0:00
And I think this is this movie's really,
0:01
really important because it really
0:04
speaks to Hollywood like hey, we can do
0:05
these kind of movies as well. You know,
0:07
what I'm saying? We don't we don't if if
0:09
if it's sci-fi, you're not just thinking
0:10
of a of a spoof or a parody comedy. Like
0:13
this is a real actual movie with a real
0:15
love story, a real story of friendship,
0:17
it's a story of survival and it's like a
0:19
really, really good movie to go take the
0:21
whole family to watch and the sci-fi is
0:24
>> It's a good genre. Is is a black person
0:27
the first to die in this movie?
0:33
SHAME HAS ARRIVED IN HOLLYWOOD.
0:38
>> I LOOK, I will say
0:40
And I don't know if this is not on
0:42
>> You know, maybe I should Yes, it is.
0:44
>> Maybe I shouldn't say this.
0:45
>> Cuz because if I want people to go see
0:47
the movie actually, I want y'all to go
0:51
>> He laughing already.
0:55
>> It's the contrast of a black person
0:58
>> My man, Marcus Houston.
1:01
Yo, put your fist when you say that. Put
1:03
your fist. What is it? It's a what? It's
1:06
>> Put your fist up when you say that.
1:08
Contrast of a black person dying first.
1:11
>> They tried to get it banned. Marcus
1:13
Houston Houston is here. Tracy jump in
1:15
there. Tracy's all the way in New York
1:18
>> What's up, bro? So happy to have you.
1:20
I'm I'm glad that we're also speaking
1:22
about your transition from in front of
1:24
the camera to calling the shots behind
1:26
the camera, producing, writing. And
1:29
also, you're now going through the full
1:31
gamut of your career because you've been
1:34
in the industry since you were a kid,
1:36
you know, when it comes to "Amateur",
1:37
when it comes to "Sister, Sister". And I
1:40
imagine that type of early fame can
1:43
shape how you see yourself and how I'm
1:45
sure others expect you to show up and
1:49
now as a grown-ass man, as a filmmaker,
1:52
as a husband, are there things you're
1:55
still unlearning or that you have
1:57
unlearned from those early years in the
2:00
spotlight from childhood fame.
2:02
>> I think um the important thing for us
2:04
when we're immature, we uh we focused on
2:08
the relationship with each other as
2:10
and we focused on still being kids and
2:13
still and not having the the
2:15
entertainment business
2:17
cloud our minds and cloud our judgment.
2:19
We would talk early that, you know, um
2:22
this could go away at any moment. I
2:25
never really bought into the the the
2:27
fame and and fortune of it. I was it was
2:29
always like a job to me and it was
2:31
always something I loved to do. I loved
2:32
to entertain ever since I was little. I
2:34
was that kid at the at the barbecue, the
2:36
only kid in the middle of the circle
2:38
dancing and everything. So, I was always
2:39
that kid. So, entertainment's always
2:41
been just part of me, but I never looked
2:45
if people come up to you and say, "Oh, I
2:46
love you. Oh, you're this, you're that."
2:49
Yeah, but you don't know me, you know
2:51
what I mean? So, it's like you can love
2:52
me, you can love what I do, but you
2:54
don't really know me to love me. That's
2:56
why I want I I've been able to to, you
2:59
bat all these rumors and stuff like that
3:01
because if you don't know who I am, you
3:03
can't even you can't judge me, whether
3:05
that be bad or good. You can't say
3:07
anything bad or good about me because
3:08
you don't know me. So, I never really
3:09
took it as oh and let my head get so big
3:12
to where I like bought into the hype.
3:14
I'm like, "This could all go away
3:16
tomorrow. So, what is my next plan and
3:18
what's my next move?" I've always been
3:19
like that. So, that's what helped me.
