0:00
Lin Chun-Yi is your 2026 All England
0:02
men's singles winner, and he looked
0:06
On his way to the win, he took down big
0:08
names including Indonesia's top player
0:10
and world number four,
0:14
World Tour Finals winner,
0:18
and the current world number one,
0:29
And out of the five matches that Lin
0:32
he only dropped one game to Kunlavut
0:35
This All England win now puts him at his
0:37
personal highest ranking ever, at number
0:42
It also feels like that performance is
0:45
In 2026, Lin Chun-Yi has already won
0:47
both the Super 750 India Open and Super
0:50
1000 All England, and there's something
0:52
new about his gameplay that will make
0:54
him particularly dangerous if he
0:55
continues to improve on it.
1:01
Lin Chun-Yi has been a good player,
1:03
but never really a great player until
1:06
If we look back at his history to when
1:07
he first started competing
1:09
we'll see that he has been good,
1:12
but not really good enough to
1:13
consistently contest the top players.
1:16
He had consistently won at the challenge
1:18
and series levels enough to quickly push
1:19
him higher, but for a while,
1:22
Lin Chun-Yi's gameplay seemed to be
1:24
stuck at the Super 300 level.
1:27
He could occasionally pull the win at
1:28
these Super 300 and 100 tournaments and
1:31
upset some top players on a good day,
1:33
but consistently winning these Super 500
1:35
tournaments and higher
1:40
it might have felt as if Lin Chun-Yi
1:42
peaked at that Super 300 level,
1:45
especially as players younger than him
1:46
have began to overtake him.
1:48
In fact, Lin Chun-Yi's record against
1:50
Kodai Naraoka is actually 1 to 8.
1:54
Against all odds, however,
1:56
something has clicked for Lin Chun-yi.
1:59
And he began to rapidly improve from a
2:00
player contesting top spots to a top
2:05
Lin Chun-yi is known for his explosive
2:08
that all opponents have difficulty
2:12
We talked previously about how this was
2:16
and something that always made Lin
2:17
Chun-yi hard to play against
2:19
because you had to uniquely prepare for
2:23
That weapon was not enough by itself.
2:26
And it wasn't even enough when in
2:27
combination with some Lin Chun-yi's
2:29
other strong skills like his front court
2:32
What you would have noticed while
2:33
watching Lin Chun-yi's past games was
2:35
that if the opponent could manage to
2:36
defend against Lin's smashes or find a
2:39
way to prevent him from playing them as
2:40
often, Lin Chun-yi would end up making a
2:45
And if you've seen another video we made
2:48
about why Taiwanese badminton players
2:50
have struggled, you'll know that one of
2:52
the problems is their intention to
2:54
continuously create opportunities to
2:58
>> a lack of willingness to play defense.
3:03
Lin Chun-yi has made great strides in
3:06
where his improved defensive
3:07
capabilities combined with his elite
3:08
attacking skills make him particularly
3:13
He's a much more well-rounded player now
3:15
and there's a specific adjustment in his
3:16
footwork that has made his defensive
3:25
A lot of badminton players and coaches
3:27
work so much on ways to score points and
3:31
that we forget to develop arguably a
3:33
more important aspect in not losing.
3:36
An example of what this means is that
3:38
coaches and players, including
3:39
ourselves, might spend a ton of time
3:41
looking at how to break your opponent's
3:44
get opportunities to smash, or develop
3:46
certain shots to prevent them from
3:49
that we often forget about developing
3:50
the skills to make ourselves play well
3:53
regardless of the situation.
3:55
What Lin Chun-Yi has found in his wins
3:56
is a stronger sense of maintaining his
3:59
Instead of looking to always pressure
4:00
and break your opponent's rhythm, a
4:02
different mindset you can have is to
4:03
play shots that allow you to maintain
4:05
smooth movement on court.
4:08
Lin Chun-Yi has a preferred rhythm on
4:10
court that's best shown rather than
4:53
What you'll notice when comparing Lin
4:54
Chun-Yi's current footwork and rhythm
4:57
is that he has changed his recovery
4:59
footwork to sync up better with his
5:17
His goal is to actually start his split
5:19
step before or while his opponent is
5:23
so that when he lands and pushes off
5:25
it's timed better accordingly to his
5:27
opponent's hitting timing.
5:49
>> there were more moments where Lin
5:51
Chun-yi's footwork rhythm was scrambled,
5:53
where multiple steps messed up his split
5:55
step initiation that resulted in late or
5:58
weaker push-offs. [music]
6:04
This is a big reason why his defense
6:05
wasn't as good before.
6:08
Smashes at the pro level are at the
6:11
or a few millisecond difference in your
6:13
split step timing can lead to returning
6:15
the shuttle or missing it.
6:21
poor split step timing can lead to worse
6:23
control of other shots,
6:25
which is why a previous version of Lin
6:28
Chun-yi had consistency issues.
6:32
>> This was seen less at the 2026 India and
6:36
Lin Chun-yi's control was often far
6:38
better, and his defensive play was much
6:42
You can even compare this to the German
6:44
Open, where he lost to Christo Popov in
6:49
The playing conditions were much faster,
6:51
and it was more difficult for Lin
6:53
Chun-yi to control the shuttle, and that
6:55
affected his ability to maintain his
6:58
A lot of the times he would push, only
7:00
to have Christo moving quickly into a
7:01
smash that didn't give Lin the time to
7:03
complete his full split step and
7:08
On that note, we wanted to take a deeper
7:10
look at split steps and explain how
7:12
Lin's bigger split step has actually
7:14
been key to his success.
7:17
Players will often learn that the split
7:18
step should come in the moment right
7:20
after the shuttle leaves your opponent's
7:22
But few players will actually learn
7:24
exactly how to do this, even at the
7:32
Badminton often doesn't have the same
7:33
academic depth in sports science studies
7:38
is something that's common in many other
7:41
sports and well-studied.
7:44
Across various studies, the ultimate
7:46
goal of the split step is to preload the
7:48
muscles to create a spring-like effect
7:51
that allows you to push off much
7:54
Much like what we talked about in a
7:55
video about Lee Chong Wei's footwork.
7:59
A lot of players in an effort to make
8:01
their split step smaller
8:03
or to time their split with their
8:06
will lose this preloading effect and the
8:08
ultimate push off becomes [music] much
8:15
One of the things that has become more
8:16
noticeable for Lin Dan is his play and
8:18
movements that have been modified
8:21
to try and produce the preload feeling
8:25
To time the impact and push off to the
8:28
moment that the shuttle leaves your
8:29
opponent's racket, you generally have to
8:32
start the preload and split step
8:34
movement as they are swinging.
8:43
Players known for their elite footwork,
8:46
such as Lee Chong Wei
8:48
and Lee Hyun Il, have mastered the
8:51
to the point that they can make the
8:53
movement very small and precise.
8:58
But if that timing has not been
9:01
you would prefer to have more air time
9:02
to make sure you get the preload feeling
9:05
rather than have a small movement and
9:09
And this is what has been an adjustment
9:11
for Lin Dan that is more obvious when
9:13
you compare how he moves after playing
9:22
Before he would often stay relatively
9:25
as most of us are taught to stay up and
9:33
he will pretty much always split step
9:35
even after playing good tight net shot.
9:40
The result has been less mistakes and
9:42
higher quality returns from Lin Chun-Yi.
9:45
That's a huge point. Another result of
9:46
Lin's higher emphasis on his split-step
9:49
is that it acts as a way to reset his
9:50
legs and stabilize his movements on
9:54
A key benefit of split-stepping after
9:56
is about re-centering your body's center
9:59
so you can move equally as well in any
10:03
By playing to pretty much always have
10:06
Lin Chun-Yi has become a much more
10:09
and his overall game is smoother
10:11
and more consistent.
10:27
Anyone think he took inspiration from
10:30
Let us know in the comments below.
10:34
For us as players, we can learn from Lin
10:37
Chun-Yi in the sense that our gameplay
10:40
shouldn't always be about how we can
10:42
beat our opponents, but perhaps more
10:44
importantly about playing to maintain
10:48
and ability to repeatedly deliver our
10:50
best performance. [music]
10:52
Lin Chun-Yi was a player that had
10:53
extremely deadly weapons in his smashes
10:55
alongside good front court shots to set
11:00
he could not consistently repeat strong
11:02
performances to win top [music] level
11:07
What's changed is that Lin Chun-Yi plays
11:08
much more to maintain his own smooth
11:11
and that has led to better defense and
11:15
This footwork and rhythm adjustment
11:17
combined with Lin Chun-Yi's already good
11:20
makes him a truly dangerous player to
11:24
It will be interesting to see if he can
11:25
continue to maintain his form.
11:28
If you like this video
11:30
make sure to hit the like and subscribe
11:33
so you don't miss out on future content.
11:35
Let us know what you would like to see
11:37
next in the comments below.
11:39
And as always, thanks for watching.