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Join us as we uncover the hidden gems of hip-hop history, from early days with MC Gregory D to the creation of timeless tracks like "Back That Ass Up." Hear firsthand accounts of the pivotal moments that shaped Cash Money Records' legacy and propelled artists like Juvenile and Mannie Fresh into the spotlight.
Discover how bounce music, block parties, and a chance studio session led to the birth of a hip-hop empire. Get the inside scoop on how collaboration with Birdman, the formation of the Hot Boys, and groundbreaking tours with Rough Riders changed the game.
Engage with candid conversations about the impact of hits like "Go DJ," the influence of New Orleans culture, and the relentless hustle that kept Cash Money at the forefront of the music industry. Plus, witness a rare freestyle session that showcases Juvenile's enduring lyrical prowess!
🔥 Don't miss this in-depth exploration of Cash Money's journey, featuring #Juvenile, #MannieFresh, and more. Tune in for a history lesson in hip-hop that you won't find anywhere else!
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CHAPTERS:
00:00 - Intro
00:42 - Mannie Fresh
02:12 - Meeting Juvenile
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0:00
[Applause]
0:00
hea be talk to me
0:06
homie I want to come back to that song
0:08
we just played right here I played it
0:10
for a reason yeah and the reason had
0:12
everything to do with these people are
0:14
here today with us one of who has been
0:17
here with us before it's my brother
0:19
we've been in communication for decades
0:21
now right the other one is my brother
0:23
we' been communication periodically
0:25
somehow we bump into each other whether
0:28
he calls in on his show or some
0:30
just over the years seeing each other
0:32
when MTV was on tour with cash money and
0:36
and being in studios with cash money and
0:38
covering just documenting their Journey
0:41
as they went on but I remember a guy
0:43
named MC Gregory D yes
0:48
sir you about to walk us through damn
0:52
s damn I remember a guy Nam MC Gregory
0:57
de okay yeah well I don't know who that
0:59
is you got to tell me I'm going let the
1:01
I'm going to let the man tell you okay
1:03
this is preash money yeah yeah this the
1:06
early 80s you know what I'm saying it's
1:08
early Manny fresh that was like one of
1:09
my first songs you know and and meeting
1:12
sway way early on I even told him some
1:15
of his stuff I was like yeah man I'm
1:16
like I've been checking you out bro I'm
1:18
like you know and coming from Cash Money
1:20
he was like nah you know he was like
1:22
y'all heard that I was like yeah I got
1:24
the records you know what I'm saying so
1:26
I start singing the records to him and
1:27
then you know and we've been good ever
1:29
since
1:30
I'm a c ever there you go man ladies and
1:33
gentlemen come on man this man been
1:36
behind so much success I will say there
1:39
would be no cash money Legacy if he
1:41
wasn't a part of it there would be no
1:44
cash money Legacy if he wasn't a part it
1:45
wouldn't be the Legacy it is today come
1:47
on he was in the DNA and has been and
1:50
will always be in the DNA um we watched
1:53
him work with everybody not just cash
1:55
money artist but he made a lot of icons
1:57
one is sitting right next to him ladies
1:59
and gentlemen I'm talking about the one
2:01
and only juie what's up my brother how
2:04
y'all doing hey beautiful happy to have
2:06
you back hey Manny fresh made a lot of
2:09
stars and I'm one of them you're one of
2:10
them I'm one of them one of many um
2:12
Manny fresh is here I want to talk about
2:15
those Beginnings uh Gregory D MC Gregory
2:19
D and who you were then and then how did
2:22
you make the connection to Birdman um
2:24
back then I was just kind of DJing block
2:26
parties and you know and and production
2:29
came later on and even what Gregory did
2:32
was it was a mistake like somebody
2:33
didn't show up for a studio session and
2:35
somebody asked me like do I know anybody
2:38
that rap and I called three people and
2:40
Greg was the third person that answered
2:42
so I was like hey I got the studio for
2:44
free if you want to come just you know
2:46
let's let's make a song damn really wish
2:50
I I I didn't know that BR like I'm like
2:53
for real because we was we was never
2:56
Partners at at you know what I'm saying
2:57
and that formed that group you know just
2:59
by me I was like hey bro I got a studio
3:01
session and they giving me full run of
3:04
the studio like if you want to rap come
3:06
tonight we going to make a record you
3:07
know we made we made a record you know
3:09
what I'm saying and from there it was
3:11
Gregory D and Manny fresh it just it
3:14
happens just cuz he was at the right
3:15
place at the right time you know and
3:17
shout out to Alan Tucson who is a legend
3:19
Alan TUC it was at his Studio Alan you
3:22
know you know the late great Allan
3:24
Tucson let me use his studio and he was
3:26
just like y'all you know do whatever you
3:28
do whatever you want to do man and you
3:29
know we made that record and that's
3:30
that's Gregory D now you know fast
3:33
forward I you know I started DJing
3:35
everywhere and you know and juie could
3:37
kind of tell you this I was always
3:38
Uptown downtown and every project or
3:41
whatever doing my thing and I bumped
3:44
into baby them who had some artist back
3:46
then but it was rap and I was just like
3:48
Well's this new thing bounce bro like
3:50
that I'm doing it's bounce music you
3:52
know and for people like you know twerk
3:54
or whatever and I'm like so I'm like the
3:55
streets really know Manny right now for
3:57
for bounce and twerk so I was like if
3:59
you give me a shot at it you know I I
4:02
promise y'all like it's going to happen
4:03
but if y'all get out the streets and
4:04
let's do it the right way the first
4:06
meeting didn't go good what you mean
4:08
they were still they were still going
4:09
live we some street gang yeah we
4:12
still yeah we we still we still got some
4:15
stuff we got around in them times I was
4:18
around they was like we still got some
4:19
stuff we got to get rid of you know oh
4:22
that's what they said and I was like
4:24
okay well when y'all finish that come
4:25
higher at me so you know they Circle
4:28
back and for like maybe 10 years cash
4:32
money was a bounce label you know what
4:34
I'm saying so it was established
4:36
way um who unv liil slim UNLV Miss
4:42
T uh mag shorty you know what I'm saying
4:46
so it was a lot of Bounce artists like
4:48
you know what I'm saying and there was
4:50
this song drag them from the river you
4:52
know that everybody know about like you
4:54
know if you know the history behind that
4:55
record as well yeah yeah drag them from
4:58
the river
4:59
that's right here right for a second
5:02
it's the mystical it's the Cash Money
5:04
Big Boy Records beef that's what this is
5:07
really yeah it's a response to mytic
5:11
drag him to the river it's about
5:19
mystical from the I don't give a
5:22
[ __ ] that's why this is why I winded up
5:25
on cash money this beat yeah uhuh I I
5:28
heard that song that beat in particular
5:30
and said godamn bro Manny look bro I if
5:35
I could rap on one of your Beats I need
5:37
that beat bro and that's that's where
5:39
this [ __ ] came from and that's how you
5:40
got to cash money I came to Cash Money
5:42
solely because of them beats so juie
5:44
said if I if I come over there I want to
5:47
rap on this song uhhuh you know what I'm
5:49
saying he was like this has been always
5:50
one of my favorite Manny Fresh Beats you
5:52
know what I'm saying I like well luckily
5:55
and and this beat was done on like a
5:56
four track task game oh my go saying
5:59
like yeah for track with the cassette
6:02
cette I didn't know what was talking
6:03
about I was like you got one of two
6:06
track yeah so I was like I was like bro
6:09
I still got the cassette with the beat
6:12
on I was like so um I'm like we we could
6:15
clean it up and I'm like and you go at
6:17
it like you know what I'm saying so this
6:19
this is one of them cool moments in
6:20
hip-hop cuz it's still it was mixed so
6:23
cool cuz it was really a two trck beat
6:26
cuz it was a fourt track the original
6:28
beat was done on the task game for track
6:30
like you know what I'm saying and do
6:32
they even make those anymore n they
6:34
don't need them anymore you don't need I
6:35
don't even know what that is I'm it's a
6:38
proc a drum processor a mini mixer that
6:40
you can assemble like you know but very
6:42
like limited yeah it's a cassette a a
6:44
real cassette that oh you talking about
6:46
the full track right I I know what
6:48
you're talking about now so so you know
6:51
he was like well I was like bro I
6:53
actually got the beat but you know I was
6:54
like I want to see what you come up with
6:57
and I was like but when we met him juvie
6:59
was getting off from work uhhuh and
7:02
where was you working juvie onsite
7:04
environmental I was the I was the uh
7:07
Foreman yeah but this is what's crazy
7:10
and I had I was getting paid so I ain't
7:12
really quit my job yeah he wasn't going
7:14
but I beg for I was like listen y'all
7:17
got to sign him juvie did about 15 songs
7:19
like on on spot like you know what I'm
7:21
saying they drove me home and I was just
7:23
I was they was like do another one and I
7:25
was just like Dam who was in the car
7:27
it's me Baby Slim and Jew yeah wow wow
7:30
what kind of car was it what what a
7:33
legend accur leg y still coming up that
7:36
was new [ __ ] that was like the new [ __ ]
7:38
got
7:40
you say white Acura Legend I never
7:43
forget I still have the white Acura
7:44
Legend and this is all in the be I mean
7:47
this is kind of the beginning of the new
7:49
era of cash money right yeah and it was
7:51
telling me then like you know we got a
7:53
lot of Bounce artists on the label got a
7:55
lot of artists on the label um they
7:58
gonna be going in the next week
8:00
like for real like what's I was confused
8:02
about that part like yeah it's gonna be
8:05
you they said uh BG and Wayne so I
8:08
didn't even know who Wayne was at all
8:10
you didn't even know who Wayne was right
8:11
and I I really you know I ain't no BG
8:14
either because I knew it was a little
8:15
cat that you know that slim had that rap
8:18
that slim was like man it's my it's like
8:20
son to me I love him to death and it was
8:22
BG so I ain't really know him but I
8:24
heard of them so it was one of them
8:25
situations where when I got in the call
8:27
with them I'm like man this my sh I got
8:29
to make this happen you know what I'm
8:31
saying so I'm going just kick them all
8:33
I'm going spit all this raw [ __ ] to him
8:34
when I spit it to him they came back the
8:36
next day uh bird called me he was like
8:39
hey bro we want to do the deal we want
8:41
to sign you my first thing was okay uh I
8:45
don't want just quit my job bro so uh
8:48
can y'all pay me like two grand a week
8:50
if y'all can give me two grand a week I
8:52
take I'll take off just to start
8:54
recording but if it don't work out I'm
8:55
not quitting my job so I took a leave of
8:57
absence okay and yo who just said that
9:00
to us Keith Sweat just told us the same
9:02
thing he took a leave of absence from
9:04
his job and never came back that's
9:06
exactly what
9:07
happened that's exactly what happened he
9:10
said that first album Mak it last
9:11
forever changed his life it did being
9:14
myself right my first song this is crazy
9:17
part my first song was with a guy that I
9:20
was a big fan of but I didn't even know
9:22
it was him it was Bun B and BG on BG
9:26
album Chopper City I didn't know who Bun
9:28
B was Bun B was with cash money long
9:30
before I came around so I'm hanging with
9:32
him two or three days around the studios
9:34
and stuff and they saying bun I'm just
9:35
like yeah bun I'm talking to him and
9:37
everything then one day somebody had a
9:39
bun be I I was in
9:43
shock like what I say the king of the
9:46
hover Trail bun be UGK I just starts
9:49
name singing songs I say pocket full of
9:51
stones he said yeah man you didn't know
9:53
that was me I said Lord I said man D
9:55
crazy I said hell no I said bro I've
9:58
been hanging with you for three days we
10:00
slept in a house together talk and bro
10:02
you never one time told me you was butt
10:04
be he said well I thought you knew it I
10:06
said boy this is crazy wow I love that
10:09
my first song was with Bun B so you know
10:11
they had me right there they had me they
10:14
had soon they put that cared in front of
10:15
you was gone got me with bu and then so
10:19
being myself was that the first project
10:21
that was my first album but that wasn't
10:23
with cash M that wasn't with cash money
10:24
that was actually with Allan Tu and a
10:26
guy named Marshall seahorn in New
10:28
Orleans w wow and um they they did a
10:31
deal with warlock so that's why it had
10:33
it had Distribution on it but it was not
10:35
a great situation I ain't know anything
10:37
about warlock they hit me with the check
10:39
and the they hit me with the speech
10:41
right you know like the speech you like
10:43
them recruiters hit them kids when they
10:45
they they convince them not to go to
10:47
college and they say oh man just join on
10:49
and we're going to get the gieve and
10:51
stuff like that not saying it's a bad
10:53
thing cuz it works out for some people
10:55
but I got hit with a speech man like
10:57
that oh if you ever saw when oh we're
10:59
going to get you this we're going to buy
11:01
you this we're going to take care your
11:02
life is going to change and yeah I w i
11:05
winded up
11:08
working yeah least you got to never go
11:10
back you didn't have to go back man we
11:12
got juvenile here juvie and Manny fresh
11:15
are here yes sir um then what was the
11:18
was Soulja Rags the first what was the
11:20
first Cash Money album it was soldja
11:22
Rags okay 1997 y yeah wow what ' 96
11:26
right was it 9 it was 96 okay I was on
11:28
the radio then so I was all over y'all
11:31
we was on the bay we was in the bay just
11:33
you know back you know bro the crazy
11:35
thing is we can't do no wrong in the bay
11:38
bro I mean nuts how they love bro it is
11:42
the love there is nuts bro the bay yeah
11:45
Lov y'all you was just with L Russell at
11:47
his house man I told Manny I'm going
11:50
back October uh for for Halloween I got
11:53
to show it in the bit but I'm I'm I'm
11:55
I'm definitely going back to the back
11:57
whether I'm performing or not I just
11:59
like like the whole experience what is
12:00
it about the bay y' y'all was cuz the
12:02
bay also is a is a is a cultural Hub
12:04
everybody comes to the bay and walk away
12:06
with something whether it's slang
12:08
whether it's style whether it's whatever
12:10
demeanor it it is a cultural Hub I think
12:14
I think it's it's I think our people
12:16
down there like it really like it
12:17
reminds me so much of my of of New
12:20
Orleans we have similarities that's why
12:22
when krina hit half the people from New
12:25
Orleans that went to the B they never
12:27
came back they never came back I see
12:29
them when I go out there yeah but man I
12:32
I think we have the same sim similarity
12:35
if you was to take the bay and put the
12:37
bait in the Sal I think it would fit
12:39
right in like a glove it's still genuine
12:41
it's still untouched you know what I'm
12:43
saying that's that's that's you it's
12:45
it's one of them areas like you know how
12:47
somebody be say say like protect
12:49
Wildlife you know what I'm saying that
12:51
is that you know what I'm saying that's
12:55
the bit like you know what I'm saying
12:57
you got some endangered species
13:00
the wildlife right here by law don't M
13:03
with none of this leave it alone you
13:04
understand if you're in the B and you
13:06
don't understand the language if you
13:08
don't understand the language you don't
13:10
get it you're in trouble you know I'm
13:11
going tell you that the B got their own
13:13
they got their own language they got
13:14
their own way of doing things and they
13:16
don't like people from out of town
13:18
coming there trying to change the way
13:19
they do things n you can't do not at all
13:21
they not having it let me off you're not
13:22
going to disrespect him you're not gonna
13:24
come there you're not gonna disrespect
13:26
him on a song or anywhere in any wave in
13:28
life and think you think they gonna
13:30
forget about it and you gonna come down
13:31
there and they not gonna remember it you
13:33
gonna hear about it homie you going
13:35
they'll hold it for 15 years I'm tell
13:37
you 15 years
13:40
boy trust me I've been waiting to see
13:42
you
13:46
homie been waiting 15 years what upom
13:50
but the other thing about you all and
13:52
here's my quick antidol I think what it
13:54
is with the bay my grandmother is from a
13:56
parish outside of nor nor when you say
13:58
Parish
13:59
you know I know right I got I got land
14:02
somewhere in um uh what is East Carol
14:06
Louisiana one of those
14:07
small places that I I inherited from my
14:10
great auntie wow yeah and my great
14:13
auntie my great uncle those before they
14:15
migrated so a lot of people migrated
14:18
from the south nans to Northern
14:20
California and so we all got that
14:23
narland DNA in us and maybe that's what
14:25
it is you see I'm saying nans I know how
14:27
am I doing juvie I'm all right you're
14:29
all right all right cool man you're all
14:30
right but then there the other thing cuz
14:33
um the Cash Money tour back in 2000 one
14:36
of the things you guys did is uh you
14:40
broke the mold if you recall how
14:42
regionalized the business was back then
14:44
you could you couldn't get songs played
14:47
in New York City at that time you know
14:49
if it wasn't and you know some a song
14:51
like Back That Ass Up Ora forced people
14:54
to really open their minds it did it did
14:57
right and and you guys I remember the
14:59
Cash Money tour I want to say in 2000
15:01
right yeah you guys were then becoming
15:05
more accepted in New York yeah right
15:07
yeah talk about that I mean the tunnel
15:11
you know we was told we was told you
15:13
know what I'm saying if you go to the
15:15
tunnel dude they going to boo you they
15:17
going to destroy y'all don't y'all come
15:19
through
15:20
here you know what I'm
15:22
saying you scared I was scared CU cuz
15:25
they kept on emphasizing they kept on it
15:27
was at me all the whole weekend listen
15:29
bro this is the this is it this is where
15:31
you going to die at you going to die in
15:33
the
15:35
tunnel it was like a mafia movie y'all
15:37
y'all been doing y'all been doing fine
15:39
until y'all broke y ass up and imagine
15:42
imagine in 2000 they telling us me had a
15:45
last person that come to New York that
15:46
wasn't from New York and Rock the tunnel
15:48
was Snoop Dogg and that was 94 and it
15:50
was like telling me at
15:52
94 yeah 94 dog like yeah like Buster
15:56
rocked it but it's a lot of artists from
15:57
New York get
15:59
it was letting me know like yeah you
16:01
ain't going to just come down here they
16:02
like sing that one song and I ain't
16:05
going to lie it was the best advice I
16:07
could ever got cuz I sung that one
16:10
song like back to back of that
16:12
[ __ ] they went crazy y' did it
16:14
back to
16:15
back bre before anybody was doing back
16:18
to back I was Wilding with cuz that when
16:20
they was doing um ends and Paris and
16:23
they did it seven times and Kanye and
16:25
Jay-Z did that was a big phenomenal
16:27
thing but y' did back to back
16:29
to back to back to back what year was
16:31
that I don't remember the the I believe
16:34
it was when Funk Master Flex was in the
16:36
tun was his it was his
16:39
spot before we was calling it
16:42
residencies he had he was DJ in the
16:45
tunnel cuz he played the music and and
16:48
then he had that spot that everybody we
16:50
was all there but what I will say about
16:52
y'all maybe you didn't notice but on
16:55
these big tour dates and venues what was
16:57
happening too A lot of people from New
16:59
York was on tour with y'all doing y'all
17:01
was opening up and doing whatever in
17:03
certain spots y'all was killing the
17:05
shows yeah so people from New York like
17:08
who the hell is that what is this so
17:11
that's what happens too word travels
17:13
fast you know if you suck you suck but
17:16
yo who these who is that perform what
17:18
song is this you know what we was
17:20
telling them we say oh y'all don't know
17:22
us but everybody else in the country nor
17:24
wait till we leave here I I kept saying
17:26
okay wait till we get a little bit in
17:29
the midwest you know I mean when we hit
17:31
the Midwest cuz we we knew I I could
17:33
tell you we won Chicago long before we
17:35
got a deal we won we won uh Missouri
17:38
long before we got a deal all these
17:40
these mid these midwest states we had
17:42
them locked we was like okay y'all don't
17:45
know us wait just second and as soon as
17:48
we got over there it was like wow we got
17:50
to we can't go on WE they got to be the
17:52
last ones on stage who was some of those
17:54
artists on those tours that got I
17:57
everybody eyes open when they saw yall
18:01
the the Cash Money Rough Riders tour it
18:03
was a lot of times we had to swap you
18:05
know who closed out in certain places
18:07
you know it would be like well cash
18:08
money got to close this out tonight you
18:10
know what I'm saying and we was and what
18:13
made us a great family cash money and
18:15
the r Rough Riders we never argued about
18:17
it you know what I'm saying and and and
18:20
they was wise enough we was wise enough
18:22
to know that in this region cash money
18:25
got to close it was like if we if we
18:27
here y'all got to close it like you know
18:28
I'm saying and that's what made it a
18:30
super successful tour and then a lot of
18:33
them got to know our culture we would
18:34
have a second line every show second L
18:38
we had a second backstage be on and
18:40
they'll be with us be with us like you
18:42
know what I'm saying they was
18:45
like all we do this every show like you
18:48
know what I'm saying you know DMX was my
18:49
dude DMX G me a bottle Hennessy every
18:51
night every night every night every
18:54
night you see where you at send Rusty I
18:55
got a bottle for you son send a Bott
18:58
what's up see me the bottle I get the
19:00
bottle and I I I talk to him one night I
19:03
told him like bro how you you know I
19:06
watch you perform how do you continue to
19:09
have the same energy and no matter where
19:12
you at in this show how do you get the
19:14
people going like that he said I don't
19:16
think about it he said that's the
19:17
problem everybody try to think about it
19:19
he say I pray and I perform he said I
19:21
don't think about it he said the songs
19:23
are going to do what they going to do
19:24
the fans are going to the fans know the
19:26
songs they love me I'm going to give the
19:28
fans what they they came for it's not
19:30
about me no more when I walk on the
19:31
stage I'm like damn I get it and bro you
19:35
talking about scared me to Deb on going
19:37
performing after him DMX what the dude
19:40
will crawl bark you know what I'm saying
19:43
he he will pray cry he put the all these
19:47
different emotions out there to the fans
19:50
why he performing I think he was the
19:51
greatest performer I ever been like not
19:53
even close that's why when we was on
19:55
tour I used to always question like you
19:58
know um if we go out on last we got to
20:01
make sure that we we got to do our thing
20:04
thing I used to be mad about that look
20:06
bro they went out there ex's clown bro
20:09
they at the motor bike with the
20:11
fight bro we got dog
20:14
St I'm
20:17
saying
20:19
push-ups cheating CL
20:22
speak on yeah he clb the speaker all the
20:26
speaker like n here now I feel good
20:30
right here
20:33
damn with Tims on S with boots on it was
20:38
so crazy like cuz it was times where he
20:40
used to be late and he would show up
20:42
like he said one t one shoe on you know
20:45
whever he came from he didn't care he
20:47
would perform with one shoe on and rock
20:51
that [ __ ] in a bottle of hen turn in the
20:53
corner say that PR man he said and rock
20:57
that she just like dude you like they
20:59
ain't even tripping that he got one shoe
21:01
on
21:02
wow it's X baby that's x man give a
21:06
round of applause for man thank you for
21:08
sharing
21:09
that greatest performer rap performer I
21:12
ever seen wow man bounce just for those
21:16
who don't know what bounce I learned
21:17
about bounce music and you all um
21:20
through a good friend of mine who um
21:22
he's one of the people that kept us
21:24
informed from New Orleans he's a pillar
21:27
in the music industry in the industry
21:28
anytime I remember I can't think of what
21:30
convention it was maybe the Gavin or
21:32
something came to New Orleans remember
21:34
that ago and if you go to New Orleans
21:37
you got to make sure you talk to Jeff B
21:39
we got Jeff B is here with us right now
21:41
Jeff what up man what's up you gonna
21:44
play like you he playing shy right
21:48
now that's all right Jeff I ain't got
21:50
time man you on the
21:51
talk he's moving
21:53
slow Jeff what you want to say about the
21:56
leg can you offer us something about
21:58
this Legacy and how important it's been
22:00
to our culture you know and and what it
22:02
was like when you first start seeing the
22:06
swell I so I originally came from
22:09
Pittsburgh went to college in New
22:11
Orleans and I was all about East Coast
22:14
West Coast didn't really the bounce
22:16
thing everyone was doing the bounce but
22:18
these two stuck out yeah did something
22:21
different Cash Money started doing
22:23
something different and they Cash Money
22:25
worked it on the ground from as as juvie
22:28
was saying
22:30
Midwest South Southwest they just worked
22:33
all these markets before anybody even
22:34
knew about them before they had their
22:36
Universal deal they were already selling
22:39
hundreds of thousands of Records
22:40
independently which they were selling
22:42
records which people don't really C
22:45
records and CDs yeah yeah they were
22:47
moving units uhuh um there was juvie I
22:51
think he was the first radio show you
22:53
were ever on was the College radio show
22:55
right T below the basement uhhuh was
22:58
with I first met him he was with another
23:00
artist murder right murder y y okay Jeff
23:04
B is here DB is from Texas uh well grew
23:07
up in Texas but you were saying
23:09
something that was really interesting
23:10
about cash money in terms of how they
23:13
had all you
23:14
guys you had a lot of factors under that
23:17
umbrella you know it wasn't just one
23:19
group it wasn't just one artist right
23:21
cuz um you know I was born in New York
23:23
and when I moved out to Texas I lived in
23:24
this little town called louville and
23:25
then it was like no limit in cash money
23:27
where the
23:29
groups in music and sound of where I was
23:31
living in Texas and I just didn't really
23:33
understand it at the time you know what
23:34
I mean because it was happening it was
23:36
new ha came out and then Jay-Z jumped on
23:37
the song and I'm just like yo where are
23:39
these guys coming from and then the
23:41
thing that I thought that was really
23:42
cool that I always wanted to ask was you
23:44
guys had these factions like swaye was
23:45
saying it would be hot boys it would be
23:48
uh uh you know Cash Money Millionaires
23:49
it would be you know you know like
23:51
different it was like we have a lot of
23:53
people under this umbrella under this
23:54
label but we can do two of us over here
23:57
we can do four of us over here yeah and
23:59
a lot of times people might look at that
24:00
as like oh somebody's trying to go solo
24:02
or somebody's kind of like trying to
24:03
make their exit but you guys always
24:04
stuck together and it was always a group
24:06
effort like that was decided upon or it
24:08
just happened naturally yeah I mean we
24:11
we always knew that we were super strong
24:13
like if we if we stayed in our our
24:15
element like you know and even with the
24:18
hot boys it started out kind of like
24:21
that way but I was like I'm going to
24:22
give everybody their own identity and
24:23
everybody their own shot at it like one
24:25
by one and I and I thought to to myself
24:28
I was like this is going to make
24:29
everybody their own star and and and
24:32
show their own superpower you know you
24:34
you think of the hot boys as the
24:35
adventures The Avengers you know what
24:37
I'm saying cuz everybody had a different
24:39
superpower everybody had a different
24:40
thing you know what I'm saying BG was
24:42
the streets he was he was you he was as
24:45
raw as it could get juvie was our
24:47
Lyricist you know Turk was the little
24:49
chocolate cool cute dude you know what
24:52
you know say freak the
24:55
freak Turk the freak Wayne was our you
24:59
know he he was he was ad lives you know
25:01
what I'm saying and and and just he was
25:04
he he was crazy over Missy like you know
25:05
what I'm saying so everybody and he was
25:08
the future you know he he he didn't
25:10
curse and he could still deliver and get
25:12
it across and he was young so we we had
25:15
something that everybody wanted so I was
25:17
just like listen together this is this
25:19
is super cool and the hot boys were
25:21
structured off of grandmas flash in the
25:23
Furious 5 wait a minute hold on yeah you
25:27
know that's I'm a Mell M hey I'm a Mell
25:30
M fan brother that's crazy that's so I'm
25:34
so glad you said that man I'm a male fan
25:37
so of course now as he was as you were
25:40
talking I was wondering did you look at
25:41
wuang a little bit when you were
25:43
breaking that down but you I went to cuz
25:45
because that was the era that I grew up
25:46
with you know what I'm saying and I
25:49
really I know juvie knew it but you know
25:51
way him didn't know it you know what I'm
25:52
saying cuz the way we used to structure
25:54
the songs I was like hey you got to go
25:55
in and out in and out and blah blah blah
25:57
you know what I was like man check out
25:59
some grandm flash in the Furious 5 they
26:01
would be like who the [ __ ] is that you
26:04
know how they was looking at well look I
26:08
that's why if you listen to the hot boy
26:10
record the first one I'm first cuz I was
26:11
kind of like trying to give him a
26:13
guideline on how to do it but once they
26:16
got once we did the first song like that
26:17
they knew exactly what we was talking
26:19
about yeah but I knew soon as he said it
26:21
I say oh yeah in and out it was like
26:23
what's what's in and out you know and
26:26
and I had a cover it was forget what
26:28
album it was and all the flash them had
26:30
on leather or whatever you know what I'm
26:32
saying Wayne them was like what the [ __ ]
26:34
they got
26:37
on he was like man what what what is
26:40
[Music]
26:42
what wow and so I I tried to play the
26:45
record but it was so I was like you know
26:46
what bro I I got it we we G to get it
26:48
but you know it was really based off of
26:50
grandmas Flash and the fuy spot years we
26:53
celebrate 50 Years of Hip Hop big dog
26:56
come on man yeah let's talk um Back That
27:00
Ass Up yeah you know I thought it was a
27:03
very profound record you know I thought
27:06
I thought the the messaging in it had
27:08
quadruple on tandas and I think you had
27:10
to get beneath the layers of what the
27:13
aesthetic showed you back that ass up I
27:16
know for a fact had way more deeper
27:18
meaning juvie explain that to
27:21
us
27:23
damn yes this nigga's
27:25
crazy I got you I got you on the song is
27:29
supposed to save your life it's really
27:31
an exercise song it's it's really a love
27:34
song it's really a love song right it's
27:36
no different than your favorite baby
27:38
making song it's baby making music okay
27:41
right just from a different perspective
27:43
a lot of you a lot of you you know 21 25
27:46
year
27:47
olds ask your
27:49
mama you know what juy get
27:52
out that's how you got here how you got
27:55
but when y'all first con like just
27:57
Inception of this song where did it
27:59
start how did y'all build that song cuz
28:01
we c as we how many years has it been
28:03
Now 26 i 26 year anniversary come on man
28:07
26 you play that DB DJ so you play that
28:10
song any party today M yeah yeah the
28:13
party that song is saved my ass in many
28:15
your gigs where that's what he was
28:16
talking about ear that's what fresh was
28:18
saying it's a it's a it's it's the song
28:21
you play what you said as a DJ you know
28:23
if if it ain't going right put this one
28:24
on you know you can you can figure it
28:27
out why you know what I'm saying cuz you
28:28
could let the whole song play so you got
28:31
time to fix your your playlist or
28:32
whatever whatever happened cuz you could
28:34
let you know usually when you play songs
28:36
now is a f is one verse Back That Ass Up
28:39
is one of them songs where you got to
28:40
let the whole song play you don't you
28:42
don't cut out you know what I'm saying
28:43
somebody might kill you cuz they want
28:45
they want the whole song I Won't Drop it
28:47
like it's hot that's at the end of the
28:49
song don't turn it off and you started
28:50
from the beginning unlike a lot of songs
28:52
where you mix in like right before the
28:53
verse you start that song from the begin
28:55
you have to because that's kind of like
28:57
get on your m get set go you know that's
28:59
the same thing that's what that that's
29:01
what it is when you hear those strings
29:03
that's what the women do they oh [ __ ]
29:05
now oh [ __ ] and it's set up person God
29:09
for a wedding reception can you do the
29:12
first can you do the first verse for
29:14
us turn Camas
29:17
on come let go everybody with some your
29:21
bad make a [ __ ] spish cash his last ho
29:24
when you pass mad you can ride in the J
29:28
with d you can smoke a fire bag a grass
29:31
got money I can Flash and trash I'm a
29:34
big time a [ __ ] pull a trigger yeah a
29:37
headed great look I be slinging wood I'm
29:40
out the hood let it be understood all
29:43
good you got a [ __ ] screaming on a hard
29:46
the smooth little I want some you could
29:49
do a trick on a dick you CLA you want a
29:52
fit I'm the [ __ ] with the money at
29:55
don't a funny at got birds that I'm
29:57
running yeah honey girl you look good
30:00
want your back that ass a fine
30:02
[ __ ] Back That Ass call me Big
30:04
Daddy when you back that ass up girl who
30:06
is you playing with Back That Ass Up
30:09
back that [ __ ] up that [ __ ] up boy that
30:13
was fun that was fun it's going down
30:15
tonight you want the whole thing you got
30:17
to come to the [ __ ] Brooklyn
30:19
Bowl in Brooklyn ton
30:21
night me and the band fresh got the
30:23
keyboard and [ __ ] is going to be all
30:25
live none of that none of that rapping
30:26
over the lyrics [ __ ] okay yeah we got
30:28
the whole come check out some real
30:31
[ __ ] hip hop how many pieces in the
30:32
band uh I think we got like six piece
30:34
band six piece band Brooklyn Bowl
30:36
tonight what time juvie uh the doors
30:38
open at what 6 yeah doors at 6 show at
30:42
eight and just blaze is going to be blaz
30:47
my you got a fight tonight don't you I
30:50
go
30:52
tomorrow let's go go [ __ ] is going to be
30:56
amazing let's go can I I plug our tour
30:58
as well absolutely um we coming to a
31:01
city near you please check on my page
31:03
the juvie page we'll give yall the dates
31:05
and the cities and all of that you know
31:07
what I'm saying we are we on fire right
31:08
now I got PL my
31:11
products poor
31:15
[ __ ] priate bro let me priate prate bro
31:21
go ahead
31:23
uh shout out to everybody shout out to
31:25
everybody from from with from the juvie
31:28
juice staff I know they watching right
31:29
now I got my drink called juvie juice
31:32
it's a Selsa I got different flavors I
31:33
got I got a strawberry lemonade I got a
31:36
mango
31:38
got nonalcoholic no it's alcohol and I
31:40
got some down here for y'all I think we
31:43
gave the case away at the last spot so
31:44
we going have to ship the [ __ ] over here
31:46
right y'all coming out tonight right yes
31:47
we we going tonight let's go
31:50
you I ain't finished I got more products
31:53
let's go shout out to Kush shout out to
31:56
Kush because I got some new papers you
31:58
know some new Rolling Papers it's called
31:59
bats called juvenile bats because you
32:01
know when you roll it up it's shaped
32:02
like a bat oh yeah okay smoke clean
32:05
fellas smoke clean was it a hemp it's
32:07
hemp yeah it's hemp and it's from the
32:09
bay oh [ __ ] it's good get them bats get
32:12
them bats from get them bats knock it
32:13
out the park all right and I got my new
32:15
Yak y'all it's called y a it's called
32:18
Yak it's real smooth y'all got to check
32:20
it out myak I love that entrepreneur
32:23
that's right entrepreneur with the
32:26
ER entrepreneur
32:28
yeah man yeah man and U and I'm missing
32:31
anything did I miss anything what about
32:33
the furniture didn't you do uh made by
32:35
yeah I was doing well what happened was
32:37
let me say this right what happened was
32:39
the pandemic you know it ended well it
32:42
still it's still some covid out here but
32:44
it it slowed down and I stopped making
32:46
lamps and Furniture I'm glad you said
32:48
that though I got my ass back on the
32:51
road I got to make four St about all
32:54
right let me let me take a few calls for
32:56
you guys holding for hour I said y'all
32:58
was you know and they've been holding I
33:00
I really just said that to get them hype
33:02
but they've been on hold for over an
33:04
hour damn so I'mma start
33:07
with that's bad ass that man you know
33:09
they love you they holding for an hour
33:11
and it's in New York by way of yers
33:14
Anthony how you
33:15
doing why what up morning crew y'all
33:18
good what's up Excellent Man say hello
33:20
to these
33:21
icons peace icons thank you for
33:24
everything and all your contribution in
33:25
Hip Hop thank you m appr for that man yo
33:29
a ask your question go ahead my question
33:32
is for juvenile juvenile I wanted to get
33:34
your reaction to Eminem paying homage to
33:36
you on the death of Slim Shady wow crazy
33:39
that's my brother man from another
33:41
mother from back in the days man one of
33:42
the first cat kind of like when I came
33:44
into the industry kind of like put his
33:46
arm around around my neck man and showed
33:48
me some love so shout out to Eminem hell
33:51
of a [ __ ] rapper one of the best of
33:53
all times yes that's dope great question
33:56
Aunt good question a good question we
33:58
appreciate you you're a citizen all
33:59
right good morning homie I'm a citizen
34:01
too right oh you Mane I want the key to
34:04
the city [ __ ] where my [ __ ] at bro yeah
34:07
I got you man hold up it's in the back
34:09
all right we got uh Bobby from Atlanta
34:11
our good guy Bobby what up Bobby how you
34:13
doing what's going on good you peace
34:15
quick question quick question for Manny
34:18
um in hip-hop history there's only been
34:20
about two producers that held down about
34:23
six plus acts by themselves on a whole
34:25
label I would say it'll be you and r
34:28
um and swis how is it either easy or
34:32
hard holding down six plus a is the sole
34:34
producer for the whole label I mean it's
34:36
it's really easy if you love what you do
34:38
you know you don't even look at it like
34:40
work I love what I do and if if if it
34:43
was these same people again I'll do it
34:45
again for them you know they going to be
34:47
my brothers for life you know so I I
34:49
never even really looked at it like work
34:51
I looked at it like you know what this
34:52
is my mission and I'm supposed to give
34:54
it to you like that and he selfish you
34:58
trying to share that [ __ ] with
35:01
produc get your ass about here producer
35:03
it's my [ __ ] hey Bobby thanks for the
35:05
question man you're a super citizen
35:07
brother Jasmine in Iowa you got a
35:10
question hi good morning everybody good
35:13
morning um so I just want to start by
35:15
saying Back That Ass Up has been like
35:17
one of my favorite songs ever since it
35:19
dropped like we got a home video of me
35:20
in 1999 answer to itow so question is
35:26
yes VHS tap the a track the
35:32
beta
35:35
beta go ahead so my question is when
35:39
y'all were in the studio creating that
35:40
song like did you have any inkling that
35:42
like it would be as iconic as it turned
35:45
out to be yeah of course I felt that way
35:48
from day one like you know that this
35:50
song was would be around for forever you
35:53
usually you know people don't they'll
35:55
they'll be modest and say like you know
35:57
we didn't know I knew it was a hit you
35:58
know I I you know in your career you
36:01
only get a few of them where you could
36:02
say I know I really knew like I was like
36:05
this the one you know and Wayne hung
36:07
around after we did it you man he was
36:11
just in the shadows waiting to get his
36:13
little part on it cuz he knew you know
36:15
what I'm saying he did he knew it he he
36:18
was waiting shout out to Li bro little
36:21
bro Wayne was on every song wait hold up
36:25
li bro was on every song was on every
36:28
song If he wasn't on it he was in the
36:30
studio trying his heart out to be on it
36:33
wow believe me if you heard a single
36:35
from Cash Money and in those days Wayne
36:38
either was on it or he had some some
36:40
kind of way he was trying to be on it
36:42
and said you know what not this one bro
36:44
when did he become in your opinion the
36:48
the the the super skilled Beast MC Wayne
36:52
I would say go DJ go DJ so I agree I
36:55
agree okay so I agree is that not my
36:58
song that's it all right talking about
37:00
you're a DJ though too right well I DJ I
37:03
know I know you're MC I know come on put
37:06
me on the track man all right I know I
37:09
know okay so I noticed something oh by
37:13
the way Jasmine thank you you're a
37:14
citizen I appreciate I noticed it where
37:17
I don't know if most people listened to
37:20
the to music like that like you when you
37:22
make music it's a different listening
37:25
ear and over that beat that kind to beat
37:28
that song I felt like he raised his bars
37:31
up his skill set up and since then it's
37:35
just been ascending what happened in
37:36
that moment am I off yeah you you're
37:38
you're dead on like you know we we was
37:41
in Dallas you know after a concert or
37:43
whatever and we was talking in a club
37:45
and you know and it was just me and him
37:47
and you know and he was just like I'm
37:48
kind of I'm I'm I'm feeling like a grown
37:52
man now you know he was like I'm I'm
37:54
kind of done with the I don't I can't
37:56
curse and I can't you know say how I
37:58
want to say it or whatever and I'm like
38:00
yeah but if you do it I'm like this is
38:02
on your back like I'm like you got to
38:04
really bring it you know I'm like it
38:05
can't be no special effects you know no
38:07
firecrackers and no fire you got to
38:10
really do it and when we we did go DJ
38:14
the the beginning of it when we was when
38:17
I gave him the hook of the song or
38:19
whatever because it was something that
38:20
he always wanted to do it was a old song
38:22
actually go DJ is a old song that's a
38:24
old song but it wasn't his it wasn't his
38:27
it's
38:27
it was UN LV it was a song that I did
38:30
way back but he liked the song you know
38:32
what I'm saying so he was like I want to
38:33
do that song over the beat is different
38:35
on his but it's actually a older song so
38:39
so um the the the premise of the song
38:43
was we was going to send every DJ a
38:45
video camera or either you know tell
38:47
them just like radio DJs like just y'all
38:51
you know just video yourself and send it
38:53
back in but when he did the rap the [ __ ]
38:55
ain't got nothing to do with DJs you
38:59
know it's you yeah and I was just like
39:02
you know what I was like dude I guess
39:05
I'm like we keeping this cuz this is you
39:07
know I'm like this is timeless I'm like
39:09
what you just did I'm like you killed it
39:12
and he and he did it in one take like
39:14
you know what I'm saying so it was like
39:15
one of them I'm ready for this and you
39:17
know and I'm like well who going to tell
39:18
him it ain't got nothing to do with DJs
39:20
like you know what I'm saying it felt
39:23
like it yeah so so it was like
39:25
everything had to be changed around but
39:26
I was just like this one of them you
39:28
don't touch yo so the first verse first
39:32
lyric did he run it by you or he just
39:34
went in the booth he just went in a
39:35
booth like you know what I'm saying like
39:37
you know what you going to feel me right
39:39
now let me hear this real quick it's
39:41
just crazy how juvie wanted to do a song
39:45
Another You Know song and then and Wayne
39:47
wanted to do like mind blowing you in LV
39:50
if you if if if I tell people you need
39:52
to hear the uptown Uptown for Life album
39:54
with you and LV go listen to the music
39:56
listen to the verses the stuff that that
39:58
album was crazy yeah and you know that's
40:01
first generation Cash Money a lot of it
40:03
was bounce stuff but I was trying
40:04
experimental and and you know and of
40:07
course juvie you know Wayne and all of
40:09
them grew up on it so they was just like
40:12
man I I want them songs that you know
40:14
can you and I was like yeah we we'll
40:15
figure out a way to do it you know and I
40:19
I I mean when I heard him it made me
40:22
change my Beats though you know what I'm
40:24
saying you know true story made you
40:25
change your beats true story them was my
40:27
partners them was my partners we grew up
40:30
together I always they always like
40:33
that's who that's who told them Cash
40:35
Money about me youv cuz UNLV used to
40:38
always come to the project they was like
40:40
they look at me like a guard MC like n
40:42
we going going holl at je and we used to
40:44
have rap sessions all the time theyed
40:46
like damn bro you had the record deal
40:49
but now you you you ain't messing with
40:50
the music you working I'm like man yeah
40:53
I'm I'm going do this until my my game
40:55
plan was I'm going work and save my
40:57
money up and do my own thing yeah you
40:59
know um but the name UNLV itself the
41:02
title I gave it to him you gave them un
41:05
gave I know this stuff why you didn't
41:07
tell me this cuz we was going to call we
41:08
was going to call ourself Uptown [ __ ]
41:10
living Violet right and my group my cats
41:13
they was like n we UTP we Uptown
41:16
projects we not going n we not going to
41:18
do that so I went with when my dude said
41:20
I was like bro y'all had his name I
41:21
ain't tripping like Words yeah you can
41:24
have it run with it they ran with that
41:26
[ __ ] yeah so my very first concert with
41:29
bounce for the juvenile I put them on I
41:32
put them on stage with me and uh bir man
41:35
babing them was there I told him like
41:37
they was asking me what do I think about
41:39
him like man we think we about to make
41:40
some moves with him I said might be a
41:42
good move I think that might be a good
41:44
move and uh they never look back from
41:48
that point so when I got my opportunity
41:50
to to come to cash money that was the
41:52
first thing I talked about was yeah bro
41:55
if it no UNLV no no juvie true facts no
41:59
UNLV no juy that's an amazing story
42:02
beautiful right man I did not know this
42:04
me either facts man I don't think you
42:07
get acknowledged enough as a MC oh man
42:10
oh definitely not I'm one of them dudes
42:12
too yeah I'm still I'm still one of them
42:14
dudes even now one of them dudes yeah
42:17
turn to beat on turn to beat on go come
42:19
on man we got man fresh here we goty
42:23
here he already knew what I was doing
42:25
with it he he he got
42:28
he he know allows the situation at where
42:31
where young je at where young we going
42:33
tag team bring where bring them in bring
42:35
him in here hallway yeah me and my son
42:37
to kill it right quick is that is that
42:39
who I met yeah that's him yeah that's
42:41
him why you act like he ain't never met
42:44
me I I a think he you remembered him
42:47
when he probably felt like he remember
42:49
come on man let him come you could take
42:50
these C that you leaving people in home
42:52
for stop he
42:53
they all right Derek what you want to
42:56
say man we got man fresh here go ahead
42:59
man hey man I'm a
43:03
Frey the what's your question goat work
43:07
watch my magic I just want to give
43:08
flowers to Manny fresh last year on the
43:11
Rock The Bells Cruise he was the DJ that
43:15
was playing music and other DJs were
43:17
sitting and chilling and listening to
43:19
him so let's make sure we get him
43:21
flowers you
43:23
had you had you know Kid Capri you had
43:27
Tech the DJ they were just sitting back
43:29
and Manny fresh just wanted to sit back
43:32
and play for the DJ so I would to put
43:34
that out and the story that y'all told
43:37
uh about Grandmas flash I'm gonna send
43:39
that to flash because I'm good friends
43:41
with him wow and he will love it so
43:43
Manny fresh respect to you Heather sway
43:45
I'll see y'all in Nappa okay see you in
43:47
Napa I just left Nappa wow really y d
43:50
citizen we're hosting the um we're
43:52
hosting the black radio experience of
43:54
the blue not jazz festival Labor Day
43:57
week Andre 3000 Jill
44:03
Scott Jazz now rers and she come
44:08
onop tank
44:12
the yo Manny got to produce Tina Marie
44:15
too right I remember that I asked Tina
44:18
so many questions I asked give me one
44:21
that you asked you know I wanted to know
44:23
you know you know I I asked about the
44:26
the the the collaborations with her and
44:29
you
44:29
know eyes of fire and all that I was
44:32
like you know how did that come about
44:34
and of course I wanted to ask about deja
44:36
vu yeah yeah that you what I'm saying a
44:38
lot of laddin L Square Biz Square W she
44:43
has some man she crazy T Marie said Rick
44:46
James used to tell her like hey you know
44:48
we we got in a fight come come fly to
44:50
Chicago we G to make up and she say she
44:52
would get there her name would be on the
44:54
on the show like you know
44:57
she's on the
44:58
Marquee he like I thought we was making
45:00
up he like yeah but you on the show
45:02
though I
45:04
just I love it okay while we do this
45:07
many fresh who are your not not top five
45:10
of ever but top five MC's you love top
45:12
five MC's damn bro [ __ ] got to ask you
45:16
this you don't work with I mean you did
45:18
the Melvin Flynn um Nory project yeah
45:21
wow that's you did nory's project look
45:23
salute to Nory by the way get that man
45:27
proud of that guy family bro Nori is
45:30
family family damn I have to answer that
45:32
bro it's
45:33
dangerous okay all
45:36
right can I just say juvie juvie juvie
45:40
juvie yo juvie welcome to the Valley of
45:43
the
45:44
hyena
45:49
me oh oh oh oh
45:54
yeah big body Beam for on a fe speed up
45:58
when we see police cuz we F deep and we
46:00
got heers they catch me on my ass who if
46:01
I get away I'm a genius try to hit a
46:03
[ __ ] with these that's why I [ __ ]
46:04
around with Adidas mag know you still on
46:06
fire we like a pack of wild hyenas man
46:08
all my [ __ ] is bosses we don't even
46:09
follow no leader [ __ ] bosses we we
46:12
don't follow no leader had to cut some
46:13
[ __ ] off cuz they wasn't around when I
46:15
need them uh uh y need something faster
46:18
faster give me something faster you got
46:20
to takeing mine okay DB hit him hit him
46:22
all right watch this jie right here
46:25
[Music]
46:27
huh that man said he want something to
46:29
the needy give to the needy don't you be
46:32
greedy give to the needy get weeded to
46:35
the
46:37
wey uh uh uh uh
46:41
uh I don't know what to say I'm here
46:43
with sway I cut up every day H shout out
46:46
to all of my dogs getting money and all
46:49
smoking that weed in the project HS
46:51
knocking on the walls grabbing your
46:53
balls smoking on that [ __ ] [ __ ] the
46:55
hog we don't play all that [ __ ] y'all
46:58
say man cuz we don't run away man we
47:00
going to stay man wild mag no you been a
47:02
so and all I do this wild [ __ ] for my no
47:05
and all y'all talk [ __ ] but I won't stop
47:08
wild magnia dog still on block The Way
47:10
We Rock The Way We ship [ __ ] M mag no
47:13
[ __ ] feel like Christmas uh uh I'm
47:16
falling off but my [ __ ] never do cuz I
47:18
don't go soft one more time in this
47:21
[ __ ] yeah I'mma keep rhyming in this
47:24
[ __ ] I'mma keep shining in this [ __ ]
47:27
my tennis feel like I got a new
47:29
outfit yeah yeah yeah yeah give it up
47:31
for
47:32
J it's been it's been a long time since
47:35
I freestyled y'all so y'all give me a
47:37
little love get a lot of love that was
47:40
incredible hey you know how many people
47:41
would be scared to go over a DMX beat
47:44
DMX come on man at that Temple freestyle
47:48
yeah man come on man give it up for juie
47:51
you need to start talking about them
47:53
400° is a classic
47:57
400° it's a classic it's a classic juvie
48:01
in the building Manny fresh thank you
48:03
sir for having me I am a citizen you are
48:05
a citizen let s in the
48:08
morning I am a citizen baby yes you and
48:12
our committee you a part of our Sway in
48:13
the Morning Congress juvie um Manny
48:16
fresh if
48:18
if thank you for your contribution to
48:20
this culture yes thank you to our lives
48:23
as D Bond culture is community right and
48:26
you inspired a lot of people from where
48:29
you from and Beyond you guys didn't come
48:31
into the game looking acting like anyone
48:34
else fact yeah y y'all made people come
48:36
to
48:37
you y'all didn't change what y'all did
48:40
the world came to you all top brother
48:42
even though they was apprehensive at
48:44
first right y'all stayed the course and
48:46
look at it now right yes sir come on we
48:48
talked about an album that came out in
48:50
'95 that's crazy bro we are super
48:52
blessed that you know they still
48:53
checking for it like you know we still
48:55
on the road we still get it so I want to
48:58
thank everybody that you know support us
49:00
and everything that we doing we don't
49:02
like to say fans we like to say family
49:04
at this age we have family we don't
49:05
havein got no fans we got we got family
49:08
our family show up at our concerts you
49:10
know what I'm saying so family we see
49:12
y'all soon sway thank y'all thank y'all
49:15
thank y'all bro thank you for always
49:17
always always bro keeping me in mind if
49:21
I'm in your area bro you always like
49:22
fresh come over bro I got you get it
49:24
thank you big brother thank you I got
49:26
you come on man hey then I'm coming out
49:28
tonight I've already cancel my flight
49:31
come out y'all come check me out man
49:32
it's going down Brooklyn B we going to
49:34
have fun can and the cool part about it
49:37
after the show is over we going to bowl
49:38
y'all come y'all come lay down with us
49:40
okay yeah we going to bowl a you Boney
49:42
you B no he's a he's a ringer n don't
49:44
believe him he he 250 yo yo yo what are
49:48
you snitching for super snitching we
49:50
going to put something on it I mean the
49:52
ball d goes outside and cut back in I
49:55
mean it don't go straight down the
49:56
middle
49:57
on we've been solid man I lost
49:59
friendships over
50:02
bow want to do
50:04
it I ain't that competitive bro you can
50:06
beat me you can beat me and I'll walk
50:08
away I'll walk away with the same attit
50:10
I'm I'm not that great I'm joking yo
50:12
juvie
50:14
Jr
50:18
ma kind of stuck M he was supposed to
50:20
Freestyle with me I'm talking about you
50:22
remember meeting me before the day a
50:25
couple times I didn't feel like I mean I
50:27
didn't know feel love I didn't feel the
50:29
love man I gave you a hug and everything
50:31
I cut the dreads off that's what it was
50:32
that's what it is you cut the L looked
50:35
at me like who this dude is I
50:37
said it's all love to see you nephew
50:41
good to see you man what you got going
50:43
on for yourself you you man just making
50:45
these making these records man yeah how
50:48
can people find you this is juvenile son
50:50
find me at on Instagram all platforms
50:52
young je y o u n g ju u v e hey BR and
50:55
got a new song he getting ready ready to
50:56
drop too what's it I'm send it to you
50:58
send it to him I'll give you all my
51:00
number this is your home too brother for
51:02
sure for sure on the strength of your
51:04
dad this your heart but you still got to
51:06
earn your keep there you go okay you
51:08
still going to have to come up here and
51:09
do something man I'm going to come up
51:11
here ready man I ain't ready I'm be on
51:14
you nephew now [ __ ] you better write you
51:16
better be like Wayne did on gold
51:19
DJ God damn oh yeah oh yeah he he can't
51:23
stumble like I was stumbling now right
51:25
oh youing
51:27
the top of the you just was exercising
51:30
look next time I come up here I'm going
51:32
have a whole 10 minutes was trying to
51:33
get look I was trying to bait him in
51:35
that's what I was trying to do but the
51:37
floor wasn't on this morning you know
51:39
when a bait fall off the
51:41
hook that what
51:43
happen I got out of here right quick he
51:46
was like I see what's going man you you
51:49
guys are demig guys so to speak to us
51:53
man yeah man you are our superheroes you
51:56
are the and juie you ain't got to prove
51:58
[ __ ] to nobody that was just exercise
52:00
fun in the spirit of Hip Hop though man
52:03
it's it's all love I appreciate hip hop
52:05
and I love hip hop so much I got to do
52:08
it so much right I appreciate you juvie
52:10
Manny fresh thank y'all for having us
52:13
over and over again anytime every time
52:15
as long as we here you got a platform
52:17
Brooklyn a ice way we going to Brooklyn
52:19
Bowl tonight doors open at 6 show at 8
52:24
[Music]
52:26
a
#Arts & Entertainment