0:03
Okay, Jason, I have set your route to
0:07
>> That's what we want. Get the perfect
0:09
capture and get back with time to
0:36
Moto Auto was blown away by our last
0:38
shot, but now we're going to go back
0:40
down to earth for this one. And you know
0:43
what really pops on film?
0:44
>> I got it. Drifting.
0:46
>> Exactly. And I have the perfect drift
0:48
machine for the job. This Mazda RX7. And
0:52
just check out that awesome Mazda Speed
0:54
Aero kit. KO, we have a drift car.
0:57
You've got a location for us?
0:58
>> Of course. I have the perfect spot, but
1:01
uh this car needs to be back 10 minutes
1:03
ago. The owner is asking.
1:06
>> All right, let's be speedy and get the
1:14
>> Ko, I need you to buy us some time.
1:16
We'll go as fast as we can.
1:59
This shot is about capturing the detail
2:01
through the tire smoke and dust. Try to
2:16
headlights or the unmistakable rear tail
2:18
lights in your frame. Focusing on parts
2:20
that just scream Ark 7 will make the
2:24
>> Okay, I told the owner we were just
2:26
wrapping up, which is not strictly not
2:31
>> All right, Ko, good job. One thing about
2:33
the dust, it likes to get in the camera,
2:35
and there's nothing worse than sensor
2:37
dust. That's why I tape up my camera
2:41
>> Ah, I was going to ask, but it makes
2:44
>> You have to look after your kit. If you
2:46
take care of it, it'll last a lifetime.
3:14
It would be so rare to see a fully
3:16
modded RX7 like this outside of Japan.
3:18
It's the type of car that needs to be
3:20
seen and we're going to make that
4:31
This shot will look incredible.
4:34
So, let's get the gnarliest drift you
4:36
can pull off. And what's going to make
4:38
>> Lots of dust, lots of smoke. Yeah, I
4:41
think we can make that happen.
4:48
>> A drift shot is always going to go down
4:50
well with Moto Auto. I'm thinking about
4:52
that cover shot right now. I can imagine
4:55
it. The smoke swirling around the logo.
4:59
Perfect. Larry, I like your thinking,
5:02
but I might be able to get my
5:11
>> hands on a really special cover car.
5:14
>> Sounds intriguing. Then again, you can
5:17
never have enough drift shots.
5:19
>> Time to really send it and snap it.
5:21
>> Drifting is all about the spectacle. To
5:24
capture it in all its glory, you want to
5:26
try something dynamic. Find the angle
5:28
where the camera sees the drama. Above,
5:31
down low, you decide.
5:33
>> You want to build up as much speed as
5:35
you can and just throw it into a drift.
6:55
I like your style. May was right. You
6:58
have the eye for sure.
6:59
>> See the perfect team.
7:01
>> You said it. Well, I'll get the edit
7:03
sent to Moto Auto and the RX7 back to
