Trapped in a NY Studio: A West Coast Rapper’s Story of the Biggie vs. Snoop Beef | SWAY’S UNIVERSE
Mar 20, 2026
A guest recounts the 'traumatic' experience of being a West Coast rapper in a New York studio with Fat Joe and DITC during the height of the 90s rap beef. He describes the tension when Biggie Smalls called Hot 97 while Snoop Dogg and Dogg Pound were filming the 'New York, New York' video.
Watch the full video: https://www.youtube.com/watch?v=-r_YplJ8uNA
Subscribe Here! http://bit.ly/SubscribeSU
Watch the Best of Sway In The Morning! http://bit.ly/BestOfSITM
Check out More From Sway’s Universe
http://swaysuniverse.com
http://twitter.com/swaysuniverse
http://instagram.com/swaysuniverse
http://facebook.com/swaysuniverse
#SwaysUniverse #SwayInTheMorning #SiriusXM #Shade45
About SWAY’s UNIVERSE
Exclusive interviews from Sway Calloway and the Sway In The Morning/ SwaysUniverse.com team with some of today's biggest celebrities, like Kevin Hart, Kanye West, Eminem, Usher, Jessica Alba, Steve Aoki, Torey Lanez, Julia Stiles and so much more.
Trapped in a NY Studio: A West Coast Rapper’s Story of the Biggie vs. Snoop Beef | SWAY’S UNIVERSE
https://youtu.be/or4xnNZwOC0
Show More Show Less View Video Transcript
0:00
Did you meet them at D&D or where did
0:02
you meet them? Uh I don't think we were
0:04
at D&D the first time. We were The first
0:06
time I was with all of D&D I mean all of
0:08
D I G C was
0:11
I got these weird stories but it was I
0:13
was in the studio with Joe with
0:15
everybody.
0:16
Uh I think yeah with Fat Joe I'm sorry
0:19
with Fat Joe but when when when Snoop
0:21
was shooting what you call him when Dogg
0:23
Pound was shooting New York New York.
0:24
>> New York.
0:25
>> I was in the studio when Biggie called
0:26
in the Hot 97 bro. We listening to the
0:28
radio at the studio but when it when
0:30
they
0:31
bro
0:32
Uh
0:33
that was an interesting conversation we
0:35
all had but yeah. You were in the studio
0:37
listening to Hot
0:38
>> listening to Hot 97 when Biggie called
0:41
and it's like Fat Joe O.C. blah blah
0:45
blah blah blah and then I had an opinion
0:47
then the in Red Hook then they shot it
0:48
up and all that yeah. Yeah you know cuz
0:50
for those who don't know they were
0:52
shooting New York New York video at a
0:54
really
0:55
very tense time and they were crushing
0:57
the buildings in the video.
0:59
>> And that's what he said they crushing
0:59
the buildings yo. I was like
1:02
So what did people say like when when
1:05
like what was the immediate thing people
1:06
said like when you looked at the room
1:08
cuz I know you were sitting little
1:10
nervous probably I mean I'm the youngest
1:12
I'm little you know I'm not the buffest
1:14
dude. I just was like uh you know like
1:18
he kind of giving some information there
1:19
like Red Hook yo they crushing the
1:22
buildings yo I WAS LIKE
1:23
BRO
1:25
>> [laughter]
1:26
>> DID YOU AT ONE POINT DID YOU THINK YOU
1:28
MIGHT get mopped? All the time.
1:31
>> [laughter]
1:31
>> That whole entire you know
1:33
that entire
1:35
hour in the studio cuz it was from
1:37
calling in to it getting shot up. You
1:40
know what I'm saying? And I didn't know
1:41
like I you know I didn't know Kurupt and
1:43
them like that you know what I'm saying?
1:45
I knew I used to battle Snoop and all
1:46
them like the Long Beach dudes they
1:48
older than me you know what I'm saying?
1:49
So you know they got obviously Snoop got
1:51
on before me and you know what I'm
1:53
saying? Then and I didn't even think he
1:54
even knew who I was anymore you know.
1:57
Yeah but but I still felt like uh
2:00
I'm from the West I had to stand on
2:02
business like hey man
2:04
you know Yo what you saying
2:05
>> man I was like
2:07
you going to get me in trouble. Yeah he
2:09
being an op like
2:10
damn. You see I'M TRYING TO
2:12
YOU SEE I'M
2:13
>> AGO BRO. kind of walk on eggshells
2:15
around this mother [ __ ] I got you I
2:17
GOT YOU
2:18
WATCH him just because it's his show you
2:20
ain't got to you got to [ __ ] with him.
2:21
That was
2:22
>> [laughter]
2:22
>> 30 that was 30 years ago man. Still it's
2:24
painful. Right [ __ ] was yeah. Just
2:26
traumatic right?
2:27
>> Traumatic experience. PTSD Ooh thanks
2:30
see how they thank you.
2:32
>> you I know how he operates I'm here for
2:33
the for the guest. Yo you wrapped THE
2:35
WEST THOUGH.
2:36
>> [laughter]
2:38
>> HOPPING YO.
2:41
YO YOU BATTLED SNOOP before like you and
2:43
him had a You can ask you can ask Beefy
2:45
Loc like you know bro I was a stupid
2:48
look no we hip hop changed our life bro.
2:51
So when we really you know the music
2:53
existed but once I paid attention I
2:55
tried to rap I was super whack.
2:57
So I wrote this rap for like R Street in
3:00
in Watts
3:02
99th and like basically
3:04
Avalon really.
3:05
So I wrote this rap I was trash so I
3:07
gave it up I just like okay I'm going to
3:09
be a fan then I went back and tried it
3:10
again uh and and essentially uh me and
3:15
my friend Bird who would help me produce
3:18
all you know my whole you know my first
3:19
album
3:21
we made a tape where we dissed each
3:23
other and long story short Battlecat
3:25
heard it. And then he
3:27
brings us in he basically adopts us like
3:29
you know what I'm saying? So Battlecat
3:31
he tells me like you can write good and
3:33
then he tells Bird you got a great ear
3:36
and then the journey starts from there
3:37
yeah.
3:37
>> Yeah. So you battled Snoop though.
3:40
>> Yeah so they would bring us out to go
3:41
battle.
3:43
And that would so whatever I'm from
3:44
Carson till they whatever they'll take
3:46
you like even even Kurupt so people are
3:48
going to like Gardena to the mall or
3:50
they going to you know what I'm saying?
3:51
Different malls or different high
3:52
schools like I heard he could rap good.
3:54
Sometimes they bet money on us you know
3:56
what I'm saying? $100 like yo. So yeah
3:57
[ __ ] was going to I was washing
3:59
[ __ ] With with everybody? I I was
4:01
washing [ __ ]
4:03
>> [laughter]
4:03
>> I'm just saying.
4:06
By the time I got my confidence up I'm
4:08
you know probably 15 acting like I'm 17
4:11
or whatever yeah [ __ ] was getting it.
4:13
Yo uh But I used big words so sometimes
4:15
I had to like
4:17
they be like I don't know what the [ __ ]
4:18
he saying though but that was the
4:19
argument about my music period like oh
4:21
he used big words so I see you know what
4:23
I mean? But no we
4:25
Snoop could freestyle Domino it was a
4:27
dude named Radio from Long Beach rest in
4:29
peace. It was a lot of dope [ __ ] you
4:30
know Domino could sing those are the
4:32
deadly ones the ones that could rhyme
4:34
and kind of do a little note so I kind
4:36
of avoided them [ __ ] cuz they could
4:38
sing. I didn't
4:39
>> Domino Ahmad
4:40
>> Ahmad [ __ ] that could hold a note.
4:41
Wait that's not the same Domino here we
4:43
go here we go. They were in a group
4:46
Snoop and them they older than me and
4:47
they and and Perfection because
4:50
Perfection is Perfect Circle I'm making
4:51
it up
4:52
that was that was a group that Snoop was
4:54
in so they had before 213 I think 213
4:57
was Domino Snoop
5:00
and like Warren at first before Nate
5:02
came whatever so yeah now it's all we
5:04
all got all this history together. So
5:06
you said something very interesting to
5:08
me that could be like your career
5:10
changing moment you said I wrote a rap I
5:12
was rhyming I was trash. Yeah in fact.
5:16
Who told you you was trash? The homies
5:18
in Watts that I was writing to impress I
5:20
was probably
5:21
13ish 14ish and I I'm
5:25
I don't know I forgot I I feel like it
5:27
was a like a Run-DMC record that
5:30
inspired me like I'm going to write this
5:31
anthem for this clique it wasn't a gang
5:35
that um
5:36
are in in in where I grew up and went to
5:38
school is is Watts it's basically the
5:41
gangs would be 97 East Coast
5:43
Front Street Watts and Grape Street but
5:46
some of the 16 and 17 year old dudes
5:48
that didn't gang bang wanted to make a
5:49
crew so they were going to be the 99
5:51
East Side Hustlers. Mhm. So I wanted to
5:54
be down with the crew I'm Baby John so I
5:58
was like I'll write a rap so in my brain
6:00
I'm like I'm going to write this rap.
6:01
>> ugly name. I'm John and I'm the baby I'm
6:04
the little one and my grandma and my
6:06
grandma called me Baby John that's what
6:07
it is.
6:07
>> a break Slave he was a little. Take it
6:10
up with Mercedes Baptiste [ __ ]
6:12
>> [laughter]
6:13
>> My granny they called her Miss Pryor.
6:16
Right.
6:17
>> my grandfather but long story short I
6:18
wrote the rap and I was like when I go
6:21
back and this is probably during summer
6:22
so I was like here when I go back
6:24
tomorrow
6:25
I'm going to I'm going to be the king
6:27
I'm going to say this rap and all of you
6:28
know all the cool homies you know they
6:30
17 16 and they going to love me anyway
6:33
I'm going to be the pop most popular
6:35
little little [ __ ] in Watts like in
6:37
the neighborhood and then I said my rap
6:38
and it was trash they was like oh Baby
6:40
John just you black don't rap.
6:41
Damn. And I was cool with that I didn't
6:43
get defeated. What made you pick the pen
6:45
back up again then?
6:48
Probably a year and a half two years
6:50
later
6:50
>> Wow.
6:52
Which was cool I was like oh I'm whack
6:54
so don't rap enjoy the music. Mhm.
6:57
>> And then I would you know people were
6:58
dancing and [ __ ] so I was like okay I'm
7:00
just you know break dance and do some
7:01
[ __ ] like that and
7:03
um but I met my homeboy Bird and
7:07
[ __ ] we were playing with G.I. Joe we
7:09
were still playing with toys I had G.I.
7:11
Joes and at some point which is crazy um
7:16
um
7:17
we were playing in my front yard playing
7:19
with G.I. Joe and I remember at the same
7:22
time we looked up and said
7:24
it's like girls over there so we
7:26
literally matured this like and stopped
7:29
playing with toys and started wanting to
7:30
play with girls the same day and then we
7:33
like really got into the music so we
7:35
were like So girls. Girls.
7:37
>> Girls. Girls made you pick up your pen
7:39
again. Yeah well well we we started
7:42
I had a I had bought a turntable cuz I I
7:44
did a commercial so I done a Pepe Jeans
7:47
commercial so I was already getting Oh
7:48
wow okay. residual checks cuz I was
7:50
gymnastics I could break dance so I
7:52
started getting booked and I was making
7:54
money I was getting these checks you
7:55
know what I'm saying? Young boy getting
7:56
you know what I'm saying? Getting [ __ ]
7:58
you know whatever you whatever get a
7:59
commercial whatever you might get 10
8:01
15,000 plus you get residual checks.
8:03
Yeah yeah.
8:04
>> Yeah you know what I'm saying? Maybe
8:05
even more I can't remember what those
8:06
checks were but I did a couple I got
8:08
casted so I bought a Technic 1200. Mhm.
8:12
He had a Numark mixer with the little 6
8:14
7 second sampler and that so it was the
8:17
girls and then we put our [ __ ] together
8:20
pause that's how they were we put our
8:22
equipment together and and then we just
8:24
grabbed all the vinyls that we had and
8:26
we would just make these diss tapes.
8:28
So
8:29
one hour in my garage I make my diss
8:31
tape I was just making records and [ __ ]
8:32
on him and then he would make records
8:34
[laughter] and [ __ ] on me
8:36
and
8:37
we made our our our coup de grace one
8:39
album we dissed each other it was tight
8:42
so we we let all our homies hear it and
8:44
one of the people who had gone to be my
8:47
harshest critic and you know and my
8:49
biggest my first fan his name is Curtis
8:51
Daniel he owns Patchwerk Studios.
8:53
>> Mhm. But obviously he didn't own the
8:55
studio back then we lived in
8:57
Patchwerk is named after a
8:59
neighborhood in Carson called the patch.
9:00
Mhm. So the one in Atlanta is named
9:02
after where we grew up in Carson but
9:05
yeah we made the tape Curtis and them
9:07
like
9:08
[ __ ] tight so we just kind of going we
9:09
were going kind of viral in the hood off
9:12
the diss tape like Rhas is jokes is
9:15
better cuz we would just freestyle them
9:16
I would just catch our little basic
9:18
ideas and [ __ ] on each other but this
9:20
one was tight. Bird gave it to his
9:22
sister's boyfriend
9:24
and I would have never listened to these
9:27
stupid kids we were you know like I said
9:28
14
9:29
uh
9:31
and he came back and told us we were
9:33
cool and that was Battlecat. I've had a
9:35
very interesting journey. Oh my god. It
9:37
makes sense now it makes sense. That was
9:38
Battlecat. It was Battlecat. He took the
9:41
time to listen to the tape I would have
9:42
never listened to these stupid kids if I
9:44
was him.
9:45
And he he came back and I I'm too shy I
9:48
would never have given him the tape cuz
9:50
he was the K Day and mix master and he
9:53
you know the [ __ ] and he probably was
9:54
just starting to do Domino [ __ ] and all
9:56
that so he didn't have no reason to give
9:58
a [ __ ] about us. And he he really took
10:00
the time, he came back and he was like,
10:01
"You could rap good and you got a good
10:04
ear." And then he took us to the studio,
10:05
him and Kurupt, so rest in peace. And uh
10:08
and uh Box. And Box got a deal and see
10:10
that he pulled us in and me and Burt
10:12
danced for Box while he was developing
10:15
our music and gave us both SP-1200s. And
10:17
like
10:17
>> Wow. And that's what I produced like,
10:19
you know, uh "Rhyme Life" and all that
10:21
[ __ ] "Solo Artist." Solo Artist. With
10:22
that with that SP from Battlecat. I
10:24
ain't I've known this dude decades. I
10:26
haven't heard that story but Ras Kass,
10:28
it's here, man. Let's talk about it,
10:29
man. We played the song "Leopard Eats
10:32
Face." Yeah. Reminds me of when Chris
10:34
Rock said the tiger went tiger.
10:37
>> [laughter]
10:38
>> What does "Leopard Eats Face" mean?
10:40
Well, it's not a term that I created.
10:42
So, it it's kind of in the political,
10:44
you know, sphere, it's
10:46
kind of a analogy for like
10:49
you knew what was going to happen before
10:50
you did it. So, don't be surprised. So,
10:52
the saying is kind of like
10:54
uh lady who voted for "Leopard Eats
10:57
Face"
10:58
party surprised that leopard eats face.
11:00
Yes. You know what I'm saying? So, like
11:03
uh fire's hot, water's wet, leopards eat
11:05
face. And in this analogy, I am the
11:07
leopard. MCs are the face. And and boy
11:11
are they because when you start going
11:12
through these lyrics
11:14
>> [laughter]
11:14
>> Let's talk about some of these lyrics.
11:17
>> Oh, and you [clears throat] know what?
11:17
Also, I'd be remiss keep keep a pin put
11:20
a pin in that. I did want to say it's
11:21
also with that analogy. I didn't want
11:23
this album to be
11:25
overly political in in that sense where
11:28
like a "Solo Artist" political. But,
11:30
this was kind of a old to say I told you
11:31
so anyway. So, this is kind of my like
11:33
my victory lap on "Solo Artist." Like
11:36
all that [ __ ] you said I didn't Y'all
11:38
wanted to shuck and jive and [ __ ] out.
11:40
And then "Solo Artist" like and now
11:42
we're living in it. So, uh [ __ ] you. I
11:44
was right.
11:45
>> Yeah. Unfortunately. And you say, "I
11:47
hate to say I told you so." Yeah, I do.
11:49
>> But but I do. I told you so, Kurupt,
11:51
Kurupt, Kurupt. Yeah.
11:53
Yo, so I
11:53
>> [laughter]
11:54
>> I caught all that by the way. I caught I
11:55
I I I I
11:56
I you barred down this whole whole
11:58
thing. There's a line in the song where
12:00
you say, "I heard rap ain't selling no
12:02
more on the Billboard charts."
12:04
"Y'all be pushing water down trash." Our
12:06
time is flopped. Mhm. "Not a little real
12:10
not a lot of real art in the
12:11
mainstream."
12:12
>> Since 2010. Lot of females misogynists
12:15
that hate black men. It's all stripper
12:16
music. I respect lyricists.
12:19
You listen to what rich people tell you
12:21
to. The difference is you chase famous
12:23
people. I don't care where that [ __ ]
12:25
is. Blacks been chasing parties since
12:28
[ __ ] built the pyramids. [ __ ] that.
12:31
Post Malone the colonizer. What? [ __ ]
12:34
liar. Elvis stealing from Chuck Berry
12:36
again and y'all [ __ ] are
12:37
sympathizers.
12:40
Post Malone is a colonizer.
12:44
Yeah.
12:45
It's a lot more. We could keep naming
12:46
them.
12:46
>> When you say uh
12:48
uh
12:49
you call somebody a liar, I feel like
12:51
you muted it. There is.
12:53
You didn't mute that? Damn, you would
12:55
catch that.
12:56
I'm not going to fall into it. Not
12:58
falling for this banana in the tailpipe.
12:59
No, wait. WAIT. WAIT.
13:00
>> [laughter]
13:00
>> I'M JUST SAYING, I WAS CURIOUS, RAS.
13:02
I LOVE IT.
13:03
>> you you called somebody a liar and then
13:05
you kind of mute or beep it or
13:07
something.
13:08
Look. Why did you do that, Ras? Art of
13:11
war. What?
13:11
>> [laughter]
13:12
>> But, why did you
13:13
>> Art of war.
13:14
>> Why did you censor yourself?
13:16
I do it all the time. It's a human
13:18
journey. Okay. I I I I got it out my
13:21
system.
13:23
It's always there. There's a version
13:25
with it on there. You know what I'm
13:26
saying? It's it's the Summer Jam thing.
13:29
Just depends on if you want me to bring
13:30
out the Summer Jam picture. Okay. Yeah.
13:33
All right. Uh you keep that picture in
13:35
your pocket, I guess.
13:36
>> [laughter]
13:37
>> Yo, why why do does Post Malone does
13:40
Post Malone owe anybody anything? Uh
13:44
I think you owe this culture
13:46
collectively. And I think some people
13:47
reap the benefits and then [ __ ] on it
13:49
and I find that insulting. I don't care
13:51
black, white, yellow, green, whatever.
13:52
If, you know, uh
13:55
I was thinking about that earlier. Like,
13:57
you know, um you know, people they claim
13:59
they [ __ ] lay claim to [ __ ]
14:01
like eradicated us out of [ __ ] black
14:04
music but take credit for rock and roll
14:06
and tell us we can't be country or
14:08
Beyoncé and she from Texas but we can't
14:09
do country music. [ __ ] that. And if if
14:12
I'm the elephant whisperer. We walk
14:14
around in rooms full of [ __ ] Dumbo
14:16
[ __ ] and act like it ain't no elephants
14:18
in here.
14:19
And that's that's like insane. So, I
14:21
think the most therapeutic thing for me
14:23
to do is be as honest with myself as
14:25
possible. Uh-huh. Um you know what I'm
14:27
saying? Um Yeah, like stop They steal
14:30
all our [ __ ] Culturally, people steal
14:32
our [ __ ] and then rename it. I used to
14:34
do a joke. I uh and I used to say
14:39
with with with
14:40
Latino music and then I'd be like, "Who
14:42
the [ __ ] is Tony?" You know what I'm
14:43
saying? Like, reggaeton reggaeton like
14:45
[ __ ] it's [ __ ] music. You got
14:47
African blood. Who the [ __ ] is Tony?
14:49
>> [laughter]
14:49
>> Who the [ __ ] is Tony, bro?
14:52
Who the [ __ ] [ __ ] Your [ __ ] got come
14:53
from Africa. It's an African term. Stop
14:56
acting like you a different [ __ ] You
14:57
just a [ __ ] that speaks Spanish. Stop
14:59
playing with me. You're insulting my
15:01
intelligence.
15:02
>> [laughter]
15:03
>> So, that's something that So, who the
15:04
[ __ ] is Tony? Who was Tony? Reggaeton
15:06
reggaeton.
15:08
[ __ ] [ __ ] music. Spanish You just a
15:11
[ __ ] that We ain't going to call him a
15:12
[ __ ] Okay, [ __ ] music. Black people
15:14
negro music. Oh, diaspora. Diaspora.
15:17
>> Okay. But still, we niggs and hard Rs
15:20
FOR THE DUMMIES.
15:21
>> [laughter]
15:23
>> I'M NOT A [ __ ] ALL RIGHT. WE ARE we
15:26
are [ __ ]
15:28
>> [laughter]
15:28
>> In the African language.
15:30
Negus. Negus.
15:32
Right.
#Arts & Entertainment


