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Video: Kwofe Coleman Explains What's in Store for the MUNY's Epic 105th Season
May 17, 2024
In this video, watch as as BroadwayWorld's Richard Ridge checks in with the MUNY's Kwofe Coleman to chat about this season's lineup and discuss the legacy of this truly incredible theatre institution.
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0:30
Welcome to
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Rise in Every time that I step in I'm burning a fever
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because I'm a heat speaker Of course of May Welcome to backstage
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With Richard Ridge The Muni, which is the nation's largest outdoor theater
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is getting ready to kick off their 105th season And to tell us all about it
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is the president and CEO of the Muni, Kofi Coleman. How are you
0:57
All right, my friend, 105th season. What is going through your mind as we start this interview off? Number one
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it's we are T minus a few days out from the season. So going through our mind is a list of things
1:09
that I'm pretty sure have to be done soon. But most of it's excitement. You know, the crews are back
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on the lot. We did a couple events over this past weekend where we just had different groups
1:19
coming in and just talking about the season coming up. The excitement is back. We feel like
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we're a little bit past to just survive post-pandemic phase. And we're back into the reality
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and the excitement of thriving. So number one, I would say I feel excitement, a little bit of anxiety
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But for the most part, it's going to be a great summer. It's got to be so exciting because I know we talked during the pandemic and we talked
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the first season back. And it must be so great that, you know, the winter comes, everything shuts down
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Then all of a sudden you're like, oh my gosh, here we go, getting ready to turn the lights
1:52
on again and put the audience in there. Absolutely. That feeling comes back. And I think you feel it before you see it
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You know, the weather starts to turn. And I've been here for a long time
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This is going to be the 25th, I think my 25th season here. So after a while, you know what that thing feels like in your stomach, in your heart
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It just is this sense of energy that's different. You're right. The winter, we shut down
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We start planning for the next thing. But now it's going to happen. Sooner than later, the lights will be on the stage
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The orchestra will be in the pit. The folks will be on stage. It's going to be, it's something magical that happens
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I can't describe it feeling well. I wish I could bottle it. But it's, it's, we're getting back to that
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And that's a great, it's a great place to be. You know, I wouldn't trade this for anything
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So you said this is your 25th season, right? Yeah, this is going for me
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Yeah, yeah. So you started as going as a theater goer and then you started as an usher
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That's right. So I had a couple, I went to a couple shows as a kid back. Gosh, I was probably nine years old, I think the first one
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I saw the Wizard of Oz here. I think I saw it twice, I want to say
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And then, yeah, I started as an usher when I was. I was 16 and stuck with it and different jobs in between
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You know, I joke that this one pays better, but being an usher was a whole lot of fun
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You know, you just meet the folks. What happens in stages is unbelievable, but also what happens in the audience and then the
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community part of it is something that I think is one of the things that sets us apart just
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because we can bring so much of the community together and it's been so much of it
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My 25 years is not even a lot, you know, relative to some of the folks that have been coming
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out that they're in this audience. And so that connection, I think when you talk about the fuel of electricity, it's coming back
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It's also you're going to see friends and people you haven't seen for a long time and you're going to share something together
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You know, what I find one of the most special things about the Muni is, is you let the audience decide what the season is going to be like
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And I think that is the best thing to do. So, I mean, tell me, you pride yourself on that, don't you
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100%. Now, this is a, this theater belongs to this community. And so, you know, we do that survey and we put, you know, 30-something shows that we're open, willing, able to do
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And we really look at those results over several years also to see what our audience wants to see
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You know, one of the things that's really exciting about this season is we ask them, what do they want to see
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And that includes four premieres. And that's a really great thing, you know, a place that's built a lot
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There's a lot of tradition here. There's a lot of history. But that desire for our audience to also mix in premieres, new shows, expand the vocabulary of what we do
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that tells us that there's a long future here because our audience is in line with the evolution of the art form as well
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So if we do a survey, we count them and look, it's amazing to see how passionate people are about that
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But, you know, we want this theater to feel like a welcoming home and a place for everyone
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So that means you decide, in large part, what you want us to give you, and then we will do our best job to give you the best version of those shows
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Okay. you bring an audience of over 350,000 people a season. I mean, that is a incredible number
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How proud you must be of how much joy the immunity brings to that number of people
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Yeah, it's something that we use. It's a sense of pride 100%, because that means that that many people
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Some of them have been coming forever, but some of them was a percentage. This is the first time they've ever seen a show
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It might be the only time they ever see a show. So our opportunity to be at a place to be either welcoming or that one time to see musical theater on a scale that we believe is unparalleled is something that we take a lot of pride in
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And there's no barriers to that access. We have the free seats. We have seats that are all different prices
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We make sure that there's public transportation, all the ways to get here so that there are any barriers between an individual having the desire to see a great show made for and by the people of their community
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And that's something that we pride ourselves on. I think theater as a whole is about breaking people together
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whether it's here in St. Louis, there in New York, or anywhere in between. It is a together, it's a communal, it is a shared activity and shared experience
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And so if you can do it on a giant scale, if we can bring in 8, 9, 10, 11,000 people a night
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where we can move that needle of how many people have sat in an audience and seen a great show
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And what's also wonderful about the newney is people who come here, They may be like, oh, I may not be able to become an actor
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but boy, I could become a set designer, a costume designer, a lighting designer
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I mean, you give them, they can just see what you do with the Muni, and you can start them on a path of working in the theater. Absolutely
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I can use myself in an example. I had never there was never a chance that I was going to be on a stage anywhere No that is not good for anyone But you come to a place like this and there an opportunity like you said to learn all the disciplines backstage whether it the internship programs
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We have a magnificent education program that has a bunch of different individual opportunities within it
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And so that is a chance for people, like you said, to find a livelihood, to find a path in something that brings them joy or not
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You know, the things that you learn, if you take our kids and teens or education program
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they may not end up doing theater at all, but they've learned the process of creating and working together
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They've learned the process of being comfortable in front of people. If you can be nine years old and get on that stage in front of 11,000 people
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by the time you're 29, 39, if you go on to be an attorney, a holding court won't be a problem
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Public speaking isn't an issue. So we believe strongly that this art form is also one that just, as you
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grow in it builds a set of skills that may or may not be needed to be on stage, but definitely
7:40
needed an adult life. And that's great. We think that that's, again, part of participating in the community in a productive way
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See, that must make you so proud of what you do because with these programs, like I said
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even if they don't want to go into the theater, just standing on a stage, learning how to present
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yourself in the world to go out there and say, I can do anything or I can be in a room with
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anybody and I can have my voice heard. You know, you set them up to being these strong people that they eventually become
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You just said it perfectly. I want to re-quote that I can be or do anything
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And that is what we want people to believe when they come out of here, whether they participate
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in making the shows with us or if you're in that audience and you see a reflection of
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yourself on that stage, it tells you the same thing. I can be anything
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Cinderella, Belle, the King, whoever it is, they can look and they can be anybody
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And I think that what we all get to do for a living is help people understand reality or see it in a way that is sometimes also a little bit non-traditional, but says to them that anything is attainable
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And that's, you know, I love this. I love what we get to do because we get to bring joy and bring a different reality, a better reality or a hopeful reality to people
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And again, we get to do it on a scale that is really big. feel like you're moving the needle. You feel like you're, you're making an impact. And I hope
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I hope we are. Oh, no, I know you are. We all know people who've gone to the muni or whatever
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are gone to your programs or whatever else. So thank you for continuing. And like I said
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105th season. That's an incredible number, right? It is. Many people have come before us. I think
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we're getting to the point where there aren't many people left that could have possibly even
9:25
have been here in the beginning. There's a couple, but we're getting, it's getting low. So, stylers made it through a lot of different parts of history
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and it's due very much to the community we serve here, but the community nationwide, I think we aren't
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we don't achieve this history, if the best and brightest from Broadway haven't made this a destination at some point for themselves
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if this isn't a place where we have the respect of the community globally or nationally
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that helps. That's why we can make it for so long. So we don't take that responsibility lightly
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it's our job to turn around and give the best unmatched, unparalleled type of experience possible
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Well, let's talk about your incredible 150. Oh, my gosh. Now, some of these are premieres
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You kick off with beautiful, the Carol King musical. Tell us, is this the first time for that to be there
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at the Muni? First time to be here at the Muni. It would be like the fifth time I've seen it. I saw
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the opening and then I saw it as many times humanly possible after. When we talk about the survey
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we talk about shows that people have voted for and they really want to see. This is really high on that list. And, you know, I think it's, it's tailor-made for a place like the Muni. It tells a great story, but it's also just really full of great music, right? Music that is familiar. When you're as big as we are, you have a section of your audience that are there, tried and true musical theater, bands, they follow it and know. And then there are some that are here for the moment of being outdoors and having experience. And so they sometimes need a piece of familiarity
10:56
that is not built or baked in being the theater part of it
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So Beautiful is one that I think will serve the audience, a cross-exam the audience, really well
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Like I said, I have a personal affinity. I love the show. So, you know, once you get to be one of the deciding chairs
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you get to be really exciting, really excited about some of the shows that are coming. So Beautiful is definitely one
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Well, that runs from June 12th through the 18th. You have an incredible director
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It's Marcia Milgram Dodge, and we all know from New York. but you're going to have people dancing in the aisles with the moonlight and everything else for that one, right
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Absolutely. Yeah, Marsha, as you said, has been here a few times. And so she knows our audience
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She knows the stage. She knows the community. So it's going to be one. Yeah, I think we'll have to let the ushers know
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Let them dance. Let them sing. It'll be fine. Now, you have a few Alan naked musicals coming, which I'm thrilled about following beautiful is Disney's Beauty and the Beast
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Talk about that under the moonlight. You know, when, when you have a show
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where you have all the family is going to be here. You know that. You're going to see it the next
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generation start to have their theater or their community journey. That's always a special
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moment when it can be something like Beauty and the Beast, which is a story that's kind of, it's a fantasy. It's, it's magical. It's made to be told partially outside. The whole thing
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about Beauty and the Beast just fits. It just makes sense here. So that's, again
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it's one that we see high on the, high on the survey. It's one that we get to do because
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it's geared toward a younger audience. We get to do a show like Beauty and the Beast more often
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And every time we see it here, there's a whole new host of little bells running around
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a little beast running around and here for the show. So it's running a little bit longer
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because we know that the excitement and the interest is there. So we look forward to that one
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Like I said, when you see that tradition starting for a next person or a next wave
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it's one of the exciting parts of doing this job and just being out there every night
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But that's the great thing about the Munich because you're going to have grandparents, parents, and their kids
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Everyone comes to your audience. But I'm sure Disney's Beauty and the Beast
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is going to be packed with generation, after generation, after generation. Yeah, I think I remember when I counted as young
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and it was exciting for me now. I'm no longer in that young category. It still exciting because I have that nostalgic relationship with the show So yeah it going to be one that you see that real groups of families coming You said grandparents down to grandkids having a night together Well that is from June 22nd through the 30th
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And what a stellar cast you have in that. And you have Ashley Blanchett as Bell
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You have Broadway's last phantom. Ben Crawford as the Beast. Yes. You know, I can't say enough about our production team
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And Mike, Mike, Mike Austin, and Michael Baxter and the casting, they have the ability to
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reach out and find people that want to be here, but who have been, like you said
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from phantom from everywhere that have done a, that have credentials and resumes that you
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wouldn't believe. And so that's, that's, I think the audience here deserves the best of the best
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And our production team, they do a great, great job of finding those folks
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Well, like I said, you have Claiborne Eldor's Gaston. You have Anne Haradus, Ms. Pott
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John Tarthaglia is directing. Yeah. And so, you talk about John, John and Anne
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Anna and Ann Barada. It's, I don't know if they want to be called Muni family
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but we call them Muti Family. And that's, you know, that's always nice. I talk about what it's like when people come back here
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And you see, you know, look at all the things that Ann's doing. Look at all the places John Titaglia's been
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But this is something that they still want to do and they still say yes to
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That feels, you talked a lot about what makes us proud to be here
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to have that level of talent. Look at that cast that we just announced that all those folks said
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yes, they wanted to be here. They want to be a part of our production
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And so we know that what our audience is in that house, they're going to see the best of Broadway
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the best of this country right here in St. Louis, to see Beauty and the Beast
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Half those kids have, they have no idea what they're, they don't even realize what they're
15:02
years later, they'll look back and say, this is who I saw on stage. And that's a moment that we're proud to give folks
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And then, of course, you have chess coming after that, which is like, I call them the first Abbott musical
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Of course, it features a book by Richard Nelson, lyrics by Tim Rice, music by the audio of
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Harris, and Benny Anderson. I mean, chess is coming in from what
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That's July 5th through the 11th. That's a big one coming in here
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Yeah, it's a big one. It's a great that we have the opportunity to do that. It's little known fact
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St. Louis is the chess capital of the world. I will tell you, I live here
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I am from here. That was news to me. I live, little do I know. I live less than a block away from the World Chess Hall of Fame
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The World Chess Museum in the Hall of Fame. dropped the street from me. I've driven pot. So long, long way to say it's a show that has a really
15:50
unique relationship with this city. Like you said, it's a show that has a, I don't want to call it a
15:56
cult following, but like whatever's close to that, that's the right way to say it. And we know it
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we were excited to do it. When we announced that show of all we announced all seven shows together
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that got the most response from people that are like, that's the one I'm going to see
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When people, when there's one they're picking of all, they're not coming, the whole season, maybe just a couple
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That was on that list. So it's not done often. It has not been done here
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Because of that relationship with World Chess Hall of Fame and the city, we were able to
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take the opportunity to do a show that I think deserves to reproduce more, isn't necessarily
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but we can do that on our scale and bring some eyes back to the show
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That's exciting. And also, there's just an increased relationship with the game of chess in
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this country right now. So it couldn't have been better time. I'd love to say that we could take that we knew that way it was happening in the world
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but it works out well. So it's going to be a great show
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It's got some music and songs. Again, even if you don't know the show, most people have heard one night in Bangkok
17:00
You know, there's a lot of songs that people will hear and feel familiar with
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So that'll be a great way to come back from that Fourth of July weekend. Oh, I love that
17:09
Of course, that is directed by Josh Rhodes. following that is one of the biggest classics of all time
17:15
West Side Story, I mean, book by Arthur Lawrence, music by Leonard Bernstein, lyrics by Stephen Sondheim
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you know, a concept by Jerome Robbins. That's from July 15 to the 21st
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How excited to you for West Side Story? Well, when you list that pedigree
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you see why that show is a classic and will always be
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I'm really excited for that. I think classics are part of the history here, right
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It's part of what we, it's where we started. It's one of the things that we do really, really well
17:43
Some of those classics are made and written for stages and situations that are as big as we are, or close to that
17:49
So that one definitely serves the audience really well. It's on that rotation that we see it, you know, a couple times a decade if we can
17:59
The music, there's nothing I can say about that show that has not been set or has not been written in its history
18:06
but to say that it is one that's always done really well here
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you know, where I know we're getting ready to announce some more casting on that. I think people will be really thrilled to see how that show's coming together
18:18
But yeah, to do a classic at the Muni is that that's kind of one of those bread and butter moments
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And that's, again, one that the audience has asked for them and one that I personally really love
18:27
So I will be in the audience for a whole week in July that much I can promise you
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Okay, the next time I talk to you at the end of the season, and I want to see your jets and your sharks moves
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Just so we talked about it. I'm not supposed to be on stage. Well, you're going to get those moves at your DNA
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Just so you know, my friend. I'll be in our 11-day rehearsal period
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is a little too short for a novice like me, but I'll see what I can do. Again, that's July 15th through the 21st
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The director is Robert Prio. God bless you, sir. Thank you. Allergies are happening, even in St. Louis
19:03
Oh, everything is in blue. Two things happen in April and May here
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The staff comes back, I get excited, and outside starts to bloom and I get sad
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So that's it we are. That's the mix you have to deal with
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That's starting a 100th season. Gift and the Curse. Following that is Little Shop of Horrors, Book and Lairs by Howard Ashman, music by Alan Mencken
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I mean, that runs on July 25th through the 31st, directed by Maggie Burroughs
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What a fabulous musical that's going to be with the big plant on stage. Big plant on stage
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production. We started talking about this a couple years ago, and our production
19:37
our manager Tracy Oatemaier and Mike, I know, have had the most interesting conversations
19:42
and debates on how that plant is going to come to live on stage. They never disappoint
19:47
I have not seen any of the plans. I want it to be a surprise for me, too, but, you know
19:52
you talk about a I talked about a call classic before with chess Same here Little Shop is one that has a following It an exciting one It one again that welcomes Sometimes folks that aren again theater fans necessarily but they want it something that they familiar with
20:06
It's interesting. It's a little funny. It's a little weird. It's all of those things
20:10
So Little Shop came up high on the list. I will love
20:14
I can't wait to see what our team does with that plan. But I'm sure we'll be thrilling
20:19
Proper balance of feeling and terrifying. Because of the size of your stage
20:24
your Audrey, too, is going to be the largest Audrey 2 that anyone has ever seen anywhere in the world
20:30
I think we can just about guarantee that. And we're in the middle of, we're in the middle of forest park
20:35
This is municipal park. So everything's green around here. So I think if there was a show
20:39
like getting Taylor made for a stage that has plants on it already, that's got oak trees and everything on it already
20:45
This is a place for it. Well, we can't wait for that
20:49
And then following that is another incredible new classic rent with, of course, book, music, and lyrics
20:54
by Jonathan Larson, which is running from August 4th through the 10th with your director
20:59
Lily Ann Brown. I mean, how excited are you to bring rent? First time there
21:03
First time, first time here for rent. And, you know, we have a lot of conversations every season about what's the lineup
21:10
going to be. And this, you know, it was, you know, Mike and I started talking about putting rent in
21:15
this season probably two years ago. And you talked about Lily Ann Brown and that whole creative team
21:20
The whole creative team coming back is the same team that did the color purple for us last
21:23
year and what a moving unforgettable experience that was. So I'm excited to welcome them back for a
21:31
second show. I'm excited to see what they do with Rent. But again, Rent is also a show that when you
21:35
talk about musical theater, and if we're going to be a historic, iconic, whatever a superlative
21:41
is gifted upon us, Rent has to be in that pantheon of shows that we've done. And so there's a lot
21:49
of interest, there's a lot of conversations, a lot of excitement about Rent being here
21:53
here finally, and I say it finally on our stage. Well, that's very exciting
21:58
And then you close out the season with another Alan Mankin musical that he wrote the music for
22:02
with lyrics by Glenn Slater. I mean, sister act. Yeah. Sister act is going to be, you know, I'm always, I like to close the season with a celebration
22:10
It's not, you know, you don't always get to do that, but, you know, it's a feel good story
22:15
People are familiar. We've seen the movie. So by the time you get to the end of the season, you want, you want to send people out with
22:21
a little bit of joy and a great song and a great memory in our heart
22:25
So Sister Act was a, I think it was the most selected show on the survey
22:30
You know, people wanted to see Sister Act here this year. So the team is coming together for that
22:35
It's going to be another fun night at the Muni. It's just something that you can feel
22:40
You're going to see a great show. You're going to see your amazing talent. But you're also just going to have a great night
22:43
You're going to have a great time. And that's a large part of who we are
22:47
So, you know, you put those seven shows together like that. you know, people forget over the past few years, we've been doing seasons that had shows
22:55
left over from 2020, 2021 that we just couldn't do due to the pandemic. So I think what feels
23:02
best about this season is that there's seven shows that were put together to be with each
23:07
other, right, that you can build a season. I can't, again, I can't commend our artistic team
23:13
enough for the thought that they put into how these seven shows take our audience through
23:19
a cohesive journey. So that, you know, when you look at that, I think that that's really
23:23
is what makes people the most excited about it as a whole season, because all those shows
23:28
give you something different. By the time you hit the end of the summer, you have felt all
23:32
the emotions. You have laughed, cried, and everything in between. And so that, I think that
23:37
that's, that's one of the gifts of being able to do seven shows in a condensed amount of time
23:41
You can spend a summer and have experienced all the highs and lows, the big shows, the small
23:47
So all the different characteristics of a theatrical performance have happened here
23:52
And we're ready to take people on that journey. Well, that's your final show
23:57
It's directed by Dennis Jones and it runs on August 14th through the 20th
24:01
My final question for you is talk about how special the Muni is to you and to your audiences
24:08
Oh, wow. I mean, that the Muni has. Yeah, I mean, for me, this is a, it's home
24:14
Why it's so special to me, like I said, is because on any given night, every type of person that lives in the city and this community can be here
24:23
And there's no reason for them not to be. Like I said earlier, there are no barriers to their access
24:28
And for a minute, we're in a world right now, like we are hyper aware of all the things that make us different from each other
24:35
And there's an inherent beauty in that because it celebrates uniqueness, but there's a challenge sometimes because we can be so unique that we feel alone
24:43
And so when you're here, when you're 11,000 people and you're doing, you're experiencing the same emotion at the same time, regardless of how you got there, what your means are, who you are when you walk out of here
24:54
You forget those differences and you celebrate the concept of together and community
25:00
And I hope that that's the same reason why it's special to our audiences. And above that, they get to experience a superlative experience in St. Louis
25:09
But sometimes the narrative here isn't about all the things that are great. It's about the things that are challenging, which every city has
25:16
So to have a theater that's one of one and to be the people that get to be stewards of that
25:20
is a gift that we love to give back to our community on a regular annual basis
25:27
105 times now. Hopefully, looking forward to 106 times. Well, once again, the Muni, which is the nation's largest outdoor musical theater
25:37
is getting ready to kick off its 150 Cs. For tickets, just visit muni.org
25:42
Kofi, always a pleasure to see you, my friend. This was a blast. It's great talking to you
25:47
This is the next step of excitement. Now I know I've talked to you, so it's really happening
25:51
We're about to do this. Seven shows, a hundred and fifth season
25:55
Thank you. Take care, everybody. We'll see you at the theater and go to the Muni
26:00
We'll see you soon. Take care, everyone. Thank you
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