The Thundercats animated series was a staple of 90's animated shows. Beloved by many, the Thundercats were a massive success that not only launched a much sought after toy line, but paved the way for many other shows to follow in its footsteps.
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When it comes to everything except the crown, you're always going to be second place
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In an age where every piece of media from generations past is being rebooted, remade, or retooled
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most of them feel completely unnecessary. However, in 2011, one of the seminal children's animated franchises was rebooted with an eye toward maturity, complexity, and artistry
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Thundercats. And yet, despite being arguably the best version of the feline heroes of Third Earth ever to exist
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it failed. The Thundercats was created by Theodore Walter Tobin Wolfe. Yes, the man had a ton of names
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Based on an idea his daughter had, Ted Wolfe was able to sell the concept of a team of cat people
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in a sword and sorcery setting to LJN and Rankin Bass. From there, the idea was developed by comic book writers Bob Haney and Leonard Starr
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and turned into an animated show, toyline, and transmedia experience. Produced in a co-production model with a Japanese studio, Pacific Animation Company
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the property was exploited in much the same way as Masters of the Universe and Teenage Mutant Ninja Turtles
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Lasting over 130 episodes and airing from 1985 to 1989, Thundercats became a fan favorite with a cult following even to this day
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However, after the show was canceled, the franchise ostensibly laid dormant for over 20 years
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While rumors of live-action adaptations and reboots would crop up semi-consistently, they never manifested into anything tangible
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Until in 2011, Cartoon Network brought the show back for a prestige animated reboot
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This new incarnation of the Thundercats world was developed by Ethan Spaulding and Michael Jelney
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They set out to make a high-stakes adventure show that would lovingly mix the characters and aesthetics of the old show
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with contemporary storytelling techniques and animation styles. They were attempting to fuse the Lion King and Star Wars
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Their approach to Thundercats is a perfect updating to the old show
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In the original program, we follow the last surviving members of Thundera
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as they attempt to survive on their new homeworld dubbed Third Earth However in an accident during cryosleep the young prince Lion chamber was damaged allowing his body to age in real time Thus Lion now the leader of the Thundercats
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must balance the struggles of being an adult man with the mind and maturity of a small child
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It's kind of a Captain Marvel, being an adult is fun type of wish fulfillment idea. However
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the 2011 reboot does away with almost all of that. It would focus on the more serious take
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on the characters. We follow the Thundercats' royal family, who have lived on Third Earth for
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generations as they attempt to protect the kingdom of Thundera. The cats are led by Claudus
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a wise and just ruler. His two sons, Tigra and Lionel, are both vying to be the heir of the throne
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The kingdom is attacked by the evil sorcerer Mumra one day and Claudus is killed. The majority
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of the citizens are enslaved, and a small band of Thundercats set out to find the Book of Omens
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a magical book that will purportedly help them to eventually defeat Mumra and free their friends
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In an interesting twist on the dynamics of the original show, Tigra and Lion-O are brothers
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and Claudus originally intends Tigra to take the Sword of Omens and lead the Thundercats
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However, the sword chooses Lion-O. There's also a bit of a love triangle established between Tigra, Lion-O, and Chitera
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You know we're going to have to settle this eventually. May the best cat win
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Additionally, the spirit of Lion-O's young person in over their head character type
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is represented by him being the younger brother and not quite ready for leadership
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The show is intended to have a 52-episode first season, with the season being constructed by four 13-episode arcs
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Much like the original show, this reboot would be an East meets West co-production
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Warner Bros. Animation, and the Japanese studio 4C. Usually, these Japanese and American co-productions don't go very smoothly
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However, with Thundercats, everything is pitch perfect. From the contemporary costume updates to the animation style
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to the action sequences, the show hits all the marks perfectly. 4C would rebrand the aesthetic of the cats
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and make them applicable to a contemporary audience with a mature yet stylistic approachable aesthetic
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Most of the cats now look functional and cool but not overly grounded You can look at any of them and instantly tell the type of world they live in Much of the visual aesthetic of the show is directly in line with the show East meets West theme
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European knights and medieval garb complement Chinese and Japanese-influenced outfits. Specific attention is paid to making sure
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that certain elements of the character's costume reflect their personalities and their previous versions
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However, despite all the brilliant decisions being made behind the scenes by Spalding
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and Jelnick, the Thundercats reboot did not get off to an easy start. You see, right as the first
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season of the show was going into production, the Fukushima nuclear facility disaster happened in
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Japan, causing the U.S. dollar to plummet. Overnight, the per-episode budget skyrocketed
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The show went from $325,000 per episode to roughly $550,000 per episode. Despite this hardship
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Warner Brothers gave Cartoon Network the okay to forge ahead, giving the team the green light to
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produce the show. When asked about the divergencies from the original show, Michael Jelnick said
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The old show felt more like a Saturday morning animated series, and this feels more like a movie
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This is definitely darker, but we've put a lot more focus on the characters and the arc
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And because of that, we might have a few more sophisticated themes going on in this
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When it premiered, despite hardcore retro fans being resistant to the new costumes
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character backstory changes, and continuity, the show pulled in over 2.4 million viewers
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Critics also praised the show, saying that it brought a maturity, depth, and gravitas
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to the source material that had never been seen in the property previously. However, unlike today when companies roll out multiple versions of a beloved IP
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in order to mitigate fan backlash, just look at what they did to the most recent He-Man reboot
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Two separate shows, one for little kids and one for adults. The hardcore Thundercats fans did not respond well to the show when it was airing
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And partially because of this, the ratings did not last. Despite positive critical chatter, the ratings declined and the show was canceled after 26 episodes
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roughly halfway through the proposed 52 episode run. Ultimately there were multiple contributing factors to the cancellation of the show The first being it was really hard to find Yes it was on Cartoon Network but the 2010s were the rise of streaming and the beginning of the end for traditional cable Because of that the show
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felt strangely invisible to its core audience of viewers, primarily younger people who were rapidly
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relying on streaming more and more. Additionally, an older contingent of fans who were set in their
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ways at the time saw the new designs for the Thundercats and immediately wrote it off. Even
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though it's exactly what they'd been asking for for decades, a mature, dark, and complex show
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about the Thundercats. And to make things even more complex, the Thundercats reboot's toys didn't
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sell as well as everyone was hoping. Could this have been because of the darker tone of the story
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a lack of interest from younger fans? Possibly. However, the show actually wasn't immediately
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canceled. It was put on hiatus in an effort to get a better idea of the true rating numbers and
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the toy sales, and unfortunately, when they came together, they just weren't enough
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My ancestor defeated you with the Sword of Omens. I will do the same
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The show just didn't connect with an audience with enough gusto to justify the financial
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expenditure that Warners and Cartoon Network were putting into it. In the decade plus since its release, Thundercats has developed quite a reputation for itself
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And those toxic fans who disowned it upon its initial release? Many of them have been its most ardent supporters now
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but it's too little too late, which sucks because it was a thematic evolution on top of the existing show
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It could have been one of the best shows Cartoon Network ever produced, if it was given a chance
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But the extra pricey per episode cost ensured that that wasn't going to happen
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Today, many fans point to the episode titled Legacy as one of the best Thundercats episodes ever
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The episode, like any good distant past or distant future story, gives a greater context to the world of the Thundercats
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their relationship with Mumra, and the ever-raging battle for Third Earth. To put it simply, for Thundercats fans, this is basically days of future past
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And it's so painful to think about all the other great Thundercats stories we could have gotten
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if things had gone better
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