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The Dark Pictures Anthology | MAN OF MEDAN | Part 3
Aug 20, 2025
As the group plan their escape, things are not what they seem! The Dark Pictures Anthology: Man of Medan is an interactive drama and survival horror game in which single or multiple players assume control of five different characters that become trapped on board a ghost ship. The narrative changes and adapts to the choices that the players make. Can my Nephew and I keep everyone alive? If you enjoy this video, please leave a like, comment, subscribe and get notified of all future videos. #gaming #survival #horror #gameplay Chapters: 00:00 - 01:25 Coming Up 01:25 - 01:31 Intro 01:31 - 56:54 Gameplay 56:54 - 57:00 Outro Subscribe to my channel: https://www.youtube.com/@UClvXJv3rGbf9NIULhmhO4Ew
View Video Transcript
0:01
Whoa. All right, Jesus.
0:06
That was handy.
0:14
Hey, it's pitch black in here. Give us the light.
0:21
Oh, thanks. We got to stay sharp and keep our eyes
0:26
out for the right moment. They swiped out distributor camp. Going to be difficult to get anywhere out.
0:31
Well, those guys are out panning for Manurion gold or whatever they think they're going to find in this floating coffin. Got to take advantage and look
0:38
around for a way out of here. Someone should create a distraction. This is going to be loud.
0:44
Hey. Yeah, you long jaw silver and [ __ ] What are you guys doing out there? Pieces of eight and shiver me timbers.
0:50
You onelegged [ __ ] face.
0:56
Yes. Three. Quit it. We're through. Come on.
1:15
Come on. Come on.
1:29
[Music] It's like makes you see things
1:35
aren't actually there. Okay. Or that it is there, but it's not
1:40
actually the thing you think it is. Could be one of the other people.
1:58
Junior, come on.
2:12
She's like, "Shit, you took it."
2:23
Excuse me. Go. All right, mate.
2:50
We're out on the ship now. Yep. Jesus.
2:56
I wonder how many of us survive this.
3:01
No thanks. The thing like where it makes you choose things, it goes way too quick.
3:07
Yeah, sometimes it does. Yeah. Go on, keep moving.
3:13
[Music] Every time I choose one, I'm thinking, uh, did I choose the right one?
3:30
Who are you? Julie. Uh, yeah. What's this?
3:38
A chart or something? Hey. Hey. I was just looking, man. Good
3:45
Christ. No need to get all
3:52
even give me the chance. No, no need to get testy.
3:59
So, is that someone on the floor? Oh, no. Just a reflection. Flashlight. Yeah. Yeah, it's a reflection of the
4:05
light. Yeah. Oh. Oh, there's something there. Who are you?
4:11
Uh, comrade. Move.
4:23
[Music] Oh no.
4:29
What was that? I caught my bracelet on the door.
4:36
Whoa. All right. Jesus.
4:41
That was handy. Nearly.
4:46
did not sign up for a trip. I don't like this place at all.
4:53
Go in there. Thank you. Is it like uh
5:02
Do I have to go in there? No. Can I go anywhere? No, I can't go anywhere else. Okay.
5:11
Don't know where to go. What are they going to do with us?
5:21
I'm looking around for something, but nothing's there.
5:26
There's a there's Did see something. A uniform.
5:35
God, I can't even look at things now. Jesus.
5:47
Yeah, they get funny. If I remember quickly, then he dive into a room or something.
5:55
Yeah, you end up in a room. Can't
6:04
see. Okay, I'll into the room.
6:16
[Music]
6:25
Hey, it's pitch black in here. Give us the light.
6:35
Oh, thanks. Yeah, spot.
6:41
Oh, it's a lantern. Anyway, we go and play wire on this thing.
6:56
[Music] What the hell is this [ __ ] place?
7:04
Given our observations that this is some sort of ship and seems to be abandoned, I'm going to go out on a limb and say
7:10
it's some sort of abandoned ship. [ __ ] Sherlock, you going to write a book about it?
7:18
Quit being a clown. Yeah, there's no time for Quit being a clown, Conrad. This is serious.
7:23
Yeah, no time for jokes. We can't just sit around. We need a
7:30
plan. Yeah, we're not exactly in the best position to be making any moves.
7:37
Second they let their guard down, we got to take advantage of it and get off the ship.
7:45
Any more chips? Yeah, man. This whole rust bucket's one
7:50
tetan shot from the bottom of the ocean.
7:56
We got to stay sharp. We got to stay sharp and keep our eyes out for the right moment. They swiped our distributor cap. Going
8:03
to be difficult to get anywhere without it. So, can't we just like hotwire or
8:08
something? No, you can't hotwire it. We need the distributor cap. While those
8:14
guys are out panning for Manurion gold or whatever they think they're going to find in this floating coffin, we got to
8:19
take advantage and look around for a way out of here.
8:25
Search Loom. Get out of the room. Okay. Something here.
8:34
What happened?
8:39
Oh, found a secret. Okay.
9:12
All right, I need to look for things. Oh, what's this? Was there something in the small print? Another premonition.
9:19
I wonder what happened. He's not charging us for the damage to your
9:25
boat. I am now.
9:32
Real real creepy. Hi, baby doll. I miss you like crazy. 3
9:40
months until my next leave and jumping into your arms. 3 months. I've been on some short leave with the guys. Had a
9:46
few beers, but don't worry. I'm keeping everything ready for you if you catch me drift. How's work? I hope that boss of
9:53
yours is leaving you alone. I know you can take care of yourself, but I feel helpless being so far away and I want to
9:59
keep you safe. A yeah, Sky Miller was really freaked out.
10:07
I get a lot of time to think while I'm guarding the cargo holds. It's dark and spooky down there. Some of the other
10:13
guys have seen a figure worming around, but I've always got you with me to keep me safe, too. Well, we'll be with you
10:18
soon and get a job as a mechanic and we can get married and have two children. We'll be happy together. Wait, cuz they
10:24
didn't give me time to eat it.
10:30
What's this? What's this? What's this? What's that?
10:35
This is creeping me out. Oh, glasses. Wonder why this was ripped off.
10:45
Just a pair of glasses. Nothing to
10:52
take a look.
11:02
How's it looking? I can't get it open. Come here.
11:17
If we can bust it open, freedom. We don't know where event like this
11:23
would go. Wherever it leads, it can't be worse than here. You want me to just smash through this
11:29
wall? You're the alpha male.
11:35
Oh, yeah, sure. Big man on campus. Someone should create a distraction.
11:41
This is going to be loud.
11:47
Come on, lad. You do it. Yeah. Okay, Conrad, you do it. You're the one with the mouth.
11:56
You're the joker.
12:06
Hey. Yeah, you long jaw silver and [ __ ] But what are you guys doing out there? Pieces of eight and shiver me timbers.
12:12
You onelegged [ __ ] face. Yeah, don't you? I'm going to rip your pirate parents off your shoulders and
12:19
stomp them into rainbow colored stew. I'm warning you. I am an American
12:25
citizen. You really want my president after you guys each and every
12:32
Yes. Hey, can you hear me? I'm talking to
12:40
you. Hello.
12:45
Quit it. We're through. Come on.
12:51
Hurry up.
13:00
Yeah, barricade. Come on.
13:14
[Music] Maybe we should have made any noise.
13:20
Maybe. Well, yeah. Either way, they would have heard it. Yeah,
13:27
we need to keep going. Hello. Hey, that I love where the demo plays.
13:34
Come on. There's got to be some stairs around here.
13:45
Who am I? Oh, Julia, I see you going there.
14:00
I'm actually picking up what you've got or trying to pick up what you've got.
14:07
What is it? It's just a thing
14:13
like scary and stuff. Okay.
14:19
Oh, yeah. Nothing important. No talking, no playing, no games, no smoking, no alcohol, no gambling.
14:27
So, no fun. No, no fun to be had on this boat ship.
14:38
Uh, excuse me, fellas. I'm stuck. Yeah, me too.
14:46
That's better. So, I couldn't get past both of you.
14:54
Oh, [ __ ] hell. I'm going to stick with you actually cuz you've played this game
15:00
before. Something there. Oh, yeah.
15:07
Where? Nothing of interest. Good.
15:29
I just want to know where the hell they all went. There should have been dozens of people on board. Hundreds.
15:34
How could they all just vanish and leave all of their stuff behind? Something doesn't add up.
15:41
something there. Yeah. See something flashing
16:02
[ __ ] hold out of bounds.
16:07
Why is that then?
16:14
H. Guess we'll bump into those dead bodies we saw earlier
16:20
at some point.
16:31
I'm going wherever you go. All right. All right. All right.
16:40
else in there. Is that
16:48
going to be a dead end? If by that you mean a terrifying sound, then no, I didn't hear anything.
16:53
You know you did. Was it something moving? Something moving would make that sound. Sure.
16:58
Cuz it keeps getting stuck. This place is [ __ ] massive.
17:09
What is this place? It's the engine room. Well, is there anything we can use down
17:14
here? No, this is just an old piece of junk. The juke has a newer engine. We're just
17:21
going to have to get the cap back.
17:28
Hello.
17:34
Whispers. Pretty
17:40
sure I just heard some whispers. Oh, this is nice. I wonder where everyone went.
17:47
We didn't go too far. Whoa. Oh, what's that? What's that? What's
17:52
that? What is that? What is that?
18:01
Is that approach or something? That also ah
18:07
okie dokie then follow me there.
18:14
No move. Thank you.
18:19
Right there. Go to the cupboard. But
18:26
the walk this way to the you walk the other
18:31
way. You know, if I'm in the way, then you can't get Oh, yes. Gotcha.
18:39
Oh. Oh, that was uh
18:46
Alex. Alex's face smashed against the the window. Oh, damn.
18:54
Well, that ain't good.
19:00
[Music]
19:05
Oh, we're all together. That's good.
19:12
[Music] I think I see something moving down there.
19:20
Whoa. Yeah.
19:25
Yeah, there's someone down there. All right. Shh. Yeah. Everyone quiet. I
19:30
was going to say shut the [ __ ] up.
19:43
[Music]
19:50
[Music]
19:56
Look. It's the distributor camp on the Duke. Are you sure?
20:02
Yeah, I'm sure. [Music]
20:12
Yeah, that's it. Leave it. That's it. Nice. That's what we need.
20:18
I'm going to go get it. We got to be careful. Could be a trap. You got to
20:23
take the chance. Uh Okay,
20:28
keep an eye out. [Music]
20:41
That's his barefoot. Ouch. Yo, Brad, come on. We got to think this
20:46
through, man. Where you going, dude? Where you going? Wait, there's still Julia.
20:52
Yeah, I guess so. Holy crap.
20:58
Uhoh. He's coming. Someone's coming.
21:05
[Music] Oh, you idiot. Get out.
21:25
What was that? A drop. No, you look like a little stone or
21:33
Come here. Bolt or something? Oh god.
21:40
They got this.
21:46
Where are the others?
22:09
Oh,
22:18
don't look up. Yeah. Distract them. Distract it.
22:32
Nice. Nice. Nice.
22:37
[Music]
22:49
Come on, just follow them. Okay, let's do it. I'm going to dump my way. Yep.
23:04
All right.
23:09
[Music] Where are you taking me? Oh, character.
23:17
[Music]
23:24
Oh god, this is me. I think it's me. Yeah, you're fless. Oh, great.
23:31
Great. Just what I wanted to be, not find a way to escape.
23:37
Where we are going, damn it. Yeah.
24:00
[Music] Oh, it's a hook. I see something moving at the top of the screen. I was like,
24:05
"What the hell is that?" It's a hook. What's that there? Something's flashing.
24:12
Oh. Hey, take off. Damn it. Leave that alone.
24:21
That's what I need to do. Stop it.
24:26
I'm good.
24:33
All right. Come out. Show yourself. Jesus
24:44
Christ. Yeah, it's half past one.
24:53
These [ __ ] places. No [ __ ]
25:00
When I'm about to go, might as well spend the evening.
25:08
Look at this. NG Madan, the man of Madan.
25:18
Hey, man. I would have to look around, dude.
25:25
What was that noise? What are you talking about? I don't want to hear anything from you.
25:43
Said all this should be over.
25:48
Keep moving. Oh yeah.
25:54
Yeah. I just make sure everything.
25:59
Yeah, fine.
26:05
[Music]
26:15
I have got a bottle of Coke still at mom's fridge. So
26:27
I think we think I'd need to grab this one from the
26:35
What the he gone crazy?
26:40
What the hell? Hey, this guard who's pushing me somewhere.
26:49
You should. Yeah. Grab his flashlight.
26:54
Yeah.
27:04
Apologize for my action.
27:12
Oh, another premonition.
27:17
Whoa. All right.
27:23
Die. [Music] I found one, too.
27:29
So, can't go straight ahead. So,
27:34
Oh, whoa. Ah. Sorry. I'm I'm sorry.
27:45
How did you get here? We need to move. Uh, all right.
27:51
Get up. You keep going.
27:57
Who are you? Come on, lad. Uh, no. I'm Alex. Ah,
28:03
what? [Music]
28:09
Come on. Yeah. Thanks for the help there, Brad.
28:15
And then um turn it off and then get the ready.
28:20
[Music]
28:29
[Music]
28:37
Looking around for secrets and stuff. Whoa.
28:43
All right. That can't be a good sign. What was
28:48
that? Beats the hell out of me. Beats the hell out of me.
28:55
All right, let's drop down.
29:04
Huh? Sorry. Hey, shut up.
29:14
Whoa. The hell was that?
29:28
[Music]
29:40
What? Amazing.
29:46
Probably went away from for me or something. What was that? Did that to me earlier?
29:54
I'm just looking out. I'm just looking around for stuff.
29:59
It's not even letting me look. Huh? Found a dead body. All I got to do is pull a curtain back.
30:09
It's not letting me even do that.
30:16
[Music] Oh, took it. Nice. Smart.
30:26
[Music] Let's go back. I can't do it. Not letting me do it.
30:34
Just found a knife. Just be careful though, cuz if you take
30:40
a knife, you can end up accidentally stabbing somebody. You don't mean to.
30:45
True. Yeah. Jesus. What happened down here?
30:58
Oh, dog tags. Who was it?
31:04
Charles T. Perez. Ah, that's the guy from the beginning,
31:10
is it? Charlie.
31:21
[Music] Whoa. What the?
31:32
Oh no. What? I went to get out of the room and then
31:38
this well corpse moved his head and then locked Brad in.
31:44
Oh no. Come on again. No. Great.
31:51
Fantastic.
31:56
And there's a ghost just went past me.
32:03
Holy crap. Spooky.
32:09
[Music]
32:18
can what
32:24
is going on here?
32:34
I have to go that way. Okay. What is going on around here? Good
32:40
question there, Fiss. Another dead body. Right. Bullet.
32:53
Anything special about it? No. Good. Quiet.
33:16
Whoa. Just grab a leg.
33:27
Oh no.
33:35
No. No. No. No. No. [Music]
33:40
Oh no. Wait, what?
33:46
Save Brad. Save yourself. Oh no. What do I do? Save bread. Is that me as
33:54
well? Come on. Yes.
34:04
What? Uh,
34:13
all right then. You're now Alex. This
34:20
I just come up with this. You're Alex.
34:30
I went to uh save Brad,
34:35
but he turned into one. He turned into and then what? Well, whoever it is that weird face.
34:45
That's just not really him. I don't know.
34:52
Creepy.
35:14
Filmo is bliss. Yeah, I think I'm Brad.
35:21
Oh, so you're still alive then? Yeah. Like I said, you see things, but you can't take what a lot of things it is.
35:29
Yeah. Yeah. Yeah. Cuz Yeah. Cuz one minute you was in that room, and then the next minute he was uh right in front of me. So,
35:36
yeah. Bit
35:45
the whole world's a stage.
35:50
What's going on with you now? I've just been searching this room. This like Yeah.
35:55
dining hall thing. Oh, there's a [ __ ] on the wall.
36:01
Come on, move over there. Another premonition.
36:15
Okay. Just saw a few people in the water. So,
36:20
saw Alex and one person being put under water or something.
36:31
Was that a good idea? Ah, okay.
36:39
I've just um pulled a lever and that's opened the curtains.
36:46
Now, where am I? Oh,
36:52
I couldn't see myself.
36:57
I couldn't see myself then. I was too dark. Uhoh.
37:04
I'm in the room with the coffin. This ain't going to be good.
37:12
Let's look around first, shall we? Wow, it's dark.
37:21
[Music]
37:26
Okay.
37:37
Ah, really?
37:42
What? I did think it was going to take me out of it. I was meant to open the coffin.
37:49
Oh, no. I'm back inside. Okay.
38:02
Uh-oh. [Music]
38:10
Oh, the premonition's come true. Saw this. Saw this bit in the premonition.
38:17
Oh, great.
38:23
Got the D.
38:31
Oh no. What? I've just stabbed something or someone.
38:37
Yeah. Yeah. It's a ghost. Yeah. No, but it's not.
38:42
No. No. I don't think it was. Oh god, I had no choice.
38:49
Or did I have a choice? I don't know. Brad's dead. Oh. Oh,
38:55
you stabbed Brad. Oh, I want to know.
39:01
This is why I say where nothing's as it seems. Yeah, but then if I if I didn't if I
39:07
didn't do anything, I I might have been dead. I don't know. No, cuz I didn't do nothing.
39:14
You would have just woke up and it would just been the person standing in front of you. A [ __ ]
39:21
You could have said, "Yeah, maybe." But I didn't want to ruin it. Oh,
39:27
I like if I tell you what's going on, like it's just going to ruin it.
39:36
So I say nothing's as it seems. Yeah, but then one minute.
39:51
I'm in a fight with a man at the minute. Oh, that Oh, that's that other that guard was it
40:02
push. Damn it.
40:14
Just seen Alex in the water. No, Julia. I mean,
40:20
yeah, that's me. Oh,
40:32
my drowning.
40:42
Say something. Oh, thank you. Say something. Say something. I'm not
40:48
pressing that. I'm not I'm pressing it. Come on.
40:55
What was that? The guard or not?
41:04
Uh, okay. I didn't think it was. You said stop. Sorry. I did. I didn't press it.
41:11
Come on. Get
41:21
What? Huh? You You okay?
41:30
Yeah. The fact you tried to drown somebody. Thanks. I could have drowned.
41:37
We got to get away. He's still around. That that guy.
41:48
I can't remember this bit. That's probably why I didn't know what to do.
42:01
[Music] Come on. Run.
42:10
[Music] Come on. Oh, still not done yet. God's sake.
42:16
And I'm backless. Okay. And your corn.
42:24
through the process taking a little too far. You know, you get my drift. So, if you
42:31
want to feel free to pull the old plug, get rid of these guys. I'm with you,
42:40
Conrad. You Conrad? Hey, it's me, Conrad. The
42:46
[ __ ] was that?
43:00
Hey, the [ __ ] is he going?
43:07
Sh.
43:17
[Music] catch up with Conrad and calm him down.
43:25
Whatever the hell is going on here, it can't be good. No.
43:30
All right, that's three things to look at. Huh? Will you stop going too far away? Thank
43:37
you.
43:43
Water purification. International Build of Lighting. Headed to San Francisco.
43:49
Manurian gold. So gold is on the ship.
44:12
All right. What's the significance of this? Nothing. Okay.
44:17
Let's keep going. [Music]
44:29
[Music]
44:41
Just can't open this thing by myself. Let's carry on.
44:47
Carry on. Carry on. Let's go this way or that way.
44:53
Oh, no. I can't go that way. Okay. What's going on here? Can I go in here?
44:59
Yes, I can. What's that? Ah, another letter.
45:07
Walt. Walt, it's your turn to have dinner with William tonight. I feel for him. Last night, he got drunk again and
45:13
just kept talking about his wife. Poor Sod. He's talking, taking all on himself. It's difficult, but I think he
45:19
needs his senior officers around him right now. Okay. For 8:00 p.m. regards, Tom.
45:28
Okay.
45:35
Nothing else in here. Nope. Cool.
45:53
Oh, picture. Wedding picture. Must be the captain and his wife.
46:11
Mhm. Come on, move.
46:18
Oh, I found a safe.
46:24
There has to be a key around here somewhere. Great. Go find a key to a safe.
46:35
[Music] Mhm.
46:45
What's this? What's this? What's this? What's this?
46:50
Oh. Oh, metal. [Music]
46:56
Ah, a key though. Nice. Do you open the safe?
47:02
Can I check the metals? No. Okay. Anything else of importance in here?
47:13
Do I can't go that way. Oh, okay. Thank god.
47:18
Can't go that way. No, cuz I need to open this safe if it works anyway.
47:27
Come on. [Music]
47:36
I opened it. Nice. What are you doing?
47:43
I'm just opening the door. Just getting through this thing. Is that Conrad?
47:49
Doesn't that sound good? There you are.
47:55
Conrad, it's me. See, all I'm seeing is a woman. No, it's
48:02
me. It's okay. Ghost. All right.
48:08
I'm trying to calm you down. Yeah, that ain't going to work. No.
48:18
[Music]
48:23
Did I see someone blind him? No.
48:34
Where you going?
48:42
Come on. Jump over.
48:52
Whoa, that was quick. That was close.
48:58
That's a bit glitchy. in places.
49:08
Oh, bloody hell. Press one button. It's me. It's Bliss.
49:17
Don't lock me out. Come on. Let me in.
49:36
Yeah, get up there. Get up there. I'm usually pretty good with the QTE,
49:41
but I bloody missed that one or pressed one button.
49:46
[Music] Oh. Oh.
49:55
Hey, stop. Comrade A. Yeah, man. Stop.
50:06
Stop.
50:12
You're going to get yourself killed, man. You're going to get killed. You got to
50:17
stop. Told you.
50:24
Come on. Get up there. Whoa. [Music]
50:34
[Music]
50:42
Come on. Get up. Get up. [Music]
50:52
Grab him.
50:58
Grab him. What are you doing?
51:11
What the We're shooting. Come on.
51:17
Hey. Hey. Hey. It's okay. It's me, Connie. It's Bliss.
51:25
Yeah, but he's not seeing FL.
51:31
[Music]
51:36
What are you saying now? Are you still wa
51:49
Oh, yes. See, I try to stab you. Yeah. Yeah. Come on, Louie. It's me.
51:55
Look at me. It's Bliss. See, it's Bliss. Who's this?
52:04
What are you doing up here? God damn, you scared the hell out of me.
52:12
We should keep moving. Eat by the others.
52:21
Ah. Come on. Oh, still going.
52:28
[Music] Oh, Jesus Christ. Yeah.
52:34
Come on. Come on. Yo, Julia on Alex. Nice.
52:42
[ __ ] He's here.
52:48
He's here.
53:00
[Music]
53:10
[Music]
53:15
Yeah. Get away as far away from him as possible.
53:22
Mono jumps.
53:36
[Music]
53:43
Keep going back. What? I want to keep going.
53:48
Yeah. Yeah. Yeah. Get away from him. Exactly. Yeah, that's what I did.
53:55
Cuz obviously you might not be who you who you think. Hey, assistant. Out of the way.
54:01
Uh-oh. Oh. Uhoh.
54:08
That was cars. That was [Music]
54:14
Come on. We got to get somewhere safe. Come on. Go to the curator.
54:23
Jesus Christ, mate.
54:42
Are we good here? We're good, I think.
54:52
Ah, yes. [Laughter] Oh, hello.
55:00
You've taken a turn towards the spiritual, wouldn't you say? Yeah, I would say
55:08
definitely say that. Now you're one down.
55:13
Yeah. Thanks, Phil. I didn't know.
55:18
I was like fighting off this thing like not fighting back. Let me figure it out cuz I had a
55:24
how to stop it wrench or whatever it was. Poor unfortunate sto I get stabbed.
55:30
You will. Yeah, but you could have told me. Although it seems the ship's previous occupants never managed.
55:36
Yeah, but you don't know that you're playing the other person. That's like
55:41
I thought it was the game. I thought you was in another scene. Like playing someone else, not the person that was
55:47
talking to me. I need some help or I don't want spoilers. Uh,
55:53
want some help? What? Always helps. Yeah, have some help. Yeah,
55:58
you're agreed. Well, then, how can I put this? There
56:06
may be forces at play here that are more scientific and even some that are more
56:13
political, you know, less supernatural.
56:20
Perhaps you've started to realize something that everything and everyone may not be
56:29
quite what they appear to be. Yeah, exactly. I hope that helps.
56:35
Better late to tell us now, though. Well, aren't you excited to find out what your poor unfortunates are making
56:41
of all this and how you might avoid any more unnecessary tragedy? Go on, back to
56:47
it. Speak soon.
56:57
[Music]
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