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Learn how to import and apply Video LUTs in Adobe Premiere Pro CC with this tutorial and walkthrough by Leighton Milne.
Get the IWLTBAP Film Tones LUTs Collection here! https://filtergrade.com/product/iwltbap-video-luts-collection/
View the written tutorial: https://filtergrade.com/how-to-install-use-luts-premiere-pro/
Using LUTs, you can save time finding the right color grading profile for your video footage. Learn how to install these LUTs in Premiere Pro and apply them to your footage to help make your editing process more efficient.
Download some free LUTs to test out here: https://www.youtube.com/watch?v=ScvZ1kud9kE
Be sure to keep up with Leighton's projects: https://www.instagram.com/leighton_milne/
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0:02
hello and welcome to another filter
0:04
great tutorial my name is leaden in this
0:05
video we're going to be learning how to
0:06
import and apply video LS in Adobe
0:08
Premiere CC today we're going to be
0:09
using the
0:10
iwltbap L pack which you can get right
0:13
here at filtergrade dcom this L pack is
0:15
great if you're looking for some
0:16
cinematic yet natural earthy tones with
0:18
both options for warmer and colder
0:20
overall color profiles this is what you
0:22
get when you download the L pack open it
0:23
up as a document telling you more about
0:25
the L pack itself and how to apply it to
0:27
different applications inside here is
0:29
the Luts uh we use the cube files only
0:31
time you want to use the 3dl files is
0:34
when your application does not support
0:35
the do Cube files but Adobe Premiere Pro
0:37
does support it so we're going to be
0:38
using those today inside the cube you're
0:39
going to find bonus film and utility
0:41
these LS are optimized for rec 79 and
0:43
srgb color profiles if you shoot in raw
0:46
this pack comes with the utility folder
0:47
with plenty of camera specific
0:49
conversion LS to turn your flat raw
0:50
footage into a more colored profile that
0:52
works a lot better when actually
0:54
applying Lots inside the film folder
0:55
you'll find all the Lots we're going to
0:57
be importing today this lot pack also
0:58
comes with several bonus LS that I've
1:00
already imported so without further Ado
1:02
Let's Open Up Premiere I've got my
1:04
timeline right here just four Clips
1:05
we're going to be testing out our LS
1:07
with today and there are several
1:08
different ways that you can apply lets
1:09
in Premiere but in this video I'm going
1:10
to show you what I think to be the best
1:13
and easiest ways to actually apply the
1:14
let files so for the first one let's go
1:16
up to window and you're going to want to
1:18
go down to lumry color or lumry color
1:22
click that and this will open up your
1:24
color grading window you can also do
1:25
this by changing the overall layout but
1:28
I like to work with the edit edting just
1:30
cuz I'm used to it that's what most
1:31
people use whenever they're editing
1:33
their footage you can also go back into
1:34
window and go down to lumry Scopes and
1:36
check out your parade you can make sure
1:37
all your colors are where you want them
1:39
to be but for this video I'm just going
1:40
to focus on this window right here the
1:43
first technique we're going to look at
1:44
allows you to look up and apply the L
1:45
without saving the lets directly to your
1:47
app data this method works well if you
1:49
already have a lot of lets to choose
1:50
from saved in Premiere and you're
1:52
looking to test out the L before
1:53
actually adding it to your collection so
1:55
when you first open lumetri color you
1:57
have a whole bunch of different options
1:59
standard with most color correction
2:00
software in Premiere we're going to be
2:02
going into creative open that up and
2:04
under look you want to hit
2:07
browse this will take you to your
2:09
desktop normally and I have the folder
2:12
right here on my desktop go into the do
2:14
Cube files into film and from here you
2:17
can select any one of these LS to apply
2:19
to your footage something I really like
2:21
about this L pack is how it uses a lot
2:22
of unique names for their LS so you're
2:24
not trying to find a number or a generic
2:26
title uh this makes it a lot easier to
2:28
find and remember specific look so for
2:31
this one we're going to use the miking L
2:32
open that up and right away you see a
2:35
difference between this video here and
2:36
this video here you can also change the
2:39
intensity so if you want your L to be
2:41
more obvious you can pull that out or
2:44
less and you can always adjust the basic
2:47
things after you've applied the L go in
2:49
basic correction you can still have
2:51
control over exposure contrast
2:53
highlights Shadows Etc so there we go
2:55
I'm satisfied with that look let's go on
2:57
to the next one here so we'll do the
2:58
same thing under create creative look
3:02
browse so for this clip we're going to
3:04
use the asate lot open that up and there
3:07
you have it you've applied your L gives
3:09
it a little colder look it is a winter
3:11
scene the next technique I'm going to
3:12
show you is saving the entire L pack
3:15
directly into the app data in Premiere
3:17
so you don't have to hit browse and
3:18
search every time you want to apply new
3:20
l so open a folder I'm on the Mac here
3:22
so I'm going to go into my applications
3:24
on the left under applications you want
3:25
to find your Adobe folder inside your
3:28
Adobe folder you want to right click the
3:30
actual application itself and you want
3:32
to go into show package contents so
3:34
you're going to have all this stuff here
3:36
all these random folders but the one you
3:38
really want to search for here is Luts
3:40
so once you click Luts there's going to
3:41
be three subfolders you want to click
3:43
the creative folder because that's where
3:45
we are applying the lets before in
3:46
Premiere so in the creative folder is
3:48
where you're going to be dropping the
3:49
actual lets into so I'm going to go
3:51
ahead and move this folder out of the
3:52
way so I can open up my L pack you don't
3:54
want to click and drag this entire pack
3:56
as there's a lot of subfolders and
3:57
different information just go into the
4:00
film start at the top shift click all
4:02
the way down to the bottom simply just
4:03
click and drag all the lets into the
4:05
creative folder and it'll import them
4:07
right there you can exit out of this
4:08
window so they're going to alphabetize
4:10
them but as you can see all my LS from
4:13
the L pack are now in this creative
4:14
folder we can go back and back and back
4:17
exit out of that so once you've dragged
4:19
all your desired LS into the creative
4:21
folder in the app contents make sure you
4:23
saved your project first exit Ed a
4:25
Premiere let it close and then you want
4:26
to reopen it kind of to refresh the
4:29
files reopen your project let it load a
4:31
bit so we're going to move on to the
4:32
next clip here go back up to window you
4:35
can also change your workspace to color
4:37
this will change the layout now that you
4:39
have your color correction side right
4:40
here as opposed to a separate window so
4:42
if you change your workspace to the
4:44
color setting you can always go back to
4:45
editing or effects they're all up here
4:47
in the top on the right you can see your
4:48
lumetri color options just like before
4:50
we're going to go into creative and look
4:53
so as you can see our L pack has been
4:55
applied these three here from the pack
4:57
they're all just alphabetized so maybe a
4:58
little bit more difficult to F so for
5:00
the next clip here we're going to be
5:01
using the rarg L uh it's probably one of
5:02
my favorite Luts in the entire pack it
5:04
gives a nice teal and orange kind of
5:06
desaturated look very dramatic and if
5:08
you don't like your L choice you can
5:09
always go back up to the top and change
5:10
it to something else all right there you
5:12
go we'll do one more example here so
5:13
this next clip nice orange fall colors
5:16
let's go back into the look where you're
5:17
going to find one of the bonus LS that
5:20
came with this pack Aspen it's very
5:22
subtle but just changes the orange Hue
5:24
little bit of luminance darkens the
5:25
Shadows a bit you can change the
5:27
intensity make it a little more orange a
5:28
little more faded sharpen vibrant
5:30
saturation you can still use all the
5:32
basic color Corrections once your L's
5:33
been applied so don't be afraid to
5:34
experiment with your Luts uh get to know
5:36
what they can do with their limitations
5:38
are and which LS work better in certain
5:40
situations this will just make your
5:42
editing workflow a lot faster if you
5:44
know exactly what L needs to go to what
5:46
clip and for what kind of lighting
5:47
environment etc etc so there you have it
5:49
that's how you apply Luts in Adobe
5:51
premere CC as always check out
5:52
filtergrade dcom for the best video Lets
5:54
Photoshop actions and Lightroom presets