Steve Zahn, Audrey Zahn, Mackenzie Ziegler and Rick Gomez Talk ‘She Dances’
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0:00
We're really tight
0:01
So, you know, I was in London doing a show, Silo, which he and I are both on, which is crazy
0:09
We did it again. Now we can never not work together. Rick and Steve, I was stalking your Instagrams, and it looks like you guys have been friends for quite a while
0:23
How did you guys meet initially? We did a show called The Crossing Wednesday night at 1130
0:35
It was kind of one of those shows. Yeah. It wasn't on like Thursday night
0:39
No. But anyway, so I was the sheriff and he was my deputy
0:44
Great deputy. And we just, we thought, you know, we grew up as young actors in New York and we just
0:52
We never met each other. Never met. I was almost his understudy in suburbia at Lincoln Center
0:57
You almost did Band of Brothers, but you didn't do Band of Brothers. So there's all these things. We crossed over
1:02
And we know the same people. So when we met on the show, we was like, oh, I'm so confident
1:07
Thank God you're on this. Yeah, we were instant friends. That's all we had was each other
1:12
Anyway, there you go. And so you guys just hit it off instantly. Yeah, we really kind of felt like we were like-minded in the way we told stories and what we laughed at
1:20
And then we wanted to make stuff. And then, like, our families are all kind of intertwined and know each other
1:26
And, yeah, so we're really best buddies, but also write and work together
1:33
Yeah, so then for this movie, you guys co-wrote the script together. This is your directorial feature debut, I believe
1:40
And then it's your first big movie as well. Lots of firsts for everybody
1:44
How did the project all come together? Like, what was the sort of brainchild, I guess, of it
1:49
And the original thing came together because you guys, these two were in a national dance competition together
1:55
And so I took her there and I was sending back videos and calling Rick and Kobe
2:01
And we were like, look at this, look at that. And we're like, oh my God, there's such a movie here
2:05
The competitive dance world is like just something else. If you haven't been a part of it, you just can't even imagine what it's like
2:14
We're telling Rick about it so much. And then they're like, dude, we should make something about it
2:18
Because you don't really see a lot of movies or shows specifically about dance competition
2:24
There's a lot of stuff about, like, dance in general. But I don't know
2:28
Yeah. That was cool. It's intense, yeah. Yeah. So then we did, so we looked at, so we talked about that story, your story of the kind of dance competition
2:36
And Steve and I just were, it was kind of right in the throes of COVID
2:40
And there's a lot going on in everybody's life. And there was a lot of, people were going through a lot of stuff
2:44
And then we kind of just built a story around some stuff that was in our life and around our life
2:48
And Jason Reed, who's a producer friend of ours, called us up and said, what do you have
2:51
And we kind of just outlined a basic kind of what it could be. And he said, you guys should write it
2:56
And really, that was the first shot. We wanted to make a cinematic American independent film for families
3:04
Yeah. Yeah. That was the whole goal. And then did you guys know that Audrey was going to be in it from the start
3:09
Immediately. Yeah. I worked with Audrey on a short film where she was a dancer
3:13
And when Audrey danced. I was 16. When she was 16. And when Audrey danced, I was like, I knew that was the kind of fabric of the whole thing
3:22
was being around her dancing. I was like, oh, man, she's so good
3:26
When Kenzie came on board, that was a cool. Done. And we saw Kenzie
3:30
We deep-dived Kenzie. Didn't know each other. And then we saw Kenzie do her thing
3:35
I'm like, she's perfect. We wrote this thing. And then Kenzie came in and was like, the thing we wrote
3:41
Thank you. And so it was just, and then these guys just hit it off
3:45
and it feels like they've been friends since they were three years old in the movie. Seriously. I mean, it's one of the, it's really remarkable
3:50
Yeah, I mean, the second we met, I was like, I know she's going to be my friend forever
3:55
Like, she's, we clicked instantly, and we obviously were such goofballs on set, all of us
4:00
I mean, we had such a blast, and we created such an amazing family. So I was so happy to be a part of it
4:06
Yeah, yeah, I could definitely tell that chemistry out of the way. I was like, did they know each other beforehand
4:10
Like, it just seems like you're connected. did uh what was it like filming the or putting together i guess the dance sequences since you
4:17
guys are both dancers did you choreograph those yourself you have another choreographer
4:20
the best guy ever he's been my dance teacher for years like he was the guy that choreographed all
4:28
my solos from middle school onward he basically created my dance style and he's such a talented
4:36
the choreographer. He made it for both of us, the duet and the two solos that I do in the film And it was really fun I mean he such a good teacher you know It was really interesting because obviously they choreographed it
4:51
before I got there because you guys live in the same place. Right
4:54
And so they were just sending me videos of a bunch of things and I just saw how fun you guys were having
5:00
And he's such a talented choreographer. It was so easy to learn from him and made me feel so comfortable
5:05
And I think because I haven't danced in so long, I was really nervous
5:10
kind of stepping into an environment where people are you guys dance all the time and so I was a
5:16
little intimidated but it really worked out and I think we dance really well together yeah that's
5:22
the other thing it's because it's hard to find a dance partner that like really matches you well
5:27
but it was really natural for us yeah I saw on Instagram that you've done a lot of theater what
5:33
was it like or how does that sort of compare I guess to to starring in a movie you know that's
5:39
an interesting question. I will say theater, there's just so much more adrenaline that goes
5:44
into it and a lot of like energy. It kind of feels like you're running a marathon like 12 times a
5:51
week, which is so fun and like it's on the spot and whatever happens on stage happens and there's
5:57
beauty in that on its own. But I kind of really fell in love with the intimacy in film and how
6:05
you get to do it over and over again, try new things. Like, it just felt very artistic for me, and I really enjoy it, so, yeah
6:14
And then, Steve, you've obviously played a dad in a number of different films and TV shows
6:19
How was it like playing the dad to your actual daughter versus, you know, someone else
6:25
It was beautiful. I mean look the best compliment I can give her
6:33
and the film is that it was it was like every other movie
6:37
we're really tight so you know I was in I was in London
6:43
doing a show Silo which he and I are both on which is crazy
6:47
we're both on the same show now we can never not work together no
6:52
it just took crossing right but Audrey came out for like three weeks
6:57
We read it every day. And then these guys got together. I was still shooting
7:02
They came, Rick had them in Kentucky. That's the other thing we did with this film. It was so great
7:06
We had rehearsals. See, there's some intense scenes we have. We did those once
7:12
We did, not only did them once, we rehearsed them once when we started
7:19
So I had these guys for three weeks, and people were coming in and out, and rehearsal's a huge part of just the way I came up
7:25
and I think it's the thing that's cut out of films first because when you're making a budget, you just go, that doesn't necessarily
7:31
Sometimes you don't even rehearse on the day. Yeah, you don't even rehearse on the day. And so I had them for a while
7:36
We had each other for a while and we were able to work through it. But these guys did it, our big scene, one time
7:42
I looked up and there was a puddle of water underneath my face
7:46
and I was like, we don't do it anymore and we'll just go shoot it. And then we did it a few times when we shot it
7:51
But they're so locked in. Who's great? They so knew the stuff, the work, and then each other that it's just magic, man
7:58
It's just magic. And you see it. There's really, it's not like anything else. It's such a great, this is it for me
8:08
That's so special. Yeah, no, I was crying watching it. Yeah, yeah, yeah
8:14
Yeah, sweet. No, yeah, what was it like, I guess, filming those, yeah
8:18
the big final dance scene at the end where you have that moment where you're like
8:23
your the home video flashes on screen and you just like feel all I have I have I
8:29
I've had that that Every time I watch yeah her yeah since she was young
8:36
Yeah, it's I I see something totally different than somebody else sees and in that moment
8:42
It was beautiful for everybody, but as a dad that wasn't hard to tap into I
8:47
Was so layered here. I am playing a character, but I'm also reacting to my daughter
8:53
who's playing a character. I'm reacting to home videos. You watch a home video from the past of your kids
9:02
you get all, I get all worked up. I'm such a sap
9:09
So it was layered watching that stuff and seeing my son and my daughter at three and five
9:15
like swimming and I- It's so universal too, man. It's like, it's their family
9:21
but it's all of our family. And when you watch it, you feel that same thing that you feel when you watch your because they exactly the same as all the movies we have of each other and all the so it became this really beautiful place to be in because we all just know that as people we know what that thing feels like
9:37
But what's remarkable about it is what, and people, I think it's a compliment to the film, it's like people don't go, that's crazy
9:45
You're using home movies with you and Audrey and you guys are, wow, I've never seen that before in a film
9:52
It's really cool. yeah yeah what was it like going through your home videos and picking out which ones you were
9:57
going to use i didn't know it was a surprise um scott scott hall system selects and then we i gave
10:04
him a bunch of like dvr tapes and and you know i said dude i i don't even know what these are it was
10:10
a box in the attic and he he was like hey man i'll you know i'll dig it too we'll get it on digital
10:15
and then he called me like dude do you know what's on this stuff i'm like no i have no idea i didn't
10:20
He didn't even write like... At the circus. Or whatever, right? And it was like, he goes, dude, dude, dude, sit down and watch
10:26
And I watched some of this stuff and I was like, oh my gosh. It's behind the scenes and like movies and stuff, right
10:32
Just walked around with a camera. It was all this stuff at home. And then Rick saw it
10:38
It started to build on itself about where it was going to go in the movie. You've got to use this
10:42
Yeah, and there's a great Easter egg at the very, very, very end of the movie
10:46
If you don't watch it to the very, very, very end of the movie. There is his high school footage on VHS that really..
10:53
I shot a bunch of VHS in the movie. That's actual VHS footage. It's not manipulated in post
11:00
We shot on a VHS camera. And I was inspired to shoot on a VHS camera
11:04
because I found his Oklahoma story that he tells her. He was in Oklahoma
11:08
I found that thing. And Steve's on as Will Parker at the very, very, very end of the movie
11:14
If you watch the very end. Wait, is that after the credits? Yes. At the very end of the credits. Okay, now I need to go back and watch
11:18
Yeah, you need to go watch it. That's the final little thing, yeah. And it's me as a junior in high school
11:23
Basically the age of her character in the movie. Wait, okay. It's crazy
11:27
It's layered. Yeah, yeah, yeah. So this is the Young Miss Southeast Regional Dance Final
11:34
Is that a real thing or did you guys make that up? We took a little bit. We took a little liberty with it
11:38
I mean, it sounds like so. It's like, seriously, everything at dance competitions is so unheard of and extravagant
11:47
And so it makes sense. Yeah, yeah, yeah. platinum right yeah the triple crown platinum diamond yeah yeah diamond the turn and turn and
11:56
turn again countrywide dance fest like literally and it would make sense yeah yeah yeah yeah no it's
12:03
not a real thing what was it like building that out and getting all of those extras and the dance
12:08
costumes and the ballrooms and like did you guys have input in that from having gone to so many of
12:13
those yourself we didn't necessarily have input but i think it was really interesting for us to
12:19
be in that environment again you know like when we were on the stage and all the dancers are
12:25
stretching and everyone's and i was like whoa this is like a fever dream i feel like i'm back
12:30
when i was like 10 yeah and like at a dance competition it felt so real yeah well it was
12:35
Well, it was because we got real guys. It's my old studio. The dancers in the background and the other dancers you see on stage
12:43
We had hero dancers that were. People I used to dance with. We had extras that were
12:47
I mean, this is a tiny movie. Yeah. And we were so lucky
12:51
This is all homegrown. There's a lot of just Kentucky kind of local
12:58
Yeah. You know, Haley, who plays the nemesis. Everybody showed up when we played
13:04
is a local who lives in New York and is on Broadway a lot
13:08
and she's remarkable but she grew up dancing with Jamie who choreographed it so there's all these
13:14
bits and pieces that come together yeah and Jamie choreographed her solo as well
13:19
yeah Jamie choreographed everything and did an amazing job it was really cool because I
13:28
shot a like a behind the scenes sizzle experiment shoot. Like a let's see what a dance competition is
13:38
Never been to a dance competition. New York, West Coast. Never spent a bunch of time in the middle of the country either
13:44
And so I had a whole idea in my head about what I was about to go watch. And my favorite story is there was a little girl who came out
13:50
She danced her butt off. And I don't know what she did wrong. But she felt like she did something wrong
13:55
And she held it the whole dance. And danced and smiled and bowed like a warrior
14:01
came off the stage and once she hit the curtain on the side of the stage, burst into tears
14:06
and ran to her coach and was like, and I was like oh my God these are warriors These little girls are like these warriors And I and that the way we decided to shoot it That the way we wanted to hold the whole space I never realized how much care and competition real competition
14:25
and quality of dance. And yeah, man, it really blew my mind
14:32
And so we tried our best to put that into the, and in fact there's some of that footage in the film
14:38
That's the real footage from the dance competition we shot at. But, yeah, man
14:44
It was really cool. That's why I think it felt that way. Because a lot of those same kids were there again in some of those same costumes again. Totally
14:50
In the same theater we shot it in. Sorry. It's exciting. We're just fighting each other back there
14:57
Mackenzie, did you have, like, Dance Moms flashbacks while you were sort of on the show
15:02
Oh, for sure. I definitely felt very at home. But I think for me, it felt obviously better because it was, you know, we were dancing together
15:11
It was so fun. And I think now I found a love for dance, doing it kind of separate than actual dance competitions
15:20
Because like we were talking about, dance competitions can be very toxic
15:25
And so, yeah, it felt like really nice to dance again. And I definitely think it helped me find my love for it
15:32
So there's a scene where you guys are all in the car and you're doing Jennifer Coolidge impersonations
15:40
You were in White Lotus with Jennifer Coolidge. Did you pick up the impression from her
15:46
Like, how did this all come to be? You know what? I don't know where it came from
15:51
I just figured out one day that I could do it. And Dad thought I was really good at it
15:57
Like, so much so that I filmed a video and sent it to him
16:01
He showed Jennifer Coolidge. She sent a video back to me impersonating me
16:07
She was like, I have to send her a video. I have to send her. I can't do it. I have to send her a video
16:12
What do I do? And then she was like, okay, I'm ready. I'm ready
16:16
And then she started the video saying, hi, Jennifer. It's Audrey. I have a sore throat, so I'm going to do your imitation, but I hope it works
16:26
You know, whatever. And then she was like, hi, Audrey. Hi, Jennifer
16:31
It's Audrey. I have a sore throat. She just mimicked the game
16:36
I know. So insane. We picked it up on set, and we just were doing it
16:40
You guys did. She has a great one. And so we were going over lines for the scene
16:46
because we were about to go shoot that scene. And I always like messing around with stuff
16:51
We're like, just do it in whatever voice. Just do the words in whatever voice there is. And then Audrey's like, oh, yeah, great
16:57
And then I plundered and you kicked in. And then the both of them are doing it. I'm like, I think I'm not going to shoot it any other way
17:02
We didn't. We didn't shoot it any other way. I think we had great. There was no alternative for that scene
17:06
Yeah. Like, seriously, most of the time we interacted was in Jennifer Coolidge's voice
17:11
But we didn't. But Rick didn't do. Okay, just do one. For safety. There was no safety
17:15
That was either going to be in the movie or wasn't going to be. And it had to be in the movie. It's so punk talk
17:19
That's the right way to do it. I'm glad it's in the movie. Did you meet Jennifer Coolidge at any point
17:24
Oh, I wish. I wish. I'd be so upset. Someday. Someday. Someday
17:29
Do you watch a lot of your dad's movies? Do you have favorites
17:34
Ooh, okay. I love that thing you do, I will say. That is one of my favorites
17:39
Some of them, like, if he brutally dies in something, I'm like, no, not for me, but he's pretty good
17:47
He's pretty good. Thanks, kid. um and then i guess sort of what was there uh like what was the most fun scene to shoot uh for
17:57
both of you or i guess for all of you i think mine was the tire scene oh you're right i thought
18:04
that was the most fun the tire scene was fun it's that or the jennifer coolant in the car
18:09
i really like i love the story scene that was we just kept eating though that's why it was hard
18:15
Yeah, we were, our tommies were hurting. Yeah, that was fun. I liked
18:21
shooting the one where we just locked the camera off and let the whole
18:26
night go by and you guys just did stuff for like 45 minutes. You know what was also a great one? It was the
18:31
brushing teeth. Just a one on the mirror. That's a really good scene
18:37
And that was stressful though. We were calling, Ro, Ro had to call in
18:41
Roseberry DeWitt plays. So we did it, you know. Also the scene
18:45
at the pool with you guys. Oh, that was a great scene. And the camera picking. That was stressful, though
18:49
Every scene. Every scene was great. Every scene was hard. That was fun to watch
18:53
Yeah
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