Video: Patrick Page Talks Playing Jacob Marley In SPIRITED on Apple TV+
May 17, 2024
BroadwayWorld's Richard Ridge sat down with Patrick Page to discuss his performance as Jacob Marley in the new movie musical. Page discusses what it's like to have his first major role in a feature film, what audiences can expect from the new film, and more. Watch the new interview video now!
Show More Show Less View Video Transcript
0:00
Welcome to Backstage with Richard Ridge
0:03
My guest, Patrick Page, is one of the most respected actors of his generation
0:08
He is also a renowned playwright and teacher. You know him from such shows as The Lion King, Spider-Man Turn Off the Dark
0:16
Casa Valentina, Spring Awakening, A Man for All Seasons, and from his stunning performance as Hades in the Tony Award-winning musical, Hades Town
0:25
Well, now he is co-starring opposite Will Ferrell and Ryan Reynolds, in the new holiday movie musical, Spirited
0:33
which is an all-new adaptation that takes Charles Dickens' classic novel, A Christmas Carol, to the glittering streets of Manhattan
0:41
It is currently playing in theaters and will begin streaming on Apple TV Plus on November 18th
0:48
Please say hello to my friend, Patrick Page. Hello. How are you, my friend
0:54
First off, how are you and where are you? I'm great. I'm home. I'm in my bedroom
1:00
And Georgie's on the bed behind me. Paige is getting ready to go out for her day
1:05
And it's lovely to see you. Now, did you have an exciting premiere the other night or a big screening of spirited
1:13
It was like Cinderella. I was Cinderella at the ball. I said to Paige, you know, if this never happens again
1:23
I've done one of these incredible red carpet movie premieres. It was quite remarkable
1:30
At Alice Tully Hall and red carpet, all of the, everything you would expect from a movie premiere
1:38
And then we had this marvelous party at the Rainbow Room afterwards. So I'm flying high
1:45
Well, no one does it better than Apple TV Plus. I mean, I heard it was absolutely spectacular
1:50
I mean, first of all, congratulations on co-starring of this incredible movie
1:55
How excited are you? It's just it's such a thrill, you know, after 30 years in the theater on Broadway
2:04
to have my first big role in a movie. I've had nice opportunities
2:11
You know, Lynn asked me to be in the heights and things. So pop up here and there in movies
2:15
This is the first time I've been able to, you know, go from the beginning of a movie to the end of one
2:22
So explain this new incredible version of Spirited, like, what's the new take on it? What can you tell us
2:30
Okay. So, in terms of it being a Christmas carol, it kind of is, but it kind of isn't
2:38
I suppose it bears the same resemblance as when you take characters from one setting and place them in another setting
2:48
So this is 2021, 2022 Manhattan. And the conceit is that when
2:56
the ghost of Jacob Marley, Christmas present, Christmas past, and yet to come, redeemed of
3:03
Aneser Scrooge in the 19th century, it was such a good idea, and it worked so well that since then
3:10
they have done it every single Christmas with a different jerk every year. And the jerk this year
3:17
turns out to be Ryan Reynolds. And Will Ferrell plays the ghost of Christmas present, who is
3:25
really the head of the Ghosts team. Marley is the boss, the manager, but Will Ferrell, as
3:34
Christmas present, is sort of the quarterback. And he really wants to haunt Ryan Reynolds because
3:42
he believes Ryan Reynolds is a person who is so toxic and whose reach is so wide because he
3:48
does most of his villainy online. He manages a company that, that creates
3:55
conflict on Twitter and on Facebook and so on. And I imagine there are real companies who actually do this, you know
4:06
And so he's chosen as someone that if we were to redeem him
4:12
it would make a difference and it would ripple outwards. And then it becomes a kind of a buddy comedy between Ryan and Will with Marley
4:22
my character trying to hold it together as these two gentlemen experience conflict and fun and all those other things
4:31
Of course, along the way, it happens to be a musical with incredible songs by Pesick and Paul
4:40
I watched it last night. It is such an homage to New York City, and they have done such a gorgeous job
4:46
And it's the holiday movie that we need right now. It was so joyous to watch
4:51
I mean, I cannot wait to see it again. Let's talk about your character of Jacob Marley
4:57
How cool was it playing him? Oh, you know, Christmas Carol's been in my life since I was a little boy
5:04
I think I played Scrooge first when I was about 12 years old. I played him again in my first professional job
5:11
In other words, first time I was really paid as an actor. I wasn't Equity yet
5:15
But in a little melodrama theater in Oceano, California, I played Scrooge when I was about 23
5:21
Then I played him again when I covered Roger Daltrey at Madison Square Garden
5:27
but I also played Jacob Marley that year at Madison Square Garden. I wrote a version of a Christmas Carol, which has been done for the last 20 or 30 years in Oregon
5:36
which my father played Scrooge in. And then, of course, I played Scrooge for a couple of years at the Pittsburgh Civic Light Opera
5:45
So this show just keeps coming back into my life. play Jacob Marley in this is really a dream come true. And I, you know, I didn't need to do any
5:57
research. I knew Marley. And I, and I'd imagined what that relationship must be like between
6:05
Scrooge and Marley, that Marley, you know, was the only person at Scrooge's funeral. So I think
6:12
they were very close friends. And we don't hear anything about Marley's private life. I don't
6:16
think he had any other friends. I don't think he had any family that he was connected to in the same way
6:24
that Scrooge had no family that he was connected to. So I think Scrooge was his one and only. And so that's
6:30
that was kind of my way into this character in this film. Yeah. Let's talk about being on the set
6:36
To me, this is an incredible homage to a glorious time when Hollywood made these big, splashy
6:44
beautiful musicals and it's just, it's so glorious to watch. Tell me about being on the film set and what that was like for you
6:52
Oh, just unlike anything I had ever imagined, the size of, you know
6:57
I'm used to being on stage and in a very big Broadway show
7:01
As you know, I was sort of in the biggest one, right? I was in Spider-Man, which is a great, great, great, great big show
7:08
and I thought I'd never see anything bigger than that. And, but of course, you know, you might have
7:14
if you have a huge cast you might have 20 dancers on stage and in this you might have 100 dancers you know So it just a question of scale and quite overwhelming and wonderful and like waking up
7:30
in a fairy tale when you're on set. And then, of course, in making a movie, you're shooting in shorter sections and doing it
7:40
over and over again, covering it from a number of angles. and so you have a chance to
7:45
rehearse on the day as well as beforehand although we did do a full month, six weeks
7:51
I think the dancers did two months of rehearsal before we even started principal photography
7:58
All right. Talk to me about being on the set with Will Farrell, Ryan Reynolds
8:03
all these incredible people. I mean, what was that like working with them
8:08
I think the thing that people would be surprised by is, and maybe they wouldn't be surprised
8:17
But I think it's just how nice and normal and competent and cool everyone is
8:26
You know, there's no diva attitude from these gentlemen who are major, you know, movie stars
8:33
or from the director or from anyone involved and everybody is, you know, good
8:42
They've got their heart in the right place and trying to make a movie that people will love
8:48
No sense of cynicism. Just trying to, as the song says in the movie
8:55
do a little good, you know. I think that's what's most surprising
8:59
It has been a wonderful kind of surprise, perhaps, as I've gone through my career
9:09
which is that the people at the highest level of the industry very frequently have gotten there not just by their talent but by their character
9:22
And so when I've met people and worked with people like Denzel Washington, like Bono
9:30
you know, like Will Ferro, Ryan Reynolds, they turn out to be these not just nice people
9:37
but extremely thoughtful, competent, caring people who show up, do their job, take care of the people around them
9:48
And that's a, if there's a surprise, perhaps, there seems to be this kind of mythology out in the world right now about the entertainment industry being a nest of vipers
10:03
I have not found it to be so. Yeah, neither have I
10:07
I mean, these are two of the biggest stars in the world, making a gorgeous holiday movie for Apple TV
10:13
I mean, where did you film it? And how long was the shoot? We shot in Boston
10:18
So we had to make Boston look like New York. So that wonderful scene that I was just referring to
10:24
do a little good, what they've done on, I forget which street in Boston
10:28
but it was, you know, several streets in downtown Boston, closed for the night, shut down
10:34
and it was an all-night shoot and all the storefronts have been made to look like
10:42
New York storefronts and they put in a fake subway entrance that goes down to nowhere
10:50
because there's no subway in Boston and so yeah it's virtually all shot in Boston
10:56
which was wonderful because Paige and I hadn't really spent much time in Boston
10:59
we traveled all over the country and all over the world together one of the wonderful things
11:04
about this job is how much of the world you get to see
11:10
And of course, when Paige was doing trading spaces, she saw the whole country
11:15
But neither of us had spent much time in Boston. So to spend the full summer there was really wonderful
11:22
Yeah. So while there are some favorite moments being on the film set
11:26
like pinch me moments for you are like, oh my gosh, I'm doing this big splashy Hollywood musical
11:31
I mean, favorite memories from being on the set. Oh, my gosh. So many, so many. I almost can't count them. But I will say that since we're sticking sort of with this one number in my mind right now, that that night that we shot do a little good. And the director, Sean Anders, he had a sort of an inspiration. I had been staged in rehearsals to be down amongst everyone
12:04
dancing. And you know, I think it was because I couldn't do the dance very well. He said, put Patrick
12:11
on top of the bus. So now I'm on top of the bus. I don't have to do the dance moves. And I sort of
12:16
preside over this number from the top of the bus. But it gave me this bird's eye view of everything
12:24
that went on in terms of the production of that number for that night. So spending that night on top of
12:32
that bus watching and participating in this number being filmed, I would say is my
12:38
if I had to choose one, that's the one. Okay. How funny are Will Ferrell and Ryan Reynolds on the set
12:48
Well, they're very, very funny when the camera goes on. And they are masters of ad lib and they joke around and have a lot
12:57
But remember that, you know, these time is always of the essence
13:02
on a film set. And so they're light and easy and congenial
13:11
but I wouldn't say that everybody's joking around all the time on set because you've got dance moves
13:18
to learn that you're practicing between takes, you're running your lines, you're getting into makeup
13:25
and costume, and then you're going to shoot. So there's not a lot of waiting around
13:32
And it's very fun and congenial. And, of course, we would have lunches together
13:38
and then we would joke around a bit. But it's a serious business making a movie
13:44
Yeah. Now, the first time you saw yourself, I love your look is Jacob Marley
13:47
I'm like, wow, no one does it better than Hollywood either. I mean, when you saw yourself made up in wig
13:52
and outfit and makeup, like the first time you saw yourself, what went through your mind, Patrick
13:57
Well, there are two looks, right? I mean, there's Marley as he appears in the
14:01
in the majority of the movie, in which he's a nice Dickensian gentleman
14:07
And then there is Marley as a corpse, as a ghost, who haunts Clint and wants to look as terrifying as possible
14:18
There was a piece in the movie that didn't make the film, actually, where you see me transform from one to the other
14:26
And, you know, the movie, like every movie, you shoot more than you can
14:31
ונה and so that that isn't in the movie. But both of the looks I was so tickled with And of course the what I call the mask of the character the look of the character is a huge and important part of I think many actors process right I can speak
14:52
for myself, it's a big part of my process. So I work pretty closely with the designers to create
15:00
the look. So the particular look of the wig, the cut of the wig, the mutton chops
15:09
all of that, I worked with him on to get this man sort of looking the way he appeared in my mind
15:20
And I was just absolutely thrilled with the result. And then when we put on the ghost makeup, my goodness, it's a work of art in and of itself, you know
15:31
the way they sculpt these faces and apply them. It takes about three hours to do and then just moves perfectly with your face
15:39
And as you know, like from something like Spider-Man or The Grinch, I love mask work
15:45
I think that when you have that kind of mask, it can free you up impulses that you normally wouldn't know you had emerged through the mask
15:57
So that was thrilling. Well, the movie is brilliant. Like I said, I cannot wait to watch it again
16:03
So when you all watched it the other day, I know everybody was there. Like, what was it like sitting there with everybody watching this
16:09
at this beautiful screening. You ask such perfect questions, Richard. It was an experience I've never had
16:22
And so I was observing myself. I was very interested in the fact that it was the first time
16:30
I'd ever sat in an audience to watch myself in something I cared about
16:37
I've, of course, watched things at home on television with other people when I'm on a show as a guest shot or on the Gilded Age or whatever
16:45
But this is different to be in an audience of eight or 900 people or whatever it was in Alice
16:50
Tully Hall and to think, ooh, you know, I didn't land that laugh or oh, I want that
16:55
And, of course, it's done. There's nothing you can do about it
17:00
And so it's really an exercise in letting go and enjoying the tremendous
17:09
gift of seeing yourself on screen. Because I love how all these actors do that
17:15
They all look at it technically. It's such a glorious, glorious film
17:19
You are so good in this as everybody else is Octavia Spencer
17:24
I mean, singing. It's wonderful. I mean, everybody. I was telling Octavia the other night, I said, you know
17:32
I just find myself caring about the relationship because she's in it
17:37
Whereas if it had been cast differently with an actress who was less dimensional, it would be very easy for that plot to go nowhere because you could only cover so much of the romantic plot when you're doing essentially a buddy comedy
17:53
And she grounds it because she has so much depth and gravitas just in her being
18:00
And you care about Will and Octavia getting together. You know, it's such a feel-good movie
18:06
It's something we need so much right now. I mean, just tell me why this is such an important picture
18:13
a wonderful picture to have for the holidays now and why it will become a classic
18:18
Well, when I first read it, I was like, you know, I really, really want to do this
18:22
because I've been so troubled by the way we treat each other online in particular
18:29
and how that behavior, which has become so, almost ordinary online, the name-calling and the vilifying of other people, other human beings
18:46
become so normal. Even people that I've noticed, even some people I admire who I would never imagine these words
18:54
coming out of their mouths will say something online that I just, I can't even picture them saying
19:00
So it's as if that it brings out a toxicity. and then that toxicity then carries into everyday relations
19:09
as well as online relations. And this movie, not to say it's a downer in any way
19:15
but it really addresses that problem head on. And sort of offers a solution
19:26
And the solution is in this wonderful, what turns out to be almost the finale of the movie
19:32
the great 11 o'clock number do a little good. where it's like, no, maybe I can't turn from, you know, a sinner into a saint in one day
19:41
but I can take a little step. I can do a little good. I can not call someone a name
19:45
I cannot post that nasty thing. I can just step back just a little bit
19:50
And so I was just so proud to be part of something that was putting that out into the world
19:56
Yeah. It's so cleverly written. It's so beautifully done. Like I said, in the story itself, the Christmas Carol, there was always turning a sinner into somebody good
20:04
And now they've turned something that happens now in 2021, 2021, and like, oh, wow, you know, this is the new spin on this
20:11
And it's so great. We've got to talk about the music for a second. Passack and Paul, some of the most glorious songs in this movie
20:18
What was it like recording them and watching them on the screen? You know, here's, I have to tell you a secret
20:26
I actually didn't know their work that well. You know, I have an issue with my hearing
20:31
So I don't tend to go to musicals that are sung through
20:39
because I can't really understand what's happening. And it's rare that I can attend to caption performance or whatever
20:47
So I didn't really know La La Land or Great Showman or Deer of Enhancer
20:54
And so when I got the movie, I began listening to their stuff. And I went to page and I said, my goodness, these
21:01
These men, I was going to say boys, because they're so much younger than me, but these men are, they're so gifted
21:10
The songs are like, I take them to heart. They don't just get caught in my head like an earworm, but a song like Do a Little Good or Christmas Morning Feeling
21:21
I think Christmas morning feeling could become a perennial Christmas song, you know, and I loved the song I was given, which was a song called The Story of Your Life
21:30
incidentally the album comes out on November 18th and I can't wait to buy it I think people are really going to like it I'm excited to see what's on the album maybe there are some things that didn't make the movie so oh I'm doing the same thing November 18th I'm there to get one of these finals I know it's a very limited a limited amount of albums coming out I believe so I cannot wait for that that's another clever thing that Apple TV did I said wow that's a great way to it is this is starting of a classic
22:00
you know just moving away from this for a second because we almost out of time you are currently known for your stunning performance as Hades in the Tony Award musical Hades Town Your run comes to an end on December 30th
22:14
What have you enjoyed the most and what are you going to miss the most about Hades Town
22:19
Well, you know, I've been with that show since 2015, I think I did my first lab of it
22:27
Then we did the first production in New York Theatre Workshop in 2016
22:31
I remember, oh gosh, I remember it was summer. It was about to become, and the conventions were happening
22:42
the political conventions. And I sing this song, Why We Build the Wall
22:47
And Donald Trump at the time was running for the Republican nomination
22:53
but no one I knew thought that he could really win because he was so clearly a psychopathic buffoon
23:01
And then he was campaigning on this wall thing. So the wall had this sort of cheeky pop culture reference
23:11
that Anaeus never intended when she wrote it 10 years before. But then when he became the nominee and then became president
23:20
the song became darker and darker because it wasn't just a metaphor anymore
23:25
It was a real thing happening on the southern border. And we were walling ourselves in the way the Soviet Union had
23:31
with the iron curtain or North Koreans had, we were becoming one of these states
23:38
that builds a wall around itself. And it was terrifying. And so I think
23:46
and then now, after the pandemic, as Trump has been voted out of office
23:51
and things are beginning to calm down, the metaphorical resonance of the song
23:55
starts to take precedence again over the literal. So I would say that sort of watching
24:01
the audience over the course of six years, react to that song has been one of my great takeaways
24:12
And then, of course, this wonderful company you've worked with all these years, too
24:16
the company of actors. Unbelievable. Not just actors, although that, of course, is paramount
24:23
I get to work with the most extraordinary group of performers, but creators
24:29
And I had a front row seat. to watching the creation of this musical
24:35
watching it go from an album and a kind of series of ideas
24:39
to a fully fledged musical over the course of six years. Rachel Chavkin, Mara Isaacs
24:47
Anaeus Mitchell, Ken Cornelia, watching them craft this thing step by step by step
24:57
block by block, inch by inch, putting the puzzle together piece by piece. It was the kind of education that you just don't get. And I was so privileged to
25:11
have a front row seat to that. Yeah. Well, my final question is, what has made being a part of
25:18
Spirited so special for you and what you hope audiences take away from this glorious holiday
25:25
musical? For me, it's a childhood dream. come true, you know. In particular, a movie musical of a Christmas Carol-like material
25:42
It's just, it's almost, it literally is like I dreamed it because I would watch
25:47
you know, Albert Finney's movie Scrooge over and over and over when I was a child
25:53
And Oliver, and imagine myself in those circumstances. and then it happened in my life, you know
26:03
And what I hope people take away from the movie is, I don't know take away
26:11
but what I hope they experience is just joy. I hope they sit down with people they love
26:17
with a big bowl of popcorn and, you know, something they like to drink
26:23
and just sit back and have a blast, have a ball, laugh, bop, love each other, open your presence
26:32
I think it's going to be a great holiday tradition for many, many years. See, I do too
26:38
Like I said, I watched it last night. I had a smile on my face from, you know, left to right
26:43
I got out by the felt I was 12 inches off the floor. I cannot wait to watch it again
26:47
Well, everybody watching once again, Patrick Page is co-starring opposite Will Ferrell
26:52
Ryan Reynolds, and Octavia Spencer in the new holiday movie musical spirited
26:57
which is currently in theaters and will begin streaming on Apple TV Plus on November 18th
27:03
and you can catch him as Hades in the hit musical Hades Town, now through December 30th
27:08
Patrick, thank you for joining me, my friend. Thank you, Richard. All right, everyone, stay well and we'll see you at the theater
27:14
Take care, everyone. Bye-bye. I'm your ghost of Christmas present. We're bringing back Christmas
27:20
Like a Christmas Carol? Eve. One dark soul is selected for redemption by the ghosts of Christmas past, present, and yet to come
27:36
A tradition that continues to this very night. Like a Christmas carol
27:43
Yes, yes. If you would just let me get this out, sit. So out of all the people on the planet, murderers, people who do gender reveal parties, I'm the guy you're going to hunt
27:51
You know what? Forget it. I told you, the guy is a little
27:57
Never printed fame in the dickens. Come on, I can take this guy
28:01
I'm your ghost of Christmas present. La la la, la, I'm not watching your dramatic reencratment
28:07
Hey, I'm haunting you. You can't just run away from me when I'm haunting you
28:12
Hello? We're bringing back Christmas! I believe he can be a positive force for mankind
28:18
And he's got his hands all over everything. Yeah, I wish. Maude, are you texting HR
28:23
No. People don't change. We got a runner! That's just fun to watch
28:33
I'm here to change him to be a more positive force for humanity. Clint
28:38
Yeah. Do you Photoshop yourself into these pictures of my executive VP
28:45
I don't think so. Oh, you want that. What I want is for you to shut up and let me do my job
28:53
Is there a ghost of Christmas grumpy? Because you could do that job. This is more to feel it
28:59
The jingle with the jingle bells are feeling. This is where real change begins
29:08
La la la la la la la la la la la la la la la Oh
29:13
Oh, that's... Oh, he's dead. Yeah, he's definitely. No, he's fine. He's good
29:17
Well, he's... Well, none of us real anyway
#Animated Films
#Family Films
#Musical Films
#Broadway & Musical Theater


