Steve Brown on ACE FREHLEY last album that they did together
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0:00
I'm sorry for your loss for a freely
0:02
man. Uh God God bless him. God bless
0:04
him. Rest in peace. He was one of the
0:06
best. And uh how was uh
0:09
yeah uh how was working with him and how
0:13
did that whole combination of you of you
0:15
two became uh you know about the about
0:18
his last uh album?
0:20
>> Um well I'd known Ace for you know a
0:24
long long time. Um, you know, I met Ace,
0:27
coinc coincidentally, I met Ace for the
0:30
first time backstage at uh, Skidro
0:33
Bonjovi on the New Jersey tour um, at
0:37
the Metallands Arena when Ace came out.
0:39
I don't know if you remember, Ace came
0:40
out and they did cold jin that night
0:42
with Skid Row and uh, Snake introduced
0:45
you to him in the dressing room and you
0:47
and it was quintessential Ace, you know.
0:49
Snake brought me over. Hey Ace, this is
0:51
my friend Steve. He's in the band
0:52
Trickster. and and Ace just goes, "Hey,
0:54
Steve, how you doing? Great to meet. I'm
0:56
Ace." And it was like I was like, "I
0:58
know who you are, man. You're one of my
1:00
heroes." But um you know, uh over um in
1:06
2022, I believe it was when um when Ace
1:11
started doing his first set of shows
1:12
again after COVID when everybody was
1:14
starting to get back out there.
1:16
>> Um or it might have even been I don't
1:19
know what year it was, but whatever. We
1:21
had just released Tokyo Motorfist Lions
1:24
and that was getting a big buzz around
1:26
the industry. And so we got invited,
1:28
Tokyo Motorfist got invited to open up
1:30
for Ace um at a couple East Coast shows
1:33
and uh a bunch of the guys in his camp
1:35
and espe
1:39
um who used to work for Trickster back
1:41
in the day. They were like, "Man, we got
1:43
to get you hooked up with Ace. You gotta
1:45
work, man." They love that Tokyo
1:46
Motorfist record. They're like, "Ace you
1:48
and Ace would be a great combination."
1:50
So, and then his fiance at the time,
1:53
Lara Cove, who's a dear friend of mine
1:56
and PJ and I, we grew up with her. She's
1:58
a Jersey girl. She grew up a couple
2:00
towns away from us. Um, she was the one
2:03
who said, "Send me the ideas and I'll
2:05
get them to Ace and you know, let's just
2:08
try keep doing this." So, I just came in
2:10
my studio and and as the biggest Kiss
2:12
fan and Ace fan, I was like, "What would
2:15
I want him to do now? like what kind of
2:18
songs would I want him to write and what
2:21
would I want to hear as a fan you know
2:23
most importantly that's you know that's
2:26
what we like to do is be able to hear
2:27
those songs that you know make our make
2:30
our blood boil and so I came down here
2:33
and the first thing I you know worked on
2:35
was uh the idea what became walking on
2:38
the moon and I I sent him a couple ideas
2:40
which were walking on the moon fighting
2:43
for life cherry medicine
2:46
um I I think I had um I think I had some
2:50
constantly cute uh couple other things
2:53
and I sent him I sent him these rough
2:55
you know finished things you know they
2:57
were kind of you know walking on the
2:59
moon had a lot of what's on the record
3:01
and and I sent it to him and about three
3:04
months later I kid you not dude I'm
3:07
getting out of the shower I'm dripping
3:10
wet and my phone rings and I see it and
3:12
phone it says it says Paul Freely and
3:15
I'm like holy Holy [ __ ] he's finally
3:18
calling. And I pick up the phone. He
3:20
goes, "Hey, Steve, what's up? It's Ace."
3:23
He goes, "I listen to these ideas." He
3:25
goes, "This stuff's great." And he goes,
3:27
and then immediately he starts going
3:30
into and Walking on the Moon wasn't
3:32
called Walking on the Moon. It was
3:33
something else. And he was like, "Yeah,
3:35
we're going to change the title. I got
3:37
the hook. It's called Walking on the
3:38
Moon. That's going to be the title of
3:40
the record." Blah blah blah. And he
3:42
talks for like five minutes. And I'm
3:43
just sitting there going, "This is
3:45
awesome." And you know, it was really
3:48
cool because we hadn't even gotten
3:50
together, but already there was a common
3:54
connection. And I could tell he was so
3:57
excited.
3:58
And and then he just goes, he goes,
4:00
"When can you come over?" Because Ace is
4:02
living in Jersey. I'm in New Jersey. He
4:04
lives about 45 minutes away from me. So
4:06
about five days later, I went to his
4:08
house and we finished writing the lyrics
4:10
and the melodies for Walking on the
4:12
Moon. And actually that first day we did
4:16
90% of the vocals that are on there. And
4:19
then later that night after the first
4:21
time we worked together, uh later that
4:24
night he went he went down in the
4:26
studio. He was so excited he couldn't
4:28
sleep that he went down in the studio
4:30
and he wrote the bridge and recorded it
4:33
himself. And then what I had to do was
4:35
cut it up and move it into uh where it
4:38
is now. And basically, you know, that
4:41
first week we had that song done and
4:43
then I did a mix of Walking on the Moon.
4:46
I sent it to the record label Monarch
4:48
Heavy in New York City and they flipped
4:51
out. Everybody flipped out. You know, we
4:53
were sending it to all of our, you know,
4:54
all of our confidants and and
4:57
consiguaries, you know, the lawyers, the
4:59
managers, the agents, and everybody was
5:01
like, "We want that. That's the new
5:04
record." And it was we were off to the
5:06
races. And the next song we cut was
5:08
Fighting for Life, which is Fighting for
5:11
Life, which has become the definitely
5:13
one of the fan favorites from the 10,000
5:15
Bolts record. And you know, it was just
5:17
incredible, you know, it was an
5:19
incredible time and we became so close
5:22
and had so much fun making the record.
5:24
He would come here and work. We would do
5:26
like one day at his house, one day here
5:28
and uh here, man. Here, let me show you.
5:30
Here's a bunch of here's a bunch of the
5:32
hand some of his handwritten lyrics. Wow
5:36
man.
5:37
>> He would always he the first day he came
5:39
here I didn't have any of these legal
5:42
pads and uh he goes Steve you got to go
5:45
to Staples which is the you know like
5:47
stationary store. You got to go to
5:49
Staples and get some pads. So I went out
5:51
and got a bunch. So you know it's just
5:54
incredible man. I mean I I I still I
5:57
still have a hard time believing that
5:59
he's gone. Um and uh you know his
6:02
spirit's here. you know, luckily
6:04
there's, you know, he he graciously gave
6:06
me a couple guitars, you know, when we
6:08
finished the record. He gave me his less
6:10
Paul that we used that that he would
6:12
keep here and he he said, "I want you to
6:14
have this because uh you know uh I know
6:17
we're going to be making a lot more
6:19
music and uh I love you and it was just
6:22
really really incredible." And uh you
6:24
know, we had a lot more music left to
6:26
make and I have a bunch of ideas that
6:30
were going to be on the next record. you
6:32
know, he was working on Origins 3 with
6:35
uh his old engineer, producer, Alex
6:37
Saltzman. Um and and then we were going
6:40
to continue working on what was going to
6:42
be the follow-up for 10,000 Bolts. But
6:45
sadly, that's not to be. So, God bless
6:47
you, Ace. We miss you.
6:50
>> God bless.
6:52
Do you maybe have some uh leftovers of
6:55
of those records that can be re
6:58
released, you know, as new songs? Maybe
7:01
he he recorded with you something else
7:03
besides that, you know, like demos or
7:05
something.
7:06
>> Yeah, I mean, we have some rough stuff,
7:08
some, you know, stuff that wasn't
7:10
finished. Um,
7:11
>> you know, the right after 10,000 Volts
7:14
was released, we were going to do a
7:16
deluxe version that was going to have
7:19
some alternate mixes, you know, like
7:22
>> um we we have different drummers that
7:24
played on songs multiple times, you
7:27
know, so there's different versions of
7:29
songs. So, I have a feeling someday
7:31
that'll get taken care of. You know, the
7:33
estate, you know, Mo'Nique and Janette,
7:35
um, Ace's daughter and his his wife, you
7:38
know, they they have to the estate has
7:40
to take care of it. It's all in legal
7:42
stuff. It's not up to me and it's not up
7:44
to the record label, but I I believe,
7:46
you know, that that at someday in the in
7:48
the next couple years, all the stuff
7:50
that we have will release. I have a live
7:52
record that we recorded in 2024, the
7:56
summer of 2024. uh a multi- camera video
7:59
shoot, you know, from that show that
8:02
hopefully that gets to see the light of
8:04
day. So, there is there is stuff and um
8:07
you know, I'm hoping that uh all of the
8:09
uh all the lawyers play nice in the
8:12
sandbox and we're able to uh get
8:14
everything released properly because Ace
8:17
deserves
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