0:00
Evan and I are swimming over to the
0:02
wreck and what you're looking at at the
0:04
on the seafloor is a mound of shell.
0:07
It's like these oyster shells that have
0:09
grown, lived and died and then fell and
0:11
made a mound that you have to swim over.
0:14
And so below me in this shot is the is
0:17
the seafloor. And I am about to rise up
0:21
into the prominade. So right now I'm
0:24
going through a window opening and bang,
0:27
I am now on the lower or starboard side
0:32
prominade deck where those Victorian
0:35
nurses and doctors, those wounded
0:37
soldiers and sailors walked along these
0:40
these very decks. The wood's gone. What
0:42
you're looking at down there is just the
0:44
clocking that that's there. So this is a
0:47
now a shot of Evan um taking of me. I'm
0:50
setting the strobe back there. You can
0:52
actually see me setting a strobe because
0:54
we're going to actually go in through
0:56
this doorway and we find ourselves in in
0:59
a small um baking area. What we're
1:03
looking at through one of those doors is
1:05
actually a range. You'll you will see a
1:08
um a stove in a minute. And uh right
1:11
there there's a a sink in front of me
1:13
and there's a stove and then like a
1:15
turtle I pop up into the scene here
1:18
through the doorway. You can see some of
1:20
the uh cabinetry on the wall there. Um,
1:24
and it's just gives you that idea of
1:26
what's going on. And and here we are on
1:28
the low side of the wreck looking
1:31
through the entirety the 100 ft or 30
1:34
meters up and looking out another window
1:37
on the port side. That was what that
1:38
light was right there. Gives you an idea
1:41
of how expansive these open wardrobe
