Too $hort Talks New Radio Show "Don't Stop Rappin'" on Rock The Bells Sirius XM | SWAY’S UNIVERSE
Jun 8, 2021
Live from Too $hort's studio called "The Boombox! "Don’t Stop Rappin'" is a new weekly music show hosted by, Too $hort - hear new & classic songs from OG's, stories, special surprise guests and more!
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Too $hort Talks New Radio Show "Don't Stop Rappin'" on Rock The Bells Sirius XM | SWAY’S UNIVERSE
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0:00
wrapped in the debut episode of don't
0:01
stop rafting man a legend hooked up with
0:04
a legend
0:04
too short hooked up with ll cool j with
0:07
rocket belt radio
0:08
channel 43 and the rest is history don't
0:11
stop
0:11
rapping we got to go way back to the
0:13
early 80s when that project came out i
0:15
knew what it was when he said don't stop
0:16
rapping
0:17
and now it's a radio show how many years
0:20
later 37
0:22
years later and now it's a radio show
0:25
thank you
0:26
crazy short wow come on hey man
0:32
come on hey man you gotta you gotta you
0:34
gotta know the difference between
0:36
a hit record and a song that's timeless
0:40
it's a big difference
0:41
break that down so i'm i'm celebrating
0:45
timeless longevity i'm saying okay let's
0:47
let's
0:47
let's check a hit record my favorite
0:49
song this year last year 10 years ago
0:51
sometimes 10 years later that favorite
0:53
song it was just that moment it was
0:55
great
0:55
in 2005 but in 2021 we're not really
1:00
checking for that song there's another
1:02
song back in 05 that
1:03
it was it was it was out there a little
1:05
blow to whistle or something
1:07
you know what i'm saying didn't do
1:08
didn't do big on the radio
1:12
but for some reason it's played every
1:14
night in the club in every city all over
1:16
the world and it's timeless like every
1:17
time you hear it you feel good
1:19
and we have a lot of artists that are
1:21
timeless so that's what i'm celebrating
1:23
too short man timeless don't stop
1:25
rapping ll cool j rock the bell radio
1:27
challenge 43.
1:28
hey what do you think i i
1:32
i guess uh the irony would shorten eyes
1:35
we came up in the same town so i was
1:38
right there when all this stuff was
1:39
happening
1:40
witnessed it firsthand it's people like
1:43
you it's people like hammers people like
1:44
40
1:45
uh now snoop you know folks that rep the
1:48
west coast that don't always get put in
1:50
that
1:50
goat conversation you know and i think
1:54
i agree with you to talk goat you got to
1:56
be longevity got to be a prerequisite
1:59
your longevity like is some people who
2:01
may have sold more
2:03
albums at a particular time um
2:06
but it's more like the tortoise in the
2:08
hair you know they might have got off
2:10
you know what i mean like them first 50
2:13
yards first 100 yards but
2:15
you look back they no longer here and
2:17
short is still going
2:19
did you did you ever develop something
2:22
like a
2:22
uh i don't want to say use the word
2:25
formula
2:26
but like for example i've always known
2:29
how to stay on my square early on it's
2:32
been times i could have done stuff that
2:34
i could have became bigger probably more
2:37
more famous faster but always stayed on
2:40
my square
2:41
when making your music is it something
2:43
that you always want to make sure that
2:45
you do
2:46
so you kind of got that certain
2:47
ingredient that gives you this longevity
2:50
has it it's a real simple simple formula
2:53
on the music
2:55
it's just you know i was raised on
2:56
parliament funkadelic and all the other
2:58
funk bands of the 70s so
3:00
the formula has always been the funky
3:02
the song you just played
3:04
is so funky that in the middle of the
3:06
song i just shut up and let the music
3:08
play
3:08
and that's that's that's one of the
3:11
classic parts of the song is when the
3:12
beat plays
3:13
and uh and nobody's saying nothing no
3:15
hook no rap nothing so
3:17
that's the formula it's always been a
3:18
fun man that's the easy formula
3:20
it's so many different types of music
3:22
you can make dance music
3:23
you can make it uh you know reggae uh
3:26
caribbean you can make the music
3:27
anything you want it could be love songs
3:30
i'm talking even hip hop you can go
3:31
through all these flavors of hip-hop but
3:32
i just stuck with
3:33
the funk now the other part is the part
3:36
that
3:36
that steps that puts me aside from
3:38
everybody else is
3:40
everybody was in my error they were
3:42
doing you know
3:44
a certain look you got to bring it on
3:46
stage with the stages jumping around and
3:48
moving and
3:49
djs and dancers i i was on this age by
3:52
myself
3:53
spitting game uh when i got off stage
3:56
the other guys had security and they had
3:59
entourages and you know
4:01
stuff i would jump off stage and walk
4:04
into an arena full of 25 000 people
4:06
with me and one of my homeboys with all
4:08
my jury on and walk out and to the
4:10
people
4:11
i just got to performing for and let
4:13
them actually touch me i'll go out in
4:15
these cities and get a
4:16
haircut and go to the mall and they're
4:18
just like man that's too short right
4:19
there
4:20
i think that that politician vibe of
4:22
like
4:23
taking pictures and holding the babies
4:25
and all that stuff i think that's a part
4:27
of
4:28
too short folklore that other artists
4:31
could not
4:31
dare do like i could go into any city
4:34
any neighborhood
4:35
jump out the car and walk into the most
4:38
ghetto mall
4:38
and they just be like oh my god it's too
4:40
short instead of like attacking me
4:42
or saying i mean let's get to be by
4:44
yourself it was never that it was just
4:45
it was a love
4:46
of being the people's person you know
4:49
like i
4:50
i [ __ ] with you period so i think that's
4:52
the longevity in my game
4:54
i love that that's some oakland
4:57
oakland dish right there hp that okay no
5:00
i'm not mad at that
5:02
i want to actually add on to that short
5:03
what's up it's heather thank you so much
5:05
for waking up earlier
5:07
what's up family and calling in with us
5:09
you know it's now been documented by
5:11
swizz and some of the people that were
5:13
around that
5:14
uh dmx rest in power was so happy after
5:17
his verses because
5:19
much like what you just explained x was
5:22
also a man of the people like he
5:24
walked around we were seeing footage he
5:26
was stopping and praying with folks and
5:28
giving the shirt off his back short
5:30
and so you talking about that but then
5:32
swiss also noted
5:34
how surprised and even happier he was
5:36
after his verses and that so many
5:38
people showed love for him at the age of
5:40
50. after your verses
5:42
with 40 which by the way was great to
5:44
see
5:45
did you feel like that extra love and
5:47
support as well
5:49
uh yeah versus is a cultural thing that
5:53
it's a gift to the fans as well as the
5:56
artist like you you just
5:58
you you need that that hug you know what
5:59
i mean
6:03
i mean you know it in your heart and you
6:04
feel it but to actually physically
6:07
see it you know it's like it's like
6:09
going on tour for the first time again
6:11
like
6:11
people are still walking up to me six
6:14
months later
6:15
saying man i love that versus that's
6:17
like that's like hello now
6:26
for that timberland man i appreciate
6:28
them talking me into it because i don't
6:30
know if you heard i didn't want to do it
6:31
at first but
6:32
i ended up doing it and it turned out to
6:34
be a fun thing
6:35
wow i didn't know that i didn't want to
6:37
do it i didn't want to do it because it
6:39
appeared to be a competition and every
6:42
verses i watched
6:44
was a competition and i was like well
6:45
i'm not doing it if it's a competition
6:47
because
6:48
i'm not putting my catalog up against
6:50
anybody else's
6:51
as uh who is the best i'm like mine
6:54
speaks for myself i don't need to
6:56
win or lose or battle and i felt that
7:00
way
7:00
through my entire career you never see
7:02
me battle another rapper yeah if you
7:03
diss me in a song
7:04
you got to deal with east oakland period
7:06
that's it you don't got to deal with two
7:07
shots
7:09
yeah that was true
7:13
on the formula though man it's like a
7:14
lot of rappers let me tell you the main
7:16
one of my main guys who i always love to
7:18
see out there throughout this whole
7:19
career red man red man
7:21
i don't i don't think i ever seen red
7:23
man with a bodyguard ever i've seen him
7:24
everywhere
7:27
and we we love red man we love him we
7:29
love we know this
7:30
i'm saying that's that's just that's
7:31
just how some of us get down
7:34
too short hanging out with us man um
7:35
he's a new member
7:37
of the family we work together now he's
7:39
a colleague he's on rock the bell radio
7:41
with ellen
7:42
tracy you want to jump on yes please
7:45
what up too short so happy to hear your
7:47
voice king
7:48
i'm wondering it's a good question wait
7:50
wait wait wait
7:51
i know this might be a good question let
7:52
me uh let me let me
7:54
free my brain a little bit all right
8:00
well you know what i'm wondering because
8:03
when you live
8:04
a life by example then
8:07
you're able to influence so many people
8:09
without having these
8:10
one-to-one meetings with them you know
8:13
but
8:13
for some folks it is different when
8:16
there is going to be
8:17
intimacy with a relationship like a
8:19
mentor
8:20
mentee and they're not just going to
8:22
take every single person under their
8:24
wing because it is an investment you
8:26
know and i started thinking about that
8:27
when you're talking about the difference
8:29
between a hit and a timeless piece of
8:32
music
8:33
and so we do need to see some time
8:36
to see when something becomes timeless
8:39
but when an artist is in front of you
8:41
that's still like
8:42
in their infancy stages what do you look
8:45
for when deciding who you're gonna
8:47
invest in my
8:50
um my advice in that arena is always a
8:54
you know just you gotta outdo everybody
8:57
else that's doing what you do you don't
8:58
have to be better than them you just
9:00
gotta hustle harder
9:01
and people come in the game looking like
9:04
i wanna be that guy
9:05
in the light i wanna be that guy getting
9:07
all the money and i'm like
9:09
you might not want to be that guy
9:11
because that guy is like uh
9:13
it takes a lot to be that person some
9:15
special ingredients to be
9:16
that guy you might just want to be the
9:18
guy that's really good you know
9:20
and just concentrate on that stop
9:22
looking at i gotta be number one
9:24
because i always said and people used to
9:27
laugh at me i was like man if i had to
9:29
go as high as i wanted to go
9:31
only put me at number two i don't ever
9:33
want to be number one
9:34
because it's just a lot that goes with
9:37
that
9:38
it doesn't seem to be a sustainable uh
9:41
position you know i'm looking at drake
9:44
right now and i'm like this dude is
9:45
really holding on
9:46
like he's he's got to be excellent to be
9:49
on that on that status for so long and
9:51
it's hard to be there
9:53
so i'm just saying um i just tell people
9:55
strive to be really really really really
9:57
good
9:57
look at everybody who you think is your
9:58
competition and outwork them
10:00
out think them just outdo everything you
10:03
might not i can't spit bars
10:05
like knives when i make more albums than
10:07
knows what i'm saying i don't know if
10:08
it's going to get me
10:09
not status but at the same time i'm
10:11
going to be in that studio
10:13
every day and you don't get a two-shot
10:15
album every 11 months i'm not even gonna
10:17
wait a year
10:18
like that that never even bothered you
10:21
though right in terms of
10:23
being as lyrical as let's say a nas or a
10:25
big daddy kane or
10:27
sway sway i've been i've been
10:30
numbing down my lyrics on purpose my
10:32
lyrics
10:33
uh they don't appear to match my
10:35
intellect but that's on purpose
10:37
because there's a genius and being too
10:39
short there's a genius and simplicity
10:41
and pronouncing ever every word
10:45
and the punchline being clear and you
10:48
know i'm saying the [ __ ] talking and the
10:50
curse words being loud and clear and not
10:53
you know
10:53
my mind is a sing-along when i get on
10:55
stage i could literally sing every other
10:57
line in the crowd
10:58
just do it with me but that's because
11:00
they understand every word and it's like
11:02
i did this on purpose
11:03
she licked my dick up and down it's not
11:06
like the light man's flow but she's like
11:11
yo wait wait wait so short
11:15
do you think that's easier because you
11:17
don't go
11:18
by your government name by your god name
11:21
like i wonder if
11:22
it would be if you would still be able
11:24
to do that
11:25
if you went by your actual name because
11:29
then
11:29
you wouldn't be able maybe it would be
11:31
harder to separate
11:33
the rapper from the human
11:36
sometimes in hip hop you know we got
11:38
some first and last name rappers
11:40
they come along real names but when i
11:43
got to high school
11:44
fremont high school in east oakland i i
11:47
just
11:47
uh moved up from la and my older brother
11:51
was already in
11:51
in he had lived in oakland a year before
11:53
me and he kind of knew a whole bunch of
11:55
people and when i walked up to the
11:56
homies they was like what's his name i
11:58
said todd
11:59
they said nah [ __ ] we're not calling
12:00
you todd you got to get a new name like
12:02
we
12:02
we're just not calling you that so i
12:04
think it's i think that applies to hip
12:06
hop also like you gotta
12:07
make sure you come in the room and when
12:10
you know when llc
12:12
kicked in the door on crush groove and
12:14
he kicked in the door to radio
12:16
and he was ll cool j it wouldn't have
12:18
been the same if he said
12:19
oh hi i'm tired you know what i mean
12:21
that moment would have been
12:23
a whole different moment so you know uh
12:26
we do share the same name they call it
12:28
ll todd they call me tired
12:30
and i guess you you know when you when
12:32
you're in that infant stage of your
12:33
career you're like
12:34
i gotta have a name the name that they
12:36
don't remember my name and short dog was
12:38
my name you know
12:39
there it is man we got too short here i
12:41
love it hey uh
12:42
all the ladies caught me tired though
12:44
the ladies got me tired he called you
12:46
out okay you still got the ladies man
12:47
you still doing that
12:49
i i just had my 55th birthday
12:52
uh wow a couple about a month ago april
12:56
28th and then um
12:57
you know i'm newly a father i haven't
12:59
been a father all these years i haven't
13:01
had any kids
13:02
so when i was 52 i had a daughter and
13:04
you know i'm
13:05
i'm i'm a little different now sway yeah
13:07
yeah yeah i know
13:08
hey rightfully so you know cause i i'm
13:11
sure she got you
13:12
under her fingernail right what's that
13:14
like
13:16
well you know um you have a daughter you
13:18
talk about her quite often
13:20
and uh my father has
13:23
three boys and one girl and all of us
13:26
boys will tell you
13:27
like that he's like you know was hard on
13:29
us and stuff my
13:30
little sister my daddy's like a little
13:33
wimp to her man
13:34
he's like like she just runs him and i'm
13:36
like
13:37
i feel the same way about my daughter
13:39
like i wish anybody in this world would
13:40
come up to me and disrespect me
13:42
but she could do anything she can get
13:43
away with anything
13:46
beautiful right
13:49
yeah i never had i never had a
13:51
girlfriend back in the day that had me
13:54
so up in the air like my daughter so you
13:56
know hey
13:57
that's beautiful i'll get it come follow
13:59
a circle got your fatherhood come full
14:02
circle man short is here man uh we gonna
14:04
open up these phone lines man
14:07
what was the conversation with you and
14:09
ll when you decided when y'all decided
14:11
to put don't stop rapping
14:12
on rock the bells because man i swear
14:15
the first time i saw
14:16
ll in concert i feel like you opened up
14:18
for him at the um
14:20
oakland coliseum is that true right it
14:24
it it it probably is you know i i did do
14:27
a show at ll in town
14:29
way back in the day but we were um the
14:32
conversation was about uh i listened to
14:34
the show
14:35
i listened to 43 44 and 45 a lot
14:39
and and i listened to the heat too man
14:41
when i when it's like
14:42
i want to keep it as censored i put the
14:44
heat on too but but um
14:47
my conversation my point i was trying to
14:49
make was that
14:50
i would love to do a show they would
14:52
they were like you know what you want to
14:53
do a show and i'm like i love your show
14:54
but it's got to be
14:55
a different kind of show and i um
14:58
i really the concept that i came up with
15:01
with the longevity and the timeless was
15:03
was just
15:04
because if if you if you
15:07
type in my name or any of your favorite
15:10
classic
15:10
artist names on pandora it starts
15:13
playing your classic songs
15:14
i'm like it won't play a song of mine
15:16
that i may be
15:18
after blow to whistle it'll only play
15:20
like 2005
15:23
to the 80s it won't it won't really play
15:26
the stuff i made lately
15:27
and there's really no place to go find
15:31
uh where your favorite legacy
15:34
artist may be debuting their new music
15:37
and i'm like i just want i wanted to
15:39
create a platform
15:40
for that i wanted to let you know that
15:42
even though
15:43
i'm not on mainstream radio i eat and
15:46
make money off hip hop every day of my
15:48
life
15:48
and i talk to all these rappers man you
15:51
when i say timeless
15:52
you take we could talk you could call a
15:54
rapper a one-hit wonder
15:56
but some of those one-hit wonders that
15:58
one song is timeless
15:59
and you see them brothers on cruise
16:01
ships getting paid
16:02
you know rapping that one song
16:05
everywhere around the world that one
16:06
song
16:07
takes you around the world for the rest
16:09
of your life
16:10
and i want people to understand that
16:12
about hip-hop man it's like
16:14
it's like this is a real vehicle to
16:17
empowerment you know what i mean like
16:19
like really really if one song can last
16:21
you a lifetime
16:22
just imagine you know what i mean with
16:24
with the power of hip-hop is so
16:26
that's all i wanted to do i wanted to
16:27
say what are they where are they now
16:29
what are they doing how is it sounding
16:31
how you living
16:31
and as the show goes on i'm gonna get
16:33
more into what these rappers are up to a
16:36
little you know little tidbits of
16:37
where they at what they're doing and
16:38
stuff so you know i'm just uh i'm into
16:41
that in my personal life so i wanted to
16:42
bring that
16:42
to the show and ll was like he's like
16:44
i'm waiting man i like the concept
16:46
so we play some new stuff from uh older
16:49
artists and then we play the classic
16:51
stuff and we mix it up a little bit so
16:52
that's how it goes
16:53
i love it man too short man rock the
16:56
bells
16:57
be one of us now welcome brother
16:59
[Applause]
17:01
welcome no you know i got you know i got
17:03
crates man i actually have freak
17:04
i know you got crates that's the crate
17:06
you actually got vinyl
17:08
yeah i'm so bad milk carton crates full
17:12
of records i have lots of them
17:14
that's going to be don't you go no music
17:16
yeah man uh
17:17
you know music um like a uh
17:20
like an instructor like short like a lot
17:22
of folks don't realize how much
17:24
of his music he produced heather b you
17:27
know
17:27
and so and i've witnessed it so this is
17:30
a music aficionado man we got a lot of
17:33
people on the line
17:34
uh kevin and dallas real quick question
17:36
we'll get a quick answer what up kev
17:38
what up how y'all doing bless y'all but
17:40
listen
17:42
years man that question was too short
17:44
yeah
17:45
whatever you know what you know what
17:46
that begs me y'all y'all both y'all was
17:48
i had all y'all albums man thanks you
17:51
pee wee oh y'all man goldie man when
17:54
y'all going back up man
17:55
oh y'all banks oh y'all so me and ann
17:58
banks we've been in the studio
18:00
the last 12 months we've been in the
18:02
studio doing like you know various songs
18:04
i was surprised when ad banks opened up
18:07
his computer
18:09
recently me snoop dogg we all in the
18:10
studio and bank starts going through
18:12
beats and we like what the [ __ ]
18:15
like like seriously so the man got a
18:18
million beasts
18:20
it's a sound his base is different like
18:23
this is the way and banks beats hit
18:25
is different you got to go listen to a
18:26
song like um like rapper's ball
18:29
e40 me and e40 listen to rappers ball
18:32
and listen to the texture of the bass
18:34
bangs still he still got that vibe right
18:36
now
18:37
we just did the um the mount westmore
18:40
project that you'll be hearing soon
18:41
that's me
18:42
e40 snoop dogg and ice cube and those
18:45
songs are about to start just hitting
18:47
you we got about 50 songs in the can
18:49
those are coming out and banks produced
18:51
about
18:52
five of them so you know he's there me
18:55
and banks are actually working on a
18:56
project
18:57
that i'm that i'm releasing uh probably
19:00
next year it's just gonna be a complete
19:02
too short and banks project so look
19:04
forward to that shout out to ant banks
19:06
mca
19:07
forty poo man mac dre
19:10
he worked with all the legends short um
19:13
the mount rushmore project are y'all all
19:16
in the studio
19:18
something about mount westmore my bad
19:20
short uh
19:22
are y'all all in the studio at the same
19:23
time or is it just
19:25
how are y'all passing tracks nah man i'm
19:28
dealing with dudes who live in
19:30
mansions with home studios and compounds
19:33
you know we all got our own compound or
19:35
whatever it is
19:36
and
19:40
technology man i'm like send me the song
19:42
like we knock out a song in
19:45
in a matter of hours through email so
19:48
you know
19:48
me and snoop we get in the studio a
19:50
little bit we all uh we all
19:53
got together a couple of times but only
19:56
for like visuals
19:57
but the music wise everybody pretty much
20:00
recording their own studio and that
20:01
you know we talked about uh not letting
20:03
that truth be told but i'm like man the
20:05
truth is the truth man we
20:07
sitting around during the quarantine we
20:08
made 50 songs
20:10
sending around each other in the email
20:12
just you know it's cool man we do like a
20:14
little group text
20:16
that's kind of funny man if you guys if
20:18
you got snoop dogg and e40 on the group
20:20
text
20:21
the humor is daily and uh you know we
20:23
jump on a lot of zone calls together
20:25
zone meetings and facetime calls where
20:28
all four of us on the facetime it's just
20:30
like it's like watching a tv show i know
20:32
i'm a part of it but i'm like sitting
20:33
there watching these dudes
20:35
it's we talking business but it's funny
20:37
and it's
20:38
you know you're gonna see it man it's
20:39
all coming out real soon real soon okay
20:41
okay no date yet though right
20:44
well um i'm gonna tell you why it's no
20:47
date
20:48
because you can't really do that
20:51
thing that we come from where um a
20:54
singles dropping on may my album's
20:56
dropping in
20:57
july that [ __ ] don't make sense to
20:59
nobody no more they just want to know do
21:00
you have a [ __ ] hot song so expect to
21:02
hear some hot songs
21:04
uh we are only releasing stuff based on
21:06
business deals
21:07
and you know who's wiring the money
21:11
who's who appreciates the product
21:13
because you know labels will sign you
21:15
and throw you to on the shelf and don't
21:16
give a [ __ ] we're not following none of
21:18
those categories
21:19
we're not even really entertaining label
21:21
offers
21:22
uh like seriously because i'm telling
21:25
you right now
21:26
everybody in the group has enough to be
21:28
our own label
21:29
we don't need a label so we asked the
21:31
labels uh are you interested in that
21:33
ain't nobody ever came back right with
21:35
the right formula we're sitting there
21:38
with the experts we are experts but we
21:40
with other experts
21:41
who have these little formulas of how
21:43
you make money off music
21:44
and right now the formula says do it
21:47
yourself because we can hire
21:48
anybody that a major label can hire we
21:50
can push it to any lanes
21:52
a major label can it would be good to
21:54
have a partner that believed in you
21:55
but i'm just not sure if we sign a such
21:58
and such major label
21:59
how are they going to feel 11 months
22:02
from now when they change the whole
22:03
staff like they always do
22:04
how's your new staff gonna feel so we
22:06
don't want no parts of that man
22:08
i love it man too short man uh big round
22:10
of applause mount westmore
22:12
i mean honestly it's bro ollie all of
22:16
let's all of us have been in the game so
22:18
long that you know more than with a
22:19
person at the label gonna know
22:22
if you walk up to if you're trying to
22:23
you're trying to get ready you'll play
22:25
of short walk to the station you're
22:26
gonna get it better than the promoter
22:29
you know if you're trying to get
22:30
positioning go ahead you don't want your
22:32
a
22:32
r guy telling you that his pops used to
22:34
be your favorite artist
22:36
yeah exactly
22:40
hey short man i love it man don't stop
22:43
rapping man i'll rock the bell
22:44
radio ll cool j's rock the bells radio
22:46
channel 43
22:48
and when mount westmore get done i know
22:51
you got your own show now but man you
22:53
got to come back you got to bring we got
22:54
to do the whole team up on this show man
22:56
we good all you got to do is convince
23:00
ice cube ice cube is the
23:01
official leader of the group man and if
23:04
he if he's with him we all win
23:06
oh man that's my dude man me me and cute
23:09
but you know he's the tough one you can
23:11
give me snoop 40 we like what's up
23:13
q man you take it take a lot to get the
23:15
cube vision bro
23:20
i'm weak i love it
23:24
sure love you brother keep going man
23:26
keep going okay
23:27
all right all right absolutely
23:37
[Music]
23:44
[Music]
23:46
you
#Arts & Entertainment


