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Chris Pratt Talks Upcoming Super Mario Bros. Movie on Sway In The Morning | SWAY’S UNIVERSE
Apr 4, 2023
During a recent appearance on Sway In The Morning, Chris Pratt shared exciting details about his upcoming film, The Super Mario Bros. Movie. The animated movie, set to be released in 2022, features the voices of some of Hollywood's biggest stars, including Pratt himself as Mario, Anya Taylor-Joy as Princess Peach, and Jack Black as Bowser. Read on for everything we learned from Pratt's interview on Sway In The Morning.
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Exclusive interviews from Sway Calloway and the Sway In The Morning/ SwaysUniverse.com team with some of today's biggest celebrities, like Kevin Hart, Kanye West, Eminem, Usher, Jessica Alba, Steve Aoki, Torey Lanez, Julia Stiles and so much more.
Chris Pratt Talks Upcoming Super Mario Bros. Movie on Sway In The Morning | SWAY’S UNIVERSE
https://youtu.be/FVnHvrlFXoU
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0:00
have to blow into the cartridge thinking
0:02
that was gonna make it work better
0:06
yeah yo man we got our good friend man
0:09
he came here a few years back man first
0:12
time he came I think it was for
0:13
passengers yeah but passengers and we
0:15
had such a great conversation with them
0:17
whenever I look back at that interview I
0:19
realized how how our arms are basically
0:21
the same size at that time we had a lot
0:23
of commonality in our physiques um he
0:27
continued to evolve and I and I didn't I
0:30
devolved but I want DB to give his
0:32
introduction properly would you please
0:34
DB absolutely uh one of the earliest
0:36
memories I have is my mom buying Super
0:38
Mario Brothers we brought it home I was
0:40
so young and because Nintendo was so new
0:43
yeah we didn't know what the hell to do
0:45
with this game we didn't know what pits
0:46
not to jump in the tunnels to take we
0:48
were just dying constantly and it was
0:50
the most fun we've ever had and so
0:52
seeing this movie going to the screening
0:54
I mean I I wrote this review for the uh
0:56
for the studio and I was saying how much
0:58
I love the characters I love the
0:59
animation which is incredible I mean you
1:01
can see the threads on Mario's hat uh
1:04
the cast is incredible the jokes are
1:05
great the music incredible Easter eggs
1:07
all over the place and I see I heard
1:09
that he was going to be bringing a gift
1:11
so I thought you know what let me bring
1:13
a gift for him and uh actually it's
1:15
right over there if somebody wouldn't
1:16
mind grabbing there's a there's a square
1:17
okay did you get that from right behind
1:20
where the phone is uh the other one yeah
1:22
right there uh my view is behind you
1:24
behind Mike that Shade 45 sign over
1:26
there okay bong it's behind there
1:28
whoever these people are working for you
1:30
Chris Brown please sit down you have
1:32
yeah they don't know what they're doing
1:33
though there's a white packet no no no
1:35
you were looking in the right place okay
1:36
boom sorry meant to bring it over here
1:37
okay there it is there it is for Chris
1:40
this is for yeah wow
1:43
that is for our guest Chris Pratt
1:45
voicing the character Mario in the Super
1:47
Mario
1:51
[Applause]
2:00
[Music]
2:40
every time I open up a card at home that
2:43
has glitter on it honey glitter on the
2:46
car
2:47
let it be marked a little record I don't
2:49
want to be like why do you have a
2:51
glitter on your cheek yeah because the
2:53
card I swear I mean what happened with
2:54
you all day where do you think I
2:55
stripped it up to it this is hilarious
2:58
yeah isn't that nice it's nice for you
3:00
guys this is the Super Mario Brothers
3:01
movie official
3:03
uh merch I won't tell you what it is but
3:05
I will tell you this is it's this is it
3:07
someone told me how much these are worth
3:09
it's very very nice what they say how
3:11
much is it worth you don't want to
3:12
repeat that can I say how much I can't
3:14
say I can't say it but I'll tell you
3:15
it's like it's really nice so open that
3:17
up on the inside oh man the stripper box
3:21
here I'll help you over there
3:24
the coin oh you got the coins
3:28
bro hold it up for the camera
3:31
that is nice incredible man wow that's
3:36
incredible it's real that's a real uh
3:41
citizens it's a gold-plated coin
3:44
just like you see it in the video games
3:52
these two just bonded right here I think
3:54
don't you think DB should have it sorry
3:56
everybody thank you
4:08
good to have you back man oh I'm always
4:11
going to bring gifts you know what and
4:12
now it's only going to go up from here
4:14
okay and next time I come I have to
4:15
really bring something yeah what you
4:17
gonna bring man okay with you okay okay
4:21
it's an exciting time for you man
4:24
um this is an exciting movie I remember
4:26
uh when the 1993 Super Mario Brothers
4:29
film came out and it didn't do so well
4:31
oh yeah yeah yeah
4:33
well I mean I gotta say I gotta say I I
4:37
don't know that I've actually ever seen
4:39
that movie okay but I do know that look
4:42
every piece of Ip that's out there has
4:44
been made right
4:46
nowadays you need to have some kind of
4:48
reach to justify the you know multiple
4:50
million dollar budget that these movies
4:53
uh require and so now Studios they're
4:56
grabbing up everything if anything's
4:57
been a TV show that has any reach
4:59
whatsoever they're going to grab it and
5:00
the tech it's a it's a testament to
5:02
Nintendo that they didn't let this movie
5:04
get made for this long because you know
5:06
people wanted to make this movie yeah
5:08
and finally they did because they
5:09
partnered up with illumination and I
5:11
think Miyamoto San who you know runs a
5:15
show at Nintendo and and created these
5:16
characters he trusted them to they did
5:19
Despicable Me in secret life of pets and
5:21
you know uh the Minions movies and so
5:24
they finally are making it and it's
5:26
pretty it's pretty great when you get
5:27
that call and they're like dude you want
5:29
to be Mario like what yes please yo
5:33
that's incredible man because um like
5:35
I'm truly a first generation gamer so
5:37
when I saw you were in this I got so
5:39
excited I'm looking forward to watch it
5:41
in IMAX theaters
5:43
um in in Harlem at the Magic Johnson
5:45
Theater I want to shout out Magic
5:46
Johnson what he does uh Charles martinet
5:49
was the voice yes of the actual
5:51
character in the game right right did
5:53
you get a chance to meet that person you
5:55
know I haven't had an opportunity to
5:56
meet him
5:57
um so all of his voice Talent
6:00
we were isolated from one another
6:02
through the course of making this whole
6:03
movie so everyone who does a voice in
6:05
the movie we'd be isolated in a booth do
6:08
primarily to covid but also because uh
6:11
the studio illumination is in Paris and
6:13
so we were you know wherever we were
6:15
they'd find a sound booth and put you in
6:17
have a sound engineer and then you'd
6:18
zoom in to uh to that so all the people
6:21
who were in the movie I didn't have a
6:23
chance to meet all of them unless I knew
6:25
them before until we started promoting
6:26
the movie you do a lot of voice over
6:28
work man that's um you do big work as
6:31
well man is is it easier for you or like
6:34
what are the differences man it's it's
6:36
definitely a different Beast altogether
6:38
uh there are there are elements that are
6:40
easier
6:41
uh uh a it it's convenient because you
6:45
can do it close to home which for me as
6:46
a family man I got three kids it's nice
6:48
for me to have uh some work that is like
6:50
I go and um I leave I'm in my own bed
6:53
you know oftentimes these movies I do
6:55
are on location so to be able to do a
6:56
movie that's primarily done close to
6:59
home that's nice I'm not on camera okay
7:01
which is very helpful man like being a
7:04
prop you know a lot of actors like I am
7:06
not a problem like yeah you are you are
7:08
you're like have someone paint you up
7:10
and polish you up and you're standing
7:11
there and they're lighting you and
7:12
there's a physicality to the job that is
7:15
just
7:16
being a prop yeah and then you add your
7:18
voice and your spirit to that prop
7:20
being able to get rid of that it really
7:22
is freeing man you'll have your shoes
7:23
off there's no hair and makeup you just
7:25
show up warm up your voice and you get
7:27
into it and you can make big crazy
7:28
facial expressions and do all this stuff
7:31
that you might not want to do if you
7:32
were on camera so in that way it's
7:34
freeing
7:36
um but at the same time it's complicated
7:38
because one one of the more difficult
7:40
elements is in live action acting you're
7:43
creating a conversation you're creating
7:45
a real moment you're having an
7:46
interaction with somebody they say
7:48
something they say acting is reacting
7:50
and it really is someone talks to you
7:52
you respond you listen you respond so
7:55
it's organic to have a natural
7:57
conversation with somebody in the moment
7:58
when you're really in it acting with
8:01
with Voice work a lot of times it's just
8:02
say the line say it 25 times in a row
8:05
try this try that so you're you're
8:08
breaking it down it's more mechanical
8:09
it's not as organic and real do you do
8:11
you have a citizens in case you don't
8:13
know uh Chris Pratt is actually an avid
8:15
rap fan right and do in between takes do
8:18
you ever just break out in bars
8:21
yeah
8:31
yeah I still I do I still I still listen
8:34
to to Eminem Dr Dre old school stuff the
8:38
same stuff that I've really always
8:39
listened to yeah I remember last time
8:41
you were here you talked about your
8:43
nephew Trevor and yeah it was pretty
8:44
damn good at him seeing at that time
8:46
Travis should have an album out by now
8:48
yeah I know that's right come on Trev no
8:49
he's gonna be so pumped yeah tell Trav
8:52
he's welcome to come up here you got to
8:53
bring bars though he can't if he's whack
8:55
I'm gonna call him out your son's
8:57
rapping now though yeah my son yeah Jack
8:59
he started rapping because I'll wrap
9:01
around him and he's like Dad you're good
9:03
you you better than Eminem Dad I'm like
9:05
okay I love that you're you're my son
9:08
and you love me I get that wait are we
9:11
still on the air make sure
9:13
and uh so so I'll do that with him and
9:16
he's like wow that's really good and
9:17
then he'll come up to me and he's got a
9:19
couple bars he's like put together and
9:21
he's written he's always about he's
9:22
spitting down yeah he's spitting there
9:24
yeah he's talking about Parts yeah
9:26
all over you he's like my Booty's so big
9:30
it's bigger than a pig it's bigger than
9:32
the excavated loves to dig that was one
9:34
of his lines
9:36
I make wind out of my cheeks change the
9:40
weather it's raining for weeks
9:45
okay got bars man the last time he was
9:49
here he was rubbing all over his arms
9:50
don't do that sway like no they still
9:52
look good though I didn't touch him
9:54
earlier I was acting like I was getting
9:55
stripper glitter off but I was really
9:57
getting the feel now I get it
9:59
no Chris again thank you for being here
10:01
and I've always been fascinated with
10:03
voice over work yeah but I'm curious
10:05
because we have so many amazing actors
10:07
that come through and they talk about
10:09
how did they prep for the role oh I'm
10:11
playing nurse I went and studied in the
10:12
hospital hung out with so-and-so right
10:14
how do you prep to be Mario like what do
10:17
you do well I mean
10:20
it's discovering a voice that wasn't
10:22
there before because I mean yes Charles
10:24
martinet voices the character but beyond
10:26
a few catchphrases you don't know much
10:28
about these characters right and once
10:30
you learn who these characters are or at
10:32
least the this iteration of the
10:33
narrative film version of these
10:35
characters you have to come up with
10:36
something that makes sense because I
10:38
think 90 minutes of whoa
10:42
dude oh my God four minutes into this
10:44
movie I don't know if I want to make it
10:45
through
10:46
and so you have to find a way to make it
10:49
organic to root it in some sort of
10:51
emotional reality and that sounds silly
10:54
but really all great comedies or
10:57
animated movies or anything that you
10:58
take away the animation and the music
11:00
and the Easter eggs and the fun and the
11:02
excitement you have to have a solid
11:04
emotional through line it has to be a
11:05
story about relationships it has to have
11:07
characters you really care about and the
11:09
way you're going to do that as you
11:10
ground it in reality so for me preparing
11:11
the role was working with the directors
11:14
to find that balance between uh striking
11:18
the some of those I the signature iconic
11:21
tones but also in a voice of a person
11:23
that felt like a real person and so so
11:26
it was creating that and then throwing a
11:27
bunch of stuff against the wall to see
11:28
what sticks I would do four hour
11:30
sessions probably once or twice a month
11:32
over the course of two years and I'd go
11:34
in there and I come back and they're
11:37
like all right so you know the stuff you
11:40
did last week here here it's really
11:42
great let's play Let's Play back some of
11:43
this stuff and we'd listen to it and say
11:45
oh I like that oh that's interesting
11:47
this is a little more fun and so then
11:49
you know experimenting with variations
11:52
of a Brooklyn accent and you know how
11:54
heavy of the New York influence do you
11:56
want to put in there and how heavy the
11:57
Italian influence do you want to put in
11:59
there and by probably the fifth or sixth
12:01
session we'd zeroed in on the right tone
12:03
of the voice
12:06
so that was it every time I'd come in I
12:08
put on the headphones they go let's play
12:10
the track and it was a reference track
12:11
of my own voice back to me the stuff
12:13
that they liked they had elected from my
12:15
previous takes that they wanted that
12:17
tone for the movie and that's what I
12:18
would aim for Wow Chris Pratt is here
12:21
man yeah I'm gonna stop cracking jokes
12:24
the way he wrote that down you're going
12:25
for the Oscar yeah and I do I want to
12:29
thank the academy for my work because
12:32
Mario he's already got the squint down
12:34
yeah right okay you know Chris I I saw
12:38
an interview that you did and someone
12:39
was asking you like what do you feel
12:42
more attached to the franchise for
12:44
Jurassic Park or for like Super Mario
12:46
Brothers and you were tying it back to
12:48
Nostalgia yeah and obviously like we
12:50
watched Jurassic Park as kids like maybe
12:52
five six times but the amount of times
12:55
we played Super Mario Brothers It's just
12:57
innumerable and it just had me thinking
12:59
like I would say in this period
13:01
specifically like the last five years
13:03
like the Nostalgia Ultra has just been
13:06
to the next level in terms of all
13:07
different shows that remind you of the
13:09
past I think even when it comes to like
13:11
styling but then I also think how we
13:14
have these conversations about AI or in
13:16
general people just be worrying about
13:18
their future and so since you are an
13:20
actor and I feel like an actor is also a
13:22
sociologist from the characters that
13:25
you've played do you think that humans
13:29
that Nostalgia has a stronger hold on
13:33
humans the past or a focus on the future
13:35
has a stronger hold on humans
13:38
man that's a great it's a great question
13:42
uh I think
13:44
maybe maybe a focus on the future has a
13:46
little bit more of a hold on people in
13:49
terms of occupying their conscious what
13:53
they're thinking of in the moment what
13:55
they're worried about the anxieties that
13:56
are coming into their lives probably
13:58
based on things that are upcoming but
14:00
that's why Nostalgia is actually so
14:03
sneaky because you're not really like
14:05
when I saw this Mario movie I was not
14:08
really prepared
14:10
and I forget the the soundtrack to my
14:14
life of 9 10 11 12 years old was yeah
14:22
like you know and like uh all like all
14:25
the sounds that you know so when I hear
14:27
that I'm like it's this pavlovian
14:29
response to like oh right back to when I
14:33
was a kid so like it sentiment and
14:35
Nostalgia it creeps in on us I think
14:38
because we're not really we got our
14:40
backs turned to it we're facing this
14:42
thing ahead of us and we're so worried
14:43
about it that it kind of sneaks in the
14:45
back door and it's like remember you
14:47
were a kid once and and that's what's
14:48
nice about this movie I think it's like
14:49
sneaky good because people like us like
14:52
you said you're a first generation I
14:54
didn't code like my own games I wouldn't
14:56
like that you know but I but I did play
14:57
in 1988 89 90 yeah video game I was
15:01
blowing on the cartridge when it was
15:03
like you'd have the one kid in the
15:04
neighborhood who'd just be like hey let
15:06
Reggie do it and be like yep
15:11
make sure
15:14
we already have the Magic Touch
15:17
three three blows put it in and then
15:20
stick like a plane a baseball card up
15:22
above it so push it down just right
15:23
that's right yeah but yeah all that
15:26
sneaky stuff is not it's a long way to
15:28
answer your question it's a great
15:29
question but I think probably we focus
15:30
more on the future which is why
15:32
sentiment uh is so effective to pull us
15:35
out of that and and bring us back to
15:36
something great yeah Mike news yeah I I
15:40
gotta be honest with you Chris love the
15:42
conversation love all that you're saying
15:44
but I just can't get over the fact that
15:45
I'm looking at you because I was in
15:47
Disney World over the weekend and
15:50
Guardians of the Galaxy is my favorite
15:52
ride of all time I'm a roller coaster
15:55
Enthusiast all right but there's
15:57
something about guarding the galaxies
15:58
and I kept having that guy take me back
16:00
there every day and we wrote it multiple
16:03
times we did it back to back to back and
16:05
so see we kept talking about you and
16:08
cars in the Galaxy so see sitting here
16:10
that's surreal I'm just wondering for
16:11
you is it surreal for you to ride that
16:14
ride and seeing yourself throughout the
16:16
interaction in your voice at the most
16:19
amazing park in the world wow uh well
16:22
first of all thing that's awesome that
16:23
you uh that you went what if you woke up
16:25
and you were still on the ride bro bro
16:26
that ride is really good
16:30
are you did you do the one in Orlando or
16:33
Orlando yeah see I haven't I I've been
16:35
to the one there's one in uh Disneyland
16:37
Disneyland California Adventure park
16:38
they they remade Tower of Terror into
16:41
this Mission breakout ride I've I've
16:43
ridden that one I haven't had an
16:45
opportunity to ride the uh flashback uh
16:48
so I haven't seen it yet but I've heard
16:49
on you're about the third person today
16:51
that's told me that they've been there
16:53
and have and have ridden that ride and
16:54
that it's a really you're very prominent
16:56
right is that right yeah I heard it's
16:59
good though
17:00
isn't it the biggest indoor it's the
17:02
biggest indoor attraction roller coaster
17:04
there is it makes it so unique is that
17:06
when you go on the track the car spin
17:09
right so you go down the hill spinning
17:12
you don't get no residuals off that bro
17:14
uh I don't think so no no I don't get
17:16
residuals but you know they pay you to
17:18
do that stuff so like you don't get paid
17:19
a huge amount it's like a pretty minimal
17:21
a couple days worth of work usually they
17:22
bake it into whatever movie you're doing
17:25
at the time they're like you know but
17:26
yeah we do okay okay so okay thank you
17:29
Chris all right I'm gonna get into your
17:30
pockets let me cut in front of the line
17:32
that's what you get yeah it's well worth
17:35
it yeah all right I think so was the
17:37
line big did you have to wait in line I
17:38
had a guide oh you don't win
17:41
oh
17:42
wait
17:44
thank you
17:50
that's a good question Chris that's a
17:52
good question like spitting on people as
17:54
you walk through the peasants
17:56
so Chris you were talking about the
17:58
process of doing voice work and I was
18:01
actually watching The Magnificent Seven
18:02
the other day and there was the scene
18:03
when you guys were preparing for that
18:05
big Invasion and you and Vasquez were I
18:07
think it was like setting up explosives
18:09
and he's like very smart to smoke around
18:10
explosives and you throw the cigarette
18:12
at them so in situations like that where
18:14
you do it seemed like an improv moment
18:15
to me like a reaction that he would have
18:17
done yeah when you do those moments and
18:19
maybe the director doesn't think it
18:20
works but you feel like this is funny
18:22
and you and the other co-stars right do
18:24
you relent or do you try to find a happy
18:26
medium or do you just like you know
18:28
insist like let's try it you know it
18:30
really depends on the director because
18:31
there's that was Antoine Fuqua and that
18:33
guy is he's so liquid in his process
18:36
that if so if I try something and I
18:38
believe it works he's gonna let me do it
18:39
you know
18:40
um there are periodically directors that
18:42
you work with that are a little more
18:44
precious about the material especially
18:46
if they've written the material to where
18:47
they're like they have a vision of what
18:49
this thing is going to be and they want
18:50
you to just service that vision and so
18:52
sometimes I'll have to be walked back
18:54
because I'm always improvising I'm
18:55
always colloquializing and trying to
18:57
keep it fresh and say something
18:58
different every time you know if I do
19:01
once they're like that was great can you
19:03
do it again I'm like no you were
19:05
recording you know like you if you need
19:07
that again just print it twice I'm gonna
19:09
try something different you know because
19:11
if maybe I can beat him you know why why
19:13
settle for what we just did if it was
19:15
great if we could make something
19:16
exceptional make it better and so I like
19:18
to make it new but yeah I remember that
19:20
I think that was improphe yeah what
19:22
about the Russo Brothers you're doing
19:23
electric state with them yeah yeah so
19:25
you're coming back together with them
19:26
how is it like working with them man
19:28
really really smooth what an awesome
19:30
awesome team that they have and that
19:33
they put together I mean they're kind of
19:34
like 50 000 foot view guys they have an
19:39
extraordinary team that they trust
19:41
deeply to handle business for them and
19:44
there it just allows them to focus on
19:45
just the directing and so they're really
19:48
great super collaborative uh really
19:50
funny and just they are such Pros you
19:54
know and especially with the movies that
19:55
they do there's an element of Animation
19:58
to the movies that they do because if
19:59
you're talking about Avengers Infinity
20:00
War Avengers end game there's a lot of
20:04
elements of CGI and animation in those
20:06
and what's nice about that is the
20:09
process of Animation is slightly
20:11
different than the process of live
20:12
action filming in many ways but one of
20:14
the ways is that
20:15
in the post-production process if
20:17
something's not working
20:18
you can just throw it out and fix it
20:20
yeah because like if you're if it's all
20:21
on film that's what you shot and that's
20:24
that's what you have to work with but if
20:25
you're kind of creating the backgrounds
20:27
and doing all this stuff and you see a
20:29
test you go I don't like the way that
20:30
City looks you can just get rid of it
20:33
and replace it with a new city probably
20:34
cost a little bit of money but uh that's
20:36
not something they don't have a shortage
20:39
of after an event
20:41
do you remain friends in between
20:44
projects yeah oh yeah yeah for sure do
20:47
you hang out with these guys
20:48
um you know yeah when I can I've got a
20:51
few you get a handful of friends that
20:52
you really connect with and otherwise
20:54
it's a little bit like the circus you
20:56
know you have this deep intimate
20:57
connections that are momentary maybe six
21:00
months maybe a year and then the text
21:02
thread's really strong and it's like
21:04
summer camp you know like man
21:06
it first forever you know I love you
21:08
I'ma text you every day actually 10
21:10
times a day and then like a couple weeks
21:12
[Music]
21:15
before long you're like damn that's just
21:18
Somebody I Used to Know
21:20
You Know Adventures for Life yeah and
21:23
then but then what's nice is you have
21:25
that such a deep intimate connection
21:26
like best friends if like maybe guys are
21:30
more like this than girls not to make
21:31
generalizations based on sex or whatever
21:33
but I know my best friends I won't talk
21:36
to them for a couple years yeah and then
21:38
you see them and it's like pick up right
21:40
where you left off no one's like so uh
21:43
you didn't you didn't text me you know
21:45
it's like no none of that stuff so I I
21:47
like that it's like that with most of my
21:49
friends when we pick up it's like here
21:50
we go we're riding again did you not
21:52
feel that energy when you walked in the
21:54
room with us it's been immediately years
21:56
right we just picked up right where we
21:57
left off sway my man come on man get us
22:00
through the round of applies bro you
22:03
ain't got the Oscar yet no no but you
22:05
got the Hollywood Walk of Fame yeah come
22:08
on man
22:09
this man on the Hollywood Walk of Fame
22:11
that's
22:14
that's the type to aim for you know
22:16
props or aim for accolades like that but
22:18
it must feel well it was really surreal
22:21
to get that because for a while when I
22:23
was in Hollywood
22:25
um I had rented an apartment
22:27
one block away from the Walk of Fame so
22:30
before I knew before anybody knew who I
22:33
was I would like to walk down and get
22:34
this this hot dog joint at night I'd be
22:36
like walk down and get some hot dogs I
22:38
walk past these stars and I was like see
22:40
them and I recognize some of them other
22:42
others I didn't I just wonder like how
22:43
does this even happen like I'm a boy
22:45
chasing my dreams in this town and you
22:48
see this signpost way in the distance
22:50
and you think oh God that that'd be
22:52
incredible because you don't always know
22:55
exactly what to aim for when you come to
22:56
town as be an actor yeah you know it's
22:58
just like what do you want I want I want
22:59
to not be a waiter you know that's what
23:01
I want I want people to give me
23:03
auditions so I want to work I want I
23:04
want to I want the dream what does it
23:06
look like I don't know apart from maybe
23:08
a few little things and one of them
23:11
being the Walk of Fame congratulations
23:13
man Chris crap man he's a friend of ours
23:15
I like that man congratulations on all
23:18
your success and boy you show now to
23:20
pick a project man you don't lose that
23:22
guy right here the Super Mario Brothers
23:24
the movie in theaters at uh April 5th
23:27
take your family take your friends and
23:29
see it more than once okay and then tell
23:31
Trevor tell your son whenever they're
23:33
ready to spit them bars yeah bring them
23:35
up all right let's go all right Chris
23:37
Pratt y'all
#Arts & Entertainment