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DJ Kay Slay Delivers New Album ‘Accolades’ featuring over 100 artists | SWAY’S UNIVERSE
Jun 26, 2021
Following up on 2020’s release ‘Homage’, Kay Slay tries to one up himself with the new 8-track 100plus feature album ‘Accolades’. For this project The Drama King features Raekwon, Ghostface Killah, Sheek Louch, and Tragedy Khadafi for the “Extravagant” lead single and let’s The Game go off on “72 Bar Assassin”.
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DJ Kay Slay Delivers New Album ‘Accolades’ featuring over 100 artists | SWAY’S UNIVERSE
https://youtu.be/S_ms9xVdDgU
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0:00
[Music]
0:00
everyone flocked to james brown and this
0:03
sound so along with the music the
0:06
revolution of his music and the boom bap
0:09
sound and then along with his dancing
0:12
that is what birthed that whole
0:15
revolution and that rebellion
0:17
to disco that we call hip-hop curtis
0:21
[Applause]
0:22
don't forget don't forget curtis james
0:24
brown was so popular
0:27
with our culture like he said that's
0:29
where
0:30
having to pay for samples started at two
0:32
oh yeah
0:33
don't forget that part he's the most
0:35
sample artist
0:37
be like come on y'all taking this bad
0:38
music doing like come on
0:40
yeah that's where that came from too
0:41
yeah most sample artist
0:43
um ever of all time of all time
0:47
wow that was a conversation with curtis
0:49
blow and the legendary the iconic the
0:51
most fruitful dj to touch up on the
0:53
turntables and represent this culture to
0:56
the fullest he's never been
0:57
ladies and gentlemen under pressure he's
0:59
never compromised his integrity
1:01
he's never compromised who he is as a
1:04
human being even though we work in the
1:06
field of entertainment where he's full
1:07
of facades for ceaselessness
1:09
and liars and cheats he never bent over
1:12
like that ladies and gentlemen always
1:14
stood his ground 10 toes down give it up
1:16
to the iconic
1:17
the legendary dj k swag
1:26
[Applause]
1:30
come on man how you been oh man i've
1:32
been good just staying busy working
1:34
you know staying active i see you man
1:38
k-slay citizens um
1:40
call up and congratulate him he's about
1:42
to be in the guinness book of world
1:44
records
1:45
for putting together a song with the
1:47
most features on one
1:49
record wow wow he has a song called
1:53
rolling 110
1:54
deep and it features 110
1:58
artists on one track and the track is 40
2:01
minutes long
2:03
never heard of it
2:07
i don't even know who would want to work
2:09
with 110 artists how many headaches
2:11
how many bottles of excedrin did you go
2:14
through
2:15
oh man uncountable you know artists is
2:17
hard to work with one artist
2:19
better yet 10 of them and having to go
2:22
to them two times
2:23
because i had to go back to them to get
2:25
the video done
2:26
oh wow yeah this isn't really a song as
2:30
an album
2:32
yeah i mean right now is the length of
2:34
the song is what
2:36
uh we getting from people doing albums
2:38
these days but it was worth it though
2:39
for the culture it was definitely worth
2:41
it
2:42
what was your idea like what what what
2:44
on what day and what moment did you say
2:47
you know what i want to do i want to do
2:48
a song with 110 rappers
2:50
what like what what was the com what was
2:52
the idea behind it
2:54
so the funny thing was i had this
2:57
rolling 50d
2:58
that was on the last project that was on
2:59
homage and the reaction that i got the
3:02
love i got from that
3:03
i was like okay um i immediately started
3:06
working on a part two because i started
3:08
seeing a lot of comments saying yo we
3:09
need a part two
3:11
this and that so i had already been
3:13
working on it but once
3:14
i counted the verses it was 60. i said
3:17
damn i went over so once
3:19
i went over the 60 i said well i might
3:21
as well just get 40 more
3:22
and go to 100. then once i got to 100
3:28
it was 104. i was like god damn
3:31
like that's 104.8 sound right i said
3:34
well i might
3:35
just get six more people you know and i
3:37
just added all the six more then i was
3:39
like okay i'm stopping right there
3:41
you know i ain't gonna keep going that
3:43
was it right there man
3:45
okay man man k slay man you doing
3:47
something no one else
3:48
your legacy is already sealed but it's
3:52
word i'm curious now does because we
3:56
often hear about
3:57
lyricists when they know that they're
3:59
gonna be on a track with like another
4:01
artist two other artists then it ups the
4:03
ante with the competition
4:05
so when it's 110 does it become more of
4:08
like a family affair or did you feel the
4:10
spirit of competition even more
4:13
i mean i felt like it was the
4:15
competition with a little more because
4:17
they seemed rolling 50 deep so
4:20
if i give you a track and i tell you
4:23
that it's going to be 100 artists on it
4:25
you could come playing around if you
4:26
want because it ain't no i'm
4:28
let me hear this person verse or let me
4:30
change my verse ain't none of that going
4:32
down that's cheating you know
4:33
i'll give you yeah i give you the beat
4:37
go for what you know that's it so
4:39
everybody you know came with their a
4:41
game you know nobody was playing
4:44
i was with corey guns last night um
4:48
yesterday was his birthday matter of
4:49
fact i was at ditc studios
4:52
okay hanging out with the team a.g was
4:54
there show biz
4:56
corey guns was there uh these young
4:59
ladies shot big and
5:01
uh high siddie they were the two girls
5:04
from brooklyn that did something over
5:05
there buster ryan's beat that went viral
5:08
uh put your hands when i uh put your
5:09
hands on my eyes that's the piece
5:10
shimello boo that was produced by buddha
5:12
and shimello rest in peace mellow
5:14
absolutely okay absolutely okay uh
5:17
and and we and i was sitting cory guns
5:19
just playing me some of his new stuff
5:21
which is sick he got a song called
5:23
ghetto that's ridiculous you you
5:26
you know what i like about this man it's
5:28
great to see a royce the five
5:30
nine avado you know a e40 a ea ski
5:36
a corey guns a davies a memphis bleak
5:39
kashyyyk luch
5:40
all on the same a trait of truth all on
5:42
the same track as a grandmaster cast
5:46
i appreciate that talk about that man i
5:48
appreciate that
5:50
i mean you know the thing that gets me
5:54
and i understand sometimes people minds
5:56
is limited and they can go
5:58
only as far as what they know but when
5:59
you hear people say well who's the
6:01
greatest female artist
6:03
of all time now listen to
6:06
the punchline of all time
6:09
that means you don't just start at um
6:12
you know
6:13
nicki minaj megan um
6:16
cardi b like you remember saying they're
6:18
great right now but when you say
6:20
all time you have to go from the
6:22
beginning
6:23
and work your way up now if you say of
6:25
the era
6:27
you know the 90s the 2000s like then
6:30
that's different
6:31
sometimes people tend and even a lot of
6:34
the blogs they tend to forget about
6:36
the beginning so it'd be my mission when
6:38
i do these songs
6:40
to pop in some of these ogs that i know
6:43
is going to smoke the [ __ ] out of some
6:45
of these new cats that's out here
6:46
so that now i'm making the younger
6:49
generation
6:50
you know knowledgeable of who these guys
6:53
is like yo when they see the video yo
6:54
man because they was like yo man
6:56
that old dude with no shirt or went
6:58
crazy you talk about melody mel you
7:00
upstairs
7:02
but to see they know who he is now and
7:05
they should know who he is already but a
7:07
lot of people don't do their
7:09
research on the game they just stuck on
7:11
what they know they say
7:12
who's the greatest of all time most of
7:14
the time they'll start off with oh jay-z
7:16
biggie nars they don't go nowhere near
7:19
the 80s
7:20
or the 90s i mean part of the 80s
7:23
farming in
7:23
the 70s they just start immediately at
7:28
the mid 90s and that ain't accurate so
7:30
that's what i'll be doing just mixing up
7:32
the pot
7:34
i like it man and i think it's necessary
7:36
and sometimes
7:38
we tend to shy away from what we don't
7:40
know about and we see that happen in our
7:43
culture a lot
7:44
they don't talk top they they don't they
7:46
don't match they don't have that part of
7:47
the
7:48
that time period necessarily mastered
7:50
they don't feel qualified to comment on
7:52
a shy rock or somebody like mercedes
7:54
ladies or
7:55
they you know they don't understand that
7:57
the impact the relevance
7:59
relative to that time and date so they
8:01
just leave it out but that's why
8:03
you're so important okay slave that's
8:05
why we are so
8:06
important um to make sure that we tell
8:08
the story man to make sure
8:10
what do you think what do you think of
8:12
like um
8:14
the chris rivers the little tj's you
8:16
know the umps
8:18
like the newer bronx mcs that have come
8:21
out in
8:22
like in the recent years man chris
8:24
rivers i've always been
8:26
a fan of his man right chris chris
8:28
rivers is different
8:29
you know he he's a different type of
8:32
animal
8:32
you understand i'm saying little tj got
8:34
his own sound he's doing his thing
8:37
you know i think as long as everybody's
8:39
doing what they're doing you know an
8:41
original way
8:42
you know it gravitates to me you know
8:45
saying
8:45
i i just like to hear
8:48
people twist up something else into what
8:52
they're doing so
8:53
everything doesn't sound redundant you
8:55
know like sometimes like i could get in
8:56
the car
8:57
the radio will be on and i'm listening
8:59
and i sometimes
9:00
you know i could be talking on the phone
9:02
doing other things but it sounds like i
9:03
listen to the same record for
9:06
for 40 minutes man you understand what
9:08
i'm saying
9:09
like and i'll be like yo man uh
9:12
throw some rbs you know
9:15
i just want to hear that original snail
9:18
to where
9:19
like you know chris rivers had a hot
9:22
record
9:23
okay so now here comes hatty racks
9:25
hattie racks doesn't run to the same
9:27
producer
9:28
chris rivers did because it was taboo
9:30
coming up in the game to do that
9:32
that was biting had he racks he runs to
9:34
premiere okay after he runs to premiere
9:36
you know saying here we got o p o p go
9:39
oh no you don't no you don't
9:41
he said he runs the pete rock to get the
9:44
beat you understand i'm saying everybody
9:45
had their own sound now everything
9:47
sounds so much alike
9:49
that you know it gets annoying and i get
9:51
it if you can get away with it
9:54
and you're going to make a dollar like
9:55
that's where this game is at right now a
9:57
lot of it isn't based
9:58
off of the culture and integrity with
10:01
the music is just about looking i'm
10:02
gonna get rich i'm gonna get paid
10:04
because a lot of cats aren't really
10:06
artists
10:07
the young cats that see an opportunity
10:09
to get out the street
10:12
easy because this guy did it that i know
10:14
that
10:15
wasn't really a rap he wasn't a twist so
10:16
i could do it too so i understand that
10:18
part
10:19
i cannot discredit or hate on any young
10:21
brother trying to
10:22
better his life for his family life but
10:24
i think they should at least learn the
10:26
culture man
10:27
and go about it and trying to be
10:28
original and
10:30
longevity over instant gratification man
10:32
that's just me
10:34
longevity over instant gratification k
10:36
slay is here i hear that
10:38
ep is called accolades uh what
10:41
was behind the title
10:44
i mean you know i got multiple accolades
10:46
within the hip-hop coach
10:52
now i'm saying that's what even made me
10:54
use the cover with me painting a train
10:56
top to bottom whole car you know i was
10:58
16 years old
11:00
in the train yard you know i've dj
11:03
you know um i was rapping on the first
11:05
hip hop documentary star wars i was on
11:08
the platform
11:09
rapping on there i was a b-boy before
11:11
you know i threw my
11:12
sweatshirt all with my names and spun on
11:14
my head and
11:16
scrape my knees up and so on and so
11:18
forth and i acknowledge yourself so all
11:20
five elements of the culture you know
11:22
i have that that's what i'm saying
11:25
so i decided to use accolades the first
11:28
um star wars just to give reference to
11:32
it was the first kind of
11:34
docu documentary kind of that i saw
11:38
as a youth that really pulled me in the
11:40
culture and i saw you um
11:42
in it you know and seeing in the whole
11:45
nine we never really got into a deep
11:47
conversation about it
11:48
and i rarely hear you talk that deep
11:50
about it am i mistaken
11:52
but i i've never really heard you go
11:54
into those days in that story
11:56
when you was graph writing and tagging
11:58
on trains and
11:59
who you were back then am i mistaken
12:02
because that's the really
12:04
well you're not mistaken because for
12:06
what that's that [ __ ] is illegal
12:12
but even though it's done and over now
12:14
whatever you know it was just like
12:15
so it was just like uh if you know you
12:18
know
12:19
type of thing you know what i'm saying
12:20
but there was nothing i wanted to
12:22
run around bragging about the face of
12:24
public property
12:30
but but i was doing it in a in a
12:32
fashionable manner like it wasn't that
12:34
scribbling
12:35
[ __ ] and all that throw up stuff we was
12:38
doing masterpieces you know art
12:40
colorful [ __ ] you know that a lot of my
12:42
peers are right now
12:44
making hundreds of thousands of dollars
12:46
still up to the day
12:47
going over seas and doing canvases and
12:50
doing art shows and so on and so forth
12:52
so
12:52
you know i mean it's a lot of cats that
12:56
really took it to another level
12:58
and that's what i was into but still it
13:01
wasn't
13:02
it wasn't legal so okay
13:05
still it's just years later man they
13:06
can't do nothing okay it's a statue
13:11
that's right now you know it's all good
13:13
like if somebody tap on it i tap into it
13:16
but i don't really you know
13:17
well how did you get started uh with the
13:19
cans with the
13:20
like what was it what was first was it
13:22
being a b boy was it
13:24
you know graph riding like what was
13:26
first
13:28
uh coming up in the hood sway especially
13:30
in new york city when
13:31
hip hop was being formed it was kind of
13:33
like everything every day
13:35
you set out to be whatever it is that
13:37
you've seen somebody doing that you
13:39
idolized and you emulated it so you know
13:41
me going to junior i went to junior high
13:43
school 13
13:44
which is the actual school of 106
13:48
in park and that's
13:51
what we turned out to make the graffiti
13:53
hall of fame
13:54
you know so i went to that school so i
13:56
used to look out my classroom window and
13:58
you know see some of the art that the
14:00
older cats in my neighborhood were doing
14:02
i'd be doodling on paper
14:03
you know and that's where i first
14:05
started practicing doing that and then
14:07
um
14:08
for our dj's i watched the older cats in
14:10
my hood
14:12
bring the equipment out and you know
14:13
what i'm saying i emulate them and go
14:15
upstairs
14:16
and my mother's component set and
14:17
scratch her records up
14:19
and everything you know and then it was
14:22
the dancers you know once you see
14:23
somebody dancing of course ladies back
14:25
then if you ain't know how to dance you
14:27
want to get
14:27
no play so you had to know how to dance
14:31
you understand you had to know how to
14:33
dance especially when the snow jams came
14:35
on okay but that's another story for
14:37
another day right there
14:39
when it came to the mcn you know the mc
14:42
went hand in hand with the dj and when
14:43
it came
14:44
to knowledge itself you know you had
14:45
some older cats in my project that used
14:47
to like you know
14:49
torn us and push us to you know have
14:52
knowledge of who we were
14:53
where we came from that we was the
14:54
original man and so on and so forth so
14:58
every day like it was what we was going
15:00
to do sway and we set out to do
15:02
something different
15:04
damn man did you it was nothing all it
15:07
was nothing at one particular time it
15:09
was everything
15:09
it was everything at once so it so
15:13
keen tech and myself you know uh
15:15
paralleling
15:16
similarly with you like star wars put a
15:19
fire under us bro
15:21
like i don't even know if we even talked
15:22
about this but style wars and then when
15:24
wild style came out of course
15:26
but star wars really put the first fire
15:28
underneath us and we start going out
15:30
emulating what we saw in style wars too
15:32
so our spot was clear 39 in
15:35
san francisco where people would go out
15:37
and dance and pass the cup around and
15:39
you know
15:40
uh we we practiced and king tech's
15:43
family's garage where you know when it
15:44
came to putting down the linoleum he was
15:47
more of a uh uh he was into
15:50
breaking and um getting hit in the floor
15:53
you know
15:54
he's more than hitting the floor instead
15:55
of up top you know i was writing at that
15:58
time we was all
16:00
it's like you said man it was almost
16:01
like you know a dojo or something like
16:03
we all came together
16:05
into this hub just to create but did you
16:08
think at that time case like
16:10
that 30 plus you know years you know 30
16:13
years 25 years later that
16:15
you would be doing what we're doing
16:16
today because i had no idea
16:19
back then ah not at all i had no idea
16:22
either like it was just like
16:24
something to do to take our minds off
16:26
the fact that you know
16:27
we wasn't rich but uh
16:31
we just wanted to find something to do
16:32
within that time and just
16:34
you know to take our mind off the fact
16:36
of that and just be creative
16:38
and that's why you know when they say
16:40
hip-hop was always
16:41
the voice for the voiceless you know to
16:43
say that was our way of
16:45
showing the world like hey look okay i
16:48
might not know how to work a computer
16:49
yet
16:50
but can you do this you know what i'm
16:52
saying and
16:53
like it's just bringing everybody
16:55
together and
16:56
just having a good time you know until
16:58
you know that light went on and we had
17:00
to go home you know saying that street
17:02
light
17:02
near that street like better get your
17:04
ass upstairs you know what i'm saying
17:05
but
17:06
yeah that's what it was really all about
17:07
you know just coming together and
17:10
having something to do and being
17:12
original and just
17:14
now it's like i'm bugging out because
17:16
i'm saying it
17:17
what bothers me sometimes the struggle
17:19
that we went through
17:20
and i mean we had some spanish harlem so
17:23
the older cats in my
17:24
we had it was a double whammy for us
17:27
right
17:27
so i'm from el body of spanish arms i
17:29
came up with my latino brothers
17:32
90 of them was like yo look at these
17:35
morenos
17:36
doing this stupid [ __ ] you know spinning
17:38
on their back cleaning up the floor
17:39
because
17:40
you know that's when the hustle was
17:41
popular so the hustle was the
17:43
[ __ ] you know joshua saturday like fever
17:46
and [ __ ] and all of that
17:47
was it so when we started breakdancing
17:50
most of them was like these [ __ ] were
17:52
crazy and then the older cats
17:55
in our project but we would bring out
17:56
the hip-hop you just was like man y'all
17:58
better get the [ __ ] out of here with
17:59
that
18:00
noise before we start kicking y'all ass
18:02
that was like god damn
18:03
like you know what i'm saying that we
18:04
really had to struggle
18:06
and do what we had to do and get torn
18:08
till they start
18:10
catching on and seeing what was going on
18:12
with the coaches
18:14
then they wanted the course act like
18:17
they dominated it
18:19
but it was like it's hard to explain man
18:23
you know what i'm saying
18:24
just to see where it's at right now and
18:26
how easy people got
18:28
it and a lot of them don't really
18:30
appreciate it
18:31
that that's what kind of annoys me you
18:33
know it's like a
18:34
it's like well like this is an easy
18:36
money bag and if it doesn't work [ __ ] it
18:38
i could go back to doing whatever i was
18:40
doing and to hell with it meanwhile
18:42
we got a lot of brothers we know that
18:44
died that never dj's died that never got
18:46
a radio slot
18:48
rappers died they never even got a
18:49
record played on the radio
18:51
that never got their credibility and
18:53
some people just taking it for granted
18:55
so that's what
18:56
it annoys me but it is what it is you
18:59
know yeah
19:00
it is what it is that's why we got
19:01
accolades coming on friday ladies and
19:03
gentlemen his new ep
19:04
wow rolling 110 deep
19:07
that's that's dope because slave what i
19:09
will say and i always say it
19:11
you have always looked out and i said
19:14
this to you before to your face
19:16
and i couldn't speak on it at the time
19:18
when you reached out to me but just so
19:20
everybody know like he ain't being fake
19:22
about none of the [ __ ] he
19:24
said about reaching out and looking out
19:26
because he did he did to me he reached
19:28
slay reached out to me in december when
19:30
this was happening
19:31
but i was covet-bound and stuck and then
19:33
and couldn't really speak on it
19:35
and preparing to do a show so i couldn't
19:37
talk about it i
19:38
signed some stuff and then i was dealing
19:40
with some things physically but i
19:42
appreciate you bro
19:43
i i really do because you have never
19:45
been fake about your [ __ ]
19:46
and you've always always reached out to
19:49
the people who you had love and respect
19:51
for and that's very
19:52
rare these days because not many people
19:53
still do that so just
19:55
love to you and i just wanted to make
19:56
note i acknowledge it you
19:58
you definitely reached out you
20:01
definitely reached out yo
20:03
yeah i'll be just wanting some female
20:06
artists to know when they come up on
20:07
that show sitting next to you that
20:09
the og smoke your ass b you know
20:12
[Music]
20:12
[Laughter]
20:16
took your hat to the left side of that
20:18
room that's all i've been trying to do
20:21
man they'd be sitting right next to her
20:23
don't even know
20:24
don't even know yeah but it's but you
20:26
know what it is sway
20:28
and slay you know what it is and i
20:29
appreciate you saying that because it's
20:31
not just me your reach out to
20:33
it's one thing to say it but you
20:35
actually take it a step further
20:37
and reach out that that's what i'm
20:39
talking about slay it's not just
20:41
getting up there and say it you actually
20:43
take it call me
20:44
text me call this one call that one like
20:46
you do [ __ ] like that and
20:48
it has to be noted it has to be
20:50
recognized because the same
20:52
i mean your legacy is sealed but people
20:54
need to say it and know that and i need
20:56
sways universe to understand that too
20:58
this dude will reach out and it's real
21:00
and and december was just a crazy
21:02
time for me 2020 but thank you slave
21:04
from the bottom of my heart thank you
21:05
bro for real
21:07
no problem no problem whatsoever
21:11
tracy you want to get in there and talk
21:12
to you yeah absolutely slay
21:14
i love your opinions on the entire
21:17
spectrum of the game the entire history
21:19
of it from beginning
21:21
middle present and so i would love your
21:23
take
21:24
on if we as a culture
21:27
need to apologize to t-pain and i bring
21:30
that
21:31
up because you know clips of this docu
21:34
series that's on netflix and i'm sure
21:36
you peeped it
21:37
in case you didn't he was sharing a
21:38
story of how
21:40
usher told him on a plane that he ruined
21:43
music
21:44
and from us perspective yeah
21:47
t-pain said that usher told him on a
21:49
flight that he ruined music
21:52
that he took jobs away from
21:53
quote-unquote real singers
21:55
and then that of course reminded me of
21:57
when we had death of auto-tune
22:00
from hove and t-pain has bringing us
22:02
many many bangers you know t-pain
22:05
earned his right to be a part of versus
22:07
was one of the early people that
22:09
we spotlighted and he spoke about how
22:11
that opinion along with
22:13
many other heavy hitters opinion brought
22:15
him into
22:16
a downward spiral spiral of depression
22:19
so i wanted to know what what you think
22:22
t-pain's contributions
22:23
are to the game and also if anyone has
22:26
ever been
22:27
very blunt with their criticism towards
22:30
you
22:31
up here i mean you know
22:35
on the real what t-pain did was exactly
22:38
what i was talking about
22:39
he was creative right he did something
22:42
different
22:42
how could you ruin now what he
22:46
did do you understand is what
22:49
i said he sees something that's been
22:51
done before he took it to another
22:53
come on nobody remembers roger trotman
22:57
wasn't the first person to do um
23:01
auto tune nobody remember the hit record
23:03
computer love people still play that
23:05
record right now
23:06
almost 40 years later so how could they
23:09
say that he did he didn't ruin it what
23:12
he did was he started a new trend
23:14
in other artists that didn't know how to
23:17
use the auto
23:19
made a couple of horrible records but he
23:21
didn't
23:22
i don't see that i think so he got
23:24
creative he did his thing
23:27
he made a new wave you understand and
23:29
even right now he's made a lane
23:32
for a lot of even horrible rappers to
23:42
i don't see that whatsoever and if he
23:45
would have did it
23:46
and he wouldn't have made no hits that's
23:48
what that man made man
23:50
can't nobody tell me nothing about no
23:51
t-pain they out their minds
23:54
i'm with you sorry there it is man k
23:56
slate man the realest come on man djk
23:58
slay citizens
24:00
come on hold on let me take this call
24:02
real quick okay we got uh xl from l.a on
24:04
the line xl what up baby grand rises
24:06
what up what up these grand rises what's
24:09
up everybody tracy g
24:11
heads b what's up craig hey hey hey
24:15
man slate i agree with every single
24:19
little tiny
24:20
word you just said oh man i got like 50
24:23
questions for all y'all but i'll just
24:24
ask two
24:25
no you got one bro
24:29
maybe let's make it a two part then when
24:31
you're going to put supernatural on the
24:33
track
24:34
and how come he's never in the
24:36
conversation
24:37
of uh greatest of all time because i
24:41
never heard of nobody ever taking out
24:44
supernatural um
24:47
respectfully i don't know him i never
24:50
had a bond with him
24:52
you understand but i think if he made
24:55
himself a little more visible
24:57
and pushing and so on and so forth that
25:00
maybe that'll come up in the
25:01
conversation because even when you say
25:02
you never heard
25:03
anybody say that i'm on the east coast
25:06
is people saying that on the west coast
25:09
yeah well i know about i'm a hip-hop
25:11
head man i know about supernatural know
25:13
what i'm saying
25:14
are they saying he's the greatest of all
25:15
time on the west
25:17
no no i'm just saying period he's
25:20
horrible
25:21
everything starts everything starts at
25:22
home brother you know what
25:24
it says so i think maybe he just need to
25:27
uh
25:28
put his resume out there a little more
25:30
man and and push bruh
25:32
you know i ain't like nobody but i've
25:34
never been really up on him like that
25:35
hey xl um i beg to differ though i beg
25:39
to differ
25:39
if you i've been in a thousand
25:41
conversations about the best off the top
25:43
of the head freestylers
25:45
ever and supernatural has been a mem a
25:48
part the top three in every conversation
25:51
that i've had yeah well yeah i mean
25:52
that's only for real hip hop hey
25:54
that's only for real hip-hop is that
25:56
that's why i want to put his name out
25:57
there man because
25:58
i mean not you know he's not the
25:59
greatest to me you know i'm going rock
26:01
cam carriage one but
26:04
but uh he definitely deserves some
26:06
accolades and i was just wondering if
26:07
casey you know
26:08
man the last joint you put out k slay
26:10
was it
26:11
it slayed everything else
26:15
excel wait yeah i'm gonna hear that okay
26:18
hey man your citizen xl thank you for
26:20
your money
26:21
get the new ep accolade citizens is out
26:24
friday
26:25
okay slay hey man i miss you brother i
26:28
miss you
26:28
good man you know yeah we opened up
26:32
you already know when they when we open
26:33
up again man just come on man we gonna
26:35
do things different this time
26:37
we just partying every we gonna party on
26:39
the air man every day
26:40
every day all right okay slate thank you
26:44
for calling in man once again it's djk
26:46
slay the new ep is accolades is out
26:48
friday the new singles extravagant
26:50
see the video okay slay runs the scam in
26:52
the video
26:53
if you never saw him scamming before
26:55
you'll see how it goes down
27:07
thanks a lot sway man appreciate y'all
27:09
oh it's all love brother we'll talk soon
27:11
man that's k
27:11
slay the legend man all right have a
27:13
great day um
27:15
man up next i think this is going to be
27:19
really interesting
27:20
it's an interesting show that's coming
27:22
on on b-e-t
27:24
called bt presents the encore uh
27:27
really interesting show it's about a
27:30
group
27:31
of members from groups formerly of 3lw
27:36
702 black danny d
27:39
kane toto solo and all of these women
27:42
are coming together to
27:44
kind of give it one more shot if i'm not
27:46
if i'm not mistaken and see what they
27:48
could do they're going to put them all
27:49
in the house together
27:50
i don't know if they knew each other or
27:52
not but two of the members
27:54
from the group cherish which is now used
27:56
to be a four-member group
27:57
remember that hb all the sisters yeah
28:00
and now now they're
28:01
member groups so we got felicia and
28:03
fallon king
28:04
who are going to join us and look let's
28:07
talk about some r b
28:09
what are b groups at where the lady
28:11
group's at
28:12
well they all hanging out in this one
28:14
location on bet presents encore we're
28:17
going to talk about it next
28:18
atl stand up here's cherish let's play
28:21
one of them hits man
28:22
you want to talk with them 888.
28:40
[Music]
28:40
you
#Arts & Entertainment