0:00
well hi Rick Uh thanks for joining me Yeah I caught word that you got a very important uh modern proof coin uh 50
0:09
Franklin half-dollar So let's talk about that coin in particular and and why uh
0:14
1950 Franklin's are the u I guess it's fair to call them the key date of the
0:20
proof series especially if you're hunting cameos Well it it's a really you
0:25
know um I I think in the um um the notes I sent you you know I've I've uh if you
0:32
look in the NGC set registry I have a client who has the finest known proof
0:38
seated half set you know from 1858 to 1891 Spectacular coins I have a client
0:45
who owns the finest known proof barber half set from 92 to 1915 Um I had a
0:52
client who owned a finest new proof Morgan set etc So I've had a lot of ex you know proof proof coins are my first
0:58
love You know the half dollars and the dollars they're my first love And um the
1:03
one thing um when I really got involved in Franklin's in the early 1980s the
1:10
proofs and the more I studied them uh what I've concluded over the decades
1:16
uh is that o the overall if you had to pick one year where the overall quality of the proof half dollar was the worst
1:24
for that for for for any year uh in general it would be the 1950 I mean the
1:32
um and there's several reasons why Um the fortunate thing is that the mintage
1:38
was 51,386 coins So the mintage was higher than previously So they had more dice to
1:46
prepare But um there were a lot of reasons why the quality of these coins
1:52
in general were so poor One of course they hadn't made proof coins since 1942
1:59
Um and if you look at 1942s uh the proof walkers you'll see a lot
2:06
more of them despite the a much lowerage a lot more of them in very high grade
2:12
than the 1950 Franklin And um um the 1950s Franklin I
2:19
I think what happened uh Charles is that you had a lot of new people
2:25
uh in the department that were tasked with the job of making proof coins who
2:30
had no experience making proof coins You know I mean the the fells who were working there in 42 were gone You know
2:37
you had World War II and everything And so you had all these new people and so
2:44
um the making of a proof die was maybe more of a a learning process for a lot
2:50
of these people Uh on top of that you had the fact that there were a lot more
2:56
proofs that they end up striking than previously Um you know here we were five
3:03
years out of World War II you had um a lot of exmilitary men who were getting
3:10
established in the working world in the business world and you saw a real boom in collecting taking place in the
3:17
1950s And so they had over 50,000 orders for proof sets but you know uh they they
3:24
may have only had so many dyes Um and if you look at enough 1950 proof
3:32
Franklin you'll see a lot of them A very high percentage of them are are
3:37
struck from very worn dyes Some of them you look at and they they it's hard to
3:42
tell if they're proof coins or not because the mirrors are so shallow you know and a lot of times
3:49
these worn dyes you'll see a lot of pitting on the high point of the bell
3:54
and on the high point of of Liberty's uh uh cheek um uh as an indicator of coins
4:02
being struck from these warn D So you had a lot of these kinds of the majority of Franklin's in 1950 were struck from
4:09
dyes that were not you know in pristine beautiful deeply mirrored condition You
4:15
know nowadays you see proof coins and everyone's a beautiful black and white cameo Back then I I think they they
4:23
ended up overusing the using these dyes to fill these orders And um so you had a
4:30
lot of coins that were just struck from very poor dyes And then there were some nice cameo
4:37
dyes but then uh again um uh 1950 this
4:42
is the first year they came out They came in the box sets And the 1950
4:48
Franklin's they had you know a lot of times they had glue glue stains from the glue that they used in those envelopes
4:55
hairline Um but but they always had hairlines All the deeply really deeply
5:00
mirrored 1950 Franklin's I've ever handled had hairlines You know if you
5:05
just had a few and a graded proof 66 well that was exceptional A proof 66
5:11
cameo Franklin is exceptional And then if you get one in proof 67 that was extraordinary And then
5:17
there's actually been a few 68s out there But uh a 6-9 is basically
5:25
um a perfect coin Now when he told me he had a 69 cameo there was only been three
5:31
or four graded and 68 cameo So you you probably Yeah So you probably
5:37
expect at this point it's like an upgrade or something right i uh I didn't know what to expect What I actually
5:43
expected was that it would be struck from um because because I've
5:49
seen I think I've seen all four of them Um and two of them were struck off of a
5:56
very weak cameo die By a weak cameo die is
6:01
not one that I had pictured in my book I call it a weak cameo die because the a even though they're early strikes the
6:08
averse is very very lightly frosted I mean it has just enough frost for a
6:14
cameo designation You if they would have put uh uh a symbol beh after it they
6:22
would call it a cameo minus You know it was just very lightly frosted Two of the
6:27
68 cameos were off that die Now that die the coins in general are high quality
6:33
They have nice mirrors They usually have relatively few hairline so they usually grade pretty high But in terms of
6:40
contrast they're very very weak cameos So I kind of was expecting one of
6:45
those And so when I got I got the coin and the first thing I noticed is
6:51
that it was struck It was an early strike off of a top die You know I had I
6:56
put my coin glasses on you know which these are my reading glasses They're 150s So my co coin glasses are 325s
7:04
right of course So u I put the 325s on and look for the
7:10
hairlines you know and I couldn't find any and the mirrors were just jet black
7:16
and the co I I it was just blew my mind And it reminded me it reminded me u
7:24
because I started in deep mirror proof like Morgan dollars and you're familiar with that
7:29
1886 MS67 deep mirror proof like Sure Yeah
7:35
Uh it's a one-of-a-kind 1886 It's just it's like a million-dollar coin but it's
7:41
so superior to any other 1886 It's like it just stands alone for that date And
7:49
uh this kind of reminded me of that coin for a 1950 because it's just unlike any
7:55
1950 I've seen It's an early strike off a top die and where all of these other
8:01
coins they all had hairlines This coin was absolutely flawless And so um you know now that 86
8:09
is a million-dollar coin I you know this is a Franklin Um one thing I can say is
8:14
certainly among the Franklin I've handled I know in auction there was a 1958 P Mstate Franklin in 67 plus FBL
8:25
sold several years back for $129,000 Um among Mstate and proof Franklin's
8:32
this was probably the most you know uh amazing Franklin I've handled in terms
8:38
of what it is for the date and grade Uh the fact that it's this kind of quality you know um you know you I look at the
8:45
coin and the coin is a 69 you know it's not it's not a coin that you know
8:51
um you know kind of like you say you know crack was a crackout or something
8:56
like that It's just absolutely spectacular Um and and PCGS hasn't
9:03
graded any in 68 cameo so you know it wasn't in a PCGS holder Um you know the
9:09
guy said he got it out of a proof set and it's just blows my mind that he got this out of a proof set So um uh you
9:19
know it's it's it's a great story I you know I'd like to say that he got it out of some somebody's old time collection
9:27
who put it away back in 1950 or something like that but he got it out of
9:32
a proof set I I just think boy some people you know I've never been that fortunate You know I've been I've looked
9:38
at millions of proof sets over the years and I found some later dates in Ultra Cameo but to get an early date like this
9:45
in this condition is um is extraordinary and it's it's it's really a thrill So um
9:53
so the last I think I think the last super high-grade uh 50 Franklin proof
9:59
that I I saw at a lot viewing was probably uh the Jim O'Neal coin that
10:05
Heritage sold in 2018 It was a if I if I remember it was like a proof 67 plus
10:10
cameo with CAC and and and I've I I've been kind of I I I wish I wish the
10:17
grading services would be more uh strict with these uh designations as you kind
10:22
of lay them out in your in your book which pretty much set the table for them to start accepting them because like
10:29
often times I find that these these these twe some tweener grades or some tweener frost levels get get the
10:37
designation and even if they're weak in spots I mean is is this is this 69 like
10:42
solid cameo throughout in your opinion or is it typical for the date it's
10:48
actually off in my book It's actually off D number one pictured in the book
10:54
and um it has a really even creamy white frost over the averse and the reverse
11:02
The reverse is actually uh ultra cameo The obverse is just a really nice strong
11:08
cameo So it's a very even heavy frost on both sides And that's what makes it so spectacular is just you know just to get
11:14
a 50 and proof nine would be a six figure coin Um you know uh you know I've
11:21
I've never I've never handled for a long time there was one in the NGC pops that
11:26
was a nine star And I I'd never I had never seen that coin Uh I can only guess
11:33
it maybe had it had some nice color toning around or something They gave it the star designation but that's been in
11:40
the NGC pop tables for I don't know at least 10 years And um that's the only
11:47
you know I wish I had seen that coin but to get this coin you know I it's again it's a dream come true because I never
11:54
thought I'd be handling a 1950 in proof nine And here's this nine cameo It's a
11:59
really strong cameo and it's a solid 69 Um you know it's fully deserving of
12:05
the grade So it's it's just as a specialist in these coins and a
12:10
collector at heart it's u it's just a lot of fun
12:15
What What do you think the impact of a coin like this coming i mean first of all is the coin coming to market or is
12:21
it going into your personal holdings no we're we're going to um um we we we got
12:27
some clients uh we're gonna call um about it and um you know because we have
12:35
some really good clients and we want we want to give them first shot on it and we we're going to go from there because
12:41
you know the last thing I want to do is is to put it in an auction And I I always try to you get something really
12:48
special to clients that have been loyal You want to you know um give them first
12:53
first shot on something like this And it's it's a coin that's you know irreplaceable You're not going to see another one first year of issue and
13:00
everything It's you know it's kind of a a holy grail for for
13:06
for you know proof half dollars from from the from the 20th century I know
13:13
I've handled some really cool proof half dollars I love to tell
13:19
stories about I remember once I had I had a 1936 in Walker and proof 67
13:26
star that I sold and I I sure wish I had could get that coin back again because it was a really early mirror Actually
13:35
had some frost to it you know kind of 36s you just don't see you know Um and I
13:42
once had a 1915 uh arbor from from the child's
13:47
collection that was just the most amazing 1915 I think it was graded 68
13:54
star cameo Um so um you know those are some of the highlights of some of the
14:00
proof half dollars I've handled you know from the 20th century I would imagine like a coin like this coming out and
14:07
getting into a uh an important collection uh might might wiggle another
14:14
half dollar loose from that collection perhaps Um how do how do coins like this
14:19
coming to the market like re recalibrate our opinion on what's out there and and
14:24
and what's possible well that that's the thing You because because you know you know that's the fun thing about
14:31
collecting You just never never ever know I mean you know for example
14:38
um you know when I was working on my first book I was trying to deliberate
14:43
the rarity of a 1959 in ultra cameo condition Now here
14:49
they struck over a million 1959 proof
14:55
Franklins And but I was saying to myself you know I've been studying these things for years and years and I had only seen
15:02
a handful that I could call ultra heavy that were really heavy cameo averse and reverse So I made an estimate that I
15:10
said there was probably somewhere between you know like 90 and 180 coins something like that in ultra heavy in
15:18
all grades And you and you're doing this more or less based on your die studies Yeah And cameos can be struck for Yeah
15:26
And based on in 1959 the dyes seem to wear very quickly So if a coin struck an
15:31
ultra cameo there weren't very many strikes off that die that would strike ultra cameos But here we are um you know
15:40
over over 30 years later and PCGS and NGC combined in all grades I think have
15:47
graded something like 50 or 60 coins you know and so it's you know I but you know
15:54
I I tried to be really conservative in those estimates In other words I made the estimates what I felt would be on
16:00
the high side So that I didn't want a collector buying a coin based on an estimate and then finding out that my
16:07
estimate was was was uh way too high and that there's uh
16:14
uh or that my estimate was way too low and that there's actually a lot more of the coins that my than my estimate In
16:20
other words if it turned out that there were 959s in Ultra Cameo when my
16:25
estimate was 150 you know that would that would be great for the seller but it'd be terrible for the collector So I
16:33
made all my estimates on the high side figuring well
16:38
they'll either reach that estimate or it'll be below that estimate And uh
16:45
that's for the most part turned out to be the case Uh um and uh and the one
16:50
thing this is doing is it's really stimulating me to um um do a a brand new
16:58
you know revision updated version of the Cameo book where I would be able to have
17:05
pictures of all the top coins already graded throughout the book
17:10
which I wasn't able to do in the first book Um plus I would be able to have color pictures throughout the book you
17:17
know with modern technology Um it makes a book like this so much easier and so
17:24
much more possible than you know 35 years ago Um uh 35 years ago it was a
17:30
nightmare Charles I mean um um if you can imagine it was those were the analog
17:36
days I remember I had a professional photographer and he had a special tent
17:43
set up to photograph the coins and there would be reflective um kind of tin foil
17:51
on the inside of the tent and the coin would sit on the stand in the middle and the light would be
17:59
underneath the stand and the light would just reflect off all that uh
18:06
a reflective surface and um and then he would shoot shoot the coin from a little
18:12
hole in the tent And every coin was set up exactly the same
18:18
way pennies nickels dimes quarters halves And you know we do a shooting and
18:25
uh you know some of the coins wouldn't come out right So I'd have him reshoot
18:31
it So he would reshoot it and exact exa again in exactly the same you know setup
18:41
and the next coin would come out where whereas the first set would come back
18:47
from the developer with a little bit of a red tint The second batch would come
18:52
out with a little bit of a blue tint or the coins would be slightly larger
18:58
you know I would have to put these in a book And I was I was kind of I was it
19:03
was getting very frustrating because I wanted these to be I really wanted to capture the cameo as as accurately as
19:11
possible And that was the key And we did that for the most part But I I finally had to settle I don't know if I ever
19:17
told you this story but I I said to myself "Look Rick you're not going to get to the point where it's 99% accurate
19:24
You you'll be doing this for 10 years if you try it." So I had what I called my 97%
19:30
rule which is if it got to that 97% I had to be satisfied with it Because if you look at the first book for example
19:37
in the quarter section you'll see some of the quarters uh have a bit a bit of a red tint to
19:43
them and others will have a blue tint And it's all because of how they were developed in a different batch And
19:50
nowadays though with computers and and and and digital photography you know we
19:56
don't have those issues So it's going to be really great And now and and now we
20:02
have you know about almost 35 years where the grading services have been
20:08
able to grade these coins and and now you know we're seeing a lot more coins
20:15
graded being graded in Cameo and Deep Cameo from this era than we did say 10
20:20
15 years ago I mean the fact is most of these sets have been picked
20:27
at this point and it's pretty rare when you find something really nice coming out in Cameo or Deep Cameo So this this
20:35
1950 coming out now some 35 years later is um a real shocker you know So um but
20:44
it's uh I call it the What did I What did I
20:49
call it i called it a 1950 Franklin and proof 69 cameo
20:56
was a coin that I didn't believe existed And that's the bottom line I you know like there's never been a
21:03
1951 or a 52 graded in 69 There's been a couple 53s And I figured well there
21:10
might I could see there being a 52 someday because um you know like NGC is
21:16
graded 17 or 18 and proof 69 I could see a a 69 cameo one day popping up Uh 51
21:25
you know maybe not but a 50 I didn't think there was any chance of a of a 50
21:31
uh popping up uh in 6ix9ine cameo Um in in fact even even the proof 68s
21:40
uh there have been about 40 1950s graded in proof 68 but again most of those most
21:48
of those are are are later strikes off warn dies They're not deeply mirrored coins Um but those are the kind that
21:56
typically survive uh the decades um without the hairline issue
22:03
that you have with the really deeply mirrored roof franklins It's those really deeply mirrored proofs that you
22:09
know tend to pick up hairlines a lot easier than those later strikes that don't have those delicate mirrors So um
22:18
so this is this is really unusual It's uh it's uh it's it's it's it's kind of a
22:24
freak freak of nature you know It's shouldn't exist but it does So I
22:30
want to ask you a question Let's let's talk about this coin um technical level
22:35
U like like uh let's let's just imagine for a second that I am a very
22:42
sophisticated collector and I am in the market for a coin like this and I want to build an a worldclass set Yeah
22:51
So I have choices Well perhaps maybe I have a choice to make Maybe I'm maybe I
22:57
have a NGC67 plus U cam or a 67D cam from PCGS
23:05
which up to this point I've been really really I really like Is there an argument that you would make that would
23:11
say that that collector wanting with that goal of having the best set should
23:17
consider a 69 Cammy over a 67 UAM well um the highest grade DAM PCGS has
23:25
ever graded was a was a 66 DAP Um and they've graded only a couple in proof
23:32
proof 8 Um but when you now there there's a couple ways to look at it um for
23:39
registry set purposes If you're building a registry set and you want the top
23:46
ranked registry set um I believe a 67 or 67 plus or a 67 UAM will give you
23:55
a a few more registry points than a 69 Cameo So you might prefer that over the
24:04
69 Cameo Then there are other collectors who though u are just bothered by flaws
24:12
They want their pro proof coins to be perfect You know I've got some customers like that and man if if it's got a
24:20
couple hairlines on on it or a couple or a little spot here or there it just
24:26
bothers the heck out of them you know And and that's you know collecting is all you know all different strokes you
24:32
know everybody has their own taste this this kind of coin kind of
24:39
appeals you know if you're building a top
24:45
set and just for aesthetic purposes and I and I wanted to decide between a 67 U
24:53
cam or the 69 cam I think I might pick the 69 cam just
25:00
because I would it's like the perfect 50 You know I've never seen a 50 that I
25:09
look at and would say "Is I flawless perfect?" You know uh I'm looking at it
25:15
with my with my you know uh with my
25:21
uh my coin glasses on and I'm studying it under a strong light and the mirrors
25:26
are black and and you can't see any flaws or spots or glue stains on the
25:32
averse or reverse and I just ask myself how the heck did this coin ever survive
25:37
like this it's you know knowing that all the other 50s I've
25:43
seen you know after you've seen thousands of the things and all all the Deep Mirrors all have hair They all have
25:51
hairlines and uh the nicest ones I've ever handled you know had a couple
25:56
hairlines two three hairlines but you know they were always there And then to find this coin that is like wow there
26:04
there's there's nothing on it It's absolutely perfect It's and it's a
26:10
beautiful cameo and the mirrors are just so so nice Um you know it um it's kind of a jump
26:19
ball you know and I would just leave it up to the collector but there's a lot to
26:25
be said for picking either one A 67 UAM Um there's probably going to you
26:31
know there there's a few of those Although and there's only one 6ix9ine cameo Now I haven't tried to upgrade
26:39
this coin to a star or something like that That's that's something I you know had thought about doing Right now it's
26:46
just in the holder that I bought it in but certainly I could see it getting an
26:52
upgrade to something like a Star Cameo because it it is so close to being an ultra cameo And that might you know that
26:59
that would give it some additional registry points So for registry collectors that would be that would that
27:04
would be important to them Yeah Well at the very least I'm sure it's going to get an Everest sticker
27:10
Oh yeah Yeah Yeah Yeah This is Yeah This is a coin
27:16
Uh yeah I'm working on this second book and it certainly would be one of the plate coins in the book you know I mean
27:23
um you know it's just um um so extraordinary for for the year Um
27:32
um I mean I mean the proof making has a really interesting history And you know one of
27:38
the things I say about the the the 1950 proof Franklin and here we are here here
27:44
was the US leading the industrial world in 1950
27:49
Um and we were striking these coins that had had pitted surfaces shallow mirrors
27:57
glue glue stains And here we're and if you look at some of the proof coins
28:03
struck uh you know 50 75 years earlier you could find some of the most
28:09
beautiful deep mirror cameo ultra cameo proof coins struck back when the
28:14
industrial revolution was in its infancy you know and here we were in this in
28:20
this modern era and and then it was like it was like the 1700s you know
28:27
Yeah I guess I guess well I mean the the Synx design was it wasn't necessarily the easiest one to strike up you know I
28:35
mean the the getting full strikes was kind of a challenge Yeah that was that was a big I think
28:41
that's a big part of the problem with the 1950 Franklin versus the proof
28:47
walker Um even with the mintstate coins I mean proof walkers the later proof
28:53
walkers for example are much easier to find in high-grade mintstate than the
28:59
Franklin's And I think it has to do with the wide portrait surface area of
29:05
Franklin Franklin's portrait and the Liberty Bell that wide flat Liberty Bell
29:12
And then you also have a large area of field in back and in front of Franklin's
29:19
head that you don't really have with the walkers where um you have the walking
29:25
liberty portrait It's a much more three-dimensional multi-dimensional portrait versus the
29:32
Franklin and Liberty Bell which is kind of almost two-dimensional you know not not as not as uh um not as detailed not
29:41
as uh you know artfully crafted as as that walking liberty half There's more
29:47
certainly more hideand seek I think in the uh Franklin and certainly more more spaces for for hairlines and scratches
29:54
to appear Yeah Yeah Well that's it That's it That's the whole thing You
30:00
when you have a large area that's that's uh can be easily exposed like on the
30:06
Franklin you know it's a uh it's a target for you know especially when they came in those early cellophane envelopes
30:13
just celloph just rattling around in the cellophane envelope is is going to hairline the coin if it ever araides
30:20
with the field of the coin Yeah a very very similar circumstance with I think
30:25
the uh the Ike dollars when they start to appear in the 70s although I think the Franklin has certainly much more
30:32
classic design Yeah the Ike dollars had the benefit of uh being in the plastic
30:38
holders So that was nice And uh however um obviously they
30:45
they had problems with the packing materials because um you know as as like
30:50
I like to call the the brown Iikes uh body bags because whatever material was
30:57
in those holders just had the worst chemical reactions with the surface of
31:02
the coin And you see these iikes silver iikes with this very very heavy opaque
31:09
haze Haze swampy toning Yeah And I just have no idea what they were using They
31:15
had similar problems with with the cladikes as well up up until 1978 All of
31:21
a sudden 77 and 78 was kind of the magical time when all
31:28
of a sudden there was a huge improvement in quality Um you know they were using
31:34
they had been experimenting with the sand blasting of these dyes and uh the
31:41
chrome plating of these dyes to create uh more of these beautiful cameo coins
31:47
And it's like 7778 was kind of when they were pretty much perfecting it because
31:53
when you look at the population numbers and and this is a breakdown I did virtually every Ike struck in 1978 is an
32:02
ultra cameo They're all really nice and they're going to grade at least proof 68
32:07
Most grade proof 69 a few grade proof 70 Same thing with the Kennedy halves you
32:13
know although you'll get more 70s with the with the Kennedy halves So that's I call that the kind of the beginning of
32:19
the modern era 19778 when you were pretty much guaranteed of getting a beautiful
32:26
beautiful cameo uh in in every denomination that would be a very very high quality coin Yeah I mean you're
32:33
right I mean that that's pretty much why I think this 1950 to this probably I mean probably
32:40
the early '7s maybe maybe around the bsentennial I mean that's going to be a
32:45
very interesting area for collectors in the next 30 or 50 years you know because
32:50
of that I don't I wouldn't want to call them accidental cameos but certainly the mint didn't set out to make them and
32:57
then and then they changed their technology so everything is a cameo Well well certainly I I I I had the
33:06
privilege of speaking with someone uh was Ed Fulwer
33:12
um he's retired who used to work at at the mint and he used to talk about when
33:17
they made cameo dyes and he said they called it pickling the dyes So they
33:23
intentionally made the cameos but they they didn't know how to do it on a consistent basis because you know they
33:29
they dipped them in this bath that was 5% nitric acid 95% alcohol and that acid
33:36
bath would etch the entire frost the entire surface of the dye and then they
33:41
put the dye in a buffing wheel and of course the recess portion uh would wouldn't receive that buffing It would
33:48
retain that acid cameo effect So the first strikes would have
33:54
uh the fields would have the the mirrored buffed mirrored finish Uh the
34:00
portrait would have the acid etch cameo effect but the acid etch cameo effect was extremely delicate I mean they were
34:07
coming down with about 200 tons of pressure for the half dollars and everyone was being struck at least twice
34:13
and so each successive coin you know that acid frost would would wear ever so
34:20
slightly So every coin would have you know maybe a hint less frost than the coin before Now in some years they were
34:28
able to strike more cameos before the die were set in than others Um probably
34:34
the best well-known year is is the 1956 For whatever reason
34:40
um in the half dollars there are a lot of ultra cameo 1956 halves But then as
34:47
you go into the decade of of the 50s the 57s they're much rarer than the 56s The
34:55
58s are much rarer than the 57s Then you get to the 59s and they're the rarest of
35:01
all And then when you get to 1960 all of a sudden you see more cameos
35:10
Now that also coincides with the fact that 1960 was the year that they
35:15
reworked the dyes uh restored a lot of the detail that had been lost on the
35:21
master die over that decade And um that probably had a lot to do with why all of
35:28
a sudden you start seeing more ultra cameos again in 1960 because they had
35:33
these these brand new dyes with this restored detail So maybe if they were
35:39
dipping the dyes in the acid bath they felt they could dip it for a longer time and still maintain that retain that
35:46
detail that was on on the on the working dye You know that's just a theory of mine because there's really no you know
35:53
we did some research in the Library of Congress to try and find out but the mint records for this kind of stuff is
36:00
or or it's really hard to come by any kind of mint records there Nobody I
36:06
couldn't I could never find a diary that anybody kept about this stuff It was always just for word of mouth from from
36:13
uh the people I spoke with All right So so Rick what do you what do you play what do you uh estimate the uh the value
36:19
of the 50 and 69 cameo at i mean it it has to be a 150 to 200,000 Yeah I I I
36:27
would say uh you know uh 150 175 Yeah Uh I
36:33
mean yeah I could see the coin selling for more than that but you know I I I think that's a really really reasonable
36:40
price because if because I think to myself what what would I be willing to pay for just a regular proof 69 that was
36:48
a deep mirror proof 69 and I would say probably about $100,000 So if I'm willing to pay that
36:54
much for a really legitimate just regular proof 69 1950 well here you got
36:59
a Cameo 69 you know So I I think that's a really kind of fair price Yeah Well
37:06
well good luck with it If you if you do end up selling it uh please let us know And uh we we appreciate you taking time
37:13
to talk to us about it It's exciting Thank you Charles It's been a pleasure as always All right Cool Thank you very much Pleasure Take care