Up next in 10
Get ready for a deep dive into the mind of one of the most influential voices in modern music. From writing chart-topping hits for Beyonce and Drake to redefining the genre with her own unique sound, Jozzy is here to share the raw and unfiltered stories behind her legendary career.
In this exclusive interview, Grammy Award-winning songwriter Jozzy breaks down her journey from being the industry’s secret weapon to stepping into the spotlight with her latest project, Soundtrack to Get Her Back. She opens up about the evolution of the genre, explaining her concept of expensive R&B and why it is vital to bring back the glossy, high-production feel that defined the 90s era of Missy Elliott and Timberland. Jozzy also shares rare insights into her transition from Diddy’s Love Records to BMG, detailing the uncomfortable but necessary conversations that led to her creative independence.
The conversation explores the technical side of the craft, including the science of ad-libs and the incredible discipline required to amass over 900 songwriting credits. Jozzy does not hold back on the realities of the music business, discussing the songwriter blues and the importance of labels treating creators with the respect they deserve. Beyond the music, she touches on deeply personal topics like representation, identity, and her role as a bridge for masculine-presenting women in the industry. Plus, stay tuned for a surprise appearance by her creative director, who shares a shocking connection to a classic 90s cinema masterpiece.
Chapters
0:00 Welcoming the Legend Jozzy
3:45 The R&B Recipe and Tank vs Tyrese
7:20 Defining Expensive R&B and the Tiller Effect
11:50 Raphael Saadiq and the Politics of Neo Soul
15:30 Leaving Love Records and Lessons from Diddy
19:45 The Importance of Ad-libs in Songwriting
23:15 Amassing 900 Credits and Songwriter Fatigue
28:00 Industry Relationships and Misuse of Talent
32:40 Collaborating with Chris Brown and Nas
36:15 Family Reform and the Power of Empathy
41:00 The Inspiration Behind Soundtrack to Get Her Back
45:30 Representation and Being a Bridge in Music
Show More Show Less View Video Transcript
0:00
One of my favorite people
0:02
to ever sit down and and vibe with
0:05
and to make a connection, a real
0:07
connection even beyond the radio
0:09
interview. Um, a person that kind of you
0:12
know rest on my heart often and she
0:13
often crosses my mind. And we just had
0:16
such real conversation when she first
0:18
came and how we communicate. I even
0:20
called her last night when I was
0:21
listening to the brown brand new album
0:23
soundtrack to get her back, uh, which is
0:26
available today on all streaming
0:27
platforms.
0:28
>> Let's go. Listen, man. From the time I
0:30
met this person, um, I really been
0:33
invested. But just to let you know, just
0:35
to give you a quick breakdown, Grammy
0:36
Award winner and multiple time nominee.
0:39
Give her a round of applause for that.
0:40
>> ackies. Read the ackies. record breaking
0:43
number one hit to Old Town Road. You
0:44
wouldn't even know that, right?
0:46
>> Wouldn't even know it. You wouldn't even
0:47
know that song writing credits on
0:48
multiple Billboard charting hits,
0:50
contributed to Grammy nominated album of
0:52
the year projects, over 900 song writing
0:55
credits across the country.
0:57
>> Crazy.
0:58
>> She worked with everybody from SZA to
1:00
Beyoncé to Drake to Chris Brown to Diddy
1:04
to Lil Wayne to Schoolboy Q Ackies.
1:07
>> to Mary J. Blige. I mean to John B. The
1:10
list goes on and on. And she's one of
1:13
she got one of the truest one of the
1:15
realest pens in the game. If they was to
1:18
do a versus on songwriters, they would
1:20
have a hard time standing up next to
1:22
her. She's here with us today. Give it
1:25
up for the one and ONLY JAZMINE
1:27
SULLIVAN.
1:33
OH.
1:34
YO.
1:36
I GOT TO KEEP YOU AROUND me forever.
1:38
>> on. Hold on.
1:39
>> just walk with me. No,
1:40
>> [laughter]
1:40
>> check this out, Jazmine. Hold on.
1:42
>> what Muhammad Ali when he was talking in
1:44
the movie. I need you that. I need you.
1:46
The one Jamie Foxx played? The one that
1:48
>> I need that. The one Howard Cosell?
1:50
Crazy. Um, Jazmine, welcome back home.
1:54
Man, I'm home. I'm so happy to be back.
1:56
You are
1:58
the ingredient, the new ingredient to
2:01
the R&B recipe
2:04
that needed to be added.
2:05
>> Mhm.
2:06
I like the recipe that's going on now. I
2:09
love what uh, what R&B money is doing, J
2:12
Valentine.
2:13
>> Shout out to Tank. I was just at this
2:14
versus last night. Yeah, yeah, yeah. Oh,
2:15
were you? Yeah, I was there, but I had
2:17
to I had to support Tank, man. I love
2:18
him, dog. He's
2:19
so supportive, dog.
2:21
So supportive, man. Yeah. Tank is that
2:24
dude. We just had Tank perform for us in
2:25
our garage series. Who won the versus?
2:29
Oh, god. I mean, okay.
2:31
>> [clears throat]
2:33
>> Uh,
2:34
technically,
2:35
Tyrese got some hits. Yeah. But Tank is
2:38
a all out But but then you put his his
2:41
pen game.
2:43
Like as a writer? Yeah. Cuz he was doing
2:45
all his writing songs as well. And I was
2:46
like, damn, oh, he wrote this, he wrote
2:47
that. So,
2:49
like
2:50
to me, I love Tyrese. Both of them are
2:53
good. I like Tyrese cuz I he came out
2:55
with the with the with the up tempo
2:56
joints. Uh-huh. But I feel like for me,
2:59
Tyrese, but Tank killed That was his
3:02
That was his night. That was his night.
3:05
>> So, Tank Tank edged out that versus in
3:07
in your opinion? For sure. That was his
3:09
night.
3:09
>> Great great artists all the all around,
3:12
but you You know how some [ __ ] win win
3:14
the win win the the playoffs or or the
3:16
or the or the finals and like but like
3:19
the best game was actually in the Yeah.
3:21
in like the the second round, you know
3:23
what I'm saying? That's kind of how I
3:24
look at that. Like it was Tank's show,
3:27
you know what I'm saying? Like memorable
3:28
with you know what I'm saying? But yeah.
3:30
>> Yeah. Wow.
3:30
>> [laughter]
3:31
>> You know man, I got to give Hey,
3:32
Jazmine's here. Jazmine's here. I I
3:35
I was thinking last night when I called
3:37
you. I sent your album to my partner DJ
3:39
King Tech and um, I said, "Listen to
3:41
this." Come on. And and his wife. And we
3:43
we were on our way to pickleball.
3:46
And um,
3:48
Okay, caucus mountain things. I like
3:49
that.
3:50
I'M DONE.
3:53
I LOVE THAT FOR YOU. NO, I LOVE THAT.
3:55
Under new ownership now, Jazmine.
3:57
>> [laughter]
3:58
>> I love Hey, hey, I love my dog doing
4:01
caucus mountain things, bro. That's
4:03
beautiful. We got to step out our
4:04
elements.
4:05
>> to
4:06
enjoy it.
4:07
You got to enjoy it.
4:08
>> [laughter]
4:09
>> You got to hell with it, man. I love
4:10
that. And and
4:13
Pickleball. Pickleball. Come on. Stop
4:15
playing, man. Don't
4:16
>> [laughter]
4:16
>> marginalize me, Jazmine.
4:18
Don't marginalize me like that. And um,
4:20
we was listening to the album and I
4:22
said, "This is a added ingredient that
4:24
R&B maybe didn't even know they needed."
4:27
Right? But everything about you and your
4:29
project, how you write, what you write
4:32
about, um, it's extremely interesting,
4:35
it's refreshing, and it's different. GQ
4:37
magazine describes you as the most
4:39
important voice in R&B right now. They
4:42
describe you as the direct link between
4:45
the heavy hitting soulful R&B of the
4:47
'90s, the Timbaland and Missy era that
4:49
you grew up on in the world of 2026.
4:53
Yeah, that was crazy. How does that make
4:54
you feel being referred to as that? It's
4:57
it's
4:58
it's refreshing and it's almost um,
5:02
cuz I feel like that. I feel like I'm a
5:04
bridge. Like because like
5:07
I'm a bridge to
5:09
I call my R&B expensive R&B.
5:11
Because like there was a time where R&B
5:13
like it was pop. It was like like you
5:16
could put a Sprite can in a R&B video
5:19
and sell a product with how good and
5:22
glossy R&B was. And it was just like
5:26
then you know everybody started to
5:28
I say steal my the great my
5:30
brother-in-law Bryson Tiller sound, trap
5:31
soul.
5:32
It's Everybody started to take his 2014
5:35
sound and into 2023, 2022.
5:39
And it it kind of diluted the R&B.
5:41
You know what I'm saying? Cuz everybody
5:42
was trying to be like Bryson. Like let
5:45
Bryson have his That was his swag. You
5:47
know what I'm saying? So, that was like
5:49
I I understood that when GQ said it, I
5:51
was like, "Damn, that means I feel
5:53
seen." You know what I'm saying? You
5:54
know, you don't really realize who you
5:57
are what you are until like you don't
5:59
get your flowers. They say get it to you
6:00
dead or you gone. You know what I'm
6:01
saying? That's what they say. So, like I
6:02
I knew it. You know what I'm saying? But
6:04
it was just like
6:06
I don't know who going to like I don't
6:07
know if anybody else sees it, but I know
6:09
I see that [ __ ] and I feel it, you know
6:11
what I'm saying? So, yeah. I I I
6:13
[ __ ] if we see it, you know, I When you
6:15
say the Bryson, I never even thought of
6:17
it like that cuz I'm more of a Yeah. I
6:19
like being a fan now, you know? Prior
6:21
to, you know, I was a strict journalist.
6:24
Yeah.
6:25
You know, and I couldn't even relax when
6:27
I was at MTV. I had to know everything
6:30
about everybody and every genre. I don't
6:33
know everything now. I just experience
6:35
what I experience. But Bryson Tiller,
6:38
Yeah.
6:39
um, you give him credit for from 2014 to
6:43
now, a lot of people still in that trap
6:45
soul sound. What would be considered
6:47
trap soul that's not Bryson Tiller? Like
6:49
what songs that we've heard?
6:51
>> Bryson Tiller's the innovator, bro.
6:52
Okay. Like think about it. That's His
6:55
sound dropped in 2014 and like that dark
6:59
Okay.
6:59
>> lo-fi R&B, that [ __ ] that's like like
7:02
uh, very rappy kind of more so, but it
7:05
was incredible. Like I tried to Bryson
7:07
Tiller track before. You know what I'm
7:09
saying? Like I I tell him to this day
7:10
like, "Damn, you know what I'm saying?
7:12
Like bro, you did your sound to the
7:14
point where like Bryson's trying to
7:15
switch it up. That's why his new album
7:17
is the like is incredible. He got a
7:19
whole song
7:20
sounding like Anita Baker. Like I was
7:22
like, "Yo, this is so refreshing." But
7:24
yeah, like anything before um, like
7:27
2015, 2018, 2019
7:30
definitely like Bryson in the DNA. Yeah,
7:33
for sure. Oh, man.
7:35
>> And you know, it's just like we need
7:37
elements of R&B though cuz like, you
7:39
know, we got like like neo soul. We got
7:42
like soul music.
7:44
Which I love neo soul. I love soul
7:45
music. That's my [ __ ] I listen to neo
7:47
soul nonstop in my car, but like R&B was
7:50
cool. Like
7:51
like R&B you can like take your You can
7:53
hang out with your joint.
7:54
>> Mhm. You can goddamn go ride with the
7:56
top down. Like
7:58
[ __ ] [ __ ] a lot of things like real
8:02
cool ass R&B and I think we was kind of
8:04
losing it a little bit. But like now
8:05
it's back. It's coming back, but like
8:08
yeah, but I think like making R&B
8:10
expensive again is what we got to do,
8:11
bro. Like we got to make that [ __ ] sound
8:13
like glossy, you know what I'm I like
8:15
that. I was just reading this article,
8:17
uh, Raphael Saadiq. Round of applause
8:20
whenever I say his name. I I I think you
8:22
guys you guys are having these top 10
8:25
producer conversations and you're not
8:27
including Raphael Saadiq. You need to do
8:29
the knowledge. Go back to school and get
8:31
your music history degree and learn what
8:33
how many like like Bryson, but times 10
8:37
because he's been around so long.
8:38
Raphael Saadiq has been in the DNA of
8:41
everybody. And he spoke about that term
8:44
neo soul. You saw that? He said that's
8:46
just a term to block us from getting
8:48
budgets.
8:50
Wow. That's why I said expensive R&B,
8:52
bro. Expensive R&B. Expensive R&B. Y'all
8:55
ain't going to say this [ __ ] ain't pop,
8:56
bro. This is popular music. This music
8:58
is syncable. You can put this
9:00
[clears throat] in TV. You can put this
9:02
in in anything. Don't like Don't just
9:05
condense my [ __ ] as just like
9:06
alternative R&B or progressive R&B. You
9:09
know what I'm saying? Like
9:10
I call my [ __ ] expensive R&B. So, you
9:12
related when Raphael said they made this
9:14
term up and that's really it's really a
9:17
cold word like a dog whistle for you
9:19
know, for you know, when I Yeah, urban
9:22
budgets were different from pop budgets,
9:23
right? Ain't that that's crazy though,
9:25
right? This is so it's
9:27
everything is
9:28
systematic, bro. This is crazy. Like the
9:30
fact I like the word neo soul.
9:33
It makes me feel good Mhm. listening to
9:35
neo soul, but I but this is a legend, so
9:37
I can't ever like
9:39
like if he says that, I'm like, "Dang.
9:41
Okay, you know?" Cuz you know,
9:42
everything has like a neg You know,
9:43
sometimes we take things and we um,
9:46
like you give us scraps, we make soul
9:48
food, you know what I'm saying? So, they
9:49
take neo soul and we just made it like
9:51
you know what I'm saying? Something that
9:52
like artists are trying to do, you know
9:55
what I'm saying? Certain artists are
9:56
trying to like
9:57
You know what I'm saying? Well, yeah.
9:58
Yeah, man. Yeah, man. He knows. He was
10:00
there when it was He was producing
10:02
artists they considered neosoul artists.
10:04
So so Raphael knows and it's great to
10:06
put things in context. When I first you
10:09
were on a you were on a imprint called
10:10
Dope by Accident. [clears throat]
10:11
>> Mhm. When I first met you, you were uh
10:14
signed with Diddy. Mhm. Love Records.
10:16
Yeah, and then
10:17
>> I'm on BMG now. You were BMG now.
10:19
>> to BMG. Uh but he went through his legal
10:21
troubles. Um you went back home to
10:24
Memphis, right? Yeah. Okay.
10:26
>> Well, No um yes and no. I I I
10:29
>> Okay. cuz you know I live in
10:30
I live um in LA, but
10:33
I think I think around the time when I
10:35
found out it was what before like
10:38
This is just uh
10:40
just a a New York Times article.
10:42
>> Mhm.
10:43
That's all we had. And so it was it was
10:44
around Thanksgiving. I think it was 2020
10:47
four.
10:48
>> Mhm. I think I think it was 2020 four.
10:50
So like I was um
10:52
going home for Thanksgiving.
10:54
Mhm.
10:54
>> what I'm saying? So yeah, I was just
10:55
there for like a week. You were there
10:57
for a week and then y'all y'all you
10:59
discussed it, you got off the the label,
11:01
start moving. Oh, I went to Miami to see
11:03
him. You went Oh, so y'all y'all sat
11:05
down and talked?
11:06
>> Oh, yeah. No. Oh, yeah. For um
11:09
This was New Year's Eve
11:12
going into 2025.
11:14
I went to I went there uh to his spot.
11:17
And uh we had a uncomfortable
11:19
conversation, but but I I will say man,
11:22
Puff loved me. Mhm. So like it was just
11:24
a different Like he he was willing to
11:27
listen to me, you know what I'm saying?
11:28
And when he listened to me, he
11:30
understood bro, like I can't I This is
11:33
your cross to bear. He he said it. He
11:34
said it's my cross to bear. Like I'm
11:36
going to let you out your contract. Mhm.
11:37
And so I'm just so thankful that
11:39
he did, you know what I'm saying? He let
11:41
me out that contract cuz like
11:43
boy, you know I was like I just didn't
11:44
know what it was going to be. I ain't
11:45
going to hold you, but
11:46
>> Mhm. man, that man did right by me. He
11:48
did right by you. You learned a lot
11:50
Yeah. with him.
11:52
Too much. [snorts] Yeah. I literally
11:54
just told This this album thankfully I
11:56
learned a lot from Puff with this album
11:58
because he used to always get on me
11:59
because um
12:01
I like R&B He come from a time where And
12:05
so Yo, so this she said this lady says
12:07
the realest [ __ ] to me. But Puff come
12:09
from a time where
12:11
R&B
12:12
your ad-libs was everything. Like
12:15
"Jewel, he'll help me sing it." Oh, you
12:18
know what I'm saying? "Sometimes." You
12:20
know, like the ad-libs when you like on
12:23
the riff of the of the of the hook. Like
12:25
you got to just start singing and just
12:27
do something else and like
12:29
he used to always get on me about that.
12:30
Like "Stop just making your your songs
12:32
just sound just like
12:34
like robotic. They're not used to that.
12:36
They used to like you know, Mary
12:39
you know what I'm saying? At the end. So
12:41
with this album I I literally
12:43
incorporated all of that. I hear you.
12:45
>> Yeah. I was like, "Yo, nah. Like this
12:48
the first hook the second hook don't got
12:49
to be like the first hook." Mhm. Like
12:51
this this second part of this, yo, let
12:53
me let me like literally Cisco this cuz
12:55
you know I'm a Cisco fanatic. So like
12:57
let me go here with like you know what
12:59
I'm saying? Let me go Cisco if I was to
13:00
do this. So like yeah, so but if it
13:03
wasn't for for him like teaching me
13:05
that, like "Nah, [ __ ] Like get out of
13:07
your element. Go somewhere else." Like I
13:09
take that with me everywhere now, you
13:10
know what I'm saying?
13:10
>> I like that, man. Passing down the game.
13:13
So another person said that to you as
13:15
well cuz you started to say a lady said
13:16
this to you as well.
13:17
>> So I was literally I literally played my
13:19
project for um this Grammy some people
13:21
from the R&B Grammy. Okay.
13:23
>> And she was like bro, she said the
13:25
realest [ __ ] I never no- noticed it.
13:26
She was like, "We learn how to sing from
13:29
ad-libs." Because like if you think
13:31
about it, like when we in the car or we
13:32
with our friends, we're not singing the
13:34
song. We're doing the ad-libs of the
13:36
people. You know what I'm saying? Which
13:37
we really do. Like "There the home the
13:40
don don don said I."
13:42
You know what I'm saying? Like like
13:43
we're not singing the like we're singing
13:45
that part. So it's like I was like,
13:47
"Damn, we really do learn how to sing
13:50
from ad-libs." You know what I'm saying?
13:51
Like and that's the realest [ __ ] and I
13:53
think that's why like R&B is so special
13:56
is cuz it's like if you learn the
13:57
mathematics and the science of it, bro,
13:59
like it's the little things that we just
14:01
got to bring back.
14:02
>> Yeah. You know what I'm saying? For
14:04
people to like really catch on it, you
14:05
know what I'm saying? So It's so true
14:07
cuz you think about Fantasia "When I See
14:09
You." That song is the [laughter]
14:11
ad-lib.
14:13
Y'all it's it's all it's all of that
14:15
that makes that song so special why
14:17
everybody just kind of knows that song.
14:19
But I I I wanted to circle back to that
14:22
because when Swayze said
14:24
over 900 songs written, I watched your
14:27
head just sit up like, "Wow, that's me."
14:31
And we've been having private
14:32
conversations about the dangers of
14:34
laziness just overall. And it takes a
14:37
certain amount of discipline, I would
14:39
say, and obedience to pen that much. Um
14:45
if you if you're comfortable with
14:46
sharing, what what's your your practice
14:49
with that? Is this every day you in
14:51
whether the song gets selected or not?
14:54
Um
14:54
Is it once a week? If If you don't mind
14:57
sharing because
14:58
you you have to be extremely disciplined
15:00
to do what you're doing. Or or
15:02
disciplined and blessed. Amen. I ain't
15:04
going to hold you. Like I like
15:07
um for I'm I'm going to share like a
15:09
little story. Like I used to like
15:11
I I wrote a a big song off of shrooms
15:13
one day. Like I was taking shrooms in
15:14
the studio. Was it by uh flower or
15:17
chocolate or
15:18
>> Chocolate.
15:18
>> Okay.
15:19
>> Chocolate shrooms, bro. And I was like,
15:20
"Oh, man. I'm going to have to do that
15:22
again cuz this is a this is a hit."
15:25
So I was like, "No, I can't rely I'm not
15:28
going to like subject my craft to these
15:31
shrooms." So I I went cold turkey
15:33
>> Mhm. on shrooms in the studio. Mhm.
15:36
>> In the studio. Like er- cool, but like
15:39
and then I was just like, "I'm just
15:40
going to pray." Like pray God, you're
15:42
the writer. I'll be the co-writer.
15:44
That's my prayer every time I get in the
15:46
studio and I go in because I don't want
15:49
none else to like to tight temper my
15:52
like you said, my gift. But uh with me
15:55
man, I I I write You can ask my friends.
15:57
I can write like
15:59
five five songs a night. Mhm. Like
16:03
like four hooks and a real song. I I
16:06
never do like a second verse if I'm if
16:08
when I used to be like pitch out songs,
16:10
I would like first verse, pre-hook,
16:13
hook. Okay.
16:14
>> If you get that, you could take that and
16:16
like do what you want with it. So like
16:18
that's how I used to write. But like
16:19
literally, I'm tired. Yeah.
16:21
>> Like I'm I like I'm so over I'm done.
16:25
Like I'm like I've been saying this for
16:26
the longest. Like I I have like lost the
16:29
love of being a songwriter.
16:31
You know what I'm saying? Like I'm going
16:32
to always write because you know, my
16:34
artistry. Like thank God you know, this
16:36
album is is is doing what I see it's
16:39
going to going to do.
16:41
But um
16:42
yeah, like it just I'm over it. Like so
16:46
many people have diluted my love for
16:49
this [ __ ] So now it's like
16:51
yeah, y'all don't even deserve my [ __ ]
16:53
[ __ ] y'all [ __ ] bro. Mhm.
16:56
[ __ ] when you put the whisper on it,
16:57
that [ __ ] sounds sinister. Well,
16:59
>> [laughter]
16:59
>> uh thank you. Nah, ain't nothing
17:01
sinister about it. It's just God energy,
17:03
though. Yeah, like sometimes, you know,
17:05
God was all his disciples was some
17:07
thugs, too. Don't get it messed up.
17:09
>> Don't get it messed up. But that's why
17:10
you used the word Jazzy obedience
17:12
because I understand that what what
17:14
exactly what you're saying. And we do
17:17
get tired.
17:18
Um but when you are called to do certain
17:20
things, you know, we've been saying
17:22
follow the plan and not the mood. So God
17:24
got a plan for you that that you're
17:26
going to be that instrument.
17:27
>> Y'all, thank you. No, I and I stayed the
17:29
course. Like you know, like stayed the
17:31
course because I'm not going to hold
17:32
you. Like I love it. You know what I'm
17:34
saying? When you find the right artist
17:35
or the right person that that that um
17:38
knows how to
17:39
uh work relationships and like nurture
17:41
relationships, you're in a good space.
17:43
But I think people don't like the
17:45
industry has spoiled so many people that
17:47
we don't know how to like actually
17:49
nurture each other, bro. Y'all just use
17:52
use use use. You're supposed to use, but
17:54
you y'all misuse misuse misuse.
17:58
I can't I ain't I'm straight, bro.
18:00
>> You feel like that's happened to you cuz
18:02
the you said it tired of people diluting
18:05
what it is you bring. What does that
18:07
mean? Like how do they dilute it? I
18:09
mean, it's just the the the
18:12
the love. Like Like I'll give an
18:15
example, right? If I do a song, right?
18:18
It's a hit. I give it to a artist. The
18:21
artist cuts it. I just like I said, I
18:23
don't do first I only do first verse,
18:25
pre-hook, right?
18:26
>> Yeah.
18:27
As a merit, I do that because you you
18:29
either want to write the second verse or
18:31
if you want to bring other people in,
18:33
it's whatever. But
18:35
like don't hit me
18:38
when you you like when you could have
18:40
just hit me like, "Yo, can you finish
18:41
the song?" Instead, you go to another
18:45
who you think is a big writer Mhm. with
18:47
credential and then give them the the
18:50
song and they don't do it justice. Now
18:53
you're coming to me desperation hours
18:55
cuz you're ready. Now I got to drop You
18:57
want me to drop everything I'm doing
18:58
when you could have just hit me. You
19:00
know what I'm saying? It's things like
19:02
that that's like and then you got to ask
19:04
a question, "So why didn't you just hit
19:05
me to finish it?"
19:06
You know, oh oh you you're thinking
19:08
about the name. Like I'm not a hitmaker.
19:10
All right, so okay, so you just you're
19:12
diluting who I am because like you could
19:15
I could have finished it and we y'all
19:16
could have been good. You know what
19:18
[clears throat] I'm saying? But instead,
19:19
you just tried to like
19:22
Yo, no, I need so-and-so because they're
19:23
hot right now. They got they're hot
19:24
right now. They're hot right now
19:26
They're not But they didn't do it. They
19:28
don't know what they're doing.
19:29
>> Yeah. They just hot right now cuz
19:30
they're riding with a certain type of
19:32
people. Like You know, your crew
19:33
[clears throat] is everything in this
19:34
[ __ ] You know what I'm saying? You got
19:36
the right crew, you can win.
19:37
Yo, I have never heard the songwriter
19:40
blues, yo. Like I
19:41
>> [laughter]
19:41
>> You know what I'm saying? I didn't even
19:43
know songwriters wrote SONGS.
19:44
>> WHAT DO HEY, DO Y'ALL TALK to
19:45
songwriters like that, though?
19:47
Not really. Exactly. What we talk to
19:50
Man, we talk to BB. Yeah, BB is somebody
19:53
we talked to. I know BB got stories,
19:55
bro. Yeah, we actually talked to a lot
19:57
of them. I I don't think that at times
19:59
people are so comfortable with sharing
20:01
what you're sharing to this extent. You
20:03
know, like uh just pull the curtain
20:06
back. You know, it's not easy, like you
20:08
said. And yo, I I enjoy it. I appreciate
20:11
it. I know I'm gifted and talented, but
20:12
I'm tired.
20:13
>> Yeah, yeah, yeah. Two things can be true
20:15
at the same time. Two things can be true
20:17
at the same time, man. Like I'm never
20:19
going to stop I wrote this whole album.
20:20
I wrote all of this. This
20:22
beautiful Every song on the album I
20:23
wrote. And I'm not saying that
20:25
I I don't have to write, you know what
20:27
I'm saying? I'm open to you to like
20:29
using other songwriters, but I had a lot
20:31
to prove with this album. So, like I'm
20:33
still going to write. But, you know what
20:34
I'm saying? For me, you know what I'm
20:36
saying? Or for certain people, like I'm
20:37
working on Nas's [ __ ] What?
20:40
>> like it's certain people that I would
20:41
work work work with cuz you just be
20:43
loving them. You How can you say no to
20:45
Nas? Can't say no to Nas, bro. Can't say
20:46
no to Mary J. Blige. I can't say no to
20:48
Chris Brown. Mhm. And Chris Brown is
20:50
featured on this album. I want to play
20:53
the song.
20:53
>> Yeah. It's called Superman Weakness.
20:55
>> Yeah, Superman's Weakness. Superman's
20:57
Weakness. Everybody got their
20:59
kryptonite.
21:00
>> We going to talk about that up next.
21:01
Matter of fact, citizens, what is your
21:03
kryptonite? 888-742-3345.
21:07
Jazzy is here.
21:09
Chris Brown is one of my favorite
21:10
artists of all time.
21:12
One of my favorite performers
21:15
of all time and one of the most talented
21:17
people
21:18
um that I've ever met. You know, I got a
21:20
chance to be around Chris when he was
21:22
younger a lot, too, and just to see how
21:23
he's evolved. Yeah. And I mean, stop
21:27
playing.
21:28
>> Yeah, stadiums. Y'all ain't touching him
21:30
on the stage.
21:31
>> Stadiums.
21:31
>> [laughter]
21:32
>> Last concert open Say that Say Say him
21:35
his was the last when when him Was it
21:38
Who was opening? Lonnie Light.
21:41
What Is Kalani here? Baño.
21:46
Oh, he left? Oh, bathroom? Oh, baño. You
21:48
went Spanish on me. I was all right.
21:50
Damn, that was crazy, but
21:51
>> Supposed to be trilingual, homie. Yeah,
21:52
I feel I feel I think Lonnie Light No,
21:54
that's the last big stadium concert I
21:56
went to when Chris Brown when he was in
21:58
Brooklyn. Okay. And
22:01
uh
22:02
I'm someone who's seen a lot Yeah. over
22:04
the decades. I've been on a lot of big
22:07
stages, introduced a lot of the biggest
22:10
artists in the world.
22:14
You know [laughter] what I'm saying,
22:14
Jazzy? Don't try to dilute my history.
22:17
Can't dilute your history, bro. All
22:18
right, can't dilute my And that's the
22:20
word today, dilute. You dig you though,
22:22
but I sit and I'm excited about Chris
22:26
like I'm in junior high school when I
22:28
see this man and his stage show is
22:31
flawless. I've been in the studio with
22:34
him and watched him turn out four songs
22:36
in 1 hour. That's crazy.
22:37
>> You know, and I know when he
22:40
collaborates with someone, they have to
22:43
be special. You know what I mean? It has
22:45
to be a bond there. No, let's start So,
22:48
bro, first and foremost, bro, I've known
22:50
CB what since 2014 cuz I did Royalty I
22:54
did Discover on Royalty album.
22:56
And like shout out to Polo the Don. He
22:58
was my manager at the time and I begged
22:59
him to fly me to to the LA with him. I
23:01
was like, bro, dog, please let me let me
23:03
go do this. I want to meet CB.
23:06
Instant instant click.
23:07
Instant click. And this was the time
23:08
where like
23:09
you know, people like it like this is
23:12
the time where the world still wasn't
23:14
receiving him with the love that they
23:16
that you know that they give him now.
23:17
Mhm. You know, he like you know, he was
23:20
like the black sheep. Yeah. And I think
23:22
that's why he messes with me because
23:23
he's like
23:25
he had to do this [ __ ]
23:27
cuz everybody turned on him. He had to
23:29
do it by himself. Mhm. Like
23:32
it was like he had to make those songs,
23:34
get with a certain people like Polo,
23:36
Swizz I think was with him, you know?
23:37
But like he had to kind of So, like I
23:40
think he sees like the underdog a little
23:42
bit in people. And so after he won his
23:45
Grammy last year
23:47
I pulled up to his house like, my dog.
23:49
I was like, I'm so proud of you, dog.
23:51
And he was just like, yo, I'm about to
23:52
like do this album um and I was and I I
23:56
try to be available for him anytime, but
23:58
like I I didn't make that last album.
23:59
But, I was like, bro, if you need me and
24:01
he was like, whatever you need. And he
24:03
was like, yo, I got you, too.
24:05
And I was like bro, like this is like a
24:08
few two or three days after he he won
24:10
the Grammys. Went to his crib and he was
24:11
sitting there and I was like, bro, like
24:13
well, I do have a song. You know what
24:15
I'm saying?
24:16
And like that's how it how it became,
24:18
but like he really stood on business
24:20
with me and he meant that. Shout out to
24:22
his his man Ryan Press and Ant my um
24:25
Mark Pitts. All of those guys made this
24:27
possible
24:29
to for him cuz you know it's you know
24:31
it's that's a big artist. So, you know,
24:33
you got to clear a lot of
24:34
Yeah. things, but everybody made it so
24:36
easy and I'm so so grateful. Uh Jazzy is
24:39
here, got the new album Soundtrack to
24:41
Get Her Back. Yo, I I appreciate your
24:43
empathy.
24:45
You know, like we mentioned Diddy, we
24:47
mentioned the Chris Brown. I'm Yo, that
24:49
sound bad. No, no. It doesn't sound bad.
24:52
It doesn't sound bad because
24:55
you have empathy. People want to
24:58
you know,
24:59
hold they don't want to just keep you in
25:01
a spot for your entire life. They don't
25:04
you can't even get a chance to redeem
25:06
yourself.
25:07
>> and my brother was institutionalized for
25:09
like 11 years Okay. of his life. So, I
25:11
saw my brother go to jail when he was
25:12
16. Mhm. You know, when he got when he
25:16
got out
25:17
you know, he was like I me like I I was
25:20
like probably 12, 13 when he got out. I
25:22
didn't like he was like I saw what it
25:24
did to my family, but I also saw the man
25:27
he became. Yeah. My brother is nothing
25:29
like he was when he was back in it like
25:31
he is like the you would I'd be like,
25:32
damn, bro, like so I know what reform
25:34
is. Mhm. I I that that is a real thing
25:37
if you want to do the work. You know
25:39
what I'm saying? I just be feeling like,
25:40
you know, sometimes you just got to
25:41
remember like, you know, when I think
25:43
about us, man, especially black people,
25:45
like we have a duality for show. Like,
25:49
you know what I'm saying? Like I have
25:49
friends like I always talk about take it
25:51
back to high school like just because my
25:54
friends was out here doing crazy [ __ ] I
25:56
had a lot of friends that did weird
25:58
[ __ ] I had a friend that robbed
25:59
McDonald's. Damn. And them was my [ __ ]
26:01
and we saw him on camera. We laughing at
26:03
it. Mhm. I didn't do it. You know what
26:06
I'm saying? Like So, it's like we but
26:07
then we got the nerve like every like
26:10
the thing is is like just because we us
26:13
associated with people like some of the
26:15
coolest people that I know in Memphis
26:17
go to church. Mhm.
26:19
Don't [ __ ] with them. Like them [ __ ]
26:20
is crazy, too. And it's it's it's just
26:22
like we got those crazy cousins that we
26:24
got to love, you know what I'm saying?
26:26
It's like and I think we just be
26:27
forgetting that sometimes when we just
26:29
look at other people's lives, but I
26:30
always put it in my into my world like,
26:32
damn, bro, that like my best friend from
26:34
high school. Like he crazy, but like I
26:37
wouldn't
26:38
that just cuz he's crazy or just cuz he
26:39
does this or does that.
26:41
Like that's not me. That You know what
26:43
I'm saying?
26:44
>> on you. Yeah. Nah, I never like looked
26:46
at that like Oh, you know what I'm
26:48
saying? I never you know what I'm
26:49
saying? looked at somebody like
26:50
that Empathy is important and and I and
26:53
I I appreciate that about you. Jazzy is
26:56
here. And one of the things when I
26:57
played your Oh, first of all, the song
26:59
was called Superman's Weakness.
27:01
>> Yeah.
27:03
Who's the last person that was your
27:04
kryptonite? When when was it? Sheesh, my
27:07
ex. God damn, I miss her. Where she at?
27:09
What's I don't know what camera this is
27:11
right The right You're right right
27:12
there. Talk to her.
27:14
Cuz you talking to her through this
27:15
whole album. Yeah, and I'm talking to
27:16
her through her
27:17
Yeah, talking to her through this whole
27:19
album. She actually heard the album
27:20
though, so I played it for her. Did When
27:22
the album starts off, I'm sorry I lied,
27:24
I cheated. That was to her when she
27:26
heard that line
27:27
>> [laughter]
27:28
>> What DID SHE SAY?
27:29
>> RIGHT, AND YOU STILL IN communication
27:31
with your ex? Yeah. I mean, not no more.
27:33
It's it's been So, you got to understand
27:35
I wrote this album 3 YEARS AGO. OH,
27:37
OKAY. THIS ALBUM IS 3 YEARS OLD. Sounds
27:39
fire though. 3 years old and like I
27:42
literally just finished it like probably
27:43
like the Jeremiah song is new. Okay. The
27:46
Mary J. Blige song is very new.
27:48
You know what I'm saying? Those songs
27:49
are new, but like new to this, the
27:52
intro, all of that is like
27:54
you know what I'm saying? I was I was
27:55
doing that like
27:57
when I was sneaking studio time while
27:58
Puff was working on the Love album. I
28:00
was like, you know, just keeping it for
28:02
myself, you know what I'm saying? Like
28:04
not really letting too many people hear
28:05
it.
28:06
You know, I was just like, I'm working
28:08
on something about this, you know what
28:09
I'm saying? So, like 3 years ago, yeah,
28:11
I was definitely in contact with her.
28:12
What she say when she heard the album?
28:14
She uh she got emotional. She cried, you
28:16
know, um but I didn't I mean, you know,
28:18
like
28:19
sometimes, you know, I I really say this
28:21
like I'm I'm holding accountability like
28:23
I try not to do too much. Like if I know
28:25
I was a trifling if I did if I did some
28:27
[ __ ] [ __ ]
28:28
um in a relationship, you got every
28:30
right to like not [ __ ] with me until you
28:33
want to [ __ ] with me. Mhm. So, I'm not
28:35
the type of person where like I'mma keep
28:37
uh
28:37
uh no, come like so, that's why like
28:40
Soundtrack to Get Her Back is like,
28:42
okay, here you go. Mhm. Do what you want
28:44
with it, you know what I'm saying?
28:45
Because I deserve it. Like if I if I
28:47
didn't make you feel a certain type of
28:49
way
28:50
man, then all right, I'mma eat that.
28:52
Yeah. You know what I'm saying? That's
28:53
just how I can't I can't be no weird ass
28:55
[ __ ] just keep hitting you. I'm not
28:57
finna do that. I'm an Aquarius, bro. I
28:58
don't I'm super detached. Mhm. So, I
29:00
just I my body don't even do that. But,
29:03
I know I messed up and I do want to get
29:05
you back. Here you go. Yeah, that's the
29:07
album and she liked it and she cried.
29:09
So,
29:10
>> [laughter]
29:10
>> what
29:11
at the same time. There was a duality of
29:14
responses. [laughter]
29:15
So, would you say your kryptonite is
29:17
infidelity? No. What's your kryptonite?
29:19
>> My kryptonite is uh
29:22
I love women, bro. Okay. [laughter]
29:25
That's what Lee said, infidelity.
29:28
My kryptonite is beautiful women, bro.
29:30
Like I just think I'm so glad I don't
29:32
like guys. I I was like, I'm so glad I
29:35
don't like guys.
29:36
I feel the same way. I'm so glad
29:39
>> [laughter]
29:39
>> YOU KNOW WHAT?
29:41
I AIN'T KNOW LIKE LITERALLY LIKE
29:43
>> I'M the outcast in this conversation.
29:44
[laughter]
29:45
Everything about I just everything about
29:47
a woman the nurturing side of her like
29:49
the way she like just the voice of
29:51
reasoning also your headache
29:54
like
29:55
all the like things about a woman that I
29:57
love and me being a woman I I can see it
30:00
and I acknowledge it. And but it's not
30:03
um
30:04
it's not infidelity but you know I think
30:07
what it is is when women get get you
30:09
they territorial.
30:12
And I'm not a territorial I'm not a
30:13
possessive person I'm not a territorial
30:15
person.
30:15
Babe a [ __ ] want to buy you a drink go
30:17
get that drink girl.
30:19
But you're not a pimp either. Oh go get
30:21
your drink shout it like
30:22
>> [laughter]
30:23
>> No like if he if he compliments you like
30:26
I'm not the type like
30:27
I'll stand here like if you need me but
30:30
like I'm not finna like
30:32
I'm not finna I'm not like oh come here
30:34
you my No like at all so like
30:38
Yeah bro and some people don't do that
30:40
it's like as soon as a somebody likes
30:41
you they they want to control you and
30:43
like
30:44
that's my finna work.
30:45
>> That's not true. Man Jazzy is here I
30:48
love it. You know and
30:50
And what I love too you're you you your
30:52
writing is ambidextrous.
30:55
You know what I mean?
30:56
I wish [laughter] I was I wish I was
30:58
ambidextrous. No your writing is though
31:00
because I sent your album to my partner
31:02
and his wife.
31:04
Right? And they both could relate.
31:07
>> That's dope yeah. King Tech and and
31:09
Andrea by the way they won two out of
31:11
three pickleball games
31:14
because he's on the road and I told him
31:16
I would bring it up he finally beat me.
31:18
All right so they won two out of three
31:19
pickleball games but
31:21
it is you it's unisex.
31:24
Right?
31:25
And that's a hard fence to tether
31:28
successfully.
31:30
Right? So I always I love you for that
31:32
bro cuz I really feel that like
31:35
um
31:38
so puppy still always say like he make I
31:41
made him understand like he never really
31:43
hung around a lot of gay girls so he was
31:45
like it made him understand
31:49
it you know what it is and like he was
31:51
like
31:52
he loves me he was like yo like like I
31:54
never really been around like like a
31:56
masculine female but it like but like
31:58
it's something about you like I
32:00
understand it now and I think that's
32:01
what it is it's like
32:03
like if you really think about it bro
32:05
and since 2026 like for instance I'mma
32:08
tell you why I'm I'mma this is going all
32:10
make sense when you say unisex. Like
32:14
I was a a complex car right and it was
32:16
just like this young this young
32:18
masculine girl or you can call her stud
32:20
I try not to use those words but
32:21
masculine female.
32:22
>> Why why not? Cuz those are words they
32:25
bro they just keep us in a box it keeps
32:27
us setting us back 20 years bro like
32:29
just we just gay you know what I'm
32:31
saying? Masculine if you want to say I'm
32:33
masculine cuz I wear clothes or baggy
32:34
clothes or but these are just basics I'm
32:36
just wearing basics you know what I'm
32:37
saying? That's all it is but um
32:41
literally so she was like yo
32:43
I'm a fan of yours blah blah like you
32:45
would have like you my idol or she said
32:48
some [ __ ] she made me feel like like I
32:50
was just old I was like and then I was
32:53
like why she coming at me like I'm like
32:55
her first representation of what gay
32:58
looks like.
32:59
So I went to the I went to the hotel cuz
33:01
this [ __ ] [ __ ] me up. And then I was
33:03
like I I did a list of like all the
33:05
women
33:06
that I looked up
33:08
to that were gay or like or the or that
33:10
I looked up to not they weren't even gay
33:11
that I looked up to and I was like
33:13
Alicia Keys um Missy Elliott Queen
33:16
Latifah
33:17
um there's a few other people on there
33:19
but I was like there's really no like
33:21
me's on there like gay women who are
33:25
outwardly gay women that were like
33:27
masculine it was more like and I was
33:30
like okay so to this young girl
33:33
I am her first representation of what
33:34
she what it is in the industry to be
33:36
just your your true self so I was like I
33:39
processed it like oh
33:41
all right so now I okay now I'm I don't
33:43
feel so like damn I don't feel like
33:46
I don't feel so bad about it. So
33:49
I think that goes back into the music
33:50
like
33:52
owning who you are and knowing that I am
33:55
somebody's first representation of what
33:57
this is cuz it's it's so sad in 2026
34:00
that you would think that like like damn
34:02
we don't got that many representations
34:03
of other type of women like that are
34:05
still women but other type you know
34:08
there's a different vibe.
34:09
So I think with the music the fact that
34:12
like when I when I did my show in New
34:14
York and I saw like
34:16
the Wu-Tang Clan actors all of them were
34:18
there and then like the prettiest women
34:21
then I saw
34:22
gay couples and I was just like yo what
34:24
what is this? And so I just feel like
34:27
um
34:28
people just needed a bridge or somebody
34:30
to like people wanted this I think you
34:32
know what I'm saying? And I just think
34:34
that's why like
34:36
I think that's why like that situation
34:38
of like unisex is androgynous like it's
34:41
both both parts It's both parts oh
34:42
that's a even better word androgynous.
34:44
Yeah androgynous. Yeah I like that
34:47
okay
34:50
>> [laughter]
34:50
>> Oh god it's androgynous bro.
34:52
Like it's like Prince man it's like
34:54
Prince yeah it's I got the I'll say I
34:56
got the Prince effect almost it's like
34:58
and I'm so grateful for that but a lot
35:00
of people it's like Prince was the only
35:02
dude where [ __ ] be like nah he ain't
35:05
gay nah that [ __ ] he got Apollonia
35:07
Vanity like
35:08
>> [laughter]
35:08
>> like they got heels on ass out but men
35:11
love Prince women love Prince you know
35:14
what I'm saying? I think that's just
35:15
like
35:16
it's a blessing to be a bridge like that
35:18
because like what's nothing really
35:20
separates us too much.
35:22
>> Yeah except for those except for those
35:24
titles you're talking about. Those damn
35:26
titles bro. Bro the titles The [ __ ]
35:28
titles bro.
35:30
Like all that stud [ __ ] like bro y'all
35:33
keeping me away from women actually
35:34
feeling safe around me. Yeah. Like with
35:36
that title cuz now you thinking like you
35:38
putting me in that
35:40
Yeah. I love this man give it up for
35:42
Jazzy man Jazzy is here. [applause] I
35:45
was going to ask you about your audience
35:46
but you just broke it down to us
35:47
[laughter] you know like I was cuz this
35:49
is going to
35:51
I can't wait to go to your concert
35:53
>> [laughter]
35:53
>> I don't know what it's going to be some
35:54
beautiful ass women up there man.
35:56
>> but what's your kryptonite though?
35:58
That's what Jazzy want to know.
35:59
>> kryptonite? I see I THINK I KNOW WHAT IT
36:01
IS
36:01
HEY EVAN I THINK I KNOW WHAT IT IS.
36:04
>> [laughter]
36:04
>> HE WHAT hey
36:06
Hey no but I AIN'T GOING TO HOLD you sis
36:07
I invited him out with me let me tell
36:09
y'all now I I invited my dog [laughter]
36:11
out and he I don't sway he liked the
36:14
idea of hanging out with me. I'm saying
36:15
he's hanging out with me.
36:17
>> [laughter]
36:18
>> I definitely invited my dog somewhere
36:20
and he was like yeah I I I remember
36:22
that?
36:22
>> Yeah I was going to go though.
36:24
I was going to go though.
36:26
What what? Kryptonite? I just be tired
36:28
man I can't
36:29
>> [laughter]
36:29
>> I can't get up early so that's it.
36:32
I respect I respect y'all for waking up
36:34
this early this is
36:36
Yeah 3:30 every morning.
36:38
Y'all for real I'm in LA now.
36:41
3:30
36:41
>> go out let me know I'm putting it on
36:43
record you tell me what's coming up. You
36:45
want me to come to a show what what's
36:46
coming up? Yeah oh
36:48
April [clears throat] 24th I'm doing the
36:49
Blue Note. Oh. I'm there. April 24th I'm
36:52
doing the Blue Note. We there. We there.
36:54
We there. You want me and Heather to
36:55
introduce you? I would stop playing.
36:57
OKAY WE THERE. YOU BETTER STOP PLAYING.
37:01
>> [laughter]
37:03
[screaming]
37:07
>> IT'S REAL QUICK YOU KNOW WHAT I'M
37:08
SAYING? IT'S JUST A REAL QUICK woo woo
37:10
come on.
37:10
>> Yo that's my kryptonite I've I've been
37:12
quitting for like 14 years bro and this
37:14
[ __ ] be like yo I can't quit how you
37:17
can't quit? Yo we going to have a good
37:19
time man. No we I'll definitely pull up
37:21
your I'm coming out. And then let you
37:23
put that live at the Blue Note
37:25
performance out somewhere you know put
37:27
that up so people can hear that and hear
37:29
our intro.
37:32
Jazzy's here yo for real y'all listen
37:35
soundtrack to get her back yo this is
37:38
incredible project trust me we're going
37:39
to go to the phone calls too
37:41
888-742-3345
37:44
you've been hearing this interesting
37:45
amazing conversation with this
37:47
incredible artist let us know what you
37:49
think and what you want to know about
37:50
her. We got Pell on the line from Yancy
37:53
>> Pelly Pell what's goodie man?
37:55
Hold on Pell Pell you there? Jazzy
37:56
what's good man?
37:58
What's going on dog?
38:00
I'm good bro how you feeling?
38:01
>> you bodied that love album. Like
38:04
seriously.
38:04
>> Come on man.
38:06
You really bodied that.
38:08
But there's one record in there that's
38:09
like
38:10
>> For real though like I have a favorite
38:12
record in there it's your record it
38:14
belongs to you.
38:16
Is there a story behind that record?
38:19
Or you just went in there and just did
38:21
your thing?
38:22
No it's actually a story so that
38:24
[clears throat]
38:24
that song that song I wasn't supposed to
38:26
be on that song bro I was so mad I
38:28
didn't I was so mad at Puff I was like
38:30
bro cuz I wrote it for Mary.
38:34
I wrote it for Mary J. Blige that's why
38:35
you
38:36
so it was Mary and we they cut Mary on
38:39
it but the thing is I didn't I I wasn't
38:41
in the studio she was I think they cut
38:43
it in New York and like I wanted to
38:45
vocal produce her on it.
38:46
You know what I'm saying? Cuz I had just
38:48
did good morning gorgeous with her I
38:49
think that was what we was
38:51
working on.
38:52
So
38:53
but Puff was like nah [ __ ] your voice
38:56
that's you. I was like Puff I don't know
38:58
like I hated the song for me cuz it was
39:01
very like
39:02
I just that wasn't the way I was trying
39:04
to go just yet I wasn't trying to go
39:06
there
39:07
so I was like damn but I'm really glad
39:09
and then when it came out he looked at
39:11
me and said ain't you glad you stayed I
39:12
was like yeah nah for sure. He called
39:14
that. He called it. Right? He called it.
39:16
Hey Pell her project is out now go
39:19
listen to it all right?
39:20
>> And she on selling CD too oh yeah on god
39:22
we got the CDs too so Got the CDs sound
39:24
soundtrack to get her back I love that
39:26
CDs and vinyls are and vinyl is coming
39:29
back man put put put something on wax
39:31
for the DJs too. All [clears throat]
39:33
right for that Mary track y'all should
39:35
definitely make some vinyl limited
39:38
edition vinyls when you make that into a
39:39
single. DJ still on on vinyls? Well
39:42
let's say let's see DJ Jing Jing is
39:44
here. Come in the room for a second Jing
39:46
Jing. Come in Jing Jing Jing Jing Jing
39:48
who just did a guest set. Yeah, she's
39:50
with the Beat Junkies Institute. Yeah,
39:52
she's a graduate of the Beat Junkies.
39:55
Do DJs what's going on with vinyl right
39:58
now?
39:59
Oh, vinyl vinyl is the thing I'm I'm
40:01
actually
40:03
um
40:04
going back to vinyl. I think there's a
40:06
budget issue with that buying vinyl.
40:08
It's a little expensive but
40:10
I I think that's that those are the
40:12
shows I want to see. Yeah. Definitely.
40:14
Yeah, see. Yeah, get you some limited
40:16
edition vinyl. The fact that I asked
40:18
this question he just brought somebody
40:20
in here to ask me that. She just did a
40:21
guest set for us. She yeah.
40:24
>> [laughter]
40:24
>> I'mma ask you another question. HOW DO I
40:26
GET A MILLION DOLLARS?
40:28
HOLD ON HEATHER HEATHER. 5 12 [laughter]
40:30
26 35 72 What MIKE EPPS DOING?
40:35
MIKE Muse is here. He can tell you
40:37
[laughter] how to get a billion. Mike
40:38
give us some ideas on how to get a
40:40
billion knowing knowing what she has to
40:42
offer.
40:43
How she do it Mike?
40:45
New York New York right I mean there's
40:47
so many ways just keep writing but I
40:48
think and I know Jazzy's already either
40:51
considered or thinking about it and
40:52
particularly with with all your IP and
40:54
all your works that you can do in terms
40:56
of all the private equity firms that are
40:58
looking to do deals with like writers
40:59
and publishing as a way to exploit your
41:02
catalog and your publishing to even
41:04
greater heights in terms they can do
41:05
with that. So
41:06
that is a great way but of course it
41:08
comes at a cost right and you can't give
41:10
up all of your your IP and your creative
41:12
capital but
41:13
that's something to think about. But
41:14
it's a nice bag behind it huh? Yeah, all
41:16
these private equity firms.
41:20
Come on my team is it's the [laughter]
41:22
best listeners. I got the the realest
41:24
team in the game.
41:26
Don't care what you what you see what
41:28
you hear. This is it right here. But I
41:30
do have a question for Jazzy though.
41:32
Yeah.
41:33
Jazzy I'm I'm here. You talked about the
41:36
range of your demographic and your
41:37
audience. I'm curious about the range
41:39
and in your song and the artists that
41:41
you've chose. Can you just talk to us
41:42
just give us an example of what was
41:44
different writing with
41:46
um
41:47
uh oh man I just lost Lil Nas X versus
41:50
you wrote Old Town Old Town Road and
41:53
then working with Beyoncé on Virgo's
41:55
Groove which I love that song by the
41:56
way.
41:57
So congrats on all of it.
41:58
>> [clears throat]
41:59
>> Thank you boss. Um I mean bro it's it's
42:01
just in me. I don't I can't explain like
42:04
um working with a with Lil Lil Nas X on
42:07
Old Town Road challenged me because
42:10
doing Billy Ray Cyrus I had to like
42:14
go somewhere where I never really been
42:15
before. Cuz before before then I ain't
42:18
never really did pop music. I was just
42:19
super R&B. That was like my first
42:21
introduction to to the pop world. And
42:24
like um
42:25
but like Beyoncé and like the Scissors
42:29
like that's in that's just in me. I
42:31
don't know. I'm and I'm a student bro.
42:33
You got to understand like I listen from
42:36
from Curtis Mayfield to
42:38
to Joni Mitchell
42:40
to you know like
42:42
Oh my god like Patrice Rushen like I'm
42:44
just all over the board. So if you
42:46
really listen to my music you hear
42:48
influences. Like I'm very influenced by
42:51
the past. So
42:53
once I get in that once I know a artist
42:54
is working on a project or a artist is
42:57
doing this type of sound or doing this
42:59
like I literally it's like going into
43:01
your history book. I literally go listen
43:02
to some music get in get in like soak it
43:06
up for like few days
43:08
in the car and like I'm in it. Like it's
43:10
just
43:11
yeah I really I really know that this is
43:13
really a god talent cuz it's really
43:15
nothing that I really can say that I do
43:17
other than just
43:19
um be a student to the you know to to
43:21
the game. You know what I'm saying?
43:22
Amen. I love that. Jazzy is here. I'mma
43:25
keep saying Jazzy's name. Soundtrack to
43:27
Get Her Back that's the name of the
43:29
project. It's out right now. Deion I'mma
43:31
come to you momentarily. Tracy you got a
43:32
question?
43:33
>> Of course. Um Jazzy I would love to Hey
43:35
Tracy. What's up Jazzy? I want to um dig
43:39
more into the songwriters being on the
43:41
right side of history and kind of talk
43:43
about when impact and credit don't
43:47
always go hand in hand because
43:49
unfortunately I feel like history
43:51
usually remembers the face and not
43:53
necessarily the hand that wrote the
43:56
words. And so my question for you is
43:59
does recognition has recognition
44:03
purely from a songwriter perspective
44:06
ever change the nature of the work
44:08
itself?
44:09
And is it possible for a songwriter to
44:12
be at peace playing the background or do
44:16
you find the majority of songwriters
44:18
eventually want to become front facing?
44:22
Well, great question.
44:23
>> [clears throat]
44:23
>> If if the industry nurtured
44:26
and paid
44:28
and treated the writers right I don't
44:30
think writers would mind being
44:31
songwriters.
44:33
And there's a thing between there's a
44:34
difference between a ghostwriter and a
44:35
songwriter. Mhm.
44:37
If if if if a artist was to be like yo I
44:40
want you to write my [ __ ] and I'm going
44:42
to give you 100k
44:44
upfront
44:46
I'm shutting the [ __ ] up and I'm writing
44:47
the songs.
44:48
But they don't come like that. They come
44:50
in like you want me to come in here
44:52
slave with you
44:54
stay here before you stay after you
44:56
leave. You know what I'm saying? I'm
44:57
here before you here and after you here.
45:00
I got to write the song. I'm giving you
45:02
my IP address which is a little bit
45:04
which is I don't mind. I'm happy to do
45:05
it. But like you got some artists that
45:08
are some songwriters that are cool with
45:10
that but also I knew that this wasn't my
45:14
end all be all cuz I had
45:16
Missy. I was under Missy. I saw what
45:18
Missy did. My whole life was like yo I'm
45:20
going to I don't want to do what Missy
45:21
did. Like
45:23
be a writer
45:24
become an artist. I saw what Dream did.
45:26
I was very I'm a delusional person. I
45:28
was like when I saw these guys I was
45:30
like yeah nah like
45:32
you know what I'm saying? I'm finna be
45:34
yeah like crazy. I'm I'm the greatest
45:36
and like that's just how I always
45:39
all of my favorite artists was Ne-Yo um
45:42
was was The-Dream Missy Elliott like
45:45
people that but then you had a you had
45:47
other artists other writers like who's
45:50
one of my favorite writer Sean Garrett.
45:51
Mhm. So it's it's
45:54
it's some that can't be a artist and but
45:57
That [ __ ] has like 32 number ones.
45:59
Word. So so so he was like I think he
46:03
was a
46:04
It's just all about how you
46:06
the labels just the labels the A&Rs
46:09
and I keep saying this and the artists
46:11
they
46:12
they just don't really know how to treat
46:15
the people around them sometimes.
46:16
Sometimes some some artists. You know
46:18
what I'm saying? Some labels.
46:20
Because it yeah like y'all don't want to
46:22
y'all don't want to give songwriters
46:24
points but y'all give all the points to
46:25
to producers. Y'all don't want to give
46:27
songwriters upfront fees. These
46:29
songwriters are
46:30
like literally songwriters having two
46:32
jobs to keep up in LA.
46:35
Like take care of these take care of
46:37
writers then writers will take care of
46:39
y'all but what they do is just take take
46:41
take and I think that's why writers I'll
46:43
be telling writers like now like
46:46
man go man go turn yourself up. Word.
46:49
Like you don't got to do it like I did
46:50
it. You don't have to do it like we did
46:51
it in 2014 2013.
46:53
Like you really don't. Like Tik Tok and
46:55
all that stuff is a whole different way
46:57
unless you really want to be a
46:59
songwriter. Like I really wanted to do
47:01
it the Missy way. Mhm. You know what I'm
47:03
saying? Like Those.
47:05
Yes that's the that was the blueprint.
47:08
I just wanted to do it that way. Yeah.
47:11
That was a goat. Um
47:13
We we only have so much time this time
47:15
but since you guys can you put us on the
47:17
flyer HEATHER B? MAN BRO
47:20
YOU JUST LIKE ONE OF THE labels bro. You
47:22
just like the labels. [laughter] Nah
47:24
don't put me on the flyer.
47:26
Of course. I I come with a cost see.
47:28
I've been in the game a whole lot longer
47:30
than Jazzy. [ __ ] that. It cost to put me
47:32
on the I respect that. I respect that.
47:34
[ __ ] that. It ain't got nothing to do
47:35
with Jazzy. I'm showing up for Jazzy and
47:37
Jazzy only. That's it. You either going
47:40
to pay or I'm free. No. Come on Heather
47:43
let's be on the flyer. Nah [ __ ] you the
47:45
one who booked ME. JAZZY DIDN'T EVEN
47:47
REALLY book me. I would have plans on
47:48
this day. Hey Sway I got a question.
47:50
Could you ever grow your dreads back?
47:52
No I wouldn't. Oh you wouldn't? No. It's
47:54
it's a wrap. That's it. Yeah. And pivot.
47:57
me 17 years. My my hair don't GROW THE
47:59
SAME.
48:00
>> [laughter]
48:02
>> IT WAS 17 years to to get to get it to
48:05
that point but when I cut it I made a
48:07
promise to someone close to me. Okay
48:09
word. Respect. That I that I wouldn't
48:11
but it's it it it doesn't grow the same
48:13
either and I wouldn't have the patience
48:14
to try to do it. It'll be strong in some
48:17
parts of my head and It's skipping out
48:19
on other parts.
48:21
It's kryptonite his follicles. Oh
48:23
>> [laughter]
48:23
>> my god.
48:25
Hey bro.
48:27
Not the kryptonite it's his follicles.
48:30
No connection nuts.
48:32
>> [laughter]
48:32
>> Follicles. That's why she's a rapper
48:34
though. Follicles.
48:35
You should get HB on a feature. That'll
48:37
Hey man it's talking HIS WORK TALK.
48:40
ALL RIGHT that's too much. I'm trying to
48:41
quit. Yo let me live my jeez.
48:44
>> [laughter]
48:46
>> You have an incredible project.
48:49
Just like GQ has said I say it too.
48:52
You're the ingredient [applause]
48:53
that's needed in the recipe. Mhm. I
48:55
think R&B is amazing and beautiful. I
48:58
think this is a new spice. Mhm. You know
49:00
what I mean? I think you're adding a new
49:02
spice. I receive it. That has yet to be
49:04
in the pot and it's one of those uh what
49:07
do you call a pot that has everything?
49:09
Goulash or what is a pot that you Gumbo
49:11
is Gumbo right? And it's a new spice
49:14
that's being added to the Gumbo.
49:16
>> The expensive spice. She's that saffron.
49:18
This is this is
49:20
expensive R&B. Mhm. Right and join us at
49:24
the Blue Note.
49:25
>> Wow.
49:26
April the 24th. 424. LA California where
49:30
you can find Jazzy being introduced by
49:34
Heather B the legend. Hey Sway now. All
49:37
right yeah.
49:39
All [laughter] right.
49:41
Real real quick,
49:43
soundtrack
49:45
to get her back, right? And soundtracks,
49:48
man, soundtracks have had a a great
49:51
history. It was one time soundtracks
49:53
were that thing, right? The movie
49:55
soundtrack. You know, what is your
49:57
favorite movie soundtrack? We discovered
49:59
a lot of movie a lot of music through
50:01
soundtracks. What's your Do you have a
50:04
top three
50:05
movie soundtracks?
50:06
>> Yes, man. Bro, Romeo Must Die. Okay.
50:10
>> Oh, wow. Incredible incredible
50:12
soundtrack. Shout out to Timbaland for
50:13
that. That was an amazing soundtrack.
50:16
Uh Waiting to Exhale. My mama played the
50:19
hell out of Waiting to Exhale
50:21
that Waiting to Exhale soundtrack. All
50:23
written by Babyface, I think, right?
50:25
All written by Babyface. And the
50:27
Boomerang soundtrack. So, I just
50:29
stumbled on Boomerang soundtrack like
50:31
probably 4 or 5 years ago cuz I was like
50:34
like that was kind of like I was like 1
50:35
years old.
50:36
>> Yeah. But
50:37
like listening to it now I'm like,
50:40
"Whoa, like that's nuts." And so,
50:43
Babyface Babyface did that too. So, like
50:46
yeah, Romeo Must Die
50:48
um
50:49
Waiting to Exhale and Boomerang
50:51
soundtrack. What's yours, Athens? PM
50:53
Dawn, crazy. PM Dawn, Jersey City, New
50:55
Jersey, by the way.
50:58
On that one. That's a Boomerang
51:01
with soundtrack was a game changer for
51:02
me.
51:03
Think about that the PM Dawn joint. Then
51:06
Hot Sex on a Platter from A Tribe Called
51:08
Quest. That was on there as well.
51:12
Hot Sex on a Platter.
51:14
That [ __ ]
51:15
and I think for me
51:17
um
51:18
uh my gosh um Curtis Mayfield I I see
51:21
the the movie with Sparkle. Um no, not
51:24
Sparkle. Sparkle album was amazing.
51:26
That's with Gladys Knight. That Sparkle
51:28
soundtrack slapped. The original one,
51:31
not the
51:32
the original
51:33
Curtis Mayfield, but I know what you're
51:34
talking about. That's on the Makings of
51:35
You. That's still Do you know the movie
51:37
I'm talking about?
51:40
No, no, no, no. Car Wash? No, gosh.
51:43
Which one is that?
51:45
That's a good ass soundtrack, too. And I
51:46
agree with you with Claudine. No, no.
51:48
Claudine. Y'all Claudine. Claudine was
51:50
amazing. Oh, [ __ ] I found that. Y'all
51:51
better listen to You have to listen to
51:53
You have to listen to So, for me
51:56
discovering Curtis Mayfield and my
51:58
grandparents playing his music growing
52:00
up, that's how I discovered Curtis
52:01
Mayfield and someone can write a whole
52:03
soundtrack. That's what Waiting to
52:05
Exhale did for me cuz to me Babyface was
52:08
in that zone of that Curtis Mayfield
52:11
writing the whole soundtrack for a film.
52:13
Let me give you one.
52:14
>> Okay. Everybody's going to say, "Oh,
52:16
yeah. Okay."
52:18
Purple Rain. Yes. Yeah, we
52:21
>> [laughter]
52:21
>> Yeah, that should have been even before
52:24
Well, not for me, though. Not for me.
52:26
Like Purple Rain is great. Like Computer
52:28
Blue and all of that, but like I get
52:30
tired of Purple Rain a little bit.
52:35
End this interview?
52:36
>> [laughter]
52:37
>> I'm sorry. It's It's It's the sonics.
52:39
>> You don't have to say it, though.
52:40
You can think it, don't have to say it.
52:42
It's a great It's a great. I got it on
52:44
my on my I got the vinyl on my joint
52:47
like and I listen but
52:50
Menace II Society. I I got to listen to
52:52
that one. Ooh. Menace II Society. This
52:54
is before your time. You weren't even
52:55
born.
52:55
>> Oh, so you want to hear this? So, he he
52:57
was a little boy in Menace II Society.
52:59
GET THE [ __ ] OUT. ARE YOU KIDDING ME?
53:02
YOU'RE THAT
53:03
WHAT ARE THE GET ON CAMERA. [laughter]
53:05
WHAT ARE YOU DOING? YEAH, HE WAS THAT
53:07
WAS A LITTLE boy there. Get him on
53:08
camera. We got You got to get on camera.
53:10
You got to say What do YOU SAY WITH THE
53:11
GUN, PREACH?
53:13
>> [laughter]
53:13
>> THIS CAMERA THIS MIC RIGHT HERE, PHIL.
53:15
SAY your name. Oh, man. I'm I'm Milli,
53:18
but my government is Julian Roy Doster.
53:20
Shout out to my dog. LA legend. How old
53:23
were you when you was I was seven. You
53:25
were seven? Do you remember the
53:26
experience? Yeah. Really? Yeah, it was
53:29
it was um
53:31
it's definitely something I remember for
53:32
sure cuz it changed the trajectory of
53:34
like everything for my life and
53:37
Wow.
53:38
>> about the hood with that with that one.
53:39
With that one? You remember saying the
53:41
the line? Yeah.
53:43
>> How How DID IT GO?
53:44
>> [laughter]
53:46
>> HE HE GET YOU TO WORK, FAM.
53:48
HE HE GET you his He a op. I've been
53:50
telling He's a radio op, my G. Just
53:52
listen. The setup was crazy right there.
53:56
You got to do it now, though. Go ahead.
53:58
Power punch ass.
54:00
>> [laughter]
54:01
>> Let me
54:02
I'M GOING TO TELL Y'ALL A FUNNY STORY,
54:03
THOUGH. My mom You really go back and
54:05
watch it.
54:06
I say ass cuz my mom, rest in peace, she
54:09
uh
54:10
she didn't want me to say ass and I
54:12
remember the Hughes brothers like trying
54:14
to like get me or like pay her extra to
54:16
do it and she was just like, "Nah,
54:18
I don't want him cussing." And
54:20
so I say ask for her.
54:22
I got to watch it again. When you
54:24
watched your When you watched that movie
54:26
in a movie theater for the first time as
54:28
a kid
54:30
Yeah, yeah. as a kid How did that What
54:33
Did that blow Like I could see that
54:35
blowing your mind. You probably saw the
54:36
world totally different from other kids
54:38
your age to see yourself on the big
54:40
screen. Yeah, you know, I didn't I'm
54:42
going to be real. I'm
54:45
It didn't shock me and like I didn't
54:47
really understand it until uh
54:50
I was a big Kriss Kross fan.
54:53
Uh we went to Roscoe's one time and my
54:55
dad like took me over there to meet It
54:57
was like Jermaine Dupri and Kriss Kross
54:59
and they was bugging out from the movie.
55:01
That's when I was like, "Oh, I'm
55:02
official." Everything else before that I
55:04
kind of There was other things I did
55:06
like TV shows and stuff, so
55:09
Who Who was nice that you remember? Was
55:11
Jada Pinkett Smith, Larenz Tate? There
55:13
was a lot of Larenz because at the time
55:15
Larenz was I would say I was closest to
55:17
because he was still in high school.
55:18
Uh-huh. And so like I remember him
55:20
helping me with my homework and stuff
55:22
like that.
55:24
Yeah. That's crazy. Wow, have you seen
55:26
any of them? Do you come come across
55:27
them at all?
55:28
>> seen Larenz a couple times.
55:30
Um
55:32
I've seen Tyrese a couple times. Tyrese,
55:34
yeah.
55:36
Yeah, Tyrese be around. Yeah. And so,
55:38
what are you doing with Jazzy?
55:40
My creative director. He's Shout out my
55:42
videos. Like he's a LA legend. Like he's
55:45
so respected and well just loved and and
55:47
just in LA everywhere we go. And I've
55:50
known him for like this is big bro right
55:52
here. Yeah. So, like literally
55:54
>> [clears throat]
55:54
>> yeah, so he's like
55:56
like everything all the visuals for
55:57
soundtracks to get her back even the the
55:59
the cover the album cover I did. Like we
56:01
came together and just said, "Yo, we
56:02
want to go nostalgic." And he is
56:04
nostalgic.
56:05
>> Yeah, yeah.
56:06
>> He is nostalgic. He's still young, too.
56:08
That's what's crazy. How he's still
56:09
young. That movie was 30 years ago.
56:12
>> [laughter]
56:13
>> OH, YOU WERE SEVEN. OH, THAT'S RIGHT.
56:15
HE WAS SEVEN. HEY, BLACK people are
56:17
Look, black people don't look old unless
56:19
you do crack. So, let's just don't do
56:21
crack. I've seen dudes
56:23
>> Let's just don't do crack and we all
56:24
right. We going to always Recovered
56:25
crack addicts even be looking good. They
56:27
got to recover, though. They got to
56:28
recover, right? [laughter]
56:31
OH, MY. SHE PULLED JAZZY PULLED IT UP,
56:32
TOO.
56:37
DAMN. WHO PULLED THAT WHO PULLED THAT
56:38
ALREADY? NAH, THAT'S [laughter] ALL
56:39
RIGHT HERE, my guy.
56:42
Look at you, so innocent.
56:44
You look hungry right there.
56:47
>> [laughter]
56:47
>> Like you was ready to go to lunch right
56:49
there. Look at this dude. Why you
56:51
The T-shirt neck looks stretched.
56:53
What's that about?
56:55
>> [laughter]
56:56
>> Fruit of the Loom?
56:58
Yo. Hey, what's now what's your what's
57:00
your name? What you go by? What do
57:02
people call you? Milli Milli Yeah.
57:04
Milli, man. Yeah, man. Yo, I was
57:08
[ __ ] with him outside, too, a little
57:09
bit. I was you know, oh, man. Hey, man,
57:11
good to meet you, bro. Yes, man. Thank
57:13
you.
57:15
Damn, that's you? Nah, that's so hard.
57:17
Beautiful. Yeah, man. Listen, Jazzy,
57:20
this has been great.
57:22
June I mean April the 18th. Yep. What?
57:25
24th. 24th. Damn, just like that. April
57:28
the 24th.
57:29
>> 424, homie. House of Blue House of
57:32
Blues. Damn. April 24th.
57:35
Blue Note.
57:36
Jazz. Jazz a jazz club in here in LA.
57:41
Y'all come out and check out Jazzy. This
57:43
family right here. We hanging, homie.
57:45
Blessed. Okay, that's my word. I love
57:47
y'all so much. I thank y'all. I love
57:48
you, too. No, of course. I'm only
57:50
pulling up for Jazzy, not for Sway. Just
57:52
for Jazzy. You can say that if you want.
57:54
>> I just said it. Okay. in my music video
57:56
True to Me, if y'all listening, it drops
57:58
at noon. So, True to Me drops at noon.
58:00
So, make sure y'all go to my IG, check
58:02
it out, and go to straight to YouTube
58:04
for the full video.
58:05
>> Noon Pacific or noon Eastern? Pacific.
58:08
Okay. Yeah. Three Eastern. 3:00 p.m.
58:10
Eastern. I was going to say specific. To
58:12
be specific, it's Pacific. And you can
58:15
follow Jazzy at j o z z y. Jazzy. Did I
58:20
ask you how you get that name? Uh yeah,
58:23
so my mama So, you want to know the
58:24
funny story about my whole name?
58:26
We got time. So, my mom was about to My
58:28
name is Jocelyn, right?
58:31
My mom was about to divorce my pop.
58:34
And so her divorce lawyer was named
58:36
Jocelyn.
58:37
That was her name. It was a like j o c
58:39
spelled just like mine.
58:41
Then he
58:41
>> [clears throat]
58:42
>> She had me
58:43
and literally my pop was like "Wait, you
58:46
named her Jocelyn?"
58:48
He was like, "I'm not about to call her
58:50
Jocelyn after my divorce divorce
58:51
lawyer." Like, you know what I'M SAYING?
58:53
LIKE
58:53
>> [laughter]
58:56
>> "WHY THE [ __ ] YOU CALLED?" YOU KNOW WHAT
58:57
I'M SAYING? LIKE
58:58
named after the divorce lawyer. So, like
59:00
my pop My pop called me Adrienne, Single
59:03
D, or Jazzy. And like my mama started
59:06
calling me Jazzy. Like nobody really
59:08
calls me Jocelyn in the house. Like and
59:10
my pop has never called me Jocelyn. It's
59:12
Jazzy, Single D, baby girl, Adrienne.
59:15
It's always something else, but that's
59:17
how I got
59:18
I used to hate that name. I used to hate
59:20
Jazzy. Oh, yeah. And now now I love it.
59:22
I love it. I love it.
59:24
I will never forget it.
59:25
I will never forget it. It's easy, man.
59:27
It's easy. Proud of you. Thank you so
59:29
much.
59:29
>> Super proud of you. Keep going. And this
59:32
is this is that one. We going We going
59:34
to work this album for a long time,
59:36
guys. All right, for a long time.
59:39
Put that work in. Congratulations,
59:41
soundtrack to get her back. DJ Jean
59:43
Jean, thank you. Jean Jean Jean Jean
59:45
Jean Jean Y'all can follow her at
59:47
dj.j.i.n.g.j.i.n.g.
59:50
What a magnificent week. Thank God as we
59:54
do every single day. Give God a round of
59:56
applause, man. Come on, we are here.
#Arts & Entertainment