Up next in 10
🔥 Don’t miss this exclusive on Sway In The Morning! Legendary hip-hop icon Grandmaster Caz joins forces with rising star Daddy Ru to drop their hot new track, "My Parasite." 🎶 In this captivating interview, they share the story behind their unexpected collaboration, the creative fusion of hip-hop and jazz, and how this track marks a groundbreaking moment in both of their careers.
Sway dives deep into their journey, with Grandmaster Caz reflecting on his legacy as a pioneer in hip-hop and Daddy Ru revealing her unique artistic evolution—from ballet dancer to dominatrix and now a powerhouse artist. Together, they discuss the challenges and triumphs of pushing boundaries in music and keeping the culture alive.
Get ready for exclusive insights, raw stories, and a celebration of hip-hop history, as Grandmaster Caz and Daddy Ru break down their inspirations and what makes "My Parasite" a must-hear anthem. Plus, hear why icons like Ice-T are already raving about this track!
Subscribe now for more electrifying content from Sway’s Universe, where hip-hop culture thrives. Watch the full interview to see how this dynamic duo is reshaping the game and paving the way for the next chapter of music. 🌟 #SwayInTheMorning #GrandmasterCaz #DaddyRue #MyParasite #HipHop #SwaysUniverse
#howtomakemusic #howtowriteasong #musicproduction #howtolearnmusicproduction #howtorecordmusic
CHAPTERS:
00:00 - Intro
02:12 - Daddy Ru and Grandmaster Caz
04:56 - Top 5/10/20 Lists
11:35 - Grandmaster Caz on Supporting Artists
14:55 - Bronx History: 1973 Context
18:53 - Grandmaster Caz on The Bridge Wars
21:29 - My Parasite Experience
23:40 - Exploring Dominatrix Culture
27:28 - Next Time Preview
Show More Show Less View Video Transcript
0:00
they made the mold and then they broke
0:02
it there'll never be another one quite
0:03
like them but it'll be plenty of them
0:05
that's under his lineage the man got an
0:08
orphanage have to be he got plenty of
0:09
sons and daughters that are out there
0:11
facts what makes him most amazing is
0:13
this man has transcended through every
0:15
single generation that this culture has
0:17
had and continues to ascend as we talk
0:19
about him this day
0:22
come on man one of the top MC's of all
0:25
time
0:26
I first met him as Casanova fly that's
0:29
how I knew him way back on the west
0:32
coast we knew what the real was we knew
0:34
that man lied when he said those lyrics
0:36
in that song that went [ __ ] colossal
0:38
but we knew it was written and it was
0:40
produced and it was made and it was
0:42
created by somebody who's Anointed with
0:44
his pen if you don't believe me ask Will
0:46
Smith he'll tell you if you don't
0:48
believe me I expect Daddy Kane he'll
0:50
tell you if you don't believe me ask
0:52
Jay-Z he'll tell you and many more will
0:55
tell you who they were most influenced
0:56
by is by this man right here he's seen
0:59
it he's done it he's been it he's
1:02
reinvented it he's reimagined it you've
1:04
seen him on the big screen
1:06
come on you saw him at Rock The Bells
1:09
you could hear them on Rock The Bells
1:11
shout out to LL Cool J the biggest
1:13
Legend of them all
1:15
come on next to this man
1:18
I gotta say I'm happy to have them here
1:20
I remember when I first came to New York
1:21
City he's one of the first people I
1:23
reached out to Crazy to this day my
1:26
daughter would claim to know him and
1:28
that he's her uncle and she get so much
1:31
props in school growing up in junior
1:33
high and high school when they Googled
1:35
and found out who he was they were more
1:38
happy that he was her uncle than I was
1:40
her father you know what
1:45
you know what man took me on the tour
1:48
the Bronx when I first came and did
1:50
something specifically for a DVD that
1:52
King Tech and I put out for our album
1:54
Back to Basics and and just told the
1:57
history of the culture and just been
2:00
steadfast ever since and he just never
2:02
ceases to amaze me he got a new song
2:04
with an artist called daddy Roo that's
2:07
me and it's called My parasite and
2:09
that's what we just played I want to
2:11
welcome him to the show The One and Only
2:13
the legendary Grandmaster crazy
2:24
[Laughter]
2:28
who is this amazing person that you
2:31
brought here with you today this is
2:33
Daddy Rue okay she is a new artist
2:38
um on the horizon her music just hit me
2:42
so hard we were working together on a
2:45
project
2:47
um and uh she was in in a production
2:49
during the production part of the
2:51
production and we just started kicking
2:53
it you know during the down time and she
2:55
said well I do I do music I got new you
2:57
know this new song that I'm uh working
2:59
on you know I hear it all day I know you
3:01
hear it all day Heather you hear it
3:03
every day people sending you music and
3:06
all that most of it I don't even have
3:07
time for it but she was very cool and
3:09
like we clicked so I said all right send
3:11
it to me let me check it out man I went
3:13
home I heard this song this is the first
3:15
time that I've been inspired wow in a
3:18
long time as far as music is concerned
3:20
as far as hearing music and it make
3:23
moving me and making me want to do
3:26
something it just struck me like that
3:28
the next day I was like yo I would love
3:30
to be on this song I would love to drop
3:32
a verse on it we went in the studio
3:35
um a couple of weeks later she was like
3:37
he'll come to this address we shoot in
3:39
the video wow and it was amazing it was
3:42
amazing so the song is called my
3:44
parasite daddy root daddy rule welcome
3:47
to the show congratulations thank you
3:49
yeah spell daddy rule because you'll you
3:51
know
3:52
d-a-d-d-i and then r-u what's the
3:55
meaning behind Daddy Boo well my last
3:58
name I go by Rue because I'm a film
4:00
director as well so Darien Roo is my
4:02
legal name and then
4:04
um you know my friend started calling me
4:05
Dad and then it turned into a daddy
4:07
thing and now we're here you know
4:09
[Laughter]
4:13
did you know the magnitude of this
4:17
person you met when you met him you know
4:19
so I met him producing a series for him
4:21
on a e and uh it's fascinating to see
4:24
how things kind of come together when
4:26
you never expect it you know I mean this
4:28
guy is a legend but did I ever think
4:30
that he was going to come on to my
4:31
record no he Amplified the song times a
4:34
million and I think like it's a really
4:35
beautiful amalgamation of styles you
4:38
know and like I'm singing this like dark
4:40
like Jazz voice style thing and he's
4:43
coming in here with this legendary rap
4:46
it's just [ __ ] awesome yeah yeah I'm
4:49
really thankful for him coming on and
4:50
I'm excited to see what we work on
4:52
together and
4:53
more to come yo so I'm just Grand Master
4:56
cast and see if Daddy rules here Cass
4:58
you do get it all the time I do get it
5:01
all the time can you recall a time when
5:03
somebody brought you a demo tape and or
5:06
or something that was new and it you did
5:08
like it and it turned out to be somebody
5:10
we all know
5:12
not that I can recall you know what
5:18
nothing I can recall I'm gonna be honest
5:22
with you um people asked me for years
5:25
like you know do you uh I want you to
5:28
manage me or do you want a van or you
5:30
know what I mean going to manage or
5:31
discovering new artists and I would
5:34
never I would never put a an artist's
5:37
career in my hands okay why not
5:40
I mean I haven't fared that well on my
5:44
own with my own career so you know what
5:46
I mean the pitfalls the mistakes I made
5:48
the things that I don't know about the
5:50
business I've really been
5:52
anti-record business for a long time you
5:55
know what I mean so I don't have the
5:56
connections and the ties sure everybody
5:58
knows me I'm cast people think you could
6:00
just walk in and tell anybody anything
6:01
and they're gonna go for it no that's
6:04
not necessarily so but this is the first
6:06
time like I said that I've been inspired
6:08
by someone else's music and it and it
6:10
brought out something in me I mean this
6:12
is not like a I do collabs all the time
6:14
you know what I mean 16 verses here put
6:17
a verse on that put it on first on that
6:19
you know I've been on all K slaves you
6:22
know joins from the 50 to 110 to 200 you
6:24
can always see me doing what I do but
6:26
I'm out I'm not out here trying to
6:27
compete with young MC's out here right
6:29
now it's their turn that's their turn
6:31
I'm trying to transcend that and go into
6:34
another realm of Grand Master cast and
6:37
this song takes me there that's what I
6:40
liked about it so Daddy rule when I
6:42
first heard the song I was in Oakland
6:43
and Cass hit me he was like yo I got
6:46
something I'ma send it to you and I was
6:48
like okay all right guys hit me up
6:50
should I happen to be in the car I was
6:51
like well let me throw it on let me
6:53
listen now before I forget to listen and
6:55
I never want to get on his bad side
6:57
right now yo how many minutes did it
7:00
take before I called you back after you
7:01
played oh man like I don't know how many
7:03
but right right away right away right
7:05
away because instant response and here's
7:08
why you know because Cass is a treasure
7:11
chest of information and experience for
7:14
this culture right and what he's done in
7:17
the past to get to this point and I
7:19
think it's even equally important that
7:21
we talk about where he at where he at at
7:24
this point and how he's moving forward
7:26
because when we look at other genres and
7:28
we can see
7:30
um the likes of um Rolling Stones or
7:33
Earl Smith or all of these different
7:35
people and groups that are performing to
7:38
their well into their 80s and it's
7:40
acceptable and people coming to the
7:41
concerts and [ __ ] we had this issue with
7:44
hip-hop where when you reach a certain
7:46
Plateau folks think you got to go away
7:48
and wither that ain't happening you know
7:50
and so it's important for cast to
7:52
succeed so when folks get to that phase
7:54
of their career they'll know where to go
7:56
and then the fact that you're being
7:58
inspired at this time I think is amazing
8:01
because I always often I've been doing
8:02
this [ __ ] for I've done radio for 30
8:05
two two years
8:15
32 wow
8:17
but I but I mean we had a really awesome
8:19
conversation with Ice-T here at SiriusXM
8:22
yeah he was saying that it's really cool
8:25
to be bringing together like different
8:28
types of music and creating a new type
8:30
altogether you know and that's I think
8:32
what this song is is doing like it's
8:34
kind of creating its own path instead of
8:36
sticking to like paths that are popular
8:38
now are already created I agree yeah
8:41
yeah ice ice responded the same way you
8:43
did I sent it to ice ice hit me right
8:46
back he said he was in his car he just
8:48
played it right there on the spot and he
8:50
just hit me right back he's like this is
8:51
you this is where you're supposed to be
8:53
yeah you know what I mean this is the
8:55
next you know Plateau for you you know
8:58
what I mean you don't really have to be
8:59
out here trying to out wrap nobody you
9:02
know what I mean I want to tell those
9:04
crowns you you've done all that already
9:06
yeah yeah I agree Cass let me ask you
9:09
this man and I know you get this all the
9:11
time and I get it all the time how did
9:13
the whole who to go conversations and we
9:16
always
9:17
stop we stopped doing that yeah so did
9:20
we yeah so did I and we uh me and my
9:23
partner Rocco shout out to Sean all
9:25
right come on Rock The Bells radio yeah
9:28
you know we doing an excellent job by
9:30
the way thank you thank you absolutely
9:32
thank you we get we get that all the
9:34
time
9:34
um top this top that top that us being
9:37
the ogs of this culture there's no way
9:39
that we can divide the culture by just
9:42
lessening it to a top five a top ten or
9:45
even a top 20 amount of people because
9:47
the magnitude of the of the artists who
9:50
have permeated this landscape called
9:52
hip-hop is immeasurable yeah and for you
9:55
to demean it by you know just breaking
9:57
it down to a few people I think doesn't
9:59
do it justice so we stopped doing that
10:01
as well and you can't even do it because
10:03
the errors it's just it's comparable one
10:06
thing the errors you know there's
10:08
generations of hip-hop that have gone by
10:10
and um it's opinionated yeah you know
10:13
it's based on what you like so we could
10:16
say this is the top this that but if you
10:18
don't feel that way your opinion is just
10:20
as valid as the people who made that
10:22
list so it's not always going to be a
10:24
hundred percent nobody you know no one's
10:26
opinions are are going to ever going to
10:28
be everybody's opinions so it's
10:30
subjective lists are subjective you know
10:32
to be dependent on the person that's
10:34
making a list Grandmaster cash man he
10:36
found peace in this I see what you did I
10:39
see what Cass is at with it man Nothing
10:40
Gonna stress him out stress him out I
10:43
think she's doing this [ __ ] too long
10:44
they still paying me to show up at
10:45
concerts and host oh you know
10:48
they still paying me they paying me to
10:51
do radio I got podcasts now
10:54
you better understand I got new music
10:56
right now
11:00
come on to the game Grand Master cast
11:02
come on man oh man but it feels really
11:06
good like I said I've been kind of
11:09
disenchanted yes with with the music
11:11
business for a long time hip-hop is like
11:14
a roller coaster it goes up and down it
11:17
twists it turns it goes away from you it
11:19
comes back to you
11:20
um but it always lands on its wheels so
11:24
even when it takes these different turns
11:25
and loops and all that we just wait for
11:27
hip-hop to get back to some kind of
11:29
normalcy where we can get back on it and
11:32
then take that ride again so that's
11:34
where I'm at with it you know what I
11:35
mean and this ride I'm taking with my
11:37
girl daddy rule daddy rule yeah you've
11:39
always been super supportive though
11:41
women I remember the first time meeting
11:43
you and he was just so complimentary I
11:45
was like wow like can I just scream
11:48
right now and tell him I remember seeing
11:50
him in the movie I Remember You know
11:51
what I mean like you've always been so
11:53
complimentary and I I appreciate it I'm
11:56
sure you did that as well because a lot
11:58
of times I think when people say oh geez
12:01
like you don't get that love that you're
12:03
looking for sometimes a lot of the
12:05
artists who came before you they don't
12:08
imagine that like literally we were home
12:10
studying your tapes we were watching you
12:13
we were we were emulating you we wanted
12:15
to be like you yo he got his pants this
12:17
way the shoelaces let me try to do my
12:19
[ __ ] like that you know like it it was
12:21
it was our superheroes you know what I
12:24
mean so thank you first and foremost for
12:26
always just being extremely
12:28
complimentary now my hip-hop question to
12:31
you
12:32
um I remember
12:33
no because we I was telling somebody
12:35
this morning going to see you the the
12:36
film and everything back and then my
12:38
cousin getting us in and the event rhyme
12:41
right like
12:42
so did you inspire ll's Dear Yvette oh
12:47
and and like the whole Rock The Bells
12:49
ready like I'm I I blew my mind when you
12:51
was on Rock The Bells radio I was happy
12:52
but the first thing that came to my mind
12:54
was Yvette and I was wondering if that
12:57
song is that yeah because it was a long
12:59
time ago
13:01
but his his version the one I know I
13:04
remember from the movie and then ll's
13:07
Dear Yvette so I was just wondering this
13:10
is my own hip-hop well well my event was
13:13
the first event absolutely and LL was
13:16
inspired by
13:18
um by my my event oh dope okay
13:23
interviews oh it happened okay at that
13:26
yeah yeah uh Will Smith as well has
13:29
publicly put it out there that
13:31
um Girls Ain't Nothing But Trouble Is it
13:33
like a blatant rip-off from Yvette you
13:36
know what I mean and that's just a
13:38
testament to what you said earlier about
13:39
how people study us absolutely and
13:41
actually uh so much fans they emulate us
13:44
to the point of It kind of becomes them
13:47
somewhat and that's why I may be
13:49
complimentary like you say to to artists
13:53
um some artists because I see myself in
13:57
them you know when I hear you I hear I
14:00
hear me you know what I mean and and
14:02
it's uh
14:03
it's not patting myself on the back but
14:05
it's a compliment to to what I'm hearing
14:07
you know what I mean so I I see that I
14:10
see the dedication I put into it when I
14:12
see somebody's passion it's like I
14:15
gravitate toward that so when I see that
14:16
I compliment it got it I love it I
14:21
didn't know but yeah okay yeah yeah
14:24
it spawned a lot of stories about girls
14:28
okay Latoya
14:31
you know other names you know that come
14:34
up you know I mean just the theme of
14:36
putting a story rhyme together about a
14:39
girl that was kind of one of the first
14:41
prototypes of that
14:42
I like that so Sarah went in the crate I
14:46
wasn't going to dig in the crate today
14:48
with your cash I was gonna keep it right
14:50
here but have to have the dog in the
14:52
crate so I'm gonna dig in the crate a
14:54
little bit
14:55
um you know we was we celebrated we just
14:58
celebrated what we know as 49 years of
15:00
hip-hop yes anniversary 50 years next
15:04
um yeah and we give a lot of credit to a
15:06
lot of folks like Grandmaster Flash
15:08
Africa bambaata yourselves cold Crush
15:11
funky four plus one more I could keep
15:13
going on and on
15:14
um and of course cool herc right uh
15:18
kuhart gets uh a lot of the credit as
15:20
the The Godfather the Father the father
15:22
so
15:24
I'm curious to wow and I tell you why
15:27
where I'm gonna go with this when when I
15:29
was in France
15:30
I had an argument in 2006 on where
15:33
hip-hop began right and as we knew it
15:38
then and I'm arguing with these B boys
15:40
ill ass B boys you know how it is
15:42
overseas oh yeah they they dancing as
15:44
great as we are right and DJs and then
15:47
it it took me saying who's the oldest B
15:49
boy here and I'm surrounded by parisians
15:52
dudes who are ready to fight me over
15:54
this and I love that passion the oldest
15:57
b-boy came over and I was like hey
15:58
what's your name he told me his name I
16:00
said how long you've been dancing and he
16:02
says somewhere around the mid 90s I said
16:05
well okay but I didn't I didn't make fun
16:07
of it you know I was like okay who'd you
16:09
learn from and he said Prince can Swift
16:12
right okay just original Rockstar that's
16:16
my dude Prince Okay cool so when I
16:18
explained to who Ken Swift was they
16:20
start saying okay well the reason why we
16:22
thought that is because we have train
16:23
tracks and people were tagging back in
16:25
the late 80s too all it made me think of
16:28
is while one thing is happening here
16:31
there are other things happening there
16:33
or over here same way when things were
16:36
happening in the 70s in New York there
16:39
were things that were happening on the
16:40
west coast in the 70s as well right so
16:45
specifically what was going on in New
16:47
York in 73 outside of the Bronx what was
16:51
going on in Brooklyn where the DJs like
16:53
flash or the DJs like herc that were
16:55
making their strikes
16:57
is that the question that's the question
16:59
who who else was out there I mean for
17:01
the most part hip-hop as we know the
17:04
hip-hop style of DJ and the hip-hop
17:06
music played
17:08
uh is indicative of the Bronx okay and
17:12
if you look at the songs that were
17:14
played by DJs and other areas Queens
17:17
Brooklyn whatever they have a different
17:19
set of Music in their crates okay uh the
17:22
top song that they play in a night is
17:24
different from the top song that we play
17:27
in A hip-hop Jam okay hip-hop is Apache
17:30
Bongo Rock Just Begun give it up turn it
17:33
loose James Brown Sex Machine okay that
17:36
Brooklyn was love is the message okay
17:39
you know what I mean that Queen's Vibe
17:41
was loving the message you know what I
17:42
mean that kind of GrooVe that kind of
17:44
disco you know grown and sexy kind of
17:46
GrooVe and Hip-Hop is the streets okay
17:48
it's the Beats it's the brakes it's the
17:51
it's the sections of the record that we
17:53
played that made it hip-hop so uh that
17:56
that was later adopted by other girls
17:58
and other you know Generations but all
18:01
that started in the Bronx so um
18:03
Claims can be made all day every day and
18:06
I agree that when something is going on
18:08
in one place there's no way in the world
18:10
that that's kind of mindset that
18:13
narrative is not in someone else's head
18:15
somewhere else the conditions that let
18:17
up
18:18
to that need for self-expression that we
18:22
had during the 70s those conditions
18:24
existed in other places as well right
18:26
okay so there was a burgeoning hip-hop
18:28
scene probably in the places that it is
18:30
now they just didn't know what it was
18:32
yet okay you know what I mean it wasn't
18:34
formulated there was no name to it there
18:36
was no documentation of it that's why we
18:39
always say the first documented
18:42
hip-hop party was given August 11 1973
18:46
at 1520 Sedgwick Avenue There You Go
18:49
Master cast so
18:52
when you heard the bridge
18:56
what was your reaction
18:58
I'm from the Bronx
19:00
so when I heard the bridge I just
19:02
thought it was a cool joint from from a
19:04
cat from Queens I didn't get I didn't
19:06
have the same reaction that KRS did you
19:10
know because I understood that he wasn't
19:12
claiming that hip-hop started as a whole
19:16
in Queens he was saying for him
19:19
and that's the narrative I got from it
19:21
people saying for him hip-hop started
19:24
out in the park we used to do it he's
19:26
talking about what they used to do and
19:28
where it starts yeah and that particular
19:30
borrow so I didn't take it as he was
19:32
trying to claim hip-hop but he can't
19:34
hear us did and it started the bridge
19:36
Wars which was one of the most
19:38
interesting
19:39
um battles you know back and forth
19:41
between artists never led to any
19:43
Bloodshed any killings any shootings you
19:47
know what I mean it was healthy for the
19:49
culture it was healthy for Grand Master
19:51
cast we could do this all day
19:53
her cast compliment Eminem as hilarious
19:56
yeah yeah and there's a lot of people
19:59
who are just taking shots at Eminem now
20:01
as if it's almost like they they want to
20:03
erase his lyrical Legacy you can you
20:06
could take shots at them all day I mean
20:08
but battle him though yeah can you rhyme
20:11
better than him that that at the end of
20:14
the day you know you can't criticize for
20:17
somebody for something you don't do all
20:20
right so if you don't rap or you don't
20:21
write Rhymes who the [ __ ] is you to say
20:24
how good Eminem is or is it that ain't
20:27
even what you do yeah you're a passive
20:30
Observer you know what I mean so it's
20:31
not for you to judge
20:33
um they're a sister judged by their
20:35
peers and I'm pretty sure if you're a
20:37
Lyricist ain't no sideways ass [ __ ]
20:40
gonna tell you you ain't and you're
20:41
gonna listen to him hey get the [ __ ] out
20:43
of here
20:46
but the cast I love it man uh daddy Roo
20:49
yes what's up with you I see a lot of
20:52
different personalities in this one
20:54
human being what I'm singing right here
20:56
I'm singing something it's lovely though
20:59
it's interesting I feel like I'm looking
21:01
in the abyss of of of of humanity when I
21:05
look at you what am I saying yeah Cosmic
21:09
okay
21:11
had a physical right here what I see
21:13
ain't what it is what is it I mean in
21:17
what regard where did I start who are
21:19
you I'm I mean [ __ ] my therapist could
21:23
maybe help answer them
21:25
we're looking for those answers now
21:29
where you come where did style come from
21:32
um well I you know I've been in New York
21:34
for quite some time I moved here when I
21:36
was 13. I was a ballet dancer in Lincoln
21:38
Center which might be hard to believe
21:39
with the shaved head and the tattoos and
21:41
everything I see it that's a different
21:43
side of me that you see in there still
21:45
okay see um and then I became a
21:47
dominatrix in the city so [ __ ] it got
21:50
changed up I'm smelling that domination
21:52
that's what it is
21:56
my back is still hurting
22:03
[Applause]
22:06
you look like a superhero in this video
22:09
now they did me up she had me ready she
22:12
had my outfit she had they had the whole
22:14
thing planned I don't know if you saw
22:16
you couldn't see it was It was kind of
22:17
dark but I had on chaps
22:20
with the ass out but I didn't have my
22:23
ass out I had jeans
22:25
but yeah like Frankenstein kind of boots
22:29
that the whole look was I was so Stark
22:32
and Sinister all I needed I should have
22:34
had some teeth I should have had some
22:36
vampire
22:37
I mean at the end I'm drinking blood
22:39
he's crowning me I'm like yeah yeah some
22:41
[ __ ] elf it's really fantastic oh [ __ ]
22:44
yeah okay you didn't get a little
22:46
nervous about that you know back in the
22:48
day you would have did that they would
22:49
have said you worshiping the devil you
22:50
know what you know what I don't give a
22:53
[ __ ]
22:54
okay whenever you step out of the realm
22:57
of what people expect of you it's always
22:59
it throws them off somewhat and even
23:01
though people haven't heard from me
23:03
musically in this sense in a while but
23:05
sure you've heard me rap you've heard me
23:07
do collabs or whatever you know what I
23:09
do you know what I'm I'm capable of but
23:11
people haven't heard me like this
23:13
musicianship and um she's I mean like
23:17
I'm hearing like Lady Gaga I'm hearing
23:20
you know what I mean I'm hearing like
23:22
the the the truest voices that you can
23:25
hear Amy Winehouse something this is the
23:27
soul that comes out of this woman right
23:29
here yeah and it just touched me I hope
23:32
it touches everybody else the way the
23:33
way I feel it the video is out okay
23:36
right and it's called Uh my parasite
23:40
congratulations yeah thank you
23:42
congratulations let's go real quick
23:44
though because we gotta rap in a second
23:46
but I gotta ask her about dominatrix you
23:49
went back to that you have to come back
23:50
no but everybody wants to know that's
23:52
what we want to know is that hip-hop by
23:54
the way cast Dominatrix and we put that
23:56
in the hip-hop category
23:57
I guess we can't now because I have a
24:02
song called Hedon is coming out with
24:03
ether boy Ron browse and he's a he's a
24:06
hip-hop version
24:08
browse producer next Johnny yeah yeah
24:10
that's incredible uh what is dominatrix
24:13
what what who who who does that appeal
24:16
to commonly the person who yeah wants to
24:20
be dominated yeah I mean it comes in a
24:23
lot of forms but it's funny for me even
24:25
walking to Sirius XM today I'm in
24:26
Midtown where I used to work in a
24:28
dungeon when I was like 19 you know this
24:29
is a while ago for me and I've but you
24:33
know there's people that are up in the
24:34
high-rise buildings when you're walking
24:36
down the street that are up there
24:37
getting their ass whipped and it's
24:40
really fun it's really fun to think
24:42
about that so like CEOs like yeah CEOs
24:45
unhappy husbands you name it I mean but
24:47
I was called queen of pain because my
24:49
[ __ ] was like whipping you till you
24:52
cried and then I would go home that was
24:54
it wow and do you go home okay but what
24:57
about you can you find pleasure
25:00
if it's just regular
25:03
sexual interaction sex I just would whip
25:06
the [ __ ] out of people and I mean whoa I
25:09
was 19 you know I was finding my footing
25:11
I was really lost I just quit ballet and
25:13
I just went to the far end of the
25:14
spectrum and did something else and then
25:16
after that I got into film and TV work
25:18
as a director and producer so I've done
25:21
a wide range so yeah I guess there's a
25:23
few Personalities in me but that was
25:25
definitely a fun one and I'll speak to
25:26
it in that song coming out with ether
25:28
boy but okay I think it's important to
25:30
talk about it because I mean at the end
25:32
of the day sex work is work and
25:35
um those people need to be treated with
25:37
equality and safety as well so I sing
25:39
about it and also I mean there will be
25:41
whips and chains in the video and maybe
25:43
Grandmaster casual getting assless chaps
25:44
again if you're lucky
25:49
I'll be his manager that day
25:52
I'll be directed
25:55
I'll be like cash let me talk to you for
25:58
a second
25:59
sway I need you
26:07
I would love for you to come back and we
26:09
can have some further conversation you
26:11
know um always always I'm a fellow
26:14
alumni of Sirius XM absolutely right
26:17
next door Rock The Bells radio you got
26:19
my producer in here Tone come on I mean
26:22
we connected baby we connected man and
26:24
congratulations are y'all gonna be
26:26
performing this song on stage at all or
26:29
um we're trying to get some uh of course
26:30
eventually yeah yeah
26:33
um but uh the song just dropped the
26:36
video just dropped right now you guys
26:37
should check it out on YouTube it's
26:39
called My parasite and then we just wait
26:41
for the phone to ring you know just keep
26:43
keep sending it out keep putting it out
26:45
yeah
26:46
um you guys that are listening you know
26:48
I mean copy the link in my bio could you
26:50
check it out and and just you know put
26:52
it out there let everybody know it is
26:54
amazing it is amazing song she is an
26:57
amazing artist and it's an amazing video
26:59
and I love to see you you two together
27:01
this is an amazing tandem all right okay
27:04
uh listen hit him up at Graham the real
27:06
Grand Master cast on Instagram the real
27:09
Grand Master cast daddy Roo what's your
27:12
social media that Daddy roof yeah there
27:14
it is
27:15
d-a-d-d-i-i-r-u-u Daddy
27:23
are you you okay we'll have you back up
27:26
too yes please next song comes out
27:28
October 22nd with either boys so let's
27:30
do it come hang out Cass stamped you you
27:32
good money yeah you already know Jim she
27:35
approved that come on you good money
27:37
trust me all right all right we're gonna
27:39
come right back here it is again we're
27:41
gonna play it twice yes yes Sway in the
27:43
morning shade four or five
#Arts & Entertainment