Drumma Boy Talks About His New Book, Birthday Celebration, and Upcoming Tour | SWAY’S UNIVERSE
Aug 25, 2023
Drumma Boy has been a prominent figure in the music industry for years, producing hits for artists like Lil Wayne, T.I., Jeezy and Wiz Khalifa. His recent appearance on Sway In The Morning was all about his new book, 'Behind The Hits,' co-written by Tamiko Hope. The book takes readers behind the scenes of his most memorable records, providing insights into the creative and technical processes that went into crafting these hits as well as his journey to get to where he is at.. In addition, Drumma Boy discussed his recent 40th birthday celebration and a new single he just dropped, "Freak Sum," featuring T-Rell and Juvenile.
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Drumma Boy Talks About His New Book, Birthday Celebration, and Upcoming Tour | SWAY’S UNIVERSE
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0:00
the round of applause we had to take
0:02
them back to 2012. that's how long we've
0:05
been rocking with this man even before
0:07
that that was South by Southwest 2012
0:11
man that's been shining ever since there
0:14
wasn't a moment he wasn't shining from
0:16
the time he was playing beats for Jay
0:19
Prince as a teenager he's been shining
0:22
just like that citizens two-time Grammy
0:25
award-winning producer rapper composer
0:29
philanthropist by magazine called on the
0:32
top five producers making noise the New
0:34
York Times said he's one of the four
0:36
hottest producers driving the city in
0:38
Atlanta when I say these names Migos 2
0:41
Chainz Trey Songz Master P Pastor Troy
0:44
Plies Gucci Mane Jeezy K Michelle Rocco
0:49
DJ Paul Scotty ATL who's my homie Too
0:54
Short two chains and the list goes on
0:57
Dexter daps the list goes on and on in
1:00
case AP the list goes on and on give it
1:02
up for the one and only drama boys
1:14
and he got a new book
1:17
yes the book is called Behind the Hits
1:20
Christopher Drummer Boy Golson and he's
1:24
here he got when I said it in that clip
1:26
in 2012 I've seen him all over the world
1:29
handing out CDs whatever any kind of
1:32
Hardware in 2000 2023 in 2023 now he's
1:38
handing out books wow you wrote your
1:41
story of your life I had to somebody got
1:43
to tell it wow I can't let y'all tell it
1:45
we don't we don't know it all yeah come
1:48
on man I gotta I had to it was it was a
1:50
must shout out to wahita Clark uh-huh
1:52
you know what I mean amazing Publishing
1:54
Company helped me get my you know get
1:56
get my business in line with the book
1:58
shout out to Tamika hope um helping me
2:01
get my thoughts together with the book
2:03
it was it's amazing greatest feeling in
2:05
the world 10 years Man 10 years 10 years
2:08
bro they took the write this book oh
2:09
yeah your joy is the greatest
2:11
contribution you can make to life on the
2:13
planet a heart at peace with his owner
2:16
blesses everyone it touches this is in
2:19
your book yeah you believe live by that
2:21
oh come on man that's that's motto you
2:22
know I mean and I had to put put that in
2:24
the beginning to set the tone I
2:26
dedicated the book to my my brother
2:28
insane Wayne I wouldn't be doing this if
2:30
it weren't for my big bro man you know
2:31
what I'm saying that's the first cat I
2:33
wanted to walk like talk like be like
2:35
you know what I mean dress like you know
2:37
what I mean and that's the reason why
2:38
I'm making beats you know I mean insane
2:40
Wayne tell us more about it in the same
2:41
way insane Wayne man uh play keys for
2:45
Three Six Mafia uh Ballin G Juicy J he
2:49
was a barber so I started off sweeping
2:51
hair for him you know what I'm saying at
2:53
uh Dynasty one you know what I'm saying
2:55
he also worked at nail design barber
2:56
shop but he was one of the top barbers
2:58
in Memphis so that's the first time I
3:00
met ball and G I met Juicy J uh Three
3:03
Six Mafia all them cast right there
3:04
through my brother getting watching them
3:06
get their hair cut insane Wayne I swept
3:09
their hair up when you were sweeping
3:10
their hair up though like I've done jobs
3:13
where I knew that it was something
3:14
bigger and better in front of me but
3:16
when you were sweeping the hair up you
3:17
knew what you wanted to do oh yeah I was
3:19
playing my Beats I just wanted to be
3:20
around big bro you know what I'm saying
3:22
and it started off me caught calling
3:23
them playing my Beats over the phone he
3:24
was like man you might as well go and
3:26
sweep for me at the shop you know I'm
3:27
saying so you can start meeting these
3:28
folks and you know I'm saying
3:29
introducing your your folks to these
3:31
folks so that's where the hustle and the
3:33
intros and being able to speak up for
3:34
myself as a young and you know 14 15
3:37
before I had a real job you know what
3:39
I'm saying and um I remember one time
3:41
after the shop he was like yo we're
3:42
gonna go to the studio come on you know
3:45
what I'm saying and my first time in the
3:46
studio probably like 14 just seeing all
3:49
of the lights the blue lights the green
3:52
lights yellow lights red lights I felt
3:54
like I was in a spaceship you know what
3:56
I'm saying and it's crazy because I came
3:58
up in the orchestra world like my dad in
4:00
the orchestra my mom's in the Opera wait
4:01
wait hold up they don't know this part
4:03
about our what we got in common his dad
4:06
was a clarinetist
4:10
39 years in the Memphis Symphony
4:12
Orchestra so what's that got to do with
4:14
you that's what I played declaring that
4:16
growing up yeah played the Bumblebee oh
4:19
that's crazy man I may always Tennessee
4:21
band you know what I'm saying okay and
4:22
then I almost killed somebody with my
4:24
clarinet case so I you know what I'm
4:25
saying I got some trouble in South
4:27
Memphis my mom movements caught over you
4:29
know what I'm saying and there's a whole
4:30
nother story could you relate to that
4:31
part you almost killed somebody with
4:33
your clarinet yeah I got jumped by like
4:35
four cats and you know I'm saying I'm
4:36
[ __ ] up three three of them ran off
4:38
them and and they left their homies
4:39
behind oh and it was it was over they
4:42
didn't see that coming no they didn't
4:43
because you know it ain't the coolest
4:46
thing to play clarinet I'm sure you got
4:47
teams in high school yeah bro College I
4:50
mean in in elementary I played in junior
4:53
high Junior High yeah
4:57
I'm still a Memphis [ __ ]
5:02
don't get it twisted so you know what I
5:04
mean my brother really saved my life uh
5:07
and gave me a different outlook on music
5:09
because my dad wanted me to be in an
5:11
orchestra I could have been in a youth
5:12
Symphony I could have you know followed
5:14
his footsteps but I was like [ __ ] I'm
5:17
gonna be the next Beethoven yeah I'm
5:18
gonna be the next most I didn't want to
5:20
spend the rest of my life playing
5:21
somebody else music when you know at the
5:24
end of the day I wanted to be the
5:25
conductor I wanted to be in control of
5:27
all the instruments you know what I mean
5:28
reducing I could pick up a base I could
5:31
pick up a Guitar I could pick up a piano
5:33
or I could find instruments that sound
5:35
as closest to the real thing and and do
5:38
my own thing and write my own music
5:40
that's what's happening man when you
5:41
went in that studio for the first time
5:43
and first of all we talked about Memphis
5:44
we will be remiss not to mention Jazzy
5:47
Faye oh yeah Jazzy insane Wayne was
5:50
close friends okay Carlos Brody sliced
5:53
tea Paragon like all of the legendary
5:55
producers Isaac Hayes was a mentor oh my
5:57
God that's how I wake up my mama you
5:59
know because she heavy in a church where
6:00
I wake up on a Saturday or Sunday and on
6:03
a Saturday rather than see Isaac Hayes
6:05
in the living room
6:07
Isaac Hayes in the living room yeah
6:09
Friends of the family you know I mean uh
6:12
did he hear your music no I wasn't even
6:14
really like into it then I was 9 10. you
6:17
know what I mean 11 but as I started
6:20
making music he definitely heard a few
6:21
things from me you know what I'm saying
6:23
and um I I started playing beats for
6:25
sliced tea and Jazzy and you know Wayne
6:28
actually introduced me to Jazzy when we
6:30
went to Atlanta on a trip so just
6:33
through him he introduced me to Tila I
6:35
remember him calling me like man I'm
6:36
finishing up the double dose album for
6:38
Tila pull up the House of Blues
6:40
legendary studio in Memphis it burned
6:42
down now but back then that was like the
6:44
spot to go to and I pull up I play some
6:46
music shout out to Red Boy Enzo Jennings
6:49
uh Taylor manager Bun B manager he doing
6:51
a lot of things with TMT but uh they
6:54
would like play some nephew I played a
6:56
couple beats ended up with three songs
6:57
on double dose so because my brother had
7:00
two placements on double dose album 2500
7:02
the track I come in at that rate getting
7:04
2500 to beat this is my first album
7:06
placement yeah wow 2500 and what year
7:10
was this um this my uh
7:12
uh I'm in high school this is my senior
7:14
year so you was making 2500 to beat in
7:17
high school oh yeah how many beats you
7:19
get placed uh I did three on there so I
7:21
got 7 500 from J Prince rap a lot of
7:23
Records
7:30
I guess why he was in high school my
7:32
pops didn't know none of it my mom
7:34
bought me my first keyboard you know
7:36
what I mean um and just hustling bass
7:38
tapes at Cordova so when I moved to
7:40
Cordova I was like fresh prince of
7:42
Cordova it was majority white you know
7:44
what I mean but just putting them on the
7:46
South Memphis thing and it opened me up
7:48
to just different humor and just oh my
7:49
God yeah
7:53
just a whole different
7:55
you know what I mean different artists
7:57
demographic yeah
7:59
um I was selling Bass tapes so it didn't
8:01
matter the artist it was it was more who
8:03
had the the 18s the alpines the the
8:06
systems in their trunk you know what I'm
8:08
saying
8:10
15 inch woofers you know what I mean so
8:13
man Johnny this white boy Johnny would
8:15
always come to school late I had sold
8:16
him my first hundred dollar base tape
8:18
you know I'm saying he'll always come to
8:19
school late you hear him coming you know
8:22
what I'm saying
8:26
[Music]
8:38
going
8:40
[Music]
8:48
Southwest Philly okay yo we got Drummer
8:51
Boy in here shout out to Philly come on
8:53
man what they used to call you in High
8:55
School drama boy just that's right drum
8:57
High School cafeteria King okay all
8:59
right let's let's get that yeah let's go
9:01
back to the day man let's recreate it
9:03
locked in with the locals the insane who
9:05
intimidate the ones who be on 90 doing
9:08
90 down the interstate set your homies
9:10
food and they gon getting their sister
9:12
today [ __ ] cut through and they cut
9:15
Coke on dinner plates no lie I seen that
9:18
[ __ ] with my own eyes I was just a kid
9:20
moving around with them wrong guys first
9:22
time I seen that polarizer [ __ ] so God
9:25
made his Top Spin like a soda oh God
9:28
[ __ ] treating funerals like family
9:30
reunions still over top of his top now
9:33
they can't even view them before it
9:35
happened tries his action so my man
9:37
don't even do them said [ __ ] that gotta
9:39
stand what he's doing that man the man
9:40
didn't he threw him it's a jungle out
9:42
here they don't Rumble out here I'm step
9:45
a stepping don't you stumble out here
9:47
listen what is not your ego bad be
9:49
humble out here cause with the murder
9:51
rate you could be a number out here I
9:53
regurgitate your days could be numbered
9:56
out here stay on the porch don't be
9:57
jumping out here you don't want it out
10:00
here and goblins shooting robbing this
10:02
[ __ ] never end beef in the streets never
10:04
settle let that settle in
10:09
come on man KP has arrived
10:15
KP has arrived
10:18
yesterday that was fun rap game we got a
10:21
problem hey cafeteria sessions there you
10:24
go that's the new series
10:27
okay wow
10:29
from South Philly Southwest Philly
10:32
Southwest Philly it was important that
10:34
you said Southwest why that's it's two
10:36
different places okay all right okay
10:39
it's real it's real different you got
10:41
projects out now are you and me drunk
10:43
working on something right now uh major
10:45
project uh it's called a pain in the
10:48
paper how'd y'all me
10:50
uh met him off uh Instagram I was uh I
10:54
do like series and things like that on
10:56
my Instagram
10:57
and I was doing one in my series and I
11:00
was trying to lock in with producers and
11:01
he's so thorough being the guy he is and
11:04
his stature and and his resume he was
11:06
like let's work he found you yes Wow
11:11
Come on take notes on that that ego [ __ ]
11:14
is out the door like this this church
11:16
for me you know what I mean so if I feel
11:18
the spirit if I feel the energy I ain't
11:19
even know bro but I was going through
11:22
his page and just looking at the videos
11:23
like every video I watch I got chills
11:25
yeah every video I watch on his page the
11:28
hair stand up on my arms I was like bruh
11:30
and then I seen the post he was like yo
11:32
you know any producers that want to work
11:34
let's get it he it was like a
11:36
frustrating tone yeah but I knew we had
11:38
some [ __ ]
11:40
and I DM the [ __ ] like [ __ ] [ __ ] hey
11:43
yeah I got that [ __ ] for you you know
11:46
what I'm saying and it was a lot of
11:47
young [ __ ] you know reaching out
11:49
producers from all over you know I'm
11:51
sure he was responding to but [ __ ] I
11:54
knew you know my name is the jackpot you
11:57
know what it is because it's also to
11:58
drummer's point is and to you it's a
12:01
testament just work do your work you
12:03
just don't know who gonna see it when
12:06
it's time even in the frustrating days
12:08
you might get out four bars or five just
12:10
work just work because you don't know
12:12
after a while it piles up and you have
12:15
something and those connections get made
12:16
and I'm impressed I know you're working
12:19
because to just come from behind like
12:22
that step up
12:23
and be ready to go without a Flinch or
12:25
stumble congratulations to you because
12:28
you working while the people sleeping
12:29
thank you so congratulations I recognize
12:31
it for sure let's do this man we're
12:33
gonna play we got Michael Bivins coming
12:35
up in a few minutes but we got a new
12:36
single called freak some yes with t-rell
12:39
and juvenile yes this is out right now
12:41
right drummer boy has a new book too
12:43
called Behind the Hits he's doing this
12:45
himself self-published yes okay hold on
12:48
how much are you charging for these
12:49
books man a hundred dollars I love that
12:51
book right there get it hold up man hold
12:53
that book oh okay that boy pulling out
12:56
the wallet okay hey
13:07
like that right there brand new
13:10
from the new singles called freaksum
13:13
s-u-m-t-rail with juvenile this is out
13:15
now it's just a part of a bigger project
13:18
oh yeah we got Drummer Boy and Friends
13:21
uh dropping
13:23
November no I forget the actual date
13:26
it's a Friday in November oh stay tuned
13:29
friends
13:31
Drummer Boy recently celebrated his 40th
13:34
birthday y'all beautiful happy 40. four
13:36
years of greatness 40 Years of greatness
13:38
oh man it's just the beginning bro I
13:40
feel like I'm just getting started sway
13:42
like you know I mean I've done a lot of
13:43
music I've done a lot of incredible
13:44
things but just helping guys tell a
13:47
story yeah you know what I mean and and
13:49
turning pain in the paper I've been
13:50
doing that all my life you know what I
13:52
mean so just getting getting with guys
13:54
that got the same message the same drive
13:56
it ain't always about the money yeah
13:58
it's about the passion it's about that
14:00
pain and I've we're about to make more
14:03
money than a lot of guys that have paid
14:04
me up front you know what I mean so
14:06
things like that you know I get a kick
14:08
out of that you know what I'm saying I'm
14:10
I'm fortunate I'm good I'm blessed it's
14:12
not always about okay what you gonna
14:15
charge what you gonna charge what you
14:16
gonna charge like sometimes you gotta
14:17
Bliss and give people things you know
14:20
what I mean and it comes back tenfold
14:21
amen Who's the artist would you say
14:24
um
14:26
the same way you're doing with KP that
14:28
you were able to attach yourself to them
14:30
and make the most impact because of your
14:32
contribution to their art Plies Plies
14:35
come on please
14:39
we was putting in the work first you
14:41
know what I mean then I got paid yeah
14:43
okay but it was about what kind of work
14:44
we did and what kind of chemistry we we
14:46
put in the game together and first
14:49
record I did for Plies with Shawty
14:50
Shawty was the first record
14:53
that was the first even no I'm not your
14:55
girl I still call you mine
14:59
[Music]
15:00
yeah
15:02
yeah he's writing first first record I
15:03
did for walking yeah same thing Waka
15:06
Flocka first record no hands no hands
15:08
with the first come on man that makes
15:11
sense shout out we just went down
15:13
we just went diamond man that's dope
15:16
first record I did with walking and we
15:18
put in the work let me tell the story
15:20
about this right question because Gucci
15:22
was locked up and Gucci kept getting
15:24
locked up Walker said man somebody got
15:26
to be the artist on Greek Squad drum you
15:28
know I mean Walker was the Goon Walker
15:30
was the security you know what I mean he
15:32
was like bro CEO keep getting locked up
15:33
you know what I mean so I got Nicks you
15:35
know what I'm saying I remember hearing
15:37
hard on hard in the paint on the radio I
15:39
was like damn
15:40
you know what I'm saying Gucci get out
15:42
of jail
15:42
you know what I mean first day out I did
15:44
another song for him called abnormal
15:46
first two songs I did for him you gotta
15:47
have Beats ready for Gucci you can't
15:49
cook no beats up from scratch so I got a
15:51
a pack for him he in the booth doing uh
15:54
everything I do abnormal normal so why
15:57
are you recording the verses of that
15:58
I'll go to the other side of the room be
16:00
room all my equipment set up Roscoe in
16:02
there uh why lay in there Waka in there
16:05
Lloyd Banks in there Reese man it's like
16:07
50 people in the B rooming Patchwork wow
16:10
I started cooking up a Beat from scratch
16:11
you know I mean this is just a
16:13
celebration Gucci came home we just
16:15
gonna work ain't no money ain't no
16:17
payment usually I get paid up front you
16:19
know what I'm saying but it was just a
16:21
moment you know what I'm saying the
16:23
whole room just started moving as I
16:24
started making the beat and Roscoe Dash
16:26
was literally one of the only people
16:28
paying attention really so what do you
16:31
mean by that I could see him in the
16:32
corner like just mumbling some words to
16:34
himself like you know I mean I knew he
16:36
had an idea in his head so I'm like what
16:38
you got Roscoe gone go on get in the
16:40
booth my [ __ ] you know what I'm saying
16:42
he get up going
16:57
a lot of things go diamond
17:00
a lot of albums it's rare you see a
17:03
single that goes I mean that album is a
17:05
lot of other producers a lot of other
17:06
features a lot of other collaborative
17:07
efforts and when I this this one song 50
17:11
of the beat is me
17:12
you know what I'm saying ain't no
17:14
collabs ain't no midi Loops ain't no
17:16
like I'm talking about from scratch
17:18
playing keys go over here play the drums
17:20
this and that like ain't no
17:21
you know what I mean yeah so I'm coming
17:23
from scratch from my spirit I could I
17:26
transferred my energy from my spirit to
17:28
the music and I think that's why the
17:29
world really [ __ ] with me like when you
17:31
meet me in person it's deeper than the
17:33
beat yeah you know I'm saying I'm very
17:35
therapeutic with how I produce the
17:37
records that I produce you know what I'm
17:39
saying and I'm telling a lot of these
17:40
stories in my book Behind the Hits first
17:43
song I did on Drake Money To Blow
17:53
technique like run through some beats if
17:56
you can't get it in five beats you ain't
17:57
gonna get it I had five beats literally
17:59
I get to the third or fourth beat up
18:01
stop that pull it up
18:02
you know what I'm saying immediately bam
18:04
he goes in the booth
18:09
running back
18:10
get the shaking something cause that's
18:13
what drama okay running back
18:16
uh letting these bills fall out on your
18:19
skin and then he just starts dropping
18:20
the hood
18:22
wow 30 minutes I was in the studio with
18:24
Drake he did the first verse and the
18:27
hook you know what I'm saying just like
18:28
that and actually what's funny about
18:30
this record is that it sat on the
18:31
internet for like six seven eight months
18:33
Birdman caught me off the blue again I
18:36
did the work one paid you know I mean
18:38
all my biggest songs is like forget
18:41
about the money yeah what what what's
18:43
your spirit feeling like what you gonna
18:45
help the next man next to you do you
18:47
know what I'm saying I wasn't chasing
18:48
after Jay-Z I wasn't chasing after Nas
18:51
in the cast that I couldn't get to I'm
18:53
I'm right here with the castle right
18:54
next to me like make make make your
18:56
neighbor Rich
18:58
put your neighbor on put your put your
19:00
put your hood on put your block on put
19:02
the things that surround you on and
19:04
watch what happened
19:11
yeah man
19:16
Michael Bivens is here and he got a new
19:19
documentary uh talking about his life
19:21
but I see I'm hearing so many
19:23
similarities connections the documentary
19:25
we probably like 70 you know what I mean
19:28
so a lot of people reaching out Netflix
19:30
Hulu uh peacock I don't I don't know
19:33
where we're gonna end up but I know I'm
19:35
gonna give you a very Quality Body of
19:38
work you know what I mean uh I'm proud
19:40
of you know I'm saying it's my story
19:42
it's my spirit this my energy I know
19:44
this life will it's forever it's forever
19:47
man Drummer Boy is here to show your
19:49
grill tour kicks off September the 7th
19:51
yeah Greensboro North Carolina oh it's
19:54
going down Scotty ATL tour that's my
19:56
dude right there the city translate
19:58
that's my guy right there yeah BJ Luke
20:01
nasty come on oh yeah Hakeem Ali on that
20:03
thing Ali KP gonna be out there hey
20:06
you're gonna have to go and hit that
20:07
road come on man all right we're gonna
20:09
have the books with us and I gotta shout
20:11
out one more person man shout out to
20:12
Holy from Cleveland yeah we got
20:13
incredible music Gigs album just dropped
20:16
you on a song call me now he also on the
20:19
uh uh Lobby Boys album he he did a
20:21
record called off the leash he featured
20:23
on you know I'm saying I'm doing his
20:24
album his project too so I'm excited oh
20:27
yeah yeah
20:29
shout out to gigs man Drummer Boy I'm
20:32
proud of you brother we've been doing
20:33
this for years and you keep descending
20:35
but what you're doing right now is
20:36
you're sending others and that's God's
20:38
work that's the vine intervention
20:39
absolutely feel your energy man
20:41
congratulations we got much more to talk
20:43
about you got to come back oh yeah come
20:45
on I can't wait it's a ton of Records I
20:47
want to ask you about and he goes
20:48
through all the hits in this book you
20:51
find out about his life story some of
20:53
the trials and tribulations but how he's
20:56
been blessed and highly favored it's all
20:58
in his book absolutely when you when you
20:59
finish reading the book yeah give me a
21:01
call I'm gonna give you my cell number
21:02
that's my word give me a call and we're
21:04
gonna come talk chop it up okay Drama
21:06
Boy give it up for Drama Boy give it up
21:07
for KP first time first time in KP
21:13
uh it's just KP on Instagram fake free
21:16
KP on everything Instagram YouTube
21:19
Spotify Apple crazy content follow my
21:22
dog and follow me at Drummer Boy Fresh
21:27
[Music]
21:29
foreign
#Arts & Entertainment


