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RAMPAGE & Flipmode Speak on The Music Industry, Busta Rhymes Career and Freestyle | SWAY’S UNIVERSE
Jul 27, 2023
Rampage and the Flipmode Squad stopped by Sway In the Morning to talk about their legacy in hip-hop alongside Busta Rhymes.
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RAMPAGE & Flip Mode Speak on The Music Industry, Busta Rhymes Career and Freestyle | SWAY’S UNIVERSE
https://youtu.be/elpZQayhyAE
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0:07
the people that I had to see uh-huh
0:10
I was there for a while
0:12
because
0:14
Sylvia was like uh Sylvia wrong was like
0:18
you're going on the road for
0:21
60 no no three months and I had to do
0:25
the bay remember yeah that I had to see
0:27
you guys and I was happy to see you guys
0:29
yeah man Monty yep I think Monty Monty
0:33
was yeah yeah right yeah I remember
0:37
being in the bay a lot but I sold a lot
0:40
of Records in the bay that's right but
0:43
what all this got to understand is
0:45
when y'all set them schedules up
0:48
we can't be partying all night because
0:50
we start at six in the morning correct a
0:52
lot of these artists don't come from
0:55
that they don't understand if you miss
0:57
radio
1:01
there's something that's going to happen
1:02
because everything is set as a schedule
1:05
right we knew artists don't understand
1:07
it we think we should just jump on the
1:09
radio and that's it no we got to go talk
1:12
to the program directors right we have
1:14
to talk to the DJs we have to talk you
1:18
know hey I'm so and so I have to
1:20
introduce myself because we're playing
1:22
your record but we don't know you that's
1:24
right we got to take the program
1:25
directed to lunch dinner we have to yeah
1:28
we have to break bread right with the
1:30
people at lunch and the luncheon that
1:32
you guys will set up or we going to meet
1:34
the people at over at Weir yeah and the
1:37
people over at yeah big old records and
1:39
you know that's what's missing out the
1:42
game that department right artists
1:45
development is missing so when these
1:47
kids is now doing crazy stuff they don't
1:49
have that artist development background
1:53
right this is what's wrong with the
1:55
music business today they don't have no
1:57
they don't have no ethics correct you
1:59
know uh you know you know they selling
2:02
records how they selling records but you
2:04
know when stuff happened yeah they don't
2:07
have no
2:08
respect for the culture and you know and
2:13
as you were saying a lot of those
2:14
artists new artists today couldn't even
2:16
go through that regimen that y'all were
2:18
put in order they would they would just
2:20
drop like why I gotta do this why I
2:22
gotta do that but at the end of the day
2:24
when I did it you saw I saw a gold one
2:27
yeah yeah right and when I did it I did
2:29
the work because again I'm a kid from
2:31
Flatbush Brooklyn I've never been on the
2:33
road before I never did a promo tour
2:36
because that was called a promo tour a
2:38
promo run right I didn't know I had to
2:40
go see sway but I saw it on my schedule
2:43
weeks in advance that I had to go to the
2:46
Bay I had to come see you guys no facts
2:48
Monty and and everybody that was in
2:51
certain regions when I went to Philly I
2:53
had to go to the wheel Branch yeah
2:55
didn't understand they were moving
2:56
records for me when I came to the branch
2:59
because now I'm meeting the moms in the
3:01
pop stores who say well let me order
3:03
these couple of pieces yeah he's a good
3:05
kid but his record is moving correct
3:08
while for the night move for me wow what
3:10
you guys it moved for me I'm Gonna Keep
3:12
It Real
3:14
ah six weeks yeah me being on the road I
3:18
had a gold one yes you did you know what
3:20
I'm saying regardless of what but I had
3:22
to do the work that y'all scheduled
3:25
weeks in advance and you know sway y'all
3:27
know A.D that I didn't miss nothing you
3:30
didn't miss it because if I miss and
3:31
then and they reported back to Sylvia we
3:33
can't go back with you now I missed a
3:37
show or two because the night before I
3:40
was chilling when I was supposed to be
3:42
going to bed because I got to meet I
3:45
gotta be at Radio at seven but I'm here
3:48
at 6 30 waiting to go on the first
3:50
Morning Show whatever you guys set up
3:52
for me so this is what's missing in the
3:55
music business wow right now Rampage man
3:58
that's right to Rampages point and I'll
4:01
take it a step further because we had
4:03
the same kind of system set up and you
4:07
go my first album came out in 96. I had
4:10
to go do Swing King Tech as well that's
4:12
the first day I met sway you fast
4:15
forward now we're celebrating 12 years
4:16
here Sway in the morning just the radio
4:18
portion of it but that's all built on
4:21
relationships what Rampage is talking
4:23
about is building relationships with
4:26
folk when you go to these radio stations
4:28
you go to these lunches you meet these
4:30
program directors at that time too video
4:32
program because it was video with the
4:34
big Outlet there you're building a
4:36
relationship you're not selling spins
4:38
it's almost like people are getting your
4:39
personality you know what I like him I
4:42
like her yeah cool right you come this
4:44
you may find yourself a swaying King
4:46
Tech's house or a party that night yeah
4:51
so 20 years later yo I'm about to do a
4:54
radio show a whole something different
4:56
why don't you pull up right so I'm about
4:58
to do this thing why don't you pull up I
5:00
got a movie it's all it's based on
5:02
relationships and I think that's what to
5:04
your point is the relationship building
5:06
is missing because everybody I'm good
5:09
now I got a billion streams so so we're
5:11
living in the time right I see a lot of
5:14
these new artists complaining
5:15
about the label right yeah these 360s
5:19
and whatever right you said something
5:21
earlier
5:23
it's the details in the contract that
5:26
you sign a lot of these artists take
5:29
these advances right it's actually a
5:32
loan right right so when you take this
5:34
advance
5:35
and you don't do
5:37
what what they expect you to do damn I'm
5:41
not number one on Belt but I'm
5:42
complaining at the label that's their
5:44
fault it really is not their fault
5:46
correct it's really your fault because
5:49
we come from the ever when we don't do
5:51
360s yeah right you know yeah you know
5:54
we come from the everywhere you had to
5:56
come see y'all and it's it's a being a
6:00
artist is a politician yeah if you
6:02
didn't have the right people to point
6:04
you in the right direction where to go
6:07
then you you will never get lost this
6:10
system now they're getting lost they
6:13
don't know what to do they selling
6:14
multi-million streams not units yeah we
6:17
come from units yeah they come from
6:18
streams there's a difference so
6:22
I say to all these labels
6:24
we have to put that back in play into
6:28
the music business that means it don't
6:31
matter if you blowing up on the internet
6:33
you need some development because you
6:36
have no development correct the word
6:39
development
6:40
nobody knows what that word means but
6:42
everybody in this room that's over 30.
6:44
yes and let me say that that's Rampage
6:47
from the flip mode Squad man
6:49
um his first album and we were just
6:51
talking about brother ad is here uh we
6:54
formed a a a company called StreetWise
6:57
and created a formula yeah uh before
7:00
this was before the blueprint that
7:03
people don't realize it so I see Rampage
7:06
I see these
7:07
documentaries and all of these different
7:09
things and it's deep but it's holes in
7:12
it because you didn't know that uh
7:16
swaying King tacow we came from artists
7:19
and was like man it's saying enough got
7:21
into radio and then Keith and Ashley
7:24
right who who became one of the biggest
7:27
music Executives in the business was the
7:31
program director at KMEL right Joey
7:33
arbaje right what's the music director
7:36
right Larry Jackson
7:38
Larry was an intern he was yes right
7:41
okay sway in Tech were these guys who
7:46
were immersed in the culture correct uh
7:49
transformed it into radio and got behind
7:51
the scenes into programming right so
7:54
introducing uh a scouse honor album
7:57
right um to a Keith Napoli introducing a
8:00
live at the barbecue uh Awards tour uh
8:04
De La Soul Wu-Tang Clan and showing
8:07
teaching how you could program this real
8:10
authentic music and Surround it with the
8:13
kind of records that would give you a
8:14
mainstream appeal from a listener right
8:16
we didn't know we were setting up the
8:18
blueprint yeah there was no blueprint
8:22
right at the time StreetWise set up this
8:24
12 weeks authenticity always kicks a
8:28
blueprints that's when it comes to y'all
8:30
were being authentic yeah
8:31
so everybody who's had all this success
8:35
in the music business especially out of
8:37
New York don't realize how instrumental
8:40
the Bay Area was
8:42
I can tell you because when I got that
8:45
schedule Monty was stressing me yeah
8:48
that I had to be in the beginning first
8:49
of all I started in the bay first yes
8:52
on the East Coast say it again because I
8:56
had to start in the bank you know why
8:58
because I saw it and I had to be in the
9:00
bay yeah for a while you know what I'm
9:03
saying so Machi first thing Monty was
9:05
like nah you're not starting back East
9:07
yeah because your record is popping at
9:09
KMEL yep you have to go see them first
9:12
thank you you got to go see sway in them
9:16
first when I got there I saw you Monty
9:20
introduced me to you yeah that I I've
9:24
been knowing this guy but when I walked
9:25
in and saw them and came y'all I'm like
9:27
oh man cool then buses on the other and
9:30
saying yeah yo don't miss nothing
9:34
get your ass up and go
9:37
because I never did this before but
9:40
again Sylvia's riding Richard Nash
9:46
on this paperwork saying this is where I
9:50
had to go this is the time that I had to
9:52
be here and the night before you know
9:54
have the night before I couldn't do
9:56
nothing else hell no because if I missed
9:58
it sway you messed up I messed up and
10:02
they can't fix it yep I can't fix it
10:04
yeah he was back in the in the west
10:06
coast when we know the difference
10:07
between the bay and L.A yeah you just
10:09
think you
10:11
think you you don't know that there's
10:12
like a four hour gap between six hours
10:15
two of these places correct you just
10:17
think you in La you know exactly it's a
10:20
difference it's a big difference what
10:22
made this so special and unique because
10:25
uh Team Tech and I we had this idea of
10:28
syndicating I mean that was in the early
10:31
90s right and so uh I start researching
10:34
and met up with Premier syndication
10:37
Westwood One syndication and we would
10:41
send them CDs of our show every week and
10:45
they would package them up and send them
10:46
to all the stations we had all over the
10:49
country and and then and then different
10:51
countries but with May would open the
10:54
corridor for artists like yourself that
10:57
we thought were extremely dope
10:59
um uh but may not have had the
11:02
mainstream brand yet but we're going to
11:04
play you on the mainstream station it's
11:07
one of the stations we syndicated with
11:08
was 92.3 The Beat so when you came to
11:11
see in Power 99 in Philly
11:15
as you said that yeah I came from the
11:18
bay then worked my way backwards yeah so
11:22
the second place that I landed was going
11:24
towards Philly yep Baltimore and DC
11:27
because I had to go see
11:30
because the other dude
11:36
because because he had to do shows
11:39
because Monty told me y'all serviced
11:48
we formed the first DJ Coalition right
11:51
right
11:52
um with the uh hits with Rickie Lee at
11:54
his magazine at that time and so we
11:57
formed the first DJ Coalition and ran
12:00
was a pivotal part of it and then after
12:02
that we broke away from
12:05
um the hits call and created the
12:08
technicians right right ran had the DJ
12:11
Coalition the technicians and so we all
12:14
were we had to get in cahoots in order
12:17
to promote our own culture because the
12:20
people who ran the who had the power of
12:22
programming and the power of budget
12:24
wasn't immersed in the culture right so
12:26
we had to navigate and work our way in
12:28
and while all of this happening a lot is
12:31
a lot majority of artists had no idea
12:33
nope right we didn't care though we
12:36
didn't brag about it and so this is the
12:38
most I ever talked about this actually
12:39
since then but it's important it's
12:42
important to the culture and it should
12:45
be documented because again
12:47
y'all made a lot of these corporate
12:50
companies billions and millions
12:52
absolutely and y'all thought outside of
12:54
them they had people to do it but it was
12:56
too corporate yeah right y'all was
12:58
outside
12:59
doing it independently right that's why
13:01
y'all was like independent contractors
13:03
y'all were throwing things and reaching
13:06
people that they couldn't reach they
13:08
couldn't reach Rampage let me ask you
13:09
this uh not to cut your wisdom because I
13:11
got DJ apps here and he's been patiently
13:13
waiting so we played a song in an hour
13:19
I'm not sure which song would be more
13:22
important in this conversation
13:26
go listen to your walk man
13:29
all right
13:31
I'll bring mirror man up in here
13:35
Busta Rhymes right
13:37
the eighth wonder of the world the
13:39
eighth wonder of the world yes sir for
13:42
so many reasons on so many levels for me
13:45
it's the um
13:48
is his message
13:50
that always appealed to me it was his
13:52
wisdom his knowledge
13:55
um but then his Superior Elite skills as
13:59
an emcee are unmatched right to this day
14:03
Busta Rhymes let in uh era of energy rap
14:07
that we had not seen right when he came
14:10
out with leaders of the new school
14:12
Buster Rhymes in 2023 getting a lot of
14:16
different acknowledgments that have been
14:18
well deserved even prior to this time
14:20
yeah the fact that this man is still at
14:23
the top of his game relevant and he's
14:25
connected to these younger Generations
14:26
right the same way when he started flip
14:29
mode Squad right I'm curious man when
14:32
you think about Busta Rhymes what comes
14:35
to mind what are some of the Visions he
14:37
had early on that you could recall when
14:39
he would talk about this is what we're
14:41
gonna do well I never told nobody this
14:43
show
14:45
when the breakup with leaders of the new
14:47
school we was at the crib
14:49
he was like yo let's go I was like where
14:51
we going he was like we're going to the
14:53
record label I was like what's that
14:55
so we had four chicken wings
14:58
shrimp fried rice we jumped on the train
15:01
to Rockefeller Center
15:03
he went to go see Dante Ross Ross just
15:07
on the show yeah
15:09
whatever Dante told him to go down there
15:11
whatever whatever hand them a check
15:14
he says to me it's showing now
15:16
say what's going on he said don't worry
15:18
about it it's really on and he was solo
15:24
I seen him go through this I see him go
15:26
through this
15:27
we sit and listen in the hot 97.
15:33
got you all the check
15:36
he called Chris lady
15:38
say yeah I'm going in the studio tonight
15:41
and recorded that woohah reckon I'm just
15:43
telling you straight what it was now
15:45
we're on New York Avenue in Brooklyn at
15:48
my house
15:49
listening to beats he's putting the solo
15:52
album together
15:53
and that was the process he stayed you
15:56
know he's so used to being with a group
15:57
yeah you know being with a group you
16:00
just do one verses now you got to do two
16:03
and three verses
16:04
first first album to come in
16:07
me spliff everybody we in the room and
16:10
we just vibing
16:12
as soon as that record come on it
16:14
changed our life
16:17
that's what that's where it really began
16:19
and I just seen them
16:21
before that he's in everybody's studio
16:24
session doing verses on everybody's
16:26
album yeah at that time he had about 20
16:29
features
16:30
scenario was sizzling yeah yeah that was
16:34
crazy
16:35
his work ethic yo I'll be I'll be back
16:39
in Brooklyn later I'm like yo where you
16:40
going
16:41
I'll be back later but then he would
16:43
come back with a whole bunch of tapes in
16:45
his bag he'd be oh listen to this King
16:47
joint listening to this I was in the
16:50
studio last night the tribe oh this is
16:52
the remix I'm like damn yeah ready like
16:56
yo this is the one with me and Heavy D
16:58
this is yo he had nothing but tapes and
17:01
tapes and tapes just
17:04
he just
17:06
he wouldn't stop working
17:08
then we went on the road with leaders of
17:11
the new school and he was like yo I'm
17:13
starting this thing called flipmo he
17:15
said yo who's rocking with me
17:19
I said I'm rocking with you cousin I
17:21
believe you you know what I'm saying
17:22
everybody was like you know they pretty
17:24
much wanted to do their thing so
17:26
you know flip mode is a begin yeah he
17:30
was like yo it's time to go to work
17:32
we are not going to stop
17:34
and we ain't never stopped since now
17:36
hold up I ain't never been on the train
17:39
ever since then why not you've been what
17:42
never you got cars no it's not it's not
17:44
it's not it's not it's not that's right
17:48
we went we had
17:50
four chicken wings
17:52
and shrimp fried rice jumped on the
17:56
train to a record label which I didn't
17:58
know what that was I just I just went uh
18:01
uh-huh right I just went I didn't know
18:03
what was going on but he knew what's
18:04
going like
18:05
everything that he told me came to pass
18:07
in the past wow it came to pass man
18:10
would somebody tell you something you'd
18:12
be like yeah yeah yeah okay
18:13
but I didn't know what to believe
18:15
because I was still young I was 16. I
18:18
didn't understand them I understand that
18:20
he was jumping on these records but I
18:22
didn't know the prize how high it was
18:25
wow yeah you know this is his first solo
18:27
album he's used to a group
18:30
he was putting that [ __ ] together yeah
18:33
and he had and we did we had CDs and
18:36
tapes and how old was bus at that time
18:37
couldn't be no more than 19 20. ain't
18:41
that something yeah yeah and so and now
18:43
we're in 2023 am I allowed to say this
18:47
probably not because
18:53
I believe there should be another flip
18:56
mode Squad album made right now but
18:58
Buster has all this energy and spliff is
19:01
flying high and putting out music and I
19:04
know you in the studio what's the
19:05
likelihood of that
19:06
all I could tell you is coming soon oh
19:09
flip Mode album coming soon new
19:11
rulership oh new rulership I like that
19:14
okay Rampage man okay
19:19
new rulership coming soon
19:25
[Laughter]
19:31
I was high when I was on them listen
19:33
listen I ain't say that you know it's
19:37
coming soon it's coming soon yeah okay
19:40
Rampage I love you bro yeah hey man I'm
19:43
happy
19:44
yo yo I was hoping to Freestyle cause
19:47
honestly I've seen everybody step up and
19:49
you know I need to get one in you ready
20:18
we about to get wild for the night right
20:21
now we about to get wild for the night
20:23
man
20:25
whatever
20:41
[Music]
20:56
did a lot of projects but we would go to
20:59
DJs because we have relationships with
21:01
record companies like Interscope
21:02
priority records uh J Records all these
21:05
different record companies do that
21:06
production deals with and we would do
21:08
projects where we could get DJs paid so
21:10
we go okay well our next first project
21:12
is gonna be a compilation and I would go
21:14
around the world uh country and fly to
21:16
different markets and get DJs who did
21:18
production to produce local artists in
21:21
their region they thought was hot and
21:23
then we would put together these
21:24
compilations of all these different
21:26
artists and I always wanted to try to
21:29
give to other DJs because at that time
21:31
even though people were popular on the
21:33
radio they weren't getting paid and King
21:35
Tech and I have found a way to make
21:37
money outside of radio uh that kept us
21:40
afloat
21:41
but I wasn't used to people doing it
21:43
back right and one of the people who
21:47
first time I was ever flown somewhere
21:50
and the DJ called me and said man I want
21:52
to bring you to the market you ain't got
21:54
to do nothing and we're gonna pay you
21:56
out I won't say how much he paid me but
21:59
we're gonna pay you to come to this
22:01
party and hang out we're going to put
22:03
you in a hotel the boom boom boom boom
22:05
boom that man goes by the name of djf
22:08
let's give it up
22:10
man what up brother everything is
22:13
gorgeous that goes back to what you guys
22:15
are saying if you come into my town yeah
22:17
I'm gonna take you around I'm gonna take
22:19
you you know see some DJs some ladies
22:21
whatever the case is yeah and you know
22:24
you let me do that and I appreciate that
22:25
oh man I appreciate you what's going on
22:27
with you now ABS what did people find
22:29
you man oh man you know um you know I'm
22:33
on my social media doing my own mix show
22:35
okay Monday to Friday 10 p.m at DJ apps
22:38
I'm helping uh new artists
22:41
um legendary artists definitely yeah you
22:44
know what I mean and and it's been
22:45
working out for me so you know big shout
22:47
to everybody that that's you know come
22:49
on my platform and get that music played
22:51
um you know big shout out to the God you
22:54
know Todd Smith you gave me my own show
22:55
come on LL Cool
23:05
so you know big up to that and that
23:08
right there alone has made me you know
23:11
has elevated me you know I mean it's not
23:13
just he don't just let me play Timeless
23:15
records but he let me break records
23:17
um from new music from everybody from
23:20
everywhere so that's a good thing I'm
23:22
here I'm relevant you're ready
23:26
after y'all was done in the Bay Area
23:28
yeah
23:37
yeah I actually wanted to ask everybody
23:40
here because I'll just say Okay
23:43
everyone's coming let me make it quick
23:45
okay but um 80 you know oftentimes when
23:47
we're speaking about the music industry
23:49
hip hop in particular in the past you
23:52
know in comparison to the present it's
23:54
always it was much harder you know but
23:57
in hindsight when you compare it to 2023
24:00
is there anything that actually felt
24:01
easier well what's easier now is that
24:06
artists can just go ahead on and and
24:10
um take a take their song and just put
24:12
it up on the internet yeah and now they
24:14
just goes out to the DJs or out to the
24:18
consumer right back in the day I had to
24:21
go to the DJ hey sway how you doing my
24:24
name is A.D I got this new Rampage
24:27
record can you check it out you know
24:29
tell me what you think about it so now
24:31
I'm building a relationship today that's
24:34
not happening there's no relationship
24:36
going because all they're doing is just
24:38
going on the internet like okay
24:40
transactional that's that's all they're
24:42
doing and and people who think that they
24:44
can get into the business and do the
24:46
marketing promotion is that oh this is
24:48
easy I can do this I don't have to build
24:51
no relationship all I have to do is just
24:53
hit send and the song is out there but
24:56
this right here is building a
24:59
relationship coming to DJ Epps when I
25:01
moved down here I had to come to be able
25:04
to meet him I didn't know him at the
25:06
time and so I had to come and tell them
25:08
hey look my name is A.D this is what I
25:10
got going
25:11
and so from me coming down here I have
25:15
built a relationship with apps so
25:17
whatever records that I have he'll take
25:20
a listen to it because he knows that
25:21
okay aed's not working any whack records
25:23
so yes I have a relationship with A.D
25:26
yeah so that is what the the today
25:30
with these artists today it's just let
25:33
me just hit send and mistaking ease with
25:36
convenience convenience there you go man
25:38
get these guys around to Applause
25:40
Rampage I love you you ain't done though
25:41
yes you're not done Rampage you're not
25:44
done man yeah come on we got DJ Spinelli
25:48
see I'm that environment Joe I'ma tell
25:51
the truth
25:53
y'all put me in a situation for now
25:56
because I'm an entrepreneur I own my own
25:59
water company Splash strip H2O oh wow no
26:02
no mixed water 100 Spring Water I own my
26:05
own sneakers company imma send some
26:08
sneakers to the team I told EPS I got
26:10
them I got abs about 15 pair coming
26:12
right that's my brother um on my own you
26:14
know I'm an entrepreneur but right I
26:16
teach people when I teach young kids the
26:19
music business and the culture so I
26:21
believe in this because that helped me
26:24
correct okay what is it man okay that's
26:26
enough all that talking
26:35
it's not really a radio show hmm okay
26:37
it's not really that right you know this
26:39
ain't this is just the tool we use for
26:42
these moments right here it's not a song
26:44
I could have played in the last hour
26:46
that's more important than the
26:47
information and the story of your legacy
26:50
I was there you was there right all
26:53
right ABS you still know how to DJ man
26:55
come on I know a little something
26:57
okay man let's get it popping y'all give
26:59
a big round of applause we got the
27:01
legendary flip mode remember himself
27:03
Rampages in the building we got the
27:06
legendary iconic one Miami's finest djf
27:09
yeah salute to my brother A.D yeah yeah
27:13
he's in the building yes your Rampage
27:15
you just landed in the Valley of the
27:17
highest
27:20
all right yeah
27:33
honey stripping Bentley blue truck 23
27:37
stay spinning my name on another the
27:39
logos on the engine Lieutenant dog I'm
27:41
big money spending for all you Street
27:43
[ __ ] I'm back with a vengeance my guns
27:46
in the stash box shoot off your hinges I
27:48
see the world through my Cartier lenses
27:50
I'm a rich [ __ ] I crash for business
27:52
party at my loft you can bring all your
27:55
friends this Dro Hennessy with cranberry
27:57
shorties Wanna Cry show my eyes is all
28:00
cherry mommy looking right yo she look
28:02
like hockey Berry Iceberg soup matching
28:04
hat Tom and Jerry flat screen DVD
28:07
library watching Godfather in my
28:09
conscious Bird come on come on
28:22
welcome to my demographics Rampage I'm
28:25
telepathic I run the street just like
28:27
magic 20-1 I'm shooting off like a gun
28:30
Lieutenant I'm the chosen one yo I'm
28:33
here to up my stocks [ __ ] take it to
28:35
run place your bets tell the labor to
28:37
write them checks Liverpool do I'm
28:39
coming to wreck I'm eating good macaroni
28:42
and stuffing and tell them [ __ ] on the
28:43
Block I don't owe them nothing yo I hear
28:46
rumors on this I'm back I hear rumors
28:49
I'm rich I'm fat I got fans New York to
28:52
down south and tell them young rappers
28:54
keep my name out their mouth beat maker
28:56
this is the bomb scare I read it in the
28:58
source about your African rare I see you
29:00
in the studio you start the duck meet me
29:03
outside I got them guns in my truck
29:05
surely you ain't got no luck at the end
29:08
of the day you better bring me my bucks
29:10
I send in love boys stick you up get it
29:13
stick you up I'm a golly brother and I
29:16
see that like my baby mama Tawana mama
29:19
you so right I still floss the cabbage
29:21
with the rainbow ice all you [ __ ]
29:23
[ __ ] y'all be caught up in the height
29:25
for real dog you're not no killer I got
29:28
my crib filled by my man Bob Villa seven
29:30
bedrooms Chris style in the chiller I
29:33
think big bigger than Godzilla come on
29:36
come on
29:37
come on Sway in the Morning number one
29:41
number one I have to do it swing we got
29:45
a hyena open
29:47
[Applause]
29:49
where that man it's a world famous
29:52
Rampage in the building let's keep it
29:54
moving let's go
29:55
whoa whoa whoa whoa hey hey no doubt
30:04
[Music]
30:05
I wanna say thank you
30:11
[Music]
30:12
we love you
#Arts & Entertainment