dal canale di ThunderboltsProject del 17 apr 2021 https://www.youtube.com/watch?v=w7u0rteXLS0&ucbcb=1
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Una teoria scientifica della mitologia dovrebbe essere in grado di spiegare la genesi e il contenuto specifico del mito antico. Le prime tradizioni mitologiche della Mesopotamia descrivono il pianeta Venere come la dea guerriera "Inanna". Un comportamento analogo è riferito all'accadico "Ishtar", al cananeo "Astarte", all'egiziano "Hathor", all'ugaritico "Anat" e all'indiano "Kali".
Il mitologo comparativo Ev Cochrane rivela come il mito archetipico della dea guerriera - molti dei quali sono esplicitamente identificati con Venere - sia associato a una furia distruttiva all'alba dei tempi che ha portato il nostro mondo sull'orlo della distruzione.
Il progetto Thunderbolts: una voce per l'universo elettrico
http://thunderbolts.info
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[Music]
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ideally a scientific theory of mythology
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should be able to explain the genesis
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and specific content of ancient myth
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modern schools of myth alas have long
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since
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abandoned any pretense of addressing
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such questions
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much less of offering comprehensive
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theories purporting to explain more than
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a handful of isolated mythological
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motifs from one particular culture
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stiff thompson's opinion is
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representative of the skepticism that
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currently prevails in the field
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quote the ultimate origin of nearly all
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folk tales and myths must remain
0:44
a mystery the theory advanced by dave
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talbott and myself in contrast
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claims to offer a unifying explanation
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of nearly every globally attested
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mythological structure and thematic
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pattern
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our theory is distinguished from all
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other modern schools of myth moreover
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by the fact that it explains the
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individual themes
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at a level of detail rarely imagined by
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other scholars
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the archetypal myth of the warrior
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goddess offers a case study in this
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regard
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among the earliest mythological
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traditions of mesopotamia are those
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describing the planet venus
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as the warrior goddess of anna indeed a
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third millennium
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kenning describes war itself as the
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dance of banana
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in the following hymn an anna is
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described as raining fire and flood from
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the sky
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quote loud thundering storm hyrudual who
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makes heavens tremble who makes the
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earthquake
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who can soothe your heart you pour down
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firebrands over the earthly orb who
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flash like
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lightning over the highland whose cry
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reaches heaven and earth
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whose roar is all destructive your angry
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heart is a terrifying
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flood wave now i ask would anyone
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viewing venus in the present sky ever be
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inspired to describe it as a loud
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thundering storm
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flashing lightning and hurling
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firebrands
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yet this very language is employed again
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and again in the sumerian text to
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describe a nana venus
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quote like a dragon you have deposited
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venom on the foreign lands
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raining blazing fire down upon the land
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you charge forward like a charging storm
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you roar with the roaring storm
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your rage cannot be cooled a recurring
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theme places a man of venus at the
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center of a destructive heaven-spanning
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storm
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described ultimately as a tornado or a
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whirlwind
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in a hymn to an anna for example an anna
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is described as clothed in a furious
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storm
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a whirlwind the word described as
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whirlwind here is dalhuman
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denoting a tornado or dust cloud evident
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in these archaic traditions is an image
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of a planet gone amok
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its whirling tornado-like behavior
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instantiating its terrible rage
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it is telling that analogous behavior is
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reported of other great goddesses such
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as the acadian ishtar
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the canaanite ashtarte the egyptian
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hathor
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ugaritic anat and the indian kali
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each of these warrior goddesses several
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of whom are explicitly identified
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with the planet venus is associated with
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a destructive rampage at the dawn of
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time that brought the world to the very
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brink of destruction
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if an anna was conceptualized as a
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whirling storm
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ishtar was represented as a whirling
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dancer
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quote oh valiant ishtar shining torch of
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heaven and earth
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furious and irresistible onslaught
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fiery glow that blazes against the enemy
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who wreaks destruction on the fierce
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dancing one ishtar the epithet
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translated dancing one here is goucheya
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literally the whirling one
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religious rituals celebrating ishtar
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venus featured frenzied dances which is
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celebrants hurled wildly
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benjamin foster and his commentary on
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these archaic rituals
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observed quote the whirling dance or
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mock combat that people perform as a
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memorial to ishtar
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here etymologized by the poet as the
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whirling dancer
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from the standpoint of modern astronomy
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needless to say
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there is no conceivable reason why the
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planet venus should be conceptualized as
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an agent of storm
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much less as a whirling tornado nor for
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that matter is there any obvious reason
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why that planet should be described as a
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whirling dancer or fire spewing
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warrior hence the profound puzzle
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presented by these widespread myths and
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rituals
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how then is it possible to explain the
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myth of the warrior goddess
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in the historical reconstruction offered
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by talbot and myself
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the myth in question encodes
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catastrophic natural events during which
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venus's atmosphere became hypercharged
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and disturbed
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flaring dramatically in the northern
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circumpolar heaven
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the basic image was that of a whirling
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comet like object or hair star
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indeed ancient artworks from mesopotamia
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old europe and the new world
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depict venus as a whirling star
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such imagery is especially conspicuous
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in the indigenous traditions associated
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with the hindu goddess
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kali according to the various accounts
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the goddess's frenzied dancing
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threatened to destroy the world
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quote the dread mother dances naked in
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the battlefield
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her lowling tongue burns like a red
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flame of fire
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her dark tresses fly in the sky sweeping
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away
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sun and stars red streams of blood
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run from her cloud black limbs and the
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entire world
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trembles and cracks under her tread
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a recurring theme in the hindu accounts
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of kali's rampage is the goddess's
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wildly disheveled hair
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reputedly capable of raising a terrible
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storm that blocks out the light of the
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sun
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the goddess's hair as noted by david
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kinsley
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is a sign of her destructive nature
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quote
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kali's unbound hair may also have a
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broader indeed cosmic significance
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suggesting dissolution itself
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considering collie's identification with
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cremation ground and death
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her loose hair may suggest the end of
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the world
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her hair has come apart and flies about
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every which way
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order has come to an end all has
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returned to chaos
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as we would understand this imagery
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venus's swirling hair
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not only presented the appearance of a
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giant comet or tornado circling about
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the polar axis
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it was laden with lightning and fire and
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quite literally constituted a
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storm that blocked out the light of the
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primal sun
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hence the global myth of the giant comet
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or dragon that swallowed the sun
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and threatened to destroy the world a
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sumerian hymn from the second millennium
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bc
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captures this idea perfectly quote
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my hair will quarrel around in heaven
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for you like a hurricane
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students of myth will remember that
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kali's dance was not a solo performance
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she was joined by shiva whose
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dervish-like dancing added to the
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apocalyptic destruction
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shiva is mars as i have documented in
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various works
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analysis reveals that mars features
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prominently in nearly every aspect of
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the myth the warrior goddess
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it was the tornado-like storm associated
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with venus in fact which vacuumed up
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many miles of surface material from mars
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leaving the red planet with a severely
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flattened northern hemisphere
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dallas's immense dust cloud of recently
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catastrophically excavated material
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contributed much to venus's archetypal
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status as an agent of destruction and
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hurling dust devil
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not to mention her intimate association
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with a vast horde of demonic beings
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despite her many repulsive attributes
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kali remains
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india's most beloved goddess to this
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very day
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artworks depicting the raging goddess
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are ubiquitous
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most emphasizing her disheveled hair and
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grotesquely protruding tongue
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it is the goddess's tongue that remains
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the most iconic and lurid of all her
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ghastly
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features quote kali's tongue is a
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problem
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it hangs it lowels one cannot help
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noticing it
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in the famous temple of kali in southern
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calcutta
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the image of the goddess appears to be
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nothing but a tongue
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the history of kali's tongue like the
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history of the goddess itself is a story
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rich in detail but poor and plot
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we know a great deal about what the
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tongue symbolized in specific contexts
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in different periods but we know very
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little about how
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why or when the different meanings of
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the tongue developed
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how then would we explain kali's
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gigantic tongue
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the fact that warrior goddesses from the
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new world likewise display a protruding
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tongue
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attest the archetypal nature of the
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imagery in question
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as does the fact that cultures on both
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sides of the atlantic explicitly compare
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the goddess's tongue to a dagger or
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knife
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here too it is our opinion that the
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imagery encodes the unique relationship
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prevailing between mars and venus during
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a specific phase in the history of the
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polar configuration
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in which mars appeared to move below
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venus towards earth
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presenting the appearance of a
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dagger-like tongue
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the fact that the red planet was
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described as the knife star
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or sword by sky watchers from early
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mesopotamia or egypt
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is certainly germane to our hypothesis
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[Music]
9:48
um
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[Music]
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you
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