0:00
We're going to look at rolls on the note
0:02
G. So, we have an initial articulated G
0:08
separated by a cut, a strike, and
0:12
another cut. So, you get
0:18
initially you want them to be evenly
0:20
spaced as if there were three quavers
0:23
and then you can speed up.
0:27
But of course, the final G wants to be
0:29
on the next beat. So you get
0:36
you see how that fits together.
0:43
So it's really just three quavers
0:46
followed by the next note, the note of
0:50
but you get this speeding up.
0:56
So, it takes a bit of practice. Um, and
0:58
like I say, practice with the even
1:00
spacing and then you can have that kind
1:02
of accelerating into the next note
1:03
business. The place you would put this
1:06
is anywhere really where it would make
1:11
So, anywhere where you could replace
1:12
what's going on with three of the same
1:23
Okay, I don't know how many that was,
1:24
but there are several examples that
1:25
could all be replaced with.
1:31
So there it is. That's a roll on a G on
1:32
a low octave on a disc recorder.
