Eric Benet Reveals His Secret to Staying Young Forever 🕒 | SWAY’S UNIVERSE

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[Applause]
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yeah man that Angelic voice right there
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that ain't a voice that's Fly by Night
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Fly by Night that ain't that that ain't
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what this is okay this ain't this ain't
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a gust in the wind n nah that's not what
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this is It's a marathon come on man it's
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a marathon this is not a wave in the
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current no not at all citiz don't call
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it a comeback nah that's not what this
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is either this is an
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extension this is an extension of a
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beautiful Journey going into his next
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Dimension his next phase with more
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information more experience more wisdom
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more patience more understanding than
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who he was when he released his last
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project yes I know this brother
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personally you started the journey with
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me man talk about it come on man back in
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the Warner Brothers remember we used to
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call Warner Brothers records we used to
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call it warn a
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brother cuz you know we used to go in
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that mug like Dam y'all going to promote
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black music this month or what and uh so
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you know it's like navigating through
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all that yes stay stay true to your own
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brand of the of the beautiful uniqueness
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that you are and that's that's a message
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to all the artists out there who feel
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like yo if I got to stay relevant I got
1:18
to do this no you don't you got to do
1:20
you you got to do you and and if you do
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you that's your best shot at 20 30 years
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from now sitting talking to somebody
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like Sway and Tracy right now that's
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right man and and looking the exact same
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and we do have that shared struggle with
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Warner Brother records we do War brother
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War a brother brothers records man come
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on man this is my brother right here
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give it up for the one and only Eric
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Beret he's here he's here man thank you
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hey hey I always tell the story
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man it back wait wait wait which story
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is it which city was we in man let's
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make sure we can tell got
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you we were in Philadelphia okay okay
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those were good days we were recording
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at touch of jazz yes yes Studios yes it
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was me seventh and cow Hill
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yep rich nice was with
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me oh man bro breaking my heart man and
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Commissioner Gordon was with us wow
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Lonnie lights Dad wow and you were
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recording and you wanted to I never saw
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no [ __ ] like this
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we you were recording and Eric wanted to
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take a break don't worry you ain't got
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to remember I got you I know I know like
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which billion session was this right
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right maybe this will remind you and
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this is when I got a whole new
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perspective on who you are as a human
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being more so than just an artist um
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because your Vigor you wanted to leave
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the studio the confines of being between
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those walls y'all were in a session I
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think I'm not sure what project you were
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recording
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the one maybe um or
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even Day in the Life it was sooner than
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the one yeah yeah was when I was working
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with all the roots cats James poiser and
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and and Victor dupl yeah all them yeah
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Carvin was
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there Dre y all of those guys were there
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yeah and you said I want to get
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outside and we went downtown Philly I'm
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on the edge of my seat I can't I want to
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know what did I do I love the way I'm
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telling this story I know and we went to
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downtown Philly you knew of a spot there
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was an event happening I was like Gordon
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what are we doing man we got to you know
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I was working with an artist too and I
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wanted to get him in that session and he
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said man just follow his lead bro you
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led us to this gigantic tent I told you
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this before and for some reason they
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were doing Sasa Dancing Yeah man yes oh
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now I remember now I remember remember
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yes and and we were and I was just so
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out of my element but it was so amazing
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I saw that Community like that it was
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big beauti and he was dancing to the SAA
4:04
music he said yo hold my hold my beard
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sway right and then you went out there
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and start dancing yes like a
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professional Ballroom dancer wow well I
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know you being
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wager too much on let me take some of
4:21
the sauce back all right no but you
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would exceptional and we stood there and
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it opened my mind to a whole lot you
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know in and about you I realized I don't
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know this man as well as I think I do
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you yeah man and so how did you like how
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did you even get into that kind of dance
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well I I I think you know first of all
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just that whole era that you're talking
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about in Philly in the 90s was
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incredible because every time I think
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about that time it it in my mind it must
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be what it was like uh in mtown in the
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1960s because literally you would be in
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a session and and somebody would come in
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and say yo this's this new girl that's
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so and so signed she just say she wants
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to sit in on your session and and this
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new girl would come in it'd be Jill
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Scott it' be Jill Scott and then it' be
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Erica about do and then James poison
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would be like yo when they were doing
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miseducation of um you know Lauren or
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when they were working on D'Angelo's
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record it it was it was just an insane
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energy so back on what you were saying I
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think when you're in this this this
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profoundly creative
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uh movement and wave you're very in
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touch with yo I need inspiration right
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now and I've I basically I've tapped out
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my inspiration in this room right now
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sometimes you have to remove your remove
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yourself from a room or a space or a
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person and it's just going to ignite a
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whole another vibe and I remember
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particularly on that album we were
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working on like a a song it was called
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why you follow me so the song had like a
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Latin like like like salsa feel and
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something about that culture in
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particular it's not about when you go
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have you ever been to like a well you
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have go to a sauca club it's so not
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about the personality or or the let me
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let me post up and it's all about yo we
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came to enjoy this music and a girl can
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walk up to a guy and dance and it's not
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about having some sexual advance or
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anything it's like no I just want to
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dance right now so I was I was just I
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remember what you're talking about I was
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like yo I need to tap into that right
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now where it's all about the music music
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is unpretentious it's just like let me
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ride a music wave right now where people
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are riding a music wave and then I think
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I took that energy back and you take
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that back to the studio and then you
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make you produce a beautiful song right
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and I'm not surprised by this too Eric
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because even in your last project um the
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one going back like 10 years ago you
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were experimenting with a bit of country
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you're experimenting with a bit of ree
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you know and so you have proven that
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you're a multi-dimensional artist and
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black music lives in all of these spaces
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is there a genre still that you have yet
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to dip your toe in and experiment with
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that might be seen heard on Duets That's
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So Dope that you asked this question I
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mean cuz yeah you know like like Evol
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change is evolution and as long as
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you're as long as you're just not
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allowing um uh other genres and other
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styles and other spices to affect what
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you do you're going to stay St stagnant
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and I remember on this particular
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Project M that will be coming out soon
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it's a duet's project I remember I was
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with my man my man Terry who's right
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over there we were at a uh we were at a
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writing Retreat you know at jbr we did
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this really dope um um um writer camp
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where we just hired not hired but we
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just invited all these incredible
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writers and producers and we rented this
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house in in Palm Springs and it was
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beautiful and it was same kind of
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situation same kind of situation as you
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describ so it was like we were writing
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and everything was going good and I was
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like yo I got to step out and then I was
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like let's go get some coffee and while
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we were driving to go get the coffee I
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was for whatever reason I was like I
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never wrote a boson NOA joint like a old
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Sergio Mendes like like like Carlos job
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beam I'mma write I'm G write a bosan NOA
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joint went back wrote this bosan NOA
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joint and man it feel it feels so good
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and so authentic and that's just to tap
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on what you're saying I think you always
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need to be yo I never did that type Vibe
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before so
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yes to answer your question even Opera
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cuz I saw on your Instagram oh my God
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you could do that easily yeah sometimes
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I mess around with it but just growing
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up my dad um I grew up in this household
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where my dad had this extensive
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classical music collection and all these
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operas and and all these sonatas and and
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and uh so I was like immersed in that
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too so it's like like even in my R&B I
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like to you know the running gag in the
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studio is like like Eric is going to
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probably try to put some strings on this
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cuz it's like you know I always hear
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like I do I always see even if it's like
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a you know a real like stanky funky like
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thing I always hear like like
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orchestration in it you know so can't
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always afford it cuz you know that [ __ ]
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is expensive but no more Warner Brothers
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no right right I got to pay for it
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myself thund brother right the brother
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fun the brother records exactly exactly
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you you you know the other thing
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um you don't I haven't and I could be
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mistaken you could correct me I I I love
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correction you don't do a I don't
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haven't heard a whole lot with hip-hop
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artists right uh not not a whole lot
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yeah CUA CUA for me I felt like I
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respect the genre too much to feel like
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yo as a R&B artist because hip hop is
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this movement and and it's the voice of
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the younger generation I always kind of
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felt kind of pandering to do
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feel like yeah I feel like I do what I
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do and I'm always down for like a
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collaboration if somebody like ask me or
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want to you did the joint with Wayne red
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B girl yeah yeah yeah yeah yeah we did
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we we did we did this joint with Wayne
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and it's like I'm uh yeah I've always
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just felt like I need to my my creative
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statement has always been like like
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singing um um live instrumentation and
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um yeah so yeah I think it's just more
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of a like me not really wanting to like
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Pander to a Vibe or a style uhhuh I
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think of Eric Benet Eric Benet is here
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by the way man give this man a big round
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of applause and I think of when you
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first came out in um want to say 96 area
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right sir yes sir o R&B in '96 man
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b the baby making music time 96 R&B man
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we've been aching for that ever since
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right who was out at that time who were
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considered your competitors uh in 96 it
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was um I mean it was like Maxwell it was
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um black street remember black oh man
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black yes black remember Tony Rich Tony
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Rich Tony Tony Rich had a
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whole
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knows yeah yeah yeah who who pulled that
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one up that was me
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singing was like that's good I mean the
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singing
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question try think of Tony Rich thought
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he was like that wasn't exactly the song
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but you know you octaves and
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keys you got the point the words were
11:48
right right right right they they was on
11:50
yes no but yeah it was uh it was it was
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a time of music for music's sake and and
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romance and love and it was a man you
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know now now I'm sounding like a old man
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no man in '96 we was saying the same
12:05
[ __ ] though like true right it's just
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you know so it's the whole concept of
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age uh we we have to redefine that for
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ourselves because when you put that it's
12:14
a Scarlet Letter that comes with it it's
12:16
energy that comes with it we years old
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you know you're not old you're young
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you're just years on this planet yeah
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years wise let's talk about that man I'm
12:28
looking at you you man you looking
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Health you look like you rolling back
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the clock like what is your regimen like
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like some people B ask them Eric ask
12:37
them no but like some people it's like
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no it's more of a spiritual thing and
12:41
the positivity and other people are like
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no I got to make sure I'm not doing my
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Dairy I cut my sugar down and alcohol
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like what what is it for you I stopped
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with the alcohol boom okay I wasn't a
12:52
big big drinker anyway but um can I I
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I'mma let you finish sway okay wait
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but but the thing about alcohol okay is
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it's like the wine industry and the beer
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Industries they want you to believe that
13:07
all a couple once and now and then ain't
13:09
so bad it is bad your body do not want
13:12
alcohol in it it does anyway go ahead
13:14
yeah it doesn't and if you try to repair
13:16
your body after the alcohol takes days
13:19
before you even get the alcohol out your
13:20
system thank you sir and when you reach
13:22
a certain age that ain't working in your
13:24
favor and the hangovers are
13:26
horrible this guy speaking from
13:28
experience guy
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but I try to cut out the sugar Bo the
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sugar is poison right it's poison we're
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put in our body constantly uh I'm trying
13:37
to everything go ahead drink moving
13:39
water or water that's in bottles um I
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don't like drinking water that sits in
13:44
plastic bottles I'm talking glass
13:46
bottles man you preaching right now Y
13:47
and let me tell you something man this
13:48
what we need to be telling our people go
13:50
ahead yeah I get I wake up in the
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morning I drop down I do some sets of
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push-ups I do some core work and I push
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myself after a few days if I haven't
13:58
done nothing see I got to run you know
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so I got sometimes you don't feel like
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it you feel like and and this a
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conversation we do got to have for
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people who's coming to this stage in
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your life um you want to take the
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biggest best investment you can make it
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ain't in your car it ain't in your house
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it ain't in those chains it ain't even
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in your spouse man it's in yourself and
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so um I came to that conclusion e and
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you know I'm I come from Oakland I'm an
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athl I was a athletic D I got to be able
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to move like you was moving when you was
14:28
doing that salsa you know uh so that's
14:31
my regimen what's yours cuz you have to
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change everything you just said Is
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Gospel because um being in this industry
14:39
as long as I have you and I have seen so
14:42
many of our contemporaries who felt
14:45
Invincible in their 20s and in their 30s
14:48
and it's like oh at the end of the set
14:49
I'm going go drink I'mma go do this
14:51
I'mma smoke that you know I'mma catch
14:53
I'mma catch a half hour sleep on the
14:55
flight you know no bro you can't do that
14:57
that's why you ain't here right now now
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that's why that's why you fell off so
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everything you just said I cut out the
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sugar I cut out the alcohol I make sure
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that I'm working out I make sure that
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I'm drinking water soda is poison sugar
15:12
is poison um um you know not to tell
15:15
anybody what to eat cuz there's
15:17
different philosophies but I I
15:19
personally cut out beef and pork and um
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I'm very careful on the fish that I eat
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make sure it's wild you know wild C wild
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caught you know so it's like you got got
15:29
to you got to have that in the Forefront
15:31
of your of of your intention and your
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action these days because yo um my I my
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wife and I we we got a a 12 and a 10
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yearold I plan on seeing not only seeing
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the grandkids but I I plan on playing uh
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Hopscotch with him you know when I'm in
15:47
my 90s and it's possible so Hopscotch in
15:51
your 90s
15:52
so w i just grabed that out that's a
15:56
great visual maybe maybe it'll be
15:57
virtual hop scotch
15:59
in6 or whenever the [ __ ] that's going be
16:02
I think another thing that contributes
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to Your vitality as well is leading into
16:08
the technology of today like staying
16:11
ined that was important you know what
16:13
I'm saying and personally I love the way
16:15
that you use your Instagram cuz I think
16:17
it is such a sweet delight that you are
16:21
such a jokester about I ain't got no
16:24
sense since you've been with us since
16:25
you've been with us here we have been
16:27
freaking cackling and I know that there
16:29
was one post I got it some other folks
16:31
didn't get it I think it was back in
16:33
April where you were in the hot tub in
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the bathtub in the bathtub I'd be in the
16:36
bathtub we having epiphanies and [ __ ]
16:38
with the bubbles and pearls and that
16:41
should be the name I should do a whole
16:43
show Bubbles and Pearls what she just
16:46
call like bubbles and Pearls I like that
16:48
hey hey Netflix get at me Bubbles and
16:51
Pearls with Eric B no s since you
16:53
haven't seen it every B was like yo I
16:56
know y'all think of me for my soprano I
16:59
do so well but I have the full range I
17:01
could go down some octaves too but some
17:03
folks it was like yo the visual mixed
17:06
with the sounds like is Eric bedet okay
17:08
I was like yeah do you feel like people
17:11
get these additional layers to who you
17:14
are especially because of the music you
17:16
make when it's about love people think
17:18
you can't be silly as well yeah that's
17:20
wild to me good point good point it's
17:23
like it's it's amusing it makes it even
17:25
more amusing for me when people when I'm
17:27
silly or I do something off the cuff and
17:29
it's like yo you need to just go sing a
17:31
song or or whatever um I I find it funny
17:35
that people think you have to be like
17:37
this one thing but you know I'm the I've
17:39
always been like Class Clown I'm the
17:42
youngest of five kids so so you know I'm
17:45
always goofing off
17:47
and
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yeah Bubbles and pearl Bubbles and pearl
17:53
Bubbles and pear on the next edition of
17:55
Bubbles and Pearls with Eric B you can
17:58
do a cover of friends diamond and
18:00
pearls
18:02
hands the
18:04
col
18:09
High thieves and
18:12
Beggars never shall we die somebody go
18:18
check on
18:19
him oh
18:21
wow for all them somebody go go give him
18:24
some milk or something he need some milk
18:27
something wrong with heran y with EB man
18:30
what's going on with EB yo it's just
18:33
significant you you even we you wear the
18:35
pearls Bubbles and Pearls that's the
18:37
show bub bubbles I can have my guest
18:40
sitting the well maybe not in the
18:42
bathtub but or bathtub next to you
18:44
bathtub next to me there we go or a
18:46
shower yeah there you go if I want to
18:48
you know shower next to you pring on
18:51
only fans right Bubbles and Pearls the
18:55
x-rated
18:56
version subscription only
18:59
oh child oh man so what's up the
19:03
significance of the pearls cuz you wear
19:04
them in the tub too yeah it's great he's
19:07
like he's like no dude let's talk like
19:09
what's up with the Pearl I don't know
19:11
it's like getting back on the fashion
19:12
thing it's like I sometimes I'll get
19:15
like on one thing like I remember there
19:17
was like this one black motorcycle
19:19
jacket that I I would never take it off
19:22
and that it was like three years where I
19:23
wouldn't take that jacket off and then
19:26
once it once the black jacket was over I
19:28
ain't wore it since and it's probably
19:30
the same thing with the pearls I put
19:31
them on one day and there's something
19:34
just off enough about it that I liked
19:36
I'm like oh I'm a rock this [ __ ] I love
19:37
it yeah it's off enough got to be off
19:39
enough it got to be off enough got to be
19:41
off enough you hear that nephew text son
19:43
in here Isaiah just one of the hey
19:45
that's another phrase with just off
19:47
enough we need to start just off all
19:50
right see look at that we productive
19:51
we're productive so let let me ask you
19:53
this been a minute um uh been what 10
19:55
years yeah 10 years yeah like probably
19:58
like eight since the last single yeah
20:01
what happens in the eight years in
20:04
between that a a musician an artist
20:06
wouldn't put out music well that's an
20:09
excellent question man it's like part of
20:12
me and I I don't know see there's
20:15
difficult way to answer this question
20:16
without sounding like uh slightly old
20:19
cragan old man but when you come from
20:22
the era that you and I came from and you
20:25
look at what the CEOs are doing on the
20:28
Stream platforms and you know I'm got to
20:31
be careful well you are own one I am
20:32
kind of own you're safe speak your mind
20:35
but
20:36
psychologically especially where we come
20:38
from we come from an era where music was
20:40
something that we held so much reverence
20:42
for like like if we wanted a song we had
20:45
to go to the record store and flip
20:47
through the crates and tactile the
20:50
tactile senses of holding that album
20:52
looking at the artwork and reading the
20:55
liner notes there was just a whole uh uh
20:58
um reverence for that and it just I
21:01
don't know it just seems like
21:04
nowadays it it it turned into um
21:08
something where you just do what you do
21:11
you put your Blood Sweat and Tears into
21:12
something and you kind of throw it out
21:14
there for free yeah and I think it was a
21:17
psychological thing I just had to get
21:19
around a hurdle right yeah a hurdle
21:21
where it's like you mean to tell me
21:22
I'mma do this that and the other and the
21:24
CEOs over at Spotify or whatever they
21:27
making all this money and and at the end
21:30
of the
21:31
day I never stopped writing music it was
21:34
like I'm it was a conscious decision uh
21:38
since I partnered with
21:40
Allison um Allison who actually gave me
21:42
my first record deal my second Rec deal
21:45
and now uh I I she and I created this
21:48
company called jbr okay and um I was
21:53
content over the last eight years
21:55
without just touring the world and and
21:57
doing my song
21:59
and you know making my money that way
22:01
but Allison was like boy you need to go
22:02
in the studio and do a record and so we
22:06
decided to do it a different way this
22:08
time like well if I'm going to do it
22:10
it's great that I now own the record
22:12
label so yeah so but if we're going to
22:15
sign other artists it needs to be more
22:18
of a partnership with the artists um
22:21
more of a share in the success as
22:24
opposed to let me exploit your your your
22:27
talent so that made it easy for me to be
22:30
like you know what then let me make a a
22:33
a record that feels um uh timely and
22:38
relevant now but it's still uh
22:41
reminiscent of of the greatness of the
22:43
90s that we were talking about and do it
22:46
with all these other young incredibly
22:48
talented uh women so it's a duet's
22:51
record with just me and incredible
22:53
female artists and the first single is
22:55
with my my sister my girl my my C
22:58
beautiful Tamar tamaron yeah it's just
23:02
time what's the name of the single the
23:04
name of the single is uh uh something we
23:05
can make love to
23:07
so um your own music is do you make love
23:12
to your own music no absolutely not y
23:14
would your voice right like if you heard
23:17
yourself saying hey baby turn that [ __ ]
23:19
off man because as a producer in the
23:22
song writer like I C even if you play
23:24
one of my songs right now I I could vibe
23:26
to it but my brain automatically goes to
23:30
that session it's like damn I should
23:31
have turned them backgrounds up a little
23:33
bit oh why didn't we put the guitar
23:36
right there and I'm still like producing
23:38
[ __ ] uhhuh so the the trouble the snare
23:40
ain't warm enough exactly but aside from
23:43
that like it's just weird to hear like
23:45
my voice singing when I'm trying to
23:48
little narcissistic yeah you know there
23:50
may be other artists that are into that
23:52
type of [ __ ] really okay good so if
23:55
I if I ever hear your voice in the
23:57
background I'm turning it off
23:59
no offense sir n no offense be before we
24:04
let you go because we got to continue to
24:05
do this and now now that you're
24:07
independent you can always use this
24:08
platform to promote whatever you want to
24:10
do man you better say that one more time
24:12
cuz I'mma cash that check man cash it
24:14
brother it's good money too cash that
24:15
check cuz we got a we got an artist
24:17
coming out Joe Leone he's incredible
24:19
singer uh songwriter
24:21
multi-instrumentalist and we coming out
24:23
with his single we we're signing like
24:25
three other artists this year Allison
24:27
and I we on a rampage Rampage we on a
24:29
rampage make sure they dope though if
24:30
you going to bring them here absolutely
24:32
oh yeah yeah yeah cuz I know you clown
24:34
them quick man it won't go
24:36
well thank you for coming
24:39
goodbye go well uh good luck with that
24:42
how has fatherhood influenced your PIN
24:44
gang oh my God fatherhood influences um
24:49
anything that involves emotion or
24:51
sentiment or uh appreciating every
24:54
moment that you have on this life
24:57
fatherhood will just accentuate all of
24:59
that yeah you know
25:01
because you know when you get to this
25:04
age and you realize just how fast yeah
25:09
in the blink of an eye it literally you
25:11
know it literally feels like like like
25:15
two years ago uh my little girl uh so
25:20
this year she's going to going into the
25:21
seventh
25:22
grade and I swear to god it feels like
25:25
two years ago she was five yeah it's I
25:27
mean and it's such a painfully sad but
25:30
beautiful thing so that affects my pen
25:33
game where every moment just means more
25:36
and I think that always translates to
25:38
how you speak and how you act and how
25:41
you just walk through your day so it it
25:42
affects everything every moment means
25:45
more boom look at that another that's
25:48
another one every moment means more
25:51
Bubbles and per bub was it yeah Bubbles
25:53
and pearls and there was another one
25:54
just enough off just enough off just off
25:56
enough
25:58
just there you go just off now we okay
26:00
we got that documented all right cuz
26:03
none of us are going to remember in 30
26:04
seconds go ahead Tracy I was going to
26:05
say those are three new singles you can
26:07
put down the pipeline they are lyrics
26:09
they are strong lyrics lyrics man hey
26:11
Eric I love you brother if I never told
26:13
you man good to see you man man anytime
26:16
come back up this is Eric Benet we
26:18
coming back okay uh listen something we
26:21
can make love to will be out this Friday
26:24
yeah man y'all need to like do your
26:25
thing to it do the uh do the vertical
26:27
Kaz do the horizontal Kazi do the uh
26:31
kazasi where you standing up or however
26:34
you do your particular kazakis okay you
26:36
got to do them I don't know what that is
26:38
but and then Duets is the title of the
26:40
album yes yes uh so far uh until we
26:44
think of something better okay something
26:47
better
26:50
think man you Beast come on beast mode
26:55
it's a rebirth

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