0:02
Okay, Jason, I have set your route to
0:34
Ko, do you have the location?
0:36
>> Well, I'm working on something pretty
0:38
big. Dreamshot, but there's some
0:42
roadblocks. In the meantime, I got us
0:44
access to Shiraakawa,
0:46
but we need to respect the area. No
0:49
>> Got it. That's perfect. We can contrast
0:51
the modern design of the Ferrari FXXK
0:55
Evo against that beautiful traditional
0:57
Japanese setting. I take it we won't
1:01
Basically, no time at all.
1:03
>> Okay, drive and talk. Let's go.
1:11
Our next setup is a pure beauty shot.
1:13
The challenge is to frame up the car and
1:15
surrounding area. You'll have to
1:17
consider your composition more than
1:19
ever. This car has been engineered to
1:21
tear up a circuit with power and
1:23
precision aerodynamics, making for a
1:26
truly dynamic car to shoot, whatever
1:28
angle you choose. I am intrigued though.
1:31
This screenshot you're planning.
1:34
>> I wanted it to be a surprise. I know you
1:38
want to get a shot at Shipa Crossing,
1:46
>> Deadly serious. I make dreams come true.
1:52
Unfortunately, those dreams often turn
1:54
into paperwork nightmares,
1:56
but I think I can make it happen.
1:59
>> If you did, that would not only be my
2:02
all-time dream shot and near impossible
2:04
to get, but I'm thinking that's the
2:24
we are. Beautiful, isn't it?
2:27
>> Incredible. Ko, bring the car to a stop
3:30
Team, this feature is so close to being
3:33
wrapped. Only the cover shot to go.
3:35
>> Looks like I got some calls to make.
3:37
Larry, I'm making this happen. We are
3:40
making this happen. Fingers crossed. Let
3:42
me know. I'll be ready at a moment's
