Torae and Marco Polo Talk About the Making of “Midnight Run” on Sway In The Morning & Freestyle
Oct 26, 2023
Torae and Marco Polo are back with their latest album “Midnight Run,” and fans are raving about it. Torae and Marco Polo recently stopped by Sway In The Morning to discuss how they made their latest album, including the story behind its latest single, “The Return.” In this blog post, we will discuss the details of this interview and give you an inside take on how Torae and Marco Polo crafted their latest masterpiece.
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Torae and Marco Polo Talk About the Making of “Midnight Run” on Sway In The Morning
https://youtu.be/12uqnQf2DU4
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0:00
té is in the building give him a big
0:03
round of applause our brother man
0:07
absolutely and he's not
0:11
alone he's brought a man who's been the
0:14
architect of a lot of great music to
0:16
come out of this genre um he's worked
0:19
with a lot of great artists some of my
0:20
favorite one of my favorite MC's of all
0:22
time is Master Ace he's worked with
0:24
Master Ace he's worked with t he's
0:27
worked with sadot x the list goes on and
0:30
on what makes this dude really special
0:32
he's not even from here this dude is
0:35
from the nicest place on the planet he
0:37
comes by the way of Canada please
0:39
welcome Marco Polo is here with us
0:43
today you know thanks for having us
0:45
absolutely we just came off a big party
0:48
celebration at so's did we do that did
0:50
we do that we did that we did that we
0:52
did that we did thank you sway for for
0:55
hosting and and keeping the energy up
0:57
and having the MC's come through and you
0:59
know sway is gonna sway no matter where
1:01
he go you know mean sure yeah it happens
1:05
um but Master a was there schoolo was
1:08
there from dos effects crazy we had
1:10
listeners of this show U that showed up
1:12
that day too wow um and gifted me
1:15
because we were biging up the show but I
1:17
want to say congratulations they got a
1:19
new collaborative album a midnight run
1:21
that's out right now vinyl they got the
1:24
vinyl up too and it it what what 14
1:26
years in between what was the distance
1:28
between the time y'all work together the
1:30
first time and now Marco Polo yeah 14
1:33
years yeah man okay thank
1:36
you I could have left him home ladies
1:38
and gentlemen but but why why what what
1:41
did you hear that made gave you that
1:44
itch cuz it's been about five years
1:46
since you done something right what gave
1:48
y'all to itch I mean we always been
1:50
making music okay we just hit the ground
1:52
running after that album we both went on
1:54
our own paths always stayed in touch
1:55
always worked on music and we had these
1:57
joints from like six seven years ago and
1:59
I said yo these these are crazy songs
2:01
let's release them I kept pushing them
2:02
and then we wrapped up and we added a
2:04
couple new ones and we had an album so
2:05
you're doing with uh what I heard n
2:08
speak about like a lot of times and and
2:10
té by no mean is you you you're a
2:12
younger generation artist um to us you
2:14
know you um and so you're still in your
2:17
Prime but a lot of artists who put out
2:19
music as long as you have get gunshot
2:22
you did you get to because you do so
2:24
much you work with the Grammys you you
2:26
you know you you philanthropic you do a
2:27
whole lot of other thing you have grown
2:30
as a human being yes uh how has your
2:32
relationship with rap um changed I love
2:35
it I still love it as much as I did on
2:37
day one okay um I think the the biggest
2:40
thing between me going out and to do
2:42
other things kind of goes back into that
2:44
clip that you played um I wanted to do
2:47
things that I was able to continue to
2:50
stretch my creativity and stretch my
2:52
contribution to the culture and figure
2:54
out other ways to bring in Revenue that
2:57
didn't make me have to compromise what
3:00
went and in the studio and so for all
3:02
the other endeavors that I've been able
3:04
to kind of put in my in my catalog of of
3:07
career those things are things that I
3:10
love to do but they're byproducts of
3:12
this hip-hop you know like MC is the
3:14
springboard for all of it it's no acting
3:16
it's no radio shows it's no recording
3:19
Academy it's no none of the other things
3:20
I do without hip-hop now I will say that
3:24
the last project I put out five years
3:25
ago I kind of started to get bored with
3:28
the rinse and repeat of of just put a
3:30
record out do some shows shoot some
3:32
videos do some interviews sell a few
3:34
thousand do it again I was like I need
3:36
to do something to keep this exciting
3:37
and fresh for me so sometimes you got to
3:39
step back so you can step back into it
3:41
the right way yeah I like that reflect
3:44
on it you you know we were talking then
3:46
about streams and you know most recently
3:49
we've been hearing how you know in the
3:50
rap genre the streaming has gone down
3:52
substantially right what do why do you
3:55
think that
3:56
is I think people just tied of hearing
3:58
the same [ __ ] you you know I think
4:00
people are tired of hearing the same
4:01
content now I think the youth stream at
4:04
a really really high rate so they'll
4:06
continue to keep the ecosystem going but
4:08
I think as a whole you know when you get
4:10
to just like your casual fan and
4:13
especially like a music novice who just
4:15
he discover new music from shows like
4:17
this or whatever it's not a lot of
4:19
things that people are going to go back
4:20
to and run up like they once have and
4:23
then everything goes in Cycles as well
4:24
you know so Papa kind of move back to
4:27
the Forefront you might get country or
4:29
might get you know Americana that mov to
4:32
the Forefront but hip-hop is the one of
4:34
the youngest genres and it's not going
4:36
anywhere but it's going to go in a cycle
4:38
it'll be the most popular it'll dwindle
4:40
it'll shoot back up to the top that's
4:41
just how it goes to is here Marco Polo
4:44
is here give him a big round of applause
4:45
I mention you work with the
4:47
Grammys Grammys get a lot of metaphors
4:50
in rap versus yes I think blue iy a
4:54
Grammy was her sippy cup yes right I
4:57
think Drake made a comment in one of the
4:59
songs yeah he said it was a door stop it
5:01
was a door told uh Jimmy Jam that he
5:03
uses as a door stopper what are your
5:06
thoughts when you hear that that because
5:08
I'm a you know I'm a member too right
5:10
you know I always go man come on guys
5:12
what are your thoughts when you hear
5:13
that I mean it's just it's easy to make
5:15
the recording Academy and the Grammy a
5:17
punchline because one thing that I've
5:20
seen since I've been a part of the
5:21
academy is every year people hate on the
5:23
Grammys until they're nominated until
5:26
they win and if they don't win that
5:28
following year right back to the talking
5:30
[ __ ] part and I'm just like yo your
5:33
price went up I go to your bio it's
5:35
literally the first sentence after your
5:36
name Grammy awardwinning you walk on any
5:39
show Grammy awardwinning so it's still
5:42
it's still a very prestigious award it's
5:45
easy to talk [ __ ] about it and
5:46
everything is floor everything in the
5:48
world is floyed so you can highlight the
5:50
flaw of the Grammys of the recording
5:51
Academy but you know when you win one
5:54
you know you changing the number on that
5:56
you know on that on that offer and so
5:59
it's just you got to take it with a
6:00
grain of salt it's just like no nothing
6:02
is 100% perfect people going to love all
6:04
the time and the the recording Academy
6:06
is no exception to that I'm ask you one
6:08
last I know Tracy and Heather Mike Muse
6:10
over there they they want to jump in on
6:12
this man is the
6:15
chain number one real yes okay did you
6:20
buy that or LL bought that cuz I know
6:23
you work at Rock the bells oh man LL is
6:27
a very generous human I don't know if
6:29
this generous I don't know if I pass
6:31
that you know I mean that gift level yet
6:33
but yeah this is no I admire your
6:36
relationship with LL coj and I say this
6:40
because I told you I might even texted
6:42
you I saw LL you was backstage at one of
6:45
um at the tour right and LL greeted you
6:48
like he was greeting his little brother
6:50
and he and he hugged you and it's almost
6:52
like he respects you you know like he he
6:55
might want your feedback How We Do you
6:57
know he might you know uh what is your
6:59
relation ship with him you I know You'
7:01
sat with him one onone now and got some
7:03
off mic we had yeah we had some great
7:06
conversation yo I'll say this man for
7:09
L's been a superstar my whole life not a
7:11
rapper not famous not a rap star L L's
7:14
been a superstar for as long as I can
7:17
remember and facts that's real for
7:20
that's for everybody everybody yo he's
7:22
so [ __ ] gracious bro like not that he
7:25
doesn't have to be cuz he's a
7:27
God-fearing man but you think about all
7:29
acol let's just look at the force tour
7:31
right LL could say yo I'm I'm going on
7:34
the road I'mma sell these shows out I'm
7:35
going to do these I'm going do these
7:36
venues LL got rock Kim with him and salt
7:39
and pepper and juvenile and Bone Thugs
7:43
and big boy and it's not to say that all
7:45
of these artists aren't worthy or
7:47
deserving but to see Rock Kim in these
7:51
Arenas every night that are filled up in
7:54
2023 when LL could have just went out
7:56
there and did that on his own when you
7:58
see LL start something like rock the
8:00
bells where Equity goes back to the OG's
8:03
and you turn on the radio and you hear
8:06
Caz and Sh rock or you hear myself or
8:08
you hear DJ scratch and he's just G
8:11
continuously giving opportunities to
8:14
people when it's not necessary he
8:16
doesn't have to and when you tell him he
8:17
doesn't have to he'll rebuke that what I
8:20
do have to because this is what I do
8:21
this is the culture so I love that he's
8:24
taking ownership of what he thinks hip
8:27
hop should be doing and not just saying
8:29
yo we need to do this we need to put on
8:30
we need to rep he's just doing it he's
8:33
doing it yeah look at the tour look at
8:35
the Cru right the Cru is coming up I'm
8:38
I'm a host on the cruise I don't know if
8:40
you knew that no I'm Saturday I'm the LA
8:43
I'm in that's it I'm in bab listen
8:45
that's
8:48
what break breaking news to the entire
8:51
team he has in the morning bre and
8:54
probably to the Rock the belts team too
8:55
no I wasn't able to make that
8:57
announcement these both yeah
8:59
you dropped it already torch did you
9:01
know yeah we spoke about it a little B
9:03
you be with torch no we spoke about it a
9:05
little bit you with I talked about it on
9:08
air Tracy don't start cuz Heather's back
9:10
you heard this all right man let me see
9:13
the truth okay but that's but that's
9:16
that's what's incredible did you play on
9:17
this album I did not no did you find out
9:20
what he thought of it you know l l is oh
9:23
he's on tour right now so I'm giving him
9:25
that space But what I learned about L is
9:27
he's always listening and watching and
9:29
paying attention when you think he don't
9:31
even down to the name of my show on Rock
9:33
The Bells the name of the show I had a
9:35
whole different name and I talked to Jay
9:37
over there and we was going with this
9:38
name and this concept and then he was
9:41
like yo El says maybe we should just go
9:43
with that raw you know the song you got
9:44
with Pete Rock he really likes that s
9:46
and my mind just it was the head explode
9:48
Emoji I'm like yo not only does el know
9:51
the music but he's he's ingrained in the
9:54
[ __ ] so much so that he's paying
9:56
attention you know I'll get a text yo me
9:58
and Tyler listening or I'll get a
10:00
FaceTime you know when the book dropped
10:02
and FaceTime Ebony and L was right there
10:04
he just stayed super tapped in so um I
10:07
don't know if he heard the album yet I
10:08
haven't gotten any feedback from him but
10:10
I know once the tour is over hopefully
10:12
we'll have a moment to sit and discuss V
10:14
to is here on the album It's called
10:16
Midnight Run it's out right now with
10:18
Marco poos Tri you want to jump on that
10:21
yes sir um T I love how you said hip-hop
10:25
basically is the soil that all your
10:27
other Ventures grow from I'm thinking
10:30
specifically with you as a broadcast
10:32
journalist as a podcaster as a content
10:35
creator um and there are other MC's who
10:39
are also in the media space now and
10:41
perhaps even MC's that are thinking
10:43
about it so two-part question one
10:47
because so many folks when they're
10:48
creating their albums tend to not want
10:50
to listen to others and be
10:52
subconsciously influenced do you find
10:55
that can happen when you're interviewing
10:57
folks or there can be like moments when
10:59
you're speaking to another artist and
11:00
it's like dang he's about to drop
11:02
something that was an idea in my head
11:04
you know like how are you able to I
11:07
guess find a way to yes ask all the
11:11
right questions but not be like deterred
11:15
or influenced by another artist response
11:18
um I think if you walk into a
11:20
supermarket and you walk into any aisle
11:23
you're going to see Wonder Bread you're
11:25
going to see whole grain bread you're
11:26
going to see Oat Bread you're going to
11:27
see raisin bread you're going to see B
11:29
there's a variety and they might all do
11:32
kind of the same thing but it's the way
11:34
that the presentation is it's the brand
11:37
that you can trust is maybe a special
11:39
flavor or just something different that
11:41
makes this brand of bread your go-to and
11:44
your special tea out of all of the other
11:46
loaves that are on the shelf and that's
11:48
what that's what té is to me like yeah
11:50
other people do media other people um
11:53
make music other people might have radio
11:55
shows other people may act other people
11:58
may be songwriters is other people may
12:00
have podcast I'm stunning right now you
12:03
know what I'm saying the list is never
12:04
ending yes yeah like there's no it's
12:07
only one me it's only one me like so I
12:10
don't I don't allow any outside noise
12:12
and influence to ever deter me my path
12:14
what I set out to do is what I'm going
12:16
to do and if I see you on that road I'm
12:19
I'mma salute you but I just know that
12:21
what I'm doing I'm not going to let it
12:22
be affected by anybody to left or right
12:25
so for any MC that we're thinking about
12:27
getting into the podcast space media in
12:29
general what are some of the pros and
12:32
cons since you know now you have folks
12:34
who are speaking about their
12:36
peers you know what I mean like what's
12:38
the advice that you would give someone
12:40
before you answer that uh he and bons Su
12:43
Thompson have an incredible um podcast
12:45
called hard to
12:47
earn they do incredible work if you
12:50
haven't got up on this check all your
12:51
local uh dsps yes um and there's a a
12:55
real insightful U journalistic uh
12:58
factual approach and opinionated
13:00
approach to a lot of legendary projects
13:03
that have been released over the past
13:04
few years um past you decades and you
13:07
pay hamage and people giving flowers now
13:09
but you guys are already doing that so
13:11
salute to you go for that
13:13
answer well love yeah um the thing about
13:17
hard to earn I'll speak just to my my
13:19
product specifically please do the thing
13:21
about hard to earn is that b and I are
13:24
always coming from a place of love one
13:26
even when we being critical or even when
13:28
we have to talk about something that or
13:30
just not our favorite song right but
13:32
this is an artist that we respect so
13:33
much that we're taking the time to talk
13:36
about this project we talk we taking the
13:38
time to um to to highlight this project
13:41
whether it be a new project or it be
13:43
something on a on a classic anniversary
13:45
we do 10 years 15 20 Etc um and so it's
13:49
nothing that I wouldn't say to anybody
13:51
in their face it's never coming from a a
13:53
malicious place it's never with the
13:55
intent to try to put somebody down so I
13:57
could big myself up up like be is a very
14:00
accomplished journalist he got a movie
14:02
out right now story AB that he co-wrote
14:04
so he's coming from a place of love in
14:07
this culture I'm coming from the artist
14:10
P perspective the touring artist
14:11
perspective the radio personality
14:13
songwriter perspective so I think that I
14:15
have some validity behind the words and
14:18
the words and the the thoughts that I
14:20
choose to put on some of these projects
14:22
and so I'm like I said I would go and
14:24
sit in the room with any of these
14:26
artists and have the same conversation
14:28
and so like we do it out of love we do
14:30
it because we want to continue to push
14:32
the culture forward and why any pundit
14:35
outside of the culture should be talking
14:36
about our [ __ ] as opposed to us is
14:39
beyond me like who better to to give
14:42
Heather be flowers on the Classic record
14:44
than somebody who she inspired myself I
14:47
love it to here Mike you want to say
14:48
anything to
14:51
T Mike m yeah I have I have a couple
14:54
questions but I'll I'll try and keep it
14:55
very simple yeah I know I'm keep I'm
14:58
going keep it very very succinct Tori
15:01
you have lived such a full and you're
15:02
living such a full life you know the
15:04
podcasting the touring the RO presting
15:06
everything that you just mentioned so
15:08
I'm do a two-parter one what does
15:10
somebody like you rap about now like
15:13
what are your topics what's some of your
15:15
thesis and then the second part to tie
15:17
into the first part is what advice would
15:19
you give younger artists uh who are
15:21
trying to come into the game on the
15:22
importance of you living outside of
15:24
their four walls right or their four
15:26
block radius and how that can have an
15:28
impact on their art um I write about
15:31
life experience and that's another
15:33
reason why I'm not one of those artists
15:35
that put an album out every year because
15:36
I don't know how much growth is going to
15:39
happen from Project to project within a
15:42
12 month span so I want to to I want to
15:44
hang out with my kids I want to go on
15:46
college vigs with my daughter I want to
15:48
drive around the country with aaou games
15:50
for my son I want to experience more
15:52
life and then come back to the table and
15:54
come back to the studio with that so
15:55
that's what I'm I used to think when I
15:57
was younger that I would run out of
15:59
stuff to rap about but that's when I had
16:00
a very small perspective of what the
16:03
world was um the world is a a huge place
16:06
you know what I'm saying and so even
16:08
recording in a different city a
16:09
different state a different country can
16:11
give you different experiences so um I
16:13
always come from a a honest place and
16:15
that's going to continue to keep the
16:17
music evolving as far as advice uh don't
16:20
do it no um be
16:24
be be true to whatever it is you believe
16:28
if you about getting to that bag and
16:30
that's all you care about and it's not a
16:33
love or care for the culture I would say
16:36
don't do it but if you are going to do
16:39
it be true to that yo I'm here to get
16:40
the bread I'm not a rapper I'm an
16:43
opportunist I'm a hustler I'm a person
16:45
that's just trying to get to this um but
16:47
if you really do love it and you really
16:49
want to make a career out of it I would
16:51
say study those that came before you be
16:53
prepared to do it for a really long time
16:55
without making a dime in return and um
16:59
just just be be mindful of all of the
17:03
journey because some people want to
17:04
Sprint right to the finish line and the
17:07
joy is in the journey it's the whole
17:09
entire process I hadn't heard that
17:11
interview that clip that you played
17:12
since I said it but just seeing my
17:15
perspective then and knowing what's
17:17
transpired from that time to where I am
17:19
now it's crazy because that gives me
17:21
chills cuz like wow I had this mindset
17:24
then and it was a very real place that I
17:26
came from and if you look at the years
17:29
that the passed since then it's been
17:30
nothing but everything I said and it's
17:32
kind of come into fruition so it's just
17:34
dope man great question Mike Muse great
17:36
response and I got to give shout out to
17:37
Lonnie light because I we wanted him to
17:40
find Eclipse um 21 year old man and and
17:43
what stood out to him was that clip word
17:45
yeah so that's I met Lonnie in the
17:47
hallway and he was like yo té he was
17:49
like man I seen you around before but
17:51
I'm doing this research on you and he
17:52
showed me some love so I just want to
17:53
show him some love
17:55
back righteous all right HP so my
17:58
question is for Marco Polo because um as
18:00
a producer I'm wondering what your
18:03
mindset is like I think we often we we
18:06
we love artists artists are celebrated
18:07
they're in the Forefront and we've heard
18:10
so many artists talk about what it's
18:11
like for them to go in the studio and
18:13
write their writing process as T
18:15
mentioned but I'm always curious as as
18:17
the producer when it's time you sit down
18:19
and agree to do an album and work on a
18:21
project what do you do do you have some
18:23
rituals do you like okay now I got to go
18:26
beat shopping or now I got to do this or
18:28
I got to do that or is it something that
18:29
you already have in mind which makes you
18:31
feel comfortable to work with that
18:33
artist to begin with I think going back
18:35
to something té said once we kind of
18:37
shift gears earlier in our careers to
18:39
get some income coming in other ways in
18:41
music not just the creative stuff it
18:43
lets me do what I love and not stress
18:45
anything else so it really just starts
18:47
with me sitting down in the purest form
18:49
and creating beats art um because I love
18:53
it and then once I have these beats then
18:56
everything happens from there then I'm
18:57
like you know what these three right
18:59
here that's for Ace these three right
19:01
here are for T yeah I'm not really I
19:03
mean obviously sometimes I sit down and
19:04
craft something specifically for an
19:06
artist but really most of the time I
19:08
just create and then from there it's
19:10
like I don't just send 20 beats to
19:12
someone and let them pick I never do
19:14
that cuz MTS will make the wrong
19:15
decisions most of the
19:18
time no offense yeah and sometimes they
19:21
don't but with with Tor I know what the
19:23
sound is and so he'll get Beats that I
19:26
think and sometimes he'll push me like
19:27
yo play some other [ __ ] and we'll do
19:29
that but because we have a a friendship
19:31
to do that but I never just send what I
19:33
make to anyone ever everything's curated
19:36
and from there it's everything kind of
19:39
you know starts from that process so did
19:40
Sean Price pick the prisoner
19:43
beat it's a great story I'm glad you
19:45
asked that question rest in peace Sean I
19:48
miss that dude so much um he called me
19:50
on the telephone and he was watching a
19:52
movie and I think it's a a Billy Paul
19:55
sample yeah and he's like yo you got to
19:57
he gave me an assignment which I took as
19:59
such a compliment cuz it's Sea price he
20:01
could call any producer he's like I know
20:03
you can take that and make something so
20:05
he gave me the whole idea he's like take
20:07
that sample make a beat send it to me
20:08
and I did and that's how that song came
20:10
to be and then he put freeway on it um
20:12
so it was yeah super crazy that's a
20:14
crazy song too man congratulations all
20:17
the people you got to work with T Styles
20:20
P all the different folks you work with
20:22
man Marco Polo was here I'm here the
20:24
album is midnight run why y'all call it
20:27
that jump in no no no um so we did
20:31
double barrel obviously people just
20:33
assumed that it would be double barrel
20:35
to or double barrel loaded or something
20:36
that's kind of in that cliche and we
20:38
wanted to do something different we
20:40
wanted to continue on what we did
20:42
musically you know pick up what we left
20:44
off but we didn't want to just call it a
20:46
sequel album and so once we got in the
20:48
head space of kind of what we were
20:50
thinking about I went and did a Google
20:52
search honestly like I was like what is
20:54
a classic 80s movie and we start CL you
20:57
start start searching through and
20:58
midnight run kind of just jumped off the
21:00
screen and I hit Marco and I was like
21:02
what you think about midnight run he was
21:03
like let me sleep on it the next day he
21:05
was like yeah let's do it and that's it
21:07
but it sounds like but we always have
21:09
arguments and I want to ask everybody in
21:10
this room too their opinion what's iller
21:12
because I think a group name is iller
21:14
like Gangstar you know that's Guru and
21:16
Premiere but then you have Pete Rock and
21:17
SE smooth what's Doper two names like
21:19
how we do it or a group name cuz I'm
21:22
group name we always got shut down by
21:24
the label they're like your name has a
21:25
sales history and this and that and
21:27
things earlier wish I would have fought
21:28
harder to have us as you know double
21:31
barrel the group no doubt but I'm I'm
21:33
asking yeah I
21:34
know I don't I like I like I don't know
21:37
it depends um I think uh King Tech and I
21:41
used to be flynamic Force right and then
21:43
we reverse it nah we need to put our
21:46
names out you know so people can
21:48
identify us and our individual brand and
21:50
together we make you know and then we
21:52
can make projects with certain names so
21:54
I'm with the names you like the names I
21:56
like the names okay I like the names I
21:58
like the group name Midnight Run I think
21:59
that would be dope yeah yo every album
22:02
we just change our group
22:03
name hey so man give these guys a round
22:05
of applause new album is midnight run
22:07
Marco Polo t r before you
22:10
go I know Marco Polo gave us a beat I
22:14
did exclusive you're the only person who
22:17
ever freestyled an entire interview I'm
22:19
not going to ask you to do that okay but
22:21
you got to spit some bars you in the
22:23
Valley of the
22:26
hyena
22:32
turn that beat up a little for me please
22:33
this is not the Marco joint this is this
22:35
is classic ho [ __ ] it's whole [ __ ] yeah
22:38
yeah
22:42
yeah
22:44
yeah shout out to Primo shout out to
22:46
Prim shout out to out that whole Rock
22:48
Nation Brooklyn what's up hey
22:52
yeah
22:55
okay you know hope took a little minute
22:57
I got to take time
22:58
come man he
23:01
listening after I'm back on it took a
23:04
little time tops and then act on it took
23:07
a little time to write hits and put
23:08
plaque on it still coming through black
23:10
really don't crack don't it young to R
23:14
to the a though you got me and sway on
23:16
your radio oh wait a
23:20
minute look look crucial choices to make
23:24
master pillow The Rock 3 second
23:26
differential time still on the clock
23:27
bust down the new business not a grill
23:29
or a watch in front of Diddy crib how I
23:32
chilled on the Block the best parts of
23:33
my day don't get posted a lot the less
23:36
they know about [ __ ] the closer they
23:37
watch a room full of dalmations but they
23:39
weren in your spot the game is cold
23:41
blooded but they tell you you got to
23:43
stay hot riding in that mayback or L
23:46
either way I'm strapped cuz every city
23:47
is o i ski the Grammys the day that we
23:50
lost Kobe don't never let them tell me
23:52
it's love you got to show me my own pops
23:54
wasn't around really to mow me learned a
23:56
lot of [ __ ] from Rick and con this rap
23:59
[ __ ] from Clark Kent my OG and his
24:02
homies was big and big homie you too
24:04
cliche ain't never going to f homie I'm
24:06
B2K it is what it is homie you know me
24:09
on my young veteran [ __ ] couple rappers
24:12
do interviews don't none of them hit
24:13
couple spitters do media don't none of
24:15
it click and when I'm not killing all
24:17
that I [ __ ] with a script I promise
24:19
it'll get uglier than Tails from the
24:21
[ __ ] rob a rapper like blizzard did and
24:23
tell him to strip hurry up godamn it I
24:25
used to be well maned a rose out of the
24:27
concrete was well planted how you taking
24:29
the deal if you can't understand it type
24:32
[ __ ] rappers do I just can't understand
24:34
it don't never take it for granted how
24:35
they taking advantage I ain't got a big
24:37
manager but look how I manage where I
24:39
get to the bag [ __ ] is borderline Manic
24:42
the pin hit the pad [ __ ] is all around
24:44
Panic my fan base wear that [ __ ] and get
24:46
franic anytime my drop is just raising a
24:49
standard it all went the caught in the
24:51
plan I didn't plan it the flow is out of
24:53
this [ __ ] I spit planets I take charge
24:56
no sliding feet planet deceased beats
24:58
and feast on your weak standards I never
25:01
ask for respect I demand it hit record
25:03
and I speak candid to we got a hyena up
25:07
in here you better
25:10
work I ain't even acknowledging whack
25:14
rappers you don't even need to be in the
25:16
same conversation as Tor wow damn soon
25:20
as I drop I raised the standards
25:24
bastards come on man give up for T
25:26
that's fire right there baby give it up
25:28
for Marco Polo the album is midnight run
25:31
I appreciate you Brothers coming through
25:33
man all right love you family absolutely
25:36
um coming up next our next guest found
25:39
out that she
#Arts & Entertainment


