this comet that's heading towards
28:07
Earth. So, I just wanted to know if this
28:10
was a real-life scenario and and there
28:12
was a comet heading towards our planet,
28:14
what would you want to do and how would
28:15
you want to spend your last, you know,
28:16
remaining hours if if you
28:19
were not going to head for Greenland if
28:20
that was was where the bunkers were.
28:23
If I couldn't If I couldn't
28:26
do anything, and I can't imagine that I
28:29
that
28:30
That's just not how I'm wired. I'd try
28:32
to figure out some way. I'd want to be
28:34
around my family and my and my grandkids
28:37
and people I love.
28:39
But I mean, it's pretty The
28:41
What What I thought about that, when we
28:43
made that movie, we'd never heard the
28:45
term coronavirus or any of that. And now
28:48
you look at the movie and that's
28:50
it's almost all you can think about. And
28:53
it's kind of like you know, I was
28:55
thinking about it that
28:57
that what my character wants is pretty
29:00
much what I would want which is for the
29:03
the the younger part of my family to if
29:06
there's if there's a problem in the
29:08
family, work it out. Make sure everybody
29:11
is healed and strong and together
29:14
so that they can
29:15
stick together and have the discipline
29:17
to get to Canada and survive this thing.
29:21
And in an odd way, I mean this
29:24
I'm I'm I hope I it's not pretentious of
29:27
me to say it, but
29:28
in an odd way I think that that
29:31
that dealing with a family and that is
29:34
kind of a metaphor for for the whole
29:36
country. And and and and we really have
29:40
to
29:41
have accountability and then and then
29:43
mercy and then [ __ ] so we can all
29:47
share the discipline we need to get
29:50
through this thing. And anyway, that's
29:53
how I feel.
29:54
Mhm. Uh if listen, Greenland is
29:57
available. I watched the movie. I really
29:59
enjoyed it. Uh it's on available on
30:01
Blu-ray and DVD.
30:03
Scott Glenn, man, you're a class act,
30:05
bro.
30:07
Word up.
30:07
You're a class act, man.
30:11
And uh I want to thank you for being on
30:12
the show. DB, that's all you had? I
30:13
thought you had something else for him.
30:15
That was it?
30:17
Well, I mean I if he if I'm allowed to
30:19
say it, then I'll go ahead and shoot. Um
30:21
you know, like I mentioned at the
30:22
beginning Silence of the Lambs was the
30:23
30th anniversary was on Valentine's Day
30:25
and we recently saw um Jodie Foster and
30:28
Anthony Hopkins they did a reunion on
30:30
Zoom and they were talking about how uh
30:34
some of the behind the scenes stuff
30:35
Anthony would do like staying in
30:36
character and and
30:38
you know, just to give off this creepy
30:39
vibe and a lot of the stuff that was
30:41
figured out that we see on camera just
30:43
kind of came along in the process of
30:44
shooting. I mean, I know you didn't
30:46
really share the scenes like Jodie did
30:48
with Anthony at the at the facility and
30:50
things like that, but was there anything
30:52
that stuck out for you personally about
30:54
the making of that film because it's
30:56
it's it's remarkable watching it even
30:58
now. You know, it's still scary as hell
31:00
seeing some of those scenes with Buffalo
31:01
Bill and and and the interaction between
31:04
Jodie and Anthony. I mean, was there
31:05
something particular about your
31:07
experience working on Silence of the
31:08
Lambs?
31:09
Uh
31:10
not to leave on a on a blue note, but
31:13
yeah, I was doing research for that. I
31:15
went down to uh
31:18
I went down to Quantico to hang out with
31:20
a guy named John Douglas who created
31:22
behavioral science and investigated They
31:26
don't call it serial killing. They call
31:27
it sexual homicide.
31:29
And I
31:30
and I hung out with him for
31:34
week, week and a half and sat in on
31:36
cases
31:38
and uh
31:40
it still gets in the way of my sleep.
31:42
Mhm.
31:44
Wow.
31:45
Mhm.
31:46
I mean, I grew up I I mean,
31:49
I grew up in Pittsburgh, you know? You
31:53
The only team that that that the
31:55
Steelers ever felt were, you know,
31:58
approached life like them were the
32:00
Oakland Raiders. So, and then I was in
32:02
the Marine Corps. So, it's not like I've
32:04
led a sheltered life, but
32:07
I was exposed to stuff doing research on
32:09
that film that
32:11
I just I
32:12
I just never realized human beings could
32:14
get
32:15
that bad.
32:16
That bad, huh? Even in war, like you've
32:19
been in the Marines, you know, the
32:21
things of that heinous uh
32:23
Well, thank you for sharing that, Scott
32:25
Glenn. And and
32:28
that lets you know we got a lot of work
32:30
that still we got to do.
32:32
We got a lot of work we got to do, man,
32:34
but I appreciate you being on this show.
32:36
You're officially a citizen.
32:37
A citizen OF THE MORNING.
32:39
AND THEN as soon as we get behind this
32:41
and it wasn't a blue note, I appreciate
32:43
your transparency and show and sharing
32:45
that with us about your process. And so
32:48
when it when the doors open up, you get
32:50
the vaccine, we're all clean and clear,
32:53
man. Come join us. We can sit in the
32:54
studio, sip on some tea, and share some
32:57
some Tupac stories. How about that? All
32:58
right?
32:59
I would love that. Yes.
33:02
Okay. Thank you.
33:03
And and tell your grandkids that we
33:06
called you we called you a citizen of
33:08
Sway in the Morning, dog. Okay?
33:10
Yeah.
33:13
Scott Glenn, ladies and gentlemen. We
33:15
going to come back. We going to have our
33:16
black history uh spotlight. Scott, thank
33:19
you again, man. Appreciate you. Get to
33:21
Greenland.
33:23
All right. And get
#Arts & Entertainment


