From brutal betrayals to unexpected twists, explore the movie characters whose stories concluded with their final moments on screen.
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Whether dying peacefully of old age, falling gracefully on their own sword, or getting brutally mutilated in spectacularly over-the-top fashion
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these character deaths all came at the last possible moment, and now it's time to relive them all over again
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Because I am Gareth from WhatCulture.com and here are movie characters who died in the final shot
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Paul Conroy Buried Rodrigo Cortez's Buried is a nerve-shredding exercise in suspense
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as American truck driver Paul Conroy wakes up buried alive in a coffin in Iraq
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and attempts to use his phone to effect his escape. Throughout the film, Paul is in contact with Dan Brenner
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head of the hostage working group, who is attempting to find his location and rescue him
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Midway through the movie, Brenner informs Paul that they saved a man called Mark White
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from a similar situation several weeks prior. But at film's end, when the rescue operation unfolds
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the team finds the burial site of White himself, who Brenner evidently lied about saving not Paul
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And so in the film's final scene, Paul realises he isn't going to be saved
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as sand begins unstoppably pouring into the coffin. He's helped us to do anything but wait to asphyxiate
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on the sand filling every space of the wooden box. And just as Paul starts suffocating, we cut to black
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with the final sound being Conroy telling Paul, I'm sorry Paul, I'm so sorry
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Considering it seemed highly likely that Paul would be rescued by film's end
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this was quite the hefty gut punch indeed. A lovely start, I'm sure you'll agree
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You know, when the nights get here faster and the temperature starts dropping and I'm in need of
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something cozy to pick me up, there's nothing I want to do more than spend some time with your
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friend and mine, Pumpkinhead. As in the 1988 supernatural horror movie Pumpkinhead directed
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by Stan Winston, obviously. And wouldn't you know it, you can go and do that on Prime Video
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right now and if you sign up using our special link in the description or scan the QR code
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on screen, you'll get 75% off your first two months which is as low as 99 cents per month
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That includes both single subscriptions and bundles so you can add stuff like Apple TV
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and HBO Max and watch all the movies and shows you want to your heart content Like guys they have all of Columbo on there I about to go into a winter hibernation and come out talking like Peter Fork
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I can't wait. Mr. White and Mr. Orange, Reservoir Dogs. Quentin Tarantino's ferocious directorial debut, Reservoir Dogs
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gives us a twofer as gangster Mr. White and undercover cop Mr. Orange
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both expire in the film's gut-wrenching closing shot. The final shot is a two-minute single take in which Mr. White cradles a mortally wounded Mr. Orange
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who confesses to being a cop, before a distraught Mr. White then points a gun at his head
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At that moment, the police storm their warehouse hideout and instruct Mr. White to put his gun down
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but as the camera eases in on him, he pulls the trigger, presumably killing Mr. Orange
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This prompts the cops to open fire on Mr. White, who is blasted out of the frame and evidently killed
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Tarantino then abruptly cuts to the credits. And that's all she wrote. There was nowhere for the movie to go after this
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What with all but one of the robbers being, you know, dead. Michael Corleone, The Godfather Part 3
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Say what you will about The Godfather Part 3, and of course, it's unarguably lesser than its two masterful predecessors
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It nevertheless ends in fitting fashion, with the death of series protagonist Michael Corleone
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The threequel climaxes with the death of Michael's daughter Mary, after which the final scene flashes forward many years
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where a now elderly Michael sits alone outside Don Tomasino's villa. After a beat, Michael slumps over dead and his corpse then falls out of the chair
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the final second showing one of Michael's dogs curiously examining his lifeless corpse
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The end. It's a sad yet appropriate end for Michael, having lost everyone he's ever loved due to the life he was thrust into
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And though Francis Ford Coppola actually cut Michael's death from his recent re-edit of the movie
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The Godfather Coda, The Death of Michael Corleone, The original release is nevertheless still the one that most fans know
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The Ghost, The Ghost Writer Roman Polanski's tightly-warned political thriller, The Ghost Writer
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follows an unnamed ghost writer, I know, what a world, who is hired to complete an autobiography of former British Prime Minister Adam Lang
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The Ghost, as he is credited, soon enough uncovers some extremely unsavory findings about Lang
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But before anything can be brought to light Lang is assassinated The Ghost is asked to finish the book to commemorate Lang life and the film ends with him attending the book launch where he discovers a secret message in the book original manuscript revealing that Lang wife Ruth is the real villain The ghost reveals to Ruth that
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he knows this, but as he leaves the party and disappears off-screen, a car quickly accelerates
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in his direction and runs him down. We don't see the ghost corpse, but the implication is clear
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made even more devastating as we see the pages of the incriminating manuscript blow away in the
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wind, ensuring the secrets will never be made public. Heather, the Blair Witch Project. Love it
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or hate it, nobody will ever forget the final moments of the Blair Witch Project, where embattled
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filmmaker protagonist Heather enters the ruins of an abandoned house in the woods and finds her
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friend Mike standing in the corner of the basement. Heather calls out to Mike at which point she's
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attacked from behind. Her screaming abruptly stops and her camera falls to the floor. While
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there is a sure ambiguity to the ending given that we don't 100% know precisely what happens
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it seems pretty cut and dry that Heather is killed by either the Blair Witch
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or somebody being possessed by the Blair Witch. Given that Mike faces the corner of the basement
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just as famed serial killer Rustin Parr made his child victims do while carrying out a killing
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and neither Helen nor her two friends were ever found, it's safe to say we're seeing Heather's final moments in the movie's chilling closing shot
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Butch and Sundance, Butch Cassidy and the Sundance Kid Butch Cassidy and the Sundance Kid boast one of the most iconic endings in all of cinema
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as a wounded Butch and Sundance find themselves cornered by the Bolivian army with seemingly no means of escape
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Nevertheless, the duo seem confident that they can survive the encounter and make it to Australia
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running out into the open and faring away. Just at that moment, director George Roy Hill freezes the image of Butch and Sundance
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all while several lengthy hails of machine gun fire ring out. While we don't see Butch and Sundance's dead bodies
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there is no ambiguity whatsoever that we're seeing their final nanoseconds of life
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in this unforgettable freeze frame. It's a final image that's been homaged in numerous movies over the years
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The Lieutenant, Bad Lieutenant. Abel Ferrara's mesmerizing neo-noir Bad Lieutenant doesn't offer up a remotely surprising fate for its unnamed protagonist
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played with gutsy panache by the great Harvey Keitel After spending basically the entire movie being the worst cop the world has ever seen the lieutenant finds a bizarre brand of redemption by not killing or bringing two rapists to justice
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As their victim has forgiven them, he decides to put them on a bus with a ton of money while
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instructing them to never come back to New York. The lieutenant then returns to his car
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where after a moment he's shot and killed by a driver passerby. In a brilliantly eerie final
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choice, Ferrara keeps a locked off camera pointed at the car from afar for another minute
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lingering on the New Yorkers walking past the lieutenant's corpse and quickly going on with
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their lives. For all the many bad things he did throughout the movie, you can't say the lieutenant's
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brutal demise was a shock, even if it tragically came just when he finally found some inner peace
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Bruce Robbo Robertson, Filth The criminally underappreciated 2013 black comedy Filth stars James McAvoy as Bruce Robbo Robertson
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a psychopathic, drug-abusing member of the Edinburgh Police Force. In the final scene
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Bruce has lost everything and prepares to hang himself. But just as he steps off his chair to
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hang, there's a knock at the door. It's the widow and her young son that Bruce briefly connected
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with earlier in the film. Bruce, seemingly regretting his decision, initially attempts
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to steady himself and regain his footing on the chair. But as the widow and her son walk away
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after receiving no response, Bruce breaks the fourth wall, laughing at the audience and accepting
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his fate. In the final shot, the chair falls from under Bruce and he hangs. As writer-director John
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S. Baird abruptly cuts to the credits in what's surely one of the most darkly hilarious smash
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cuts in cinema history, Jack, the house that Jack built. Lars von Trier is absolutely obsessed with
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doing this very thing, having killed off the protagonist in the final shot of his movie
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numerous times. But perhaps the most memorable and certainly the most unexpectedly hilarious of
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the bunch is in his hugely controversial psychological horror film, The House That Jack Built
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Matt Dillon stars as Jack, a serial killer who recounts his various murders to Verge
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aka Virgil from Dante's Inferno, who is leading him through the nine circles of hell
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At the very end of the film, Jack and Virg reach the ninth circle, at which point Jack notices a stairway leading out of hell and back to earth
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Due to the bridge to the stairway being broken, Jack attempts to scale the ninth circle's wall
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climbing across to the steps. However, he ends up slipping, helplessly falling to his death in the molten abyss below


