Up next in 10
Step into the untold journey of Lisa Lisa, the Hell’s Kitchen legend who rose to global fame as an icon of freestyle, R&B, and pop music. In this exclusive "Sway In The Morning" interview, Lisa Lisa opens up about her biopic "Can You Feel The Beat" premiering February 1st on Lifetime, her groundbreaking music career with Cult Jam, and the struggles she faced growing up as the youngest of 10 in Hell’s Kitchen. From breaking barriers in the music industry to surviving cancer and overcoming personal abuse, Lisa Lisa’s story is one of resilience, strength, and cultural impact.
Joined by her longtime friend and collaborator Toni Menage, Lisa Lisa shares heartfelt moments about her mother's influence, the challenges of navigating a male-dominated industry, and the legacy of freestyle music. Discover how this trailblazer’s hits like "I Wonder If I Take You Home" and "Head to Toe" shaped an era and continue to inspire generations. Don’t miss this raw, revealing conversation that celebrates her incredible journey and lasting contributions to music and culture.
Subscribe for more exclusive interviews and behind-the-scenes stories from your favorite artists and icons, only on Sway’s Universe!
#blackpink #biopicmusicindustry #blackpinkmặnmòi #musicbiopics #straightouttacompton
CHAPTERS:
00:00 - Lisa Lisa’s Impact on Music
02:24 - Lisa Lisa’s Early Years
07:01 - Lisa Lisa’s Relationship with Her Mother
10:48 - Lisa Lisa’s First Marriage
13:16 - Lisa Lisa on Cancer Survival
16:35 - Importance of Reading Contracts
18:51 - Meeting Toni from Full Force
24:24 - Avoiding Sexual Harassment in Music
26:53 - Origins of Hip-Hop
28:45 - Understanding Freestyle Music
31:38 - Final Words from Lisa Lisa
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0:00
[Applause] we have music royalty in the room we have a
0:06
Trailblazer in the room we have a Pioneer in the room we have the queen of
0:12
a genre in the room we have a survivor in the room we have a mother in
0:21
the room we have a daughter in the room thank you we have a legend a icon in the
0:29
room please welcome Lisa Lisa to the room say this S stand in
0:34
Ovation stand ination stand in Ovation clap standing
0:40
on clap it up man clap it up thank you so much y' oh wow absolutely Lisa Lisa
0:47
is here I got goosebumps when I was playing this song yes I wonder if I take
0:52
you home would you come on man that was 1985 85 I know this song
1:00
[Laughter] wow cuz I told Lisa on the phone it was
1:05
the lyrics of that song that to me was revolutionary I wonder if you take me home yeah yeah you know and
1:13
uh I want to say to you um thank you for your contributions to music culture to
1:20
the genre freestyle R&B pop thank you cuz your songs couldn't be boxed in one
1:26
category wow they became so popular and Main streem you can't really put it in one box um you're you're a Vanguard
1:34
you're you're you're a Trailblazer wow there wasn't folks singing how you were
1:40
singing to us at that time in the mannerism in which you were singing you
1:45
were something new we hadn't really seen at that time would you agree Heather be 1 million per. I I appreciate you all so
1:52
much I mean I was a kid you were a child and that's what made it so appealing cuz we was looking at this girl who probably
1:59
went to our high school yeah yeah making music videos and back then that wasn't
2:04
common people didn't have record deals like that at all I knew nothing about a record deal you didn't even know what
2:10
that was I didn't know what a video was nothing I knew nothing all I knew is that I wanted to be on a stage singing
2:17
that's all I knew and that's what I still love today that's what you still love to do today salute to you thank you
2:24
and she has this um biopic call Can You Feel The Beat and in it learned so much
2:30
about you even prior to connecting with uh the cat Jam yes you were a young lady
2:36
who just sang right yes I I was raised in the church choir with my mom um
2:42
Spanish choir we will call Maria which is Mary's daughters okay and um I I
2:49
loved it the second that I saw my mom crying she was tearing sitting in the first Pew um I was seeing la Maria I was
2:57
6 years old at 6 years old la Maria yeah yes and I I knew I had to do it I knew
3:03
so you know I continueed to be this little Hell's Kitchen girl doing you know everything possible to help the
3:09
family out because 10 kids the youngest of 10 damn y had 10 yeah 10 man there was no TV back in a day I asked my mom
3:16
that all the time Restless all I'm sorry Mommy and um we used to do everything
3:21
possible to make money to help each other because there was 10 of us seven girls three boys and a single mom so
3:28
were some of the things you used to do did you used to sing in the streets for money I you sang in the streets for
3:33
money I did 50th and Broadway we used to throw our baseball caps on the floor
3:38
right us that's right down the street Hell's Kitchen you are in Hell's Kitchen Mama wow this is Hell's Kitchen yes born
3:46
and raised and were you scared to you know because but when we got older my
3:51
partner came teking out perod 39 in San Francisco they throw the Hat down you start popping and locking and it it was
3:58
kind of like that yes absolutely we just sang it was me and two other little girls uh from Julia Richmond yeah
4:06
richond Tony know she went to Richmond but um even before that I mean we just
4:12
tried to figure out what I used to bag groceries at the at the M wow um I
4:18
babysat I washed clothes for people I would go to the laundry room the laundry mat and wash clothing and we used to get
4:24
like 15 cents 25 cents to to make money to take care care of us you know we did
4:31
what we could contacts 15 cent and 25 cent was a little different back then back then no it was a lot of money added
4:38
up you got a bag of chips a lot listen with 25 cents I used to be able to buy
4:43
those big bags of popcorn and two packs of Starbucks and that was your meal for
4:49
the day 35 cents you was boiling I used to buy a slice of pizza and a soda wow
4:55
35 Cent 35 cents where New York Hell's
5:01
Kitchen Hell's Kitchen yeah and that's where you grew up born and raised yes you know growing up in Cali always for
5:07
some reason thought you were from the Bronx really everybody thought that everybody thought I was from the Bronx I have family there but nah Midtown 49th
5:15
Street between 10th and 11th you're going to find out so much in this um this biopic U Can You Feel The Beat and
5:23
knowing that you're an executive producer on this film yes sir I know you learned something I did I did give it
5:30
around round of applause for that you learned something huh you learned that's how that's how I was able to maintain my
5:37
life I mean I met Miss Tony Minaj I got a clap for her Tony Minaj Tony boy Tony
5:43
Tony been around for since day one since day one yeah and her story is interesting it's in the movie she had to
5:50
be part of this movie because she was a big guide for me she became my sister
5:57
true sister my riter die she was the little bird in my ear saying hey hey hey
6:02
watch out look at this don't let this happen keep your eyes open mhu so um you
6:10
know she she was like she's the one who convinced me to do this okay to do the movie for five years she been asking to
6:17
do the M well Tracy twinky bird which is one of the producers sisters clar
6:22
sisters yes she did the CL she did the uh Big Pun movie right she's cas
6:31
so she had been coming into my DMs for like 5 years she told me you know my
6:36
father he was your teacher in Richmond I was like yes I know your father but I wasn't ready and I think after those
6:43
five years that she kept coming in Tony took over and she was like yeah we're going to do this she convinced me and
6:48
then and here we have it right now and we started talking about it yeah yeah and it's Premier in February the 1st on
6:54
one of my favorite channels of course lifetime liftime
6:59
so you know we'll be watching it in this movie you're not only executive producer but you play I play my mom you play your
7:06
mom crazy right I want to ask you about that because we're finding out we haven't even got to the music we're just
7:13
we're focused on you right now oh thank you then because of what I found out and the movie without I I have to speak on
7:20
the first scenee right because the movie from the beginning is going to is
7:27
compelling it's going to draw you in and you're going to learn something about Lisa that you did not know and the movie
7:32
starts off with a an abusive scene of your of your father yeah domestic
7:38
violence domestic violence yeah and your father's knocked you hit you across your face yeah and as your mother tried to
7:45
protect you he also abused her as well right he always abused my mother I did that it's it's funny because in real
7:52
life that's actually how I met my father what do you mean yeah I was
7:57
coming home from school and you know you live in H's kitchen so we used to keep a bat at the side of the door you know you
8:04
never know what's going to happen so I was putting the keys in the door but I
8:09
kept hearing whimpering like what the hell is that so I open the door and I walk in and I see that this man has my
8:15
mother pinned to the kitchen window and he's you know abusing her wow be frank
8:21
he was beating her down and I'm like what the so I grabbed the bat and I ran over there I
8:27
actually connected I broke the back you broke the back I did and my mother started screaming
8:34
she's like Lisa oh my God and I said no I picked up the phone because we had security downstairs and I picked up the
8:40
phone and I said please get the police and my mother's like no she grabbed the phone she goes that's your father and I
8:45
said really great great introduction mhm wow that's how you first met your father
8:51
how old were you 13 13 and and then how did the
8:57
relationship progress from there with your father oh there was never a relationship with my father my father
9:02
was never involved in my upbringing with all 10 of us he's actually my mom was
9:07
married prior to him and she had five children with her first husband he
9:13
passed away and then she met my father mhm you know my mom when she came to the
9:19
states she was only 16 17 years old married with two kids mhm say your
9:25
mother's name if you don't mind moner Lopez I love you mommy there you go come on let's celebrate her we got to put
9:30
that out there this movie um that part of your life I did not know
9:37
I was just dancing to your music I was just shaking my ass to your music but having to play the character
9:45
of your mother I'm curious to how did that affect you psychologically because
9:50
now you're playing your mom who's talking to you yeah that was crazy I remember everything that I've gone
9:57
through with my mom uhhuh she know that um it was let me it was therapeutic okay
10:04
right where to do that um I had three major breakdowns filming this movie but
10:10
I we sat Tony and I sat every day on that set that this movie was being filmed I had to make sure we had to make
10:17
sure that everything was being done correctly but there was a few scenes that I I just that one scene the first
10:25
scene Tony had to pull me out of that scene and I had to breathe
10:30
it was difficult it was really difficult but you know what it helped me it helped me a lot you know realization and and I
10:38
was thankful thankful that my mom really she struggled but she killed it taking
10:44
care of those 10 kids by herself give her a round of applause um thank you thank you how
10:49
did these things affect your relationship you with your Dynamic with men in general at that time
10:59
we oh that's how it is um I was uh married at a very young age
11:08
my first marriage 18 17 what no I was uh uh turning 20 20 okay yeah and um I
11:15
think I I did it simply because I wanted to have my own responsibility I wanted
11:20
to have my own life though I was already having it with my music career I still
11:26
as a family I wanted to I wanted to show my mom I'm I'm all that I can do it I can do it I
11:32
don't really think there was any love there you know because as time went by I realized I'm like what am I doing with
11:39
this person that I don't know you know and he was a Latino that
11:44
was very mucho you know can you explain that to us non-spanish speaking people uh a very
11:53
strong man okay um everything was about him
11:59
for him you know and whatever I did in this business had to go through him so I
12:07
had to let that go you had to let that go yeah I felt controlled stifled I
12:12
couldn't do anything I mean there was a movie that I was offered and I said no because he said
12:17
no is that the part where I'm thinking of the record you had an endorsement deal and I think the record company
12:24
owner said you can't do it cuz you that was actually a uh a commercial
12:29
a commercial and not the record label but my then management said no said she
12:35
couldn't do the commercial because they came first and you belong to them yes w
12:41
wow yes wow and that's the truth
12:47
yeah Lisa a with this we celebrating but you put it in the movie it's all right
12:53
it's all all right it's all right um I find this to be um
12:59
you you've revealed a lot in this movie I did I still didn't reveal a lot and
13:04
there's stuff that you haven't revealed right yes and there's a memoir that I am in the process of writing so that would
13:10
be out and y'all will know everything okay cuz I I know yeah we want to know it all I don't know if folks realize I
13:17
called you a Survivor right yes sir because you are a cancer survivor I am
13:22
give her a round of applause for that thank you at what age were you diagnosed I was 20 years old 20 years old my God
13:31
in the middle of your career on top of the world yes yes and and in the marriage as well yeah and that's one of
13:37
the reasons why I had to get out of that marriage because I was um not giving
13:43
given respect and and and no no kind of help I mean I don't know any other way
13:49
to say it but I was given no help and um no one knew no one knew not even him um
13:57
my management and producers they used to ask me why
14:03
are you so tired and are you pregnant because I used to sleep a lot and then with the medication I used to have that
14:10
pack on my hip um I was getting swollen a little bit my face started getting
14:16
really big because of the steroid in the chemo that I had to carry and take and
14:21
it was just like I can't tell anybody because they had they give me no kind of respect mhm like I'm tired can I sleep
14:30
nope I would get yelled at get up let's go we got to go shake it let's do this
14:35
6:00 in the morning get off the bus get to a pay phone call the radio stations it used to be like 12 radio stations
14:41
back to back then we get to the hotel it would be like 7 in the morning and we'd have to go and try to get some sleep
14:48
nope I was in another room with them trying to record vocals because that's how we were doing the first
14:54
album so you were under all of this duress yes while you were making these
15:00
these beautiful songs yes sir yes sir can you recall being in the studio recording a song knowing that you got
15:07
all of these things on your mind no you can't remember because I I
15:12
focused basically on what I wanted to do and this meant that I can do that you
15:18
know get in the studio you sleep later when you get home off the tour you'll sleep just get there and do a damn good
15:26
job and make sure that it gets done and then get back on the stage and perform disassociate this is Lisa Lisa ladies
15:32
and gentlemen here come on man I'm shaking oh this is amazing though you doing an excellent job and I'm glad you
15:38
shared that because when I when I found out about that I thought about Chadwick Bowman um from Black Panther prise be
15:47
God bless him I wonder what you thought when he when it was discovered that he was diagnosed with cancer and he kept
15:53
working yes yeah I kind of when I saw him and I was like wow he's too thin mhm
15:59
this is before he said he was going through whatever and I'm like is he really going through
16:05
something because why is he so skinny but anyway when they came out and they said that this is what he was going
16:11
through I I shook I got like this ice cold feeling through my body and I was like oh my God the memory the memory
16:17
just hit me I was like this is sick the things people will do just to get it
16:23
done mhm you know but that's the love of what you do that's the strength that you have and I learned that from my mother
16:29
you learned that from your mother yes keep moving Lisa Lisa man I keep saying your name
16:35
man jeez my gosh um in those days women
16:40
were under a lot of scrutiny yeah how you look how you sound you know who you
16:46
hang with yeah um who you date uh right yeah um if you if you get pregnant you
16:53
can't have a baby because the music business ain't came first right that's
16:59
what they did they made me sign papers and I didn't know till years later that
17:04
all of that was in those papers wow what that if you everything no driving fast
17:10
cars no pregnancies no relationships no they controlled everything who are
17:19
they am I allow i y your old management I want to
17:25
put you in yeah okay your old management yes well okay can I ask in a different kind of way for artists especially women
17:33
now who are going to millions of people that's going to see this and people are listening now who are artist yes how
17:38
does an artist avoid this because a lot of times Lisa if you you want a record
17:43
deal a lot of times you signed a production deal first and that's what I did so the details were in the
17:50
production deal yeah it was a production deal that I signed and then they that whole deal was signed to a very small
17:57
label personal r records and then that company went and got us to deal with Colombia got it
18:06
that's and then it was at way years later that we resigned everything and I still didn't know what the hell I was
18:11
signing because I was a kid so you would advise artists it's the production deal is what they need to look production any
18:18
deal anything that's on paper make sure that any deal that you're given is in
18:23
black and white and please have representation please have somebody that
18:28
got your back I have a lawyer read everything before you sign it please I didn't do that I didn't have that no
18:35
then the people who were representing me were representing them so that's a double dip right there MH damn Lisa
18:44
thank you so much for your transparency thank you thank you so much for having a Generous Heart for your creativity can
18:51
you share who was like the first angel that you met within this industry that
18:57
you feel like you could let your guard down you could actually trust who started putting you on a
19:03
different path away from these folks who were in my opinion abusive she's sitting
19:08
right there Tony Tony Minaj Minaj Tony Minaj she get in the camera Tony let him
19:14
see on cuz your character is Bree Breezy um plays Tony right yes we love Bree
19:20
Breeze is incredible my I am har yo she played you to a te too
19:27
man thank you come on Tony this is this is her this is the Angel right here Tony who walk with
19:33
Lisa throughout her career they tried to get you they tried to get rid of Tony they said more than once more than once
19:39
y she's bad news uh her sexuality they said all of that right go ahead I mean
19:45
you know this is the 80s so you you know the music industry especially for women
19:50
yeah you needed to be you know you need to look a certain way women wanted to be like you men wanted to get with you MH
19:57
and so I did you know I think I was cute I had
20:03
look still you still cute Tony but I think very quickly they realized that I
20:09
wasn't I wasn't with it so so what were you thinking when these this management
20:15
was taking advantage of Lisa in the way it was you know I had a record deal
20:20
first uhhuh uh I was 14 and I was on prism and I I had a I I had a reged out
20:27
called video burn uhhuh and it became like a little like a big DJ hit it's a CO classic she has a
20:37
following she has a strong follow yes so I I um I literally got paid $200 to
20:43
record that record they gave me a check for $200 they had me endorse the check right there I was 14 there was no adults
20:51
involved so it's all shady um and I'm the kind of person that you you only going to get me one time
20:57
yeah so they got me me one time yep and then I audition for Lisa at
21:03
17 as kind of like a well you hear you might as well yeah and uh the rest is
21:10
history but I was already peeping like just things Lisa as you can see she's a
21:16
sweet Spirit she's a good human and uh you know it's a boys club and not that
21:22
you know I'm knocking anybody but the business was handled a certain way back then and she was sure was this little
21:29
woman in this group of men and then I came along and I was the second female in the group of men so it was just the
21:35
two of us and we share a room and so we you know when the day would go go along
21:42
and I see things were wrong I'd be like Lisa and she would be like don't say
21:48
nothing I don't want to rock the boat and I'd be like but she's making me nervous all okay you know she she didn't
21:53
want she didn't want anything to get messed up so she we we talked about it amongst ourselves but I was I was
21:59
hipping her like this don't look right this don't sound right H so
22:07
um when I watch the movie I don't see much um um mention of Full Force right
22:13
and their participation in your career right why is that we decided that we
22:18
were going to focus on Lisa Lis and culture and who we were and how it was an upbring you know it came up in this
22:24
business nobody really back then nobody knew who culture wasused we thought Co
22:31
jam and for force was the one B same thing yeah I think that's I think that's uh was the big conversation between Lisa
22:38
myself and Twinkie it wasn't a diss to them it was just you know what a lot of
22:44
people are confused about who Lisa Lisa and Cult Jam is so let's represent uh
22:50
Cult Jam and Lisa in this movie and then of course during the writing of the
22:55
movie uh between the writer Rebecca Twinkie and Lisa and myself it was like
23:01
wow this story between the two of you that was important is really is really important so let's tell that too so it
23:07
wasn't a slight to them leaving them out of the movie it's just we wanted to solidify who Lisa Lisa it was my choice
23:13
I wanted her and if anybody says anything I don't care I needed that
23:19
because she D she literally like dragged me out of the darkness I love this story man big round
23:28
of applause so this well let me ask you this when I look at songs like uh uh head to toe you know um I wonder if I
23:37
take you home all of these different songs um all I'm sorry no no that was
23:42
good s goody that was good s you were ony it was on key I was on key uh what what
23:49
head to toe All Cried Out all of these songs did you write on any of these songs not
23:55
those none of those songs that's full force that's full force all those great hits yeah okay cool all right so you
24:01
weren't so nobody took advantage of you in your publishing no okay all right but
24:07
you were a writer though yes yes there was they gave me finally the one
24:13
opportunity to get my name into what my work uh-huh uh someone to love me for me
24:18
that's me that's you yes okay that's beautiful thank you man Lisa Lisa is here I got to ask you this too man it's
24:25
been this this ongoing conversation about hipop because at the time you came
24:30
out come on man Run DMC everybody this [ __ ] was come on era Houdini you know I
24:38
was on tour with all of them you was on tour with him what was that like at that time was so much fun and crazy the [ __ ]
24:46
I saw sorry that's okay you on serious X I'm surprised you ain't cursed yet the
24:52
[ __ ] you doing Lisa all right all right oh okay so then I could really be me um
24:57
the [ __ ] I on the road with all of them it was crazy thank God we did everything before the internet yeah yeah yeah I
25:04
feel bad for these kids today they got they got the camera in their face I mean we were give me an example something you
25:10
saw you ain't got to say names you a got to say name no names no names you know y'all still scary it's the no it's the
25:16
music business I mean you know what it there's so many layers to this business um I love it I wouldn't choose anything
25:22
else but there's there's a lot there's a lot there's a lot that goes on how did you avoid harassment like sexual harassment
25:29
in that time because that was prevalent that was really hard and I come from a family of 10 I'm the youngest of 10
25:35
seven girls and three boys but those three boys those men were crazy I was
25:40
raised in Hell's Kitchen with the Westies and my brothers were very close
25:46
to the Westies so everybody knew don't mess with Lisa you know and they taught
25:52
me a lot you know and then of course on the road I had here and nobody was allow
25:58
near me they used we used to do a concert and then right after the concert don't laugh cuz you know I'm right they
26:03
would take me straight to the room and have a key to lock me in damn then it
26:10
was regular keys not the cards and they used to lock me in and they would all go
26:15
and party me no I wasn't allowed to party now I'm older than her uh but I wasn't
26:21
allowed to party I wasn't allowed to do anything so Tony was out there in the mix and I'm
26:27
like you know did you guys have fun yesterday last night you know can can can I hang out
26:33
no so that's how I got that's how you got that's how you was able to avoid those things that time period when you
26:40
think of movies like Beat Street and Crush Grove and wild style and Star Wars
26:46
all those movies come on man stop playing with me Lisa come
26:51
on what what did y'all see there's been this ongoing discourse about who was there in the beginning in hip-hop
26:59
uh Puerto Ricans blacks so on and so forth what did y'all see oh for me it was Puerto Ricans and blacks we are
27:06
growing up that come come we came up hand in hand I grew up in East Harlem so
27:11
Puerto Ricans and black people we were the same there but we are black yes I know say that we are black Puerto Ricans
27:18
are we are black we are stand stand somebody got to say it man true we
27:25
say it they don't listen No it's it's true do the history do the knowledge but but I think what what's
27:31
happened over the years is that because Puerto Rico is part of the United States
27:38
they've assimilated right and they want they want to be more Associated you know
27:43
it it everybody wants to be black when the juice and the and the sauce is there
27:48
the juice and the sauce ain't there they they they don't want all the heat that we get right so it it's the same thing
27:54
with them I just think that like as time went by they're like okay well we're not technically black well you're not
27:59
Spaniard either this is not Spain at all you you've been colonized with the rest
28:05
of us that is why New York is considered the Melting Pot We Are The Melting Pot
28:11
because everybody from all works of the of the world came and we jumped in that
28:16
pot we jumped in this pot we all live here okay Puerto Rico is the same thing a lot of people migrated from Africa
28:23
from Spain I could keep going and they liveed they were raised there okay so we
28:28
are mix we are tyo Indian MH we are the black tyo Indian hello MH we are black m
28:35
i don't care nobody okay that's it we're going to move on from that conversation I think you said enough right there Beau
28:41
Lisa Lisa damn give her a big round of applause um I bring up freestyle music a
28:46
lot you know um my good friend that I started a business with um with my
28:52
partner King Tech named Aki star he's Al he's the lead singer for Spanish fly now
28:58
up with them beat boys breaking the whole nine in Northern California he hit me maybe 3 weeks ago or maybe four weeks
29:05
ago from South America and he's opening up for Stevie B oh sorry and it's sold out Arenas work
29:14
it work it right but that's the power of freestyle music can you explain to people what the
29:20
freestyle culture was like when you were coming up I know you just was doing music but they put that label on In
29:26
freestyle what is freestyle to you freestyle to me was the a mixture of
29:32
hip-hop and Latin Beats from New York okay okay the Bronx that's where it
29:38
started M and um it's the music that it was freestyle because the freestyle
29:45
dancers the B boys used to dance to it in the clubs on the streets with lenium
29:51
floors and the shell top Adidas that's what they used to move to okay so they
29:57
considered it freestyle music that's how I take it that's how I see it and then
30:02
they started calling it Latin hipop because they started playing us real heavy on the radio and clubs M
30:09
that's my take on that's that's your take so did you did you uh have any camaraderie with some of the groups that
30:16
came out like expose or TKA or all of these people that came at that time I
30:21
knew them all yeah knew them all k k went to school with me Tony you were
30:26
there too MH same school Julia Richmond mhm you know
30:32
um I know a lot of them still yeah with them we we we we do uh freestyle shows
30:39
with with TKA expose uh Stevie B with like you know there there is a lane
30:46
there's a movement still there's a whole generation of people that grew up on that on that style of music well
30:52
recently Kendrick we was just talking about this DB um that's DB by the way producer DJ and we were talking about
30:58
how Kendrick and scissors sampled um Debbie Deb when I hear music yeah right
31:04
girl weekends and uh well in all of those do you see a Resurgence oh yeah uh
31:09
uh it's been happening for a minute join the Lucas just sample Can You Feel The be you know what I mean like it's it's
31:15
it's happening listen great music gets recycled we in this business you know
31:20
like if it if it's great it it her Can You Feel The Beat has done been redone by the black IPS Nina now join a LC like
31:29
it's it keeps getting recycled which is great it like it's it just gives us more content yeah okay when we're out on the
31:36
road doing our thing yes I like this Tony Minaj give her a round of applause she Thug me out right there you ain't
31:43
got the ass he's walking up Tony I can't believe you just did that on my show let me say this Lisa yes you got to
31:50
come back I will I promise okay you promise I promise I'm so thankful that you invited us on here you allowed us to
31:57
come on cuz this is a wonderful platform you are all wonderful people and the
32:02
kids out there my kids my two boys an tonar and Adam I love you mommy loves you I know they're listening hey Uncle
32:08
Theo sway loves you too we love you we we love y'all oh
32:14
thank you Lisa Lisa Lisa Tony Minaj make sure y'all watch this Can You Feel The Beat um February the 1st Saturday on
32:21
live time let's bring him in is he right here yeah I believe so I want to introduce you to somebody who who's
32:29
legendary like you and I know you never met him so I'm going to see if we can make this happen we got the iconic
32:34
Martin Lawrence about to walk up in here yo man where you at man my guy where's my
32:40
guy where's my guy we got Martin up in here man yo
32:47
yo come on man hey we got Martin Lawrence is walking F hey Martin this
32:53
Lisa Lisa and she wanted to from Lisa Lisa in the co jam and she wanted to meet you brother That's Tony right there
32:59
yeah come on man iconic right thereo yo so we got we got Martin
33:06
Lawrence coming up next Lisa I love you we family now okay okay absolutely okay
33:12
love you congratulations on the movie February 1st lifetime make sure y'all watching Can You Feel The Beat Lisa Lisa
33:18
Tony love you too my brother Martin Lawrence is here 888 742 3345
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