RexxLife Raj & N8's Bay Area Cipher: Raw Talent, Real Stories 🔥 FREESTYLE | SWAY’S UNIVERSE
Dec 15, 2023
🔥 Step into the heart of the Bay as Rexxlife Raj, alongside N8, sets the mic ablaze with an explosive freestyle on Sway's Universe! In this intense session, witness how Raj embodies the multifaceted talent of the Bay Area, defying expectations with every bar. 🎤
From Richmond's back streets to the forefront of creativity, Raj and N8 showcase the rich diversity and raw skill that the Bay harbors. Celebrating his latest project, "California Poppy 3," Raj doesn't just perform – he ignites a cipher with a presence that demands attention. 🌟
If you're a fan of real hip-hop, this is a must-watch! Feel the pulse of the Bay Area beat as these artists delve into their roots, inspirations, and the unshakable spirit that fuels their craft. This isn't just rap; it's a revelation of what it means to persevere, innovate, and rise to the top.
Don't miss out on this seismic shift in the hip-hop landscape. Subscribe now to Sway’s Universe for more exclusive interviews and freestyles that redefine the genre. #RexxlifeRaj #N8 #BayAreaFreestyle
👉 Follow us on our journey through music and culture. Watch more content that pushes boundaries and join the community celebrating authentic hip-hop. Connect with us on social media and explore Sway’s Universe for unparalleled access to the pulse of the industry.
CHAPTERS:
0:00 - Introduction to Rexx Life Raj
1:40 - Rexx Life Raj's Musical Journey
3:20 - N8's Influence in Bay Area Music
5:00 - Rexx Life Raj's Artistic Vision
11:17 - Discussing Authenticity in Music
13:34 - Exploring 'California Poppy 3' Album
16:07 - 'Hook Mitchell' Collaboration with Dame D.O.L.L.A.
16:55 - Rexx Life Raj & Battlecat's Musical Connection
18:55 - Freestyle: Rexx Life Raj on Battlecat Beat
Show More Show Less View Video Transcript
0:00
One of the illest emcees coming out of the bay, the new era of the bay
0:06
When I tell you, man, this particular artist personifies where I feel the bay is at its best
0:16
We've been having these conversations about sound and indistinguishable identities through the microphone, through production, through DJing, so on and so forth
0:27
how radical differentiation is always important, especially with the Bay. The Bay comes with certain stigmas at times, not saying they're bad or if they're good
0:36
but people have certain expectations when you say you're an artist from the Bay
0:41
And so I constantly look for artists who defy those expectations and always go against the general consensus, the way people are thinking when it comes to the Bay Area
0:51
because I know we're multifaceted, multi-talented people who all have different experiences
0:56
and have different things to offer. You can see it in the history of our music
1:00
When you listen to certain artists, certain rappers, Too Short does not sound like A-plus from Souls of Mischief, right
1:08
Tony, Tony, Tony doesn't sound like Kalani. You know, Kamaya doesn't sound like someone else
1:18
You know, so it's a lot of variety in the Bay. And I think this artist, Rex Life Raj, has done an excellent job in showing us who we can be at our best when it comes to creativity
1:31
And he's here to celebrate his new project. And he brought a gang with him
1:35
Yeah. He brought a gang from the bay. The new project is called California Poppy 3
1:40
Give it up for my brother, Rex Life Raj. Yes, sir. Yes, sir. What up, man
1:44
That's love, man. I appreciate you. You always be showing love, man. You really show love, like genuine love
1:50
and I want to say I appreciate you for that. It's just like, bro, it's genuine. Like, I could text you and you'll respond and be like, it's good
1:55
I was like, I want to have my brother come up and rap. He's like, man, make it a cypher. I said, I don't know if I'm going to make it a cypher
2:01
but he got kicked some off. Always doing the most. Yo, I'm trying to make it bigger than it had to be
2:07
Come on. Next time we'll really put it together, though. I'll put something crazy together
2:10
Yeah, man, but that's your brother, brother? No, we came up together, though
2:14
Okay, so you grew up in Richmond? Yeah. What part of Richmond? The Backstreet's
2:18
The Backstreet's? Okay, break that down for those who don't know, who aren't from Richmond
2:23
California, by the way. Yeah, Richmond, California, not Virginia. Okay. They were all Mike Muses, like, what does this have to do with the band
2:31
I was like, how do you know me? But tell us about the band. Yeah, so that's just an area in South Richmond
2:36
Okay, known for what? Known for producing talented people. My man. Say your name again
2:44
Wantmore and eight. Wantmore and eight. Want more. I want more. N-8. N-8
2:50
Yes. Like Nate. Nate. N-8, yeah. Oh, N-8. I thought it black got to sex
2:56
Exactly. Okay, thank you, Tracy, for being his ventriloquist over here. Tracy does everything you say
3:02
She knows what's going on. She knows. She knows. She knows what's going on. Okay, one more N-8
3:07
Yeah, one more N-8. How many names you go through before you came up with that one
3:11
Nah, that was the original. My name, Nate. That's what they called me, N-8. I put the one more in front of it, though, because it was like, I think it was Whippin
3:17
Nene, or one of them songs, his name was N8. So I had to put the one more in front of it just so there won't be no confusion
3:23
Okay. And then who are some of those early, like, who's out of Richmond, like, would you say
3:28
are the standout artists that have come from Richmond? Jane Hancock. Jane Hancock
3:33
My damn. Oh, I forgot to call Jane. Grand National. That's crazy. I forgot to call
3:38
Oh, my gosh. I was supposed to tell Jane when I was. I was supposed to call Jane. That's when you would know
3:42
Call her right now. Wait, turn Battle Cap mic over. What? What's that again? Come on, man
3:46
You know Jane Jane Snoop put her You hear me Raphael Sadiq did that
3:51
He introduced her to me And I got one order as well You feel me Jane Hancock
3:55
You hear me By and by Come on Where did Locksmith from
3:59
Locksmith from Richmond Don't There's not a doper rapper Than Locksmith Y'all better say his name
4:06
Can I cuss on here? Yeah man go ahead You don't have the vocabulary not to
4:12
Yeah he can Ain't nobody better than rap locksmith and he gonna rap i challenge anybody around the country to go up against locksmith
4:21
we got a joint we just put one together i think it's for his upcoming project really and jay
4:26
hancock on it why why do you think someone like well locksmith is making it you know he's doing
4:30
his own thing when he does the the cab ride mc and then put out music the whole nine but
4:36
certain people don't get that bae you know embracement and i feel like he was one yeah
4:44
Why do you think that is? I don't know if it's just a bae thing, but I think it's when you purely like rapping, rapping like that
4:50
sometimes it's a little harder in today's age, just where music is, you know what I'm saying
4:55
And we are not as receptive to that as we used to be
4:59
But I think when it comes to respect for him and his craft and what he's doing, he gets the most respect
5:04
But I feel like from a consumer standpoint, just rapping like that is really harder to grow a fan base
5:11
in my opinion. Is that something you consider when you've made your music
5:18
Your music is really... All the time. That's why I be singing. That's why I was going to say you sing a lot on this project
5:23
I be singing for real. Yeah, that's why I sing. To make money
5:29
God damn it, give that man a round of applause for us. No, no, no. That was sarcasm
5:35
That was halfway sarcasm. The honesty of it all. It was a little bit of sarcasm
5:40
Was it sarcasm? but you know it's gonna the singing it's gonna open doors the it's mel in my mind melody is just
5:49
like it's an easy way to slip the message into people's brains like they just people are more
5:54
receptive to melody you know i'm saying because it's a feeling and then you could put the message
5:57
in the melody but i feel like sometimes not everybody even me i don't want to be rapped to
6:01
all the time like like i'd be kind of getting tired of just getting rapped at not even just
6:06
like all kind of rap like i need you to at this point sing a little bit do some other shit like
6:11
I just feel like it's kind of more to the game. Battlecat, that's still hip-hop
6:16
Consider it all, you hear me? Yeah, right. Battlecat is legend. Real legend
6:21
I got Battlecat. He ready to play beats for y'all, too, just to let you know. Don't mess this one up
6:26
This also makes me think of Andre 3000, too, and the flute album and his metamorphosis
6:33
Would you go so far out as to completely hit pause on rapping
6:39
and do a whole other genre of a project? I would personally
6:44
I respect that. I think that that's clean. I would like to do that
6:49
I feel like if, you know, especially do like Andre or just artists who have different lanes
6:55
it's a part of you that wants to express just that. You know what I'm saying? So I think it's clean when rappers do that
7:00
I just don't feel like, because I try to look at a lot of things from the consumer standpoint
7:04
Like that throws the consumer off. You know what I'm saying? If you rapping and you come pure flute
7:08
we love you but where them bars at you know i'm saying but also for his spirit and what he's doing
7:13
i completely understand it because you got to do it for yourself at the end of the day well rex with that being said and i have a question you want to be rapped at you want
7:20
people to be more creative and the stylings of it but what about the lyrics and what they're
7:24
rapping about do you want to see that changing in scope too as well or what are your thoughts on that
7:29
man i'm kind of when it comes to me i come from the lineage of s rapping and saying shit
7:35
You know what I'm saying? So it's really hard for me to listen to a rapper who's not saying nothing
7:39
because it's like where you're not saying nothing. But at the same time, I feel like rap has evolved to a place where
7:45
s are sliding and they might not be saying the craziest shit
7:49
but the way in which they're saying it is so clean. It's undeniable
7:53
Like how you think like a lot of s be like, oh, Detroit s are bae s rap off beat
7:57
No, they're not rapping off beat. You just don't get it yet. He's in a pocket
8:02
He's in actually a crazy pocket that you can't even fabricate. He in a three five
8:06
Yeah he in a crazy pocket but people just look at it like he mumble rapping No the rawest s that you listening to one of my favorite artists right now is Vs I feel like V having a moment And like the way V raps there a tone to it that a melody
8:20
but s don't listen to it like that. But he very much has a tone to it
8:24
and his cadence in the pockets he's catching is crazy. And he talking shit
8:28
But even if you don't hear what he's saying, the way he's sliding is like, to me, it's prolific
8:33
It's evolving the way people rap, because we so used to like standard shit
8:37
And I think that's for me why it's so hard to listen to music. if it sounds like other stuff
8:41
It's like, bro, be creative. There's a million ways to say that line. You could sing it
8:44
You could rap it. You could cut it up. You could do, you know what I'm saying? But people have been doing shit the same way
8:48
So I like, you know, where the game is, personally. That's more about the..
8:52
So the mechanics of it, yes, but it's more so about the subject matter. Tracy G kind of made me think about that
8:57
because in that interview that Andre Dawson gave with GQ, he said that I'm getting older
9:01
so I don't have anything to rap about in terms of subject matter. And so I'm just..
9:05
He's like, nobody wants to hear an older person discuss going to see the doctor for checkups
9:09
And so I'm just curious about subject matter. In that case, like that whole interview, I really liked that interview
9:15
I did not agree with that when he said that. Because my thing is like, bro, you have life experiences
9:20
Like how he, I love Andre so much that I refuse to let him like deduce himself down to like nobody want to hear me rap about a colonoscopy
9:28
It's like, brother, you kind of want to hear that. I don't know if I want to hear that. Well, but so you ain't at the age where that might matter to you
9:36
But to Mike's point. I can tell you. Whoa, whoa. Mike, whoa. Whoa, watch out. Okay
9:42
But Mike, even to add to what he was saying, we had the big conversation with D1
9:48
and he called out different older artists about the nature of their lyrics
9:53
and that became a big to-do when he called out Meek, Ricky Rosé
9:58
and Jim Jones and said, yeah, I could do better. Just to add on to Mike's question about that
10:04
What do you think about that as we evolve and get older, the detriment to lyrics and what they mean and how they land by an artist
10:14
I look at it a few different ways. I feel like I understand where D1 is coming from, especially if you're talking about kids and people who are very impressionable
10:24
Yeah. Right? They're looking up to these artists, and they're taking in this. And you got to think s come from homes with no parents, no fathers, all this shit, and they're looking for role models
10:33
And these are the role models they have. So from that perspective, I can understand, like, bro, be on your shit because it's kids looking up to you
10:39
But from the grown perspective, going back to the consumer, I think a lot of it, when you become cognizant and conscious of what's going on, then you as a consumer need to make the choice
10:48
Like, we not on that. You know, it becomes market. It's capitalism. As soon as we choose not to listen to that, then it's just not cool no more
10:55
But it's still a market for that. People still listening. So it's like the consumer has chosen that
11:00
You know what I'm saying? We want that because if we didn't want that, we wouldn't listen to it. You know what I'm saying
11:04
And so I think sometimes it's the rapper's responsibility, but a lot of times, too, it's the consumer's responsibility
11:09
When you become conscious of the game and the moving parts and what's going on and you still listening to it, how you blaming the rapper
11:15
You know better. So what's the place of integrity in our culture then as an artist
11:21
Because if you're pandering to an audience that wants a certain sound that does not cater to your own soul
11:31
wouldn't that mean that you're sacrificing integrity for commerce? A hundred percent, but some s do
11:36
Okay. Some s want to get some money. You got to think. It's people who have integrity and morals and move in a certain way, but some s want to get some money
11:44
You know what I'm saying? This album, California Poppy 3, is it for the money or is it for the integrity
11:51
It's for the both. Okay. So, you know, coming off the last project, I dropped a Blue Hour
11:57
which is about, you know, my parents transitioning. In this project, I wanted to do something that just felt a little more fun
12:03
a little more uplifting, because that album was so deep. And a lot of the cuts off California Poppy 3 were songs I did
12:09
over the past couple years that I just really loved and never dropped. You know, it's a line that I won't cross when it comes to my music
12:15
because I really with my music and I have integrity, like she was talking about. But this one is more fun
12:20
getting the Blue Hour just because I felt like I needed that but also deserved it
12:24
The song If They Told Me, is that one of the songs you recorded in the past? That was almost on the Blue Hour, yeah
12:29
I could tell. You mentioned that you lost both of your parents in that
12:33
but you got to keep going. This album feels inspirational to me
12:38
Through that loss, did it help you find new purpose? Yeah, for sure
12:44
It really made me understand, like we talked about last time, that a lot of people are grieving, and there's a void for that
12:52
and people want to be spoke to in that capacity because they've had these feelings and all this shit in them for so long
12:59
And when they come across art that can express the words that they can't say, they really stick to it
13:03
And it was more people who were receptive to that than I thought. But then you think about it, bro, everybody done lost somebody
13:08
You know what I'm saying? And when it comes to grief, grief hit the same
13:12
whether it was yesterday, a year ago, 10 years ago. You know what I'm saying? So you got people, I had people come to the shows who had lost a parent 20 years ago
13:20
15 years ago, lost their grandparent and was still like, man, your album getting me through
13:25
You know what I'm saying? So for me, I felt like it was meant for me to do that album because I saw literally with my eyes how many people that album helped
13:33
You know what I'm saying? California Poppy 3 featuring LaRusso. Many other folks are in it
13:39
LaRusso. It's out right now. I want everybody to go to every DSP, support it, download it, do whatever you have to do
13:45
Yeah, man, go on and buy that. You got a song called Hook Mitchell featuring Dame Dollar
13:50
My boy, Dame. And Hook Mitchell is a Bay Area, and particularly Oakland basketball legend
13:58
Right, right. Michael Jordan has spoke on Hook Mitchell and had to give him his props
14:04
Had Hook Mitchell went to the NBA, he would have easily been Michael Jordan
14:09
before Michael Jordan. Right. Right? Not that Michael Jordan wouldn't have became Michael Jordan
14:14
Right. Hook was different. Yeah, Hook Mitchell. I was there. I was at Mosswood Park
14:20
I wasn't there, but I seen it on YouTube. You were too young. You were too young
14:25
Look up Hook Mitchell jumping over cars. You weren't all type of crazy. I saw it with my own eyes, bro, and it looked unreal
14:32
How tall is Hook Mitchell in person? He wasn't that tall. Like, it's not that, like, well, six maybe
14:38
5'11", I think. That's pretty wild. 5'11". Jumping over a car? I don't know
14:43
I've stood up. I've seen Hook not too, well, maybe a year and a half ago
14:48
Good guy. I want to say he played at Contra Costa College at one point
14:53
You know, played a lot of street ball. But he was jumping over Volkswagens and dunking, Heather
14:58
So what happened to his NBA career? He had a lot of challenges in the streets
15:03
A lot of street challenges. The streets. You know, whatever comes with that, you can figure that out
15:09
And just to double back a little bit, too, you mentioned an artist by the name of V's
15:13
How could our audience look him up as well? Because I think it's love when artists like yourself show love to somebody else
15:19
What's the artist V's? How can we find his information? Just look him up. V's. V-E-E-Z-E
15:24
Okay. V-E-E-Z-E. He pretty poppin' right now. Dope. They gonna know what's going on
15:28
Shout out to you, V's. Yo, V's, what's up, man? Look at the footage, Sway. We want to bring you up to the show, V's
15:32
Absolutely. Rex Life Rods. Put that stamp on it, man. Come on through. Yeah, that's him
15:36
And that was in the 80s. We're showing video of Hook Mitchell. So you got to
15:41
Some of y'all, when y'all be sending me videos, it be pixelated like this
15:45
Y'all need to upgrade y'all phones. Y'all need to get a new phone. But you got Dame Dollar on
15:50
No, for real. Some people send me videos, low quality. Y'all need to get on Wi-Fi
15:54
Okay. Wow. That's amazing. Wow. Hey, come back to your interview, Rex. Come back to your interview. That's great
15:58
All right. We over here, Rex. Back to your interview. Stay in the moment
16:02
I thought we were watching the video. You got lost, dog. We live on there. All right. You got Dame Dollar on this song with Hook Mitchell, right
16:09
Yep. Yep. And I don't know if Dame ever got a chance to meet Hook, but the theme of this song is what
16:16
Only difference between me and a lot of people was I kept going. Life got hard
16:20
I still step forward. Let go of the shit I used to stress over. Hook Mitchell look at what I left over I had to walk in my greatness It about like to me a lot of it is about just keep going Because I feel like when people look at me especially my story who been following me for a while it becomes
16:36
just like a story of preservation. Or just a story of continuing and
16:40
pushing on, you know what I'm saying? And finding a way to keep going. So I feel
16:44
like that song just really embodies, like, bro, you gonna go through shit, but the difference
16:48
between the good and the great is that the great ones kept going. You know, some people followed it, but you
16:52
gotta keep going. Gotta keep going, man. And you keep going. A new album is called
16:56
California Poppy 3. The artist is Rex with two X's. Life, Raj
17:00
R-A-J. He brought one more N8 with him today out of Richmond
17:06
California. Now, have we met? I don't think so. Man, that's on you
17:12
dog. I don't think so. You wouldn't forget. You wouldn't forget, Nate. Y'all like the in there, though
17:20
Now we have, though. Now we have. Y'all like the in there. You got my family here, too
17:23
Come on, baby. Yeah, it's my uncle right here. That's your uncle? Yeah
17:28
Tell them how we're connected. It's crazy. So our family's connected through on my dad's side
17:36
You feel me? My daddy named Levi, Levi Coleman. And it just, it's earlier this year, we ran into each other up in Emeryville
17:44
At the hotel. And I said, yeah, we at the hotel. He coming off the elevator. I'm like, Sway, I've been telling everybody since I was in high school
17:52
You my cousin. Everybody like, this way ain't your cousin. So then I tell you, I'm like, brother, my daddy, he like, what
17:58
I started naming all our family members, and the rest is history. 56 months later, I'm over here with my nephew
18:05
See that divine intervention? Okay. One more, Nate, that's one more reason
18:11
You can't mess this one up today. I know. Okay, let's do this, man
18:16
Rex Life Rogers here, man. You got some verses? You got some bars for us
18:20
Come on. Hey, where did you think he was coming today, one more N8
18:25
I knew I was coming to Sway. I knew I was coming to Sway. I know I have to be ready. Okay
18:29
Did you know Battle Cat was going to be here? Nah, I ain't know Battle Cat was going to be here. Surprise
18:34
Yeah, I ain't know that. Yo, Battle Cat, you got something for them? I ain't know Battle Cat
18:38
Yeah, let's get into the middle already, man. Rex Life Rodge, one more N8
18:44
You in that Sway in the morning? You in the Valley of the Hyena
18:48
Hyena! Yeah! And that's when I had draw two and made them reverse
19:21
The baby mama choosy cause the baby daddy boosy I'm off of RP but got kale in my smoothie
19:26
Preteen to early 20s my life was a movie San Francisco that was running out of Louis
19:31
Beeping out the stores, we was on the road I never streamed nobody music if they told
19:37
Nowadays they'll make a snitch go gold I could go broke but I never sell my soul
19:42
This play come natural, sometimes you gotta learn it My son already eating escargot and he a virgin
19:47
I wake up, drink peppermint tea, go for a jog You stressed cause your registration doing need a smog
19:52
In North London, Tottenham, I shoulda did a vlog Well you gotta be comfortable with the night for the pause
19:57
Oak Cliff, Dallas, where they call the police laws Waste 32, but 27 in my drawers
20:02
Grew up with a team when some person held a drug That split the clique and now you funkin' with the ones you love
20:07
Holdin' on your boy casket with a white glove Shedin' tears at the cemetery, holdin' dub
20:12
Judge, give you all day, he wanna see you rock Sitting on your bunk, about to stuff a lock in the stock
20:18
Sell coke, the rollers try to rope you from a tree. So I sell coke, we making coke money off the weed
20:23
California poppy, all flavors, no seeds. All legal, clean, get away, no leads
20:28
Had honors classes, AP class, I'm not a dummy. A million ain't nothing if you can't manage money
20:33
Know the time ticking, baby know I'm different. From real Richmond, California, I'm not tricking
20:38
Grab boards, then we fast breaking, transition. Oh, I've got both ambitions
20:43
Baby got a 450 before she sees the foreplay Know I run a tight program like the North A's
20:48
R.P. Lil' Ab in my boy since the fourth grade Used to have to piece up on the T and split it four ways
20:53
Always come in clutch since only the first gear On Mamas I probably rap 20 days out the year
20:58
Well-rounded like 360 degrees in a sphere I told them people to science, I'm just trying to go clear
21:03
Look, I'm really like a Garvia Lumumba I can make a revolutionary out of shooter
21:08
I can birth a whole new nation like a doula Illuminate the whole congregation Hallelujah
21:13
Oh man, one more and a One more and a Yo, hold up
21:17
We got that Free tea, free mac Hey We got that Free to nine from my cousin
21:21
We had that Uchi Wally beat up We got Big Horse right there From the Bravehearts
21:25
Yes, sir Right there Come on That's his song You wanna make sure
21:30
You don't mess that up Okay Yo, Rex Life Rods Representing the Bay
21:35
Northern California Battle Cat on the ones And two What you gonna do for us Hey
21:40
Look, ay, look, ay, I don't believe shit, , all of it's hype
21:46
You can get poppin' with your thumb, just gotta log in and type Sometime the world gets dim when you walk in the light
21:51
You catted off so much that you ain't got a dog in the fight Your manager's ass, the lawyer gives you awful advice
21:56
So you ain't think twice about it when you got offered the life Guess losing pieces of yourself is just a part of the price
22:02
Them little insecurities make you act larger than life Now the label got you pinned cause they upholdin' your image
22:07
You at the bottom of the budget that you push to the limit If you don't own none of your shit, how's you standing on business
22:12
I like large pens, but you done got too big for your britches. I'm overseas building bridges
22:16
Been unique with intention. I grew and flourished in Berkeley. I planted seeds and the riches
22:20
If I never wrote another line, it was written. They knew that from the beginning. Don't be so mad at the world,
22:26
Make better decisions. Instead of chasing attention, you should have been chasing your vision. I'm playing stages out the country
22:31
s just play the victim. You can have anything you want, brother. Just make the decision. All of my blessings ahead
22:36
I keep the Bible that my mama wrote in next to the bed. Sometimes I read the words and I feel like I hear what she said
22:41
When she was with us instead We used to picture everything, I never pictured her dead
22:45
Sometimes I can't comprehend the shit I live through God, we need a blessing after all this shit we been through
22:50
I do this shit for Carlito, I do this for Nindu The way the life got heavier on us from losing M2
22:55
Shit happened fast Still kept it smooth as a Tessie when I tapped the gas
22:58
But they don't play about me, bro, my s be at your ass Hey, save the game for a with a battle tag, huh
23:04
I got some s with more weapons than a battle pass, huh? If they seen what's in my luggage, I get travel banned, huh
23:09
I told them free Palestine, they got shadow banned, huh? You wanna be a rich man or a happy man
23:13
Cause time's gone forever, I can make the money back again Imagine if you focused on your blessings instead of that shit you lacking in
23:19
What's holding you back is the thought of being inadequate Look, it's affecting what your habits is
23:24
You can't get all of the wins come with asterisks But I'd just rather be a star
23:27
I put my life inside these lines, no wonder we the bar We all got vision, I just don't think s see as far
23:33
Manifesting now my life wild as my ideas are The raw several out debate
23:37
My easy call They try to keep it covered up This ain't Sharia law
23:40
Now look at me At the top right where we belong You be writing sing-alongs
23:44
I be writing freedom songs Look Hey this Spirit Airlines you get what you pay for
23:49
We can't hear you flying first class To the Azores Look I made peace in times
23:53
I should have started gang wars When s wanted your whole family did You was in Langmore
23:57
If we judge by follower amounts You might have way more If we start comparing bank accounts
24:01
Guess who's made more Look Real Berkeley California savior Cause I be speaking life when s just lead y'all to the graveyard
24:07
I missed your call, I was getting head watching Braveheart I eat good, pretty women and make great art
24:12
Look, I feel like future, this shit sensational Might take a spa day to Sonoma and go get facials
24:17
Feeling still heavy as shoulder pads, all this weight on me I should be at peace for all the times my mama preyed on me
24:22
This journey full of characters you meet going from A to Z Like s pushing 40 and still talking about some A.O.B
24:27
It's A.O.B. until she there when all your s gone It's A.O.B. until she holds you when you feel alone
24:32
It's A.O.B. until nobody else pick up your phone And all the baggage you land on her
24:36
She can handle cause she's strong You bought that expensive ass fit Just to look tacky in it Hope they can strip you for your chain And then slap you with it Test no matter why I hopped in and did the dash You pay for your whip on Twirl I pay for my shit in cash You was on the scene I was somewhere just kicking back
24:50
Manifesting everything I write on top of pen and pass. Gift of gab, huh? I can sell a verse and buy a purse
24:55
to gift of gab. That's the least I can do cause she held me down when shit was bad. Still I been hitting they souls
25:00
The shit that make the meat and grease just as lit as the shows. This ain't tangible. Can't be measured in numbers and polls
25:05
But if this where you s place your value, I suppose I channel the most high and help them get through the lows help them carry the load and know that they not alone
25:13
it's mind over matter my boy i told you come on it's all about repetitions like doing drills on a
25:18
cone and i eat shuffle i hit the louis store and tell a baby pick a duffel i like your name but
25:22
honestly bae you should pick a couple in every continent we hit let's be a different couple
25:26
hold on hold up hold up pan wine in napa valley seeing the stars tasting differences between
25:32
cabernets and pinot noirs california poppy my weed is legal we large s came a long way from
25:37
Keepin' our tree in a jar. Facts. I used to seein' peas. Now, , please
25:41
You gotta take a trip to Humble. Come pull up on me. Yeah, slight negotiation
25:45
Get you what you need. Good with the communication. Wait before degrees. Look, back when I was sucka duckin' Billy Keys
25:51
And Doggy High had the fire fries with the chili cheese. Hey, ever since then, I've been livin' dreams
25:57
I done hoppin' off through Thailand and the Philippines. A'ight, this ain't Lake Merit water on your knees
26:02
s hatin' on me. I'm all in Belize. Huh, me and Sway icy, frosty freeze
26:07
going too crazy, you can't believe Sway in the morning, I got you morning
26:12
Yeah, now I'm freestylin' and I'm whilin' on the air One, two, what you gon' do when the G's come through
26:20
Real brighty legend, real Richmond legend I'm a dog, but I'm not goin' fetchin
26:24
Shout out Mark, and shout out to Hedgin' Oh my God, I just rhymed with Hedgin
26:30
I'm a legend, it's not a legend Yeah, and I'm still reppin
26:35
I'm in your section. You in the intersection finna get hit. , this is GTA 5
26:47
Hey, Johnny, I told y'all I thought the glasses on. Somebody put on an MP3 for me
26:53
I need to listen to that every morning. Come on, man. Hey. Hey, give it up for DJ Battle Cat on the beat
26:59
Battle Cat. Battle Cat. Battle Cat. I told y'all I'd be singing
27:05
Wow. Perfection. I told y'all I'd be singing. Hey, that was amazing, man
27:10
Wow. I feel like I spit them bars. I'm tired. That's my pick for the year
27:18
You can have those. This duo, that's my pick for the year. Rex Life Rogers gave me his bars
27:24
Sway, Sway Road. Go ahead, Tracy. Yeah, that is our pick of the year
27:29
That's right here? Yes. for the performance that happened at Sway in the Morning
27:33
freestyle, written, whatever. But you just serving us with your gifts like that
27:38
Nate, Rex, thank you. Just love. What a way to close out the game. I'm doubling down
27:43
This is my pick along with Tracy G's of the year. The best cypher that I have witnessed
27:48
These two brothers came ready, prepared, a range of subjects, use words besides the N-word
27:55
use more words than just the B-word, like talk more than just having sex and guns
28:00
He talked about language. My dude mentioned doulas. Birth of a nation like I'm a doula
28:06
My man's talking Sonoma and Faisal. I was like, what are we saying
28:10
In his rhythm and mechanics, he flowed with the beat and gave him a detail. Battle Cat, who knew what type of beats to play for him and made him shine
28:18
which was so good. I want to shout out Battle Cat. Battle Cat, one of the Raw's producers ever
28:22
My favorite beat of all time, like I told him when we came in, is We Can Freak It. We Can Freak It
28:27
That's my favorite beat of all time, bro. Come on, man. Hey, listen. Hey, what is an AOB
28:33
All on the . Oh, AOB. Okay. All trying to be good
28:39
Okay. All right. All right. All right. Okay. Yo, listen. And if you look at Rex Life Rides, one more in a
28:47
and then we have MacArthur Mays come up here. Okay. Well, Ian Kelly and all those guys, and they end up smashing
28:53
and then we talking about Richmond, California, Locksmith. I'm trying to tell you the Bay Area isn't what you think
29:01
Y'all not thinking big enough. You're not expanding in your mental perception of who we are
29:08
We're not monolithic people in the Bay. We're really the rawest people
29:12
The rawest people are coming from the Bay Area. Come on, man
29:17
And y'all ain't even heard. Go listen to my music for real. Go listen to his music
29:21
Because I told y'all I'd be singing too. Yeah, California Poppy 3. And I'll do that better than s too
29:25
I got lined up. If they told me, I got Cleans and I got Hook Mitchell
29:32
Which song do you want to end with? Hook Mitchell. Tom, we're going to end with Hook Mitchell
29:37
I want to thank DJ Cassidy for coming by today. That was amazing. What a great show today
29:41
DJ Cassidy, follow him. Look for the Pastor Mike series coming February 9th and 17th in North Carolina
29:47
Greensboro on the 9th, and Houston, Texas on the 17th. My man, Battle Cat
29:52
Man, Battle Cat just came up here. He stayed the whole time
29:56
Just to hang out. What up? He's fresh off the Grammy Hip Hop 50
30:01
You know, he's fresh off the Grammy Hip Hop 50 celebration. And this is my brother right here, man
30:06
He's come up here. Anytime I'm asked, he's always been generous enough to show up
30:11
Thank you, man. Salute to you. King Tech told me to send love to
30:14
King Tech. King Tech, the legendary King Tech. Hey, my guy. Come on, man
30:19
And DJ Revolution said to send love to you as well. That's all family right there
30:24
That's all family brother One more N8 You got something man I like it
30:28
You got it brother Come back up anytime When you got a project Okay What you got out
30:33
Let him know I got some Oh matter of fact Grill Branzino Featuring Rex Life Rise Okay Alright
30:38
Grill Branzino Grill Branzino Yeah That's your official choice See yeah that's my official choice
30:43
When I'm at RH Depending on where I'm at Alright Alright Alright Branzino Okay
30:49
As long as you ain't doing that tilapia Nah Okay. We've been bad
30:52
Still eating tilapia. Still eating tilapia. Don't go hug. Hell no. Let me fry
30:56
If it's whole deep fry from soul food, throw it in San Rafael. I ain't going to lie. I ain't going to lie. Fry Friday with the eyes on it
31:02
Hood, stop eating tilapia. Stop eating catfish. I'm big for real. Stop eating tilapia
31:08
I'm just going to say it. Y'all go ahead and eat it if you want to. All right
31:11
Rex Life Rod, you are truly a treasure. Oh, man. Thank you. You're a treasure to the culture, brother
31:16
Thank you for having me. Absolutely. Thank you for having us. Appreciate y'all. Thank you. And I just want to shout out Rex Life Raj for even bringing me up here
31:21
Nah, look. Like I told him when we talk about rapping in the Bay, I said, bro
31:26
this is the platform you need to be on. You feel me? Like, you need to come up here and rap
31:30
So I'm just happy he got to come up here and do his thing. You just got the invite back, too
31:34
If I didn't say nothing, you wouldn't have got the invite back. Big Horse came in
31:38
Now, that's Horse from the Brave Horse from Uchiwali. And then Battle Cat just played that instrumental
31:44
How you think they did, bro? You know what? Happy 50th anniversary to hip hop
31:48
Hip hop, we in a good place right now. You know what I mean? We in a bay. We've been in a bay, but you know what
31:52
We in a good place right now. We can kick back. These dudes got it. Pass the mic to these dudes, man
31:57
They got it for real. They got it. I appreciate it. Big horse right there, man. He stood next to Nas, helped coordinate a lot of projects
32:04
He's the visionary behind a lot of those projects. I see how much Nas want for the future
32:09
Yeah. What Nas talking about? My manager right there. No, because I have been listening to him for a long time
32:15
That's why I asked. You should ask Horse how much he want for the future
32:23
Get that horse feature. You get a horse feature. That's rare, brother. I might need that
32:27
Good luck. Get that horse feature, man. But I want to thank you, brother. Tell people how they can reach you
32:32
RexLifeRodge on everything. R-E-X-X-L-I-F-E-R-A-J. This is about California Poppy 3. Got some more stuff coming out
32:40
Man, we're just living the dream. One more N8. One more N8
32:45
N and the number eight. You spell out one? Want more. W-A-N-T-M-O-R-E-N-A
32:52
Want more. One more. Yeah, I couldn't tell. All right, I'm at real sway across the board
32:58
Tracy, I couldn't read you
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