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Megalopolis Art, Power, and Utopia

Sep 30, 2024
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Francis Ford Coppola’s "Megalopolis" intertwines visionary artistry with philosophical themes, exploring the collapse of ancient Rome alongside a dystopian future for the U.S. The narrative centers on Cesar, a visionary artist, and Mayor Franklyn Cicero, a defender of the status quo. The film draws parallels between historical conspiracies and contemporary struggles, echoing themes from Ayn Rand’s "The Fountainhead." #Megalopolis #Coppola #Philosophy #UtopianVision #FilmAnalysis Francis Ford Coppola’s film “Megalopolis” serves as a cinematic masterpiece that intersects visionary artistry with philosophical introspection, generating a dialogue between the collapse of ancient Rome and the foreboding future of the United States. The narrative is driven by a conflict between Cesar, an ingenious artist with a utopian vision for the future, and Mayor Franklyn Cicero, a staunch defender of the status quo who embodies entrenched greed, special interests, and partisan warfare. Coppola’s intention to draw parallels between the historical Catilinarian conspiracy and a modern-day struggle situated in New York City emerges vividly throughout the movie. The film carries multiple echoes of Ayn Rand’s works, particularly “The Fountainhead,
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