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today we're going to be going over how
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to set up a c-stand and c-stands are
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essential for any studio photographer
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videographer you know producer whoever
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assistant production assistant anything
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like that if you're working on a video
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set photo set you're gonna need to know
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how to set up a c-stand um i remember
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the first time i was assisting for
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tony long a photographer in boston and
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he had me set up some c-stands and a
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backdrop for him and i had no idea what
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it was definitely an embarrassing
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experience but it was also a really good
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learning experience and i remember
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coming home and just going on google and
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youtube like how to set up c-stand how
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to do all this other studio
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photography type stuff because i was so
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i definitely think that's what led me to
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kind of make this video because i want
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to help everybody out there that's
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for you know studio tips and things like
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that and a c-stand is the perfect spot
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to start so today we're just going to be
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going over how to set up a c-stand for
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you know whatever you're going to be
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using it for whether it's a gripping
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thing for your backdrop
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if you're going to rig a light to it or
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just to hold up a reflector or diffuser
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let's just go ahead and get into it
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the c-stand when it's fully set up as
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i'm going to break it down and show you
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how to you know break it down and set it
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back up in a second but basically
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this is a c stand it's short for century
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stand not sure why but i went and had i
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got this on b h you can order them there
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too as well i'll link them below in the
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description but it came with
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you know everything the main rod
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the turtle base it didn't come with the
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sandbag that was separate but i
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definitely recommend getting the sandbag
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as well because that's definitely
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essential it came with kind of like the
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rigging rod and then the bar cramp as
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well so you can really
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do a lot with this not only can you
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mount a camera on it you can mount to
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hang a backdrop do anything really with
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it so it's a super essential piece of
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we went ahead and broke the whole
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c-stand apart and now we're just going
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to go over the individual parts and then
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actually build it all up
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so basically this is where you're going
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to want to start this is the the turtle
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base or just the you know the three leg
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base that you're going to want to start
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actually get it unlocked i was really
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confused at first and didn't know how to
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some of them are different some of them
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have like a screw top for this one it's
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the impact c-stand um you're just gonna
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pull up on this little lever right here
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and then all of the legs will kind of
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it will just automatically lock into
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place once all the legs are like
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equally separated which is super helpful
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and then once you have that
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just set it on the ground get
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get all your other pieces ready the next
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the next main piece that you're gonna be
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working with is just the main the main
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rod um this is gonna have
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your levers that are gonna help extend
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it up super high and at the bottom it's
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just gonna keep everything super locked
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in place so for this part super
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self-explanatory kind of just put it in
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um you're going to want to un like
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on the turtle base first
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go ahead and just place that in and then
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back and get it super tight you don't
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the main rod connected to the turtle
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base and now it's it's starting to get a
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fully set up like that
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right now i'll usually put the
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sandbag on the main leg and while you're
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going gonna do that is so it doesn't
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fall over or anything like that a while
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you're setting it up and then b
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while you're actually shooting and i'm
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gonna go over in a little bit
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just like c-stand basics once we
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actually get it set up but let's just
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keep keep setting everything up
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if you were gonna be mounting a camera
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or a light on the c-stand this would
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good good to go for the most part
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you'll probably just need to get some
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some sort of mounting plate or something
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most some lights will just go right on
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top of it and you just screw it on
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similar to this mechanism
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for the sake of the video
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i am going to also put the
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kind of like rigging rod and the
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grip head onto the actual c-stand just
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to show you what that looks like so
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to do that you're gonna just wanna
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with this it's kind of confusing because
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there's two spots that i guess the
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c-stand could go into
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the spot with that's right here that has
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different like little circles
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along the side of it that's going to be
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for the gripping rod just because it's
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super super tight and this other side is
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mounting the grip head to the actual
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c-stand so let's go ahead and do that
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screw before doing so
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and i usually like to
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i usually like to line up all the the
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screws so i'm just going to go ahead and
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do that right now make sure that's super
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perfect all right so that's in and now
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to actually get the gripping you know
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on to here you're going to loosen the
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where those little circles kind of like
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the little circle designs were or
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whatever and you can really just stick
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the holes so that it can come out the
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and as you can see now
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when you loosen it you can either put it
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down low or you can put it up high
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you can go super far out
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or if you need to you can just do a
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little bit either way it's super super
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convenient for gripping things and and
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you know it's really like can be a
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studio assistant if you don't have
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anybody to help you out you know you can
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this hold your diffuser or your
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reflector or your blackout or whatever
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if you don't have somebody to do it for
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this is the actual setup of the c-stand
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once you're here you're pretty much good
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to do whatever you need with it
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something i want to go over is
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right here if you're trying to turn the
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gripping bar left to right
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don't just force it you really shouldn't
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be forcing anything with this if
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really hard to pull it's because it's
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locked not just because it's
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and will come out if you need to move
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this kind of side to side
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you're going to undo the top lever
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and you can go side to side where once
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you have it where you need it make sure
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that's also going to be the left the
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same lever that pulls it all the way off
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you know you're always tightening that
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back up because you don't want to be
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same goes for these two side
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side screws if you want to lift it up
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then you just undo this
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and you pull up on that and this will go
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up you know really far i definitely
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recommend starting with
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the the highest one so that you don't
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have to do you know both of them or
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um unless you need to but i'll just pull
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this back down for now
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same goes for the other lever once you
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have that unscrewed then it'll just go
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up but like i said always start with the
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you know once it gets up too high
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then i can't you know you're not gonna
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be able to reach all the way up there
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after to to make it go higher without
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bringing it back down
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the last point that i really really
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really want to stress that i learned
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when i first started shooting
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it has to do with kind of um
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just like the direction or or the basics
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on how to actually use the c-stand so
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when i first started shooting um like
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studio photography and stuff like that i
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helped out a few photographers and i
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always saw c stands they were always
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around and i never really know
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you know i never knew what they were for
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never like i knew what they were for but
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i didn't know exactly like how to use
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i just didn't know enough about them
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like i wish i did and the one main main
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tip that i actually learned
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when it comes to c-stands is how you
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should use them so for example
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you you have three legs at the bottom
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one being the biggest one being a middle
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leg and one being a small leg
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when you're shooting in the studio you
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never want to have you know a piece of
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equipment fall on a person
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which is why you're going to want to
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make sure that you get the sandbags
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tip number one but on a further note if
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you don't have the sandbags here's what
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here's the point that i want to
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you always want to have the biggest leg
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facing towards your subject right so say
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that this were a light and i had the
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light attached to either the edge of the
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gripping plate you know or the gripping
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bar or if i just had it on the c-stand
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right i want to face
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towards the client or towards the
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that way is going to hold more
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or that leg is going to hold more weight
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than the little leg is so to show this
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in in real time if i push this way
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you know with the big leg forward then
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it's just going to move forward right
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it's not going to tip over and fall on
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anybody it's just going to go forward
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but if i if i do the same thing
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and i have the little leg facing the
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client or facing the subject right then
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potential to fall over especially if
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it's really you know if something really
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and that that's where things get
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um a little sticky because obviously
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the goal is not to hit
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anything or you know to have everything
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properly balanced but you never know
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when something is going to be
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you know heavier than you predicted and
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it just pulls the c stand over so always
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having a sandbag for one and for two you
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you want to make sure that you have that
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big the biggest leg facing your subject
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to make sure nothing falls now that you
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the sandbag if i push it you can see it
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barely even moves which is what you want
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that's ideal the whole for me
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when it comes to gripping and anything
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with c-stand equipment it's all about
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having the most perfect you know
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even even for this i hate having that
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much movement but sometimes you just
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have to deal with it
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making sure everything tight when it
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comes to gripping is super essential
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though so if you have any questions
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the c-stand in general
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how to set it up even just how to break
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it down whatever if you have any more
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questions leave them in the comments
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below and i'll be sure to get back to