0:09
That's exactly what I had in mind.
0:38
Moto Auto saw the selects. They were
0:40
very happy. Quality work. We have one
0:43
last shot to wrap this job up.
0:47
much mush. Shooting a car in a busy
0:49
location is an awesome challenge, but
0:52
this 2025 GRGT prototype takes it to
0:55
another level. Not many people have ever
0:57
seen one of these in a controlled
0:59
environment, let alone out on the
1:01
streets. If that wasn't enough, our
1:04
location is Shabuya Crossing, one of the
1:06
busiest places on Earth. So, Ko is
1:08
pulling some strings.
1:16
>> Strings pulled. We have to go now. When
1:19
we get to the location, we won't have
1:20
>> All right, Ko. Way to go. We have to
1:29
>> Okay, team. When we're nearby, I'll give
1:36
>> and they will stop the traffic flow
1:40
>> Gotcha. So, we'll need to take this
1:42
without stopping. Hold it steady through
1:44
the crossing and get the shot in motion.
1:47
>> Try and capture that sense of speed. An
1:50
empty Shibuya, Larry. Even I'm surprised
1:53
I managed to pull this off.
1:55
>> Absolutely. This is a dream photograph.
1:58
The GRGT at a shutdown Shabuya. We have
2:01
one shot to get it right.
2:14
So, everyone clear? We got this. We got
3:49
All All right, go team. Okay, I've
3:51
checked the kit. We got one shot, no
3:54
stopping. It's a single camera, single
3:57
lens scenario. I'll go ahead and shoot
4:04
>> Shibuya is traffic free. Stunt ramp in
4:07
place. We have a small window before
4:09
they open it up again.
4:10
>> Listen, one of the coolest features of
4:12
this GRT is the full width rear brake
4:15
light. Adapt the brakes and get it in
4:55
The ramp, the drifting, the GRGT
4:58
prototype. Ko, you worked up some real
5:00
magic there. I'm actually shocked we did
5:04
>> It was a lot of phone calls. But just
5:07
one camera click made it all worth it.
5:11
>> Hey, that's a team. We all got that
5:14
cover and Moto Auto will be flying off
5:16
the shelves. I'd ask for a copy, but I
5:19
want to walk into a store and buy it
5:22
>> Yeah, I get that. There's nothing like
5:24
seeing your work on the news stand. Be
5:26
proud. That issue will be a collector's
5:29
item one day. Count on it.
