Kid Capri Talks About Legendary Verzuz TV Battle Between KRS-One and Big Daddy Kane | SWAYS UNIVERSE
Oct 20, 2021
Kid Capri talks with the Sway In The Morning team about the battle between the two legends KRS-One and Big Daddy Kane.
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Kid Capri Talks About Legendary Verzuz TV Battle Between KRS-One and Big Daddy Kane | SWAYS UNIVERSE
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0:00
ladies and gentlemen we got the one and
0:02
only king
0:03
capri caprice
0:07
good morning good morning yo kid how you
0:10
doing first and foremost congratulations
0:12
last night was epic the verses last
0:15
night was epic
0:17
um
0:18
i couldn't wait to hear your voice when
0:20
you finally got on stage
0:22
and then you started talking to the
0:24
crowd and it just i felt like that was
0:26
the part man when i first moved to new
0:28
york i moved to new york to fill the
0:30
official new york city party i'm talking
0:34
i'm taking you back to the s s club you
0:36
know i'm taking you back to 52 beats i'm
0:39
taking you way back to those old old
0:41
school mixtapes i always wanted to feel
0:44
that kid and that's why i moved to new
0:46
york
0:47
and i promise you last night when you
0:49
hit that stage i think the entire world
0:52
man i was talking to people who were in
0:53
africa and they were all hovered around
0:56
their the screen just to watch what was
0:58
taking place
1:00
and they said i feel like watching kid
1:03
capri
1:04
that now i really experienced hip-hop
1:06
culture in this rawest form and i was in
1:09
new york in the 80s the 90s in the new
1:11
millennium
1:12
when they heard your voice kid
1:14
congratulations on that how that make
1:15
you feel brother
1:17
absolutely incredible man absolutely
1:19
incredible i always set out to try to
1:21
make people happy with this man whatever
1:22
i do i do is never about me it's always
1:24
bigger than me it's always about trying
1:27
to make people feel better than they did
1:28
before they see me you know i'm saying
1:30
that every time every time i get on the
1:32
stage or any any situation i'm in that's
1:35
how i carry it i always always treat
1:36
myself as if i was looking at everything
1:38
is as the fan if there was if i was the
1:40
one that bought the ticket how do i want
1:42
to feel about watching myself on stage
1:45
what will make you want to come back as
1:46
me as a promoter what would make you
1:48
want to hire me again and that's what
1:50
makes me do good because i try to
1:52
live up to the expectation
1:54
live up to the expectation you set the
1:56
standard man what are you talking about
1:59
you set the standard let me when did
2:02
krs1 officially ask you to be his dj
2:06
um i'm gonna be honest with you uh
2:09
kane was the first one to ask me
2:12
right and i turned it down
2:14
then keras asked me that i turned it
2:16
down i didn't want to be
2:17
i
2:18
i i like watching the the verses and if
2:21
i was going to do it i would want to do
2:23
it for both of them i want to do it for
2:25
both of them just to be neutral
2:27
even though we both have i have a
2:29
history with both of them
2:31
i did a lot more shows with krs1 and
2:34
he's my daughter arena loves godfather
2:37
so
2:38
it's just a different history but i i i
2:39
told both of them know at first and then
2:41
chris called me and said uh yo mr
2:43
celebration man you know he got
2:44
scratched
2:45
i was like damn so i called kane back
2:47
and told him i was like you know if i
2:49
get you blessings i'll do it with chris
2:51
he was like of course i want you to do
2:52
it please go do it just do it you know
2:54
so we ended up putting it together and
2:56
um and it ended up happening but again i
2:58
wasn't going to do it because of that i
3:00
didn't want the attention i i just liked
3:02
my attention
3:16
it's a beautiful platform it's the
3:17
platform of now it's the biggest
3:19
platform right now but sometime um
3:23
sometimes taking things
3:25
when it's the right time is the best
3:26
thing sometimes you just can't take
3:28
things because the opportunity is there
3:30
strategically moving
3:32
you know when you do things
3:33
strategically it works out longer
3:36
sometimes people want the right now
3:38
satisfaction
3:39
and it be here today on the mar and it
3:42
doesn't resonate with the people for a
3:43
long term and when i try to do things or
3:45
try new things it's gonna stick that
3:46
people's gonna remember you know um
3:48
we're in the town where everything is so
3:50
accessible
3:51
everybody has a platform everybody has
3:54
words to say so you you can get caught
3:56
up in being lost in things if it doesn't
3:58
stick the way it's supposed to so i try
4:00
to do that
4:01
did you and chris krs1 from boogie down
4:03
productions arguably the most ferocious
4:06
mc to ever pick up a mic
4:08
did you honestly sit down and try to
4:11
create a strategy to destroy big daddy
4:14
kane
4:16
what was the goal because that don't
4:18
even seem feasible but what did y'all
4:20
say
4:21
no it wasn't
4:22
listen whenever me and chris give me
4:25
chris attitude is one thing he don't
4:27
care
4:28
about nobody when it comes to that mic
4:31
he could be friends with you
4:33
y'all could be it don't matter when it
4:35
comes to hip-hop he feels he's the
4:38
greatest in the world when it comes to
4:40
emceeing he did
4:42
i watched this dude do you know we did
4:46
so many monumental things man when
4:48
when he threw when uh the thing happened
4:50
with p.m dawn i was standing right there
4:52
when it happened okay chris we got to
4:54
tell the story terrorist one run up on
4:56
stage when the group pm don was
4:57
performing and
4:59
and threw the lead rapper off stage may
5:02
he rest in peace right
5:04
frisbee great dude i mean not because he
5:06
was thrown off the stage he passed on
5:08
years later but
5:10
okay but but but at the time you know
5:12
hip-hop was competitive and if you said
5:14
certain things you know
5:17
somebody somebody gonna see you and i
5:18
remember being a sound factor in the
5:20
club
5:22
and i'm standing right in front of the
5:23
pole from the stage and i see chris walk
5:25
in with a bunch of dudes that i knew but
5:27
a bunch of dudes i didn't know and a
5:29
dude that i knew was a
5:30
karate dude that he don't never be
5:32
around until somebody called him for
5:34
beef
5:35
so i walked away i was like yo what's
5:36
going on
5:44
what's his name i said y'all don't get
5:45
chris no trouble he said no i'm gonna do
5:47
it
5:47
i was like all right man just be cool so
5:50
i walked back to the poll when i got
5:51
back to the poll
5:52
prince being them got on stage they did
5:54
their first song
5:55
and then the second song had came up
5:58
and that's when uh kristen went up there
6:00
and uh you know stashed the mic to grab
6:02
them and throw them off the stage and
6:04
start it off and it a super cat show
6:06
when chris got off stage the whole crowd
6:08
left with him and super cat was standing
6:10
on stage by himself the crowd was
6:11
walking down the stage down the street
6:13
like it was a video behind chris but um
6:16
that's not the downplay pm dawn or
6:18
anybody else but part of history it's
6:20
part of chris's history of what happened
6:23
also when nelson mandela came out of
6:25
jail me and chris we did uh chris and
6:27
myself we did a yankee stadium for him
6:30
when he came out to celebrate yankee
6:31
stadium that was amazing like it was so
6:33
many different things that we did
6:35
together
6:36
that people don't even know about that
6:37
was just
6:39
really big
6:40
kid capri is here man he got new music
6:43
coming out he got a new album coming out
6:44
he got a new single last night
6:47
key with slap key last night 12 o'clock
6:49
yeah new video came out man we had a
6:52
conversation before the before the
6:54
verses because i've heard the album i've
6:56
been the kid capri's house uh hb and
6:58
tracy i don't know if that's the stunt
7:00
or not but i've been
7:08
we were talking about it one of the
7:10
things i was i just wanted to make sure
7:12
that you promote that you had this
7:13
coming out man i want people to know who
7:15
you are
7:16
you know what i mean i want people to
7:18
know
7:19
um i remember chance the rapper won um
7:21
the mixtape category for coloring book
7:24
at the grammys and i remember chance
7:26
shouted out dj drama you know for being
7:29
one of the first right and i was so
7:31
happy that a mixtape won the grammy like
7:33
y'all gotta understand that's something
7:35
we created in this culture no one else
7:36
did that we needed a mixtape in order to
7:38
get exposure in order to get
7:40
representation the mixtape was created
7:43
as an alternative way for us to do what
7:45
it is we're doing and so when a
7:47
governing body like the grammys
7:49
acknowledge it it solidifies it no no
7:52
offense to chance a rapper but he says
7:54
something that was slightly inaccurate
7:55
when he said i want to give it up to
7:57
dj drama for being the first
7:59
yeah first in mixtape and it's
8:02
it's just a learnable moment you know
8:04
what i mean to most people kid capri is
8:06
the first to go worldwide to kid capri
8:10
who's the first to put out mixtapes yeah
8:14
the first to put out mixtapes um
8:18
you guys you got to give hollywood and
8:19
bruce b and starchow
8:22
and
8:22
love bostowski
8:26
because they were doing it a long time
8:28
in new york
8:30
when i came about when the men's star
8:32
child came about when i met star child
8:34
we started playing together my whole
8:36
thing was always
8:38
seeing things for the future seeing
8:39
things bigger i didn't want to come in
8:41
sound like anybody else i wanted to have
8:43
my own lane
8:44
and be able to be um
8:47
separate from everybody else so
8:49
when i came in i had a different kind of
8:51
style i had a different i had more of a
8:55
aggressive
8:57
i can't really explain it but it was
8:59
more of a different kind of style that
9:01
caught on to people around the world to
9:02
where
9:04
they was able i would come in a city do
9:06
a show or do two or three shows at that
9:08
city and that man dj in that city that
9:10
maybe not not he doesn't talk on a
9:12
microphone he doesn't play records quick
9:14
he doesn't really he's not really that
9:15
skillful he knows how to keep the crowd
9:17
going but he doesn't really know how to
9:19
you know rock it out like that he'll see
9:22
me come in the city
9:23
and when i come back
9:25
he'll sound like me when i'm when i come
9:27
back he'll talk me talking like me but
9:28
see that's an influence that's an
9:30
inspiration and that's dope the problem
9:33
with that is is when i'm doing my show
9:36
and you want to come and sound like me
9:38
in my show that's when it's a problem
9:42
that you is despite and influence that's
9:44
dope
9:45
that's dope for me but when i'm in my
9:47
show i want to do me i don't want you to
9:48
do me you know what i'm saying so that's
9:50
where it becomes and a lot of times
9:52
you know things look cute to a lot of
9:54
people everybody wants to be a part of
9:55
things but it's not for everybody
9:58
you know what i'm saying and you know
9:59
you just got to know what's the right
10:01
thing to do when you're in this
10:02
situation if you're in a club don't play
10:04
the best record in the world at 10 30 at
10:07
night
10:08
don't try to beat don't shut it out do
10:09
the principle because that'll eliminate
10:12
you from getting any more work mm-hmm
10:14
you know what you're saying yep
10:16
i'll get a young dude tell him what
10:17
exactly what i want him to do he'll yes
10:19
for the death i walk in the club at 10
10:21
30 or whatever he's doing exactly the
10:23
opposite i tell somebody else to do what
10:25
i ask him to do and he'll do it next you
10:27
know i got to go around the country
10:28
doing different shows wow because it's a
10:31
matter of it's a job it's a job and you
10:33
have to take it seriously now it's not
10:35
it's bigger than you it's not about
10:37
mm-hmm okay
10:38
i'm gonna ask one more then let y'all
10:40
jump in because watching the show last
10:42
night what i appreciated about the
10:44
verses is the elements that were being
10:45
represented you know i didn't know if it
10:47
was maybe graph writers in the back or
10:49
something but the the b boys that came
10:51
out the b boy b girl community that came
10:53
out i thought that was dope and then
10:55
seeing craig crazy legs and all those
10:56
other you know b-boy tata all these
10:58
different people come out that i i felt
11:00
like we don't talk about those aspects
11:02
of the culture when we say hip-hop we
11:04
just talk about playlists and who's
11:06
charting and so it's great to see that
11:08
it's great to see the mcs doing real mc
11:11
my master of ceremonies like kristen do
11:14
one song the way he did it on record you
11:16
know he had crowd control he had people
11:18
coming in then the flip side of that you
11:20
have big daddy kane doing every song the
11:22
way it sounds on record showing you you
11:25
know breath control the whole nine i
11:27
just thought it was such a a a skilled
11:30
display of what we do
11:32
what was happening when dj scratch felt
11:34
it felt like he was trying to bring you
11:36
into a battle was that planned
11:39
was that a was that a bombardment was it
11:42
was that an ambush what was that
11:44
yeah um
11:46
the truth is
11:48
you know um
11:50
me and scratch with friends a long time
11:52
right
11:53
and this last year we've seen we didn't
11:55
see eye to eye on some certain uh some
11:58
things all right
12:00
and you know
12:01
we can't call me he told me he was like
12:03
you know there you go we all we all boys
12:05
you know just you know
12:08
i said i came
12:09
you know and we i'm off with it i'm all
12:12
i'm done with it you know
12:13
so that's the energy i came with no
12:16
malice in my heart everything is good
12:18
hug him up everything
12:20
i guess he went he wanted to take the
12:22
opportunity in front of the world to try
12:24
to show me up in some kind of way you
12:25
know they call me the world's greatest
12:27
dj a lot of dj's don't like that they
12:29
feel like you know world's greatest
12:30
video i didn't give myself that name the
12:31
world gave me that name of my because of
12:33
my accomplishments and what i've done
12:35
and what i continue to do you're mad at
12:37
that that's your business and i'm not
12:38
saying a scratchy uh situation but i
12:41
caught flack like this for years this is
12:44
nothing this is not a new thing i've
12:46
caught flack like this for years when i
12:47
put records out you know certain people
12:49
wouldn't play it and you know they want
12:51
me to get no further than what i've been
12:53
which is cool and i understand that i
12:54
don't understand it because i don't
12:55
think like that but you know some people
12:57
like that and sometimes
12:59
you know i think yesterday's opportunity
13:02
for scratch was let me show the world
13:04
that you know i could um if if i do him
13:07
dirty i'll be the man
13:09
you know what i'm saying we're at when
13:11
you do that you set yourself up for
13:14
failure because i'm not gonna lose i'm
13:16
not gonna i'm not gonna lose i'm not
13:18
gonna look bad in front of nobody i'm
13:20
never gonna do the wrong thing i'm
13:22
always gonna be on point i'm always
13:23
gonna be sharp and the day i can't do it
13:25
you'll never see me do it again so
13:28
when you put yourself in that situation
13:30
you leaving everybody with an opinion to
13:33
have an opinion about what you're doing
13:36
now you got to deal with that
13:38
and what he did last night i just didn't
13:40
think it was cool and i told him i
13:42
thought i thought it was soon you know
13:43
it wasn't cool it was some sucker
13:45
you know what i'm saying but it was a
13:48
battle he could have got caught up in
13:49
the moment
13:50
you know when i first came i did my
13:53
first show i tore that place down so bad
13:56
you know he had to look at that he had
13:58
to see that and he probably stood
13:59
upstairs thinking about that and you
14:01
know now he felt like i gotta redeem
14:04
myself and do what i got to do all right
14:05
cool
14:06
but
14:07
i'm not gonna entertain that
14:09
you know what i'm saying because
14:11
it just wasn't it wasn't professional i
14:12
thought i thought it wasn't cool so that
14:14
wasn't planned that wasn't a part at all
14:17
no that wasn't
14:18
nothing about it
14:21
okay
14:22
and you know me and kane called me the
14:25
woman you know
14:27
he apologized for it uh-huh all right i
14:31
mean you know it's hip-hop too at the
14:32
same time that's what happens
14:35
but you gotta deal with what comes with
14:38
that and that's the fact you gotta deal
14:40
with the comments you gotta deal with
14:41
all that and i don't want that for
14:43
scratch plus you know scratches are
14:44
icons we're actually one of the greatest
14:46
dj's there is out as far as being a
14:48
masterful hands down hands down yeah you
14:50
know
14:51
and you know but sometime in that
14:53
setting you can get caught up in the
14:55
situation and make the wrong decision
14:56
and wrong choice and that's what
14:58
happened last night
14:59
all right kid capri man fresh off the
15:01
versus new project the new video slap
15:03
key is out right now tracy go ahead talk
15:05
to the icon yo i would love to talk to
15:07
the icon y'all can hear me cool
15:10
yeah
15:11
i can't see you
15:13
i'm here capri
15:14
listen
15:16
i feel like in present day the bronx
15:19
doesn't get as much love as the other
15:22
boroughs and it's so ironic because the
15:25
bronx is the birthplace of hip-hop
15:26
you're obviously from the bronx as well
15:29
um do you agree with that do you know
15:31
the different factors that go into that
15:34
and why a lot of times when people speak
15:36
about new york hip-hop so much loves
15:40
goes over to um brooklyn
15:43
well first of all
15:46
it started in the box it wasn't going to
15:48
stay in the box
15:49
right
15:50
it became big it became worldwide
15:53
so
15:54
of course when they when they talk about
15:56
brooklyn when they say brooklyn as if it
15:59
was the birthplace or whatever the case
16:00
may be whatever the situation is
16:03
you gotta think of who came out of
16:04
brooklyn biggie jay-z like you know some
16:08
big dudes came out of brooklyn and in
16:10
the bronx a few big dudes came out of
16:12
there too krs one big you know big pun
16:14
big
16:15
hip-hop started in the box but again
16:19
we didn't have a large range of artists
16:22
that from the bronx that sold a lot of
16:24
records
16:25
that
16:26
kept itself relevant
16:28
that you know stayed in tune with things
16:31
now you see with the internet out you're
16:33
seeing the different bronx artists and
16:36
you know icons and legends that wasn't
16:38
being heard wasn't being talked about
16:40
wasn't making noise the bread that the
16:42
ones that came later were making now you
16:44
get a chance to see them on their
16:45
platforms now but for a lot of times you
16:48
know a lot of those that know where
16:50
we're going to eat you know what i'm
16:51
saying and and i always felt somewhere
16:53
about that my head was to them the ones
16:55
that didn't make the money and the ones
16:57
that didn't get the respect that they're
16:58
supposed to get
17:00
you know these are guys that built the
17:01
ground up and later on to dudes that
17:03
somebody could come in that's not as
17:04
skillful may have a little bit of tech
17:07
savvy and be a rich guy
17:10
and really not telling it in what he
17:11
does but this guy over here that really
17:13
bust his ass and did what he got to do
17:15
for the culture he's not making the
17:17
money he's not you know what i'm saying
17:18
nobody calls him or asks them to do
17:20
shows or nobody shout somebody forget
17:22
him but it's really up to you to make
17:23
sure that you let people know who you
17:25
are you know it's up to you to represent
17:27
yourself you know nobody's going to
17:29
promote you the way you're going to
17:30
promote you you just gotta know how to
17:31
do it you know and uh don't get there my
17:33
thing is you know it's always good to
17:35
come from the old school and know the
17:36
old school stuff but don't get stuck in
17:37
the old school way of thinking i
17:39
understand things are gonna change
17:40
whether you like it or don't like it you
17:42
can't be mad that the change is gonna
17:43
come in because it's gonna come and you
17:45
know
17:47
sometimes you need to embrace these
17:50
things just to actually learn from it
17:51
you may not do it but you learn from it
17:53
and you know what not to what not to
17:55
disrespect because everybody have their
17:57
way of looking at things so with that
17:59
being said that's part of the reason why
18:01
the bronx don't get mentioned too
18:02
because a lot of young people feel like
18:04
the older people
18:06
don't care about what they do
18:08
you know what i'm saying
18:09
so they're so detached from what they do
18:11
you know it's like they're less than
18:13
it's master truth because stuff that
18:15
came out back in the days and you know
18:17
not ever we didn't like everything that
18:19
came out right you know what i'm saying
18:22
all right
18:23
capri is here rich nice go for it man oh
18:26
yeah yeah yeah first let me say man
18:28
salute capri on on that set last night
18:31
man you are gonna give you some flowers
18:32
brother you are hip hop national
18:34
treasure because you know when when when
18:38
i was watching it on the screen i turned
18:40
my tv up so loud i felt like i was in
18:42
the building what was the energy like in
18:45
the building because you made the
18:46
barclays feel like the garden it was
18:48
like it was crazy it was bananas in
18:50
there i was looking around man i was
18:52
seeing you know
18:54
it's amazing to you got to keep in mind
18:56
man you're one person that got to
18:59
satisfy a whole room full of people that
19:01
you don't even know all at the same time
19:04
all these different people got different
19:05
attitudes different ways of looking at
19:07
things that you got to tap into
19:08
everybody at the same time
19:11
at one time that's a pressure you know
19:14
what i'm saying that's why it's not for
19:15
everybody and i'm saying you get on
19:17
stage and the crowd don't move the crowd
19:19
it's because it's not for everybody you
19:21
have to understand that that fan want to
19:23
feel a certain way so me looking at at
19:25
that last night and anytime i do an
19:27
arena makes me proud to know that
19:30
you know um
19:32
people even care people even you know
19:34
they wrote me all these years and um
19:37
when it just stays it just stays and it
19:39
never changes and you know i'm blessed
19:40
with that i'm very blessed for that
19:42
well i do not put out a slew of iconic
19:46
mixtapes had you not uh handed jay-z and
19:49
other artist records that define their
19:51
careers have you not got on that mic and
19:54
really revolutionized the way the game
19:57
is being represented we might not be
19:58
sitting here today kid caprice so you
20:00
did that that's why we care man will
20:03
help defining what this culture is and
20:05
for that i want to say salute to you
20:07
brother uh we got to talk some more you
20:10
know there's some other stuff i want to
20:11
ask you uh but i know i know you're
20:13
doing your rounds today um and we got
20:15
jamie foxx about to sit down with us but
20:17
this new project slap he is the name of
20:20
the scene go tell us about it
20:21
black key yes the first song i did
20:24
when i first when i decided to do this
20:26
album it was the first song i wrote
20:28
and um the reason why i did this album
20:30
was a couple of reasons one was uh
20:33
i i seen little pump disrespect eminem
20:36
on the radio i mean on the net you know
20:39
eminem you owe you nobody listen to your
20:41
music he did that and i i felt a way
20:44
about that so i replied back to him
20:45
about it
20:46
and you know i told him i was like you
20:48
know
20:49
no matter how many
20:50
you would never be able to stand next to
20:52
a legend like an eminem or myself with
20:54
your one or two records it won't work
20:57
you won't be able to stand that pressure
20:58
and you should want to be able to get to
21:00
an age like myself or eminem because
21:03
they're really that y'all going
21:05
yeah y'all ain't gonna make it you know
21:06
i went to that type of uh you know
21:08
father-son type of talk on yeah
21:11
and you know that was one thing the
21:12
second thing was you know
21:14
i seen a lot of djs
21:16
on the net
21:18
when the quantity hit
21:21
and they were you know it's one thing
21:23
when when people want to pay you money
21:26
because you're working
21:27
you know you're burning electricity you
21:29
know yeah you they should they should
21:31
take care of you you know that's that's
21:33
the right thing to do but it's the wrong
21:35
thing to do when you turn around to your
21:37
to your phone every five seconds or
21:40
every five minutes or every two minutes
21:41
or whatever the number is and tell
21:43
people yo i want to see you can send me
21:45
25 to my cash shop in the next minute i
21:47
want to see who could send me 100 on my
21:49
cash check it just made the business
21:51
that took care of me all my life
21:54
it just made it look trashy and cheap it
21:56
made it look like and we it was just the
21:59
dj it was just certain djs that was
22:01
doing it and there was nobody else in
22:03
any kind of business doing it but them
22:04
so it made it look like we was thirsty
22:07
like we was doing bad it just it didn't
22:09
look right to me so i made my statement
22:12
about it and i stood on my statement
22:13
about it and i felt the way i felt and i
22:15
still feel the way i feel
22:16
so that was one thing
22:18
and then another thing was there's a lot
22:20
of older dudes in hip-hop that's kind of
22:23
scared to put their music out because
22:24
they don't know what's going to happen
22:26
with the younger djs
22:28
and stuff like that and my thing is man
22:30
do what you want to do your platform
22:31
your music is good that's it you know
22:34
it's going to speak for itself and you
22:35
know you don't have to worry about
22:37
who's going to validate you you know
22:39
something's good they're gonna come and
22:40
get it so dope that was the type of
22:43
those were the three things so i sat
22:44
there and i wrote stop keep in the
22:45
basement and um from that day it was
22:49
like god put a glove on my shoulder and
22:51
just said keep going just go
22:53
and i finished three albums
22:55
damn i got
22:56
three i got the top tier i've now done
22:58
first and then i did this album now i'm
23:00
uh maybe
23:02
90
23:03
92 percent done with the story when i
23:05
just did so i'm way ahead of myself but
23:09
my pen game got so crazy it's like it
23:12
i'm just to tell you that you were
23:14
bugging myself i i always wrote
23:16
had records but i'm never i never
23:19
focused and penned it like this and it's
23:22
just different now and i played it for
23:23
different people snoop can't remember
23:26
kane you know different artists
23:28
you know that um
23:30
that would tell me you're kidding uh
23:32
nah that ain't it you know what i'm
23:34
saying but
23:35
everybody i played before kid this is
23:37
just stop this
23:38
yep you played it for us when i came to
23:40
your house and drank your water i just
23:42
wanted to make sure i ate something at
23:43
kid priest's house when i was over there
23:45
so i could say i did it
23:49
i didn't go in this refrigerator like i
23:51
do yours had it i just you know i just
23:52
you know i waited for the water
23:57
last night
23:58
12 o'clock my video slap keep video drop
24:01
last thing
24:02
okay and already
24:04
i can see well the response for the
24:06
record is incredible you know i haven't
24:08
gotten one bad complaint yet beautiful
24:11
and you know how the internet is they'll
24:12
just say something just to say
24:15
just because but i haven't gotten that
24:16
yet you know so it's a good thing we
24:18
love you kid capri you're an icon big
24:20
round of applause for kid capri man come
24:22
on thank you for what you did last night
24:24
at the versus that was amazing this will
24:27
go down in history uh this is the new
24:30
song citizens a new video album coming
24:32
soon we'll be sitting down with kid
24:34
again thank you brother we love you man
24:37
love you too man appreciate you
24:38
absolutely
24:40
up next we got jamie foxx he got a new
24:42
book act like you got some sense you
24:44
want to talk with jamie 888-742-3345
25:01
you
#Arts & Entertainment


