Video: Josh Gad Is Telling All About His Tell-Some, In Gad We Trust
Feb 7, 2025
Stage and screen star Josh Gad has put pen to paper to tell his story. His new memoir, In Gad We Trust, is a heartfelt and hilarious collection of essays about his career highlights and all of the inbetweens. Watch in this video!
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0:00
Welcome to Backstage with Richard Ridge
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You know my guest, comedian and entertainer Josh Gad from Disney, Broadway, YouTube, and the Silver Screen
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Well, he's just released his new book called In Gad We Trust, a hilarious tell some, and I caught up with him here at the Museum of Broadway
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Wow. Oh, my God. Look at this! Andrew, looking at this right now, I actually start to get cold sweats
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The idea of putting these hats on and doing what I had to do
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it should be like a very, like, nostalgic experience, but instead it's like nightmare fuel
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I'm so glad that they're behind glass and can no longer do harm to me. so much younger
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so much hairier were you yeah look at all that head of hair right
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look at that hair it's like a lufa on my head well Josh I am thrilled to be sitting with you
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welcome to New York my friend it is so good to be home I call this place home
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because it really does feel like it every time I come back and I see you I'm like oh god am I in a Broadway show again
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I am currently not okay so this book in Gad we trust I sat here
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and literally I wrote this one this is mine This is yours. This is my face
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Well, I want to tell you, anybody who's ever dreamed about a career in show business should read this book
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I love you. Thank you. Or anybody who just wants to follow a star. You know, Andrew Reynolds is one of your dear friends
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Yes. And I sat with him and he said, Richard, what people don't realize is they look at all the great things you've done
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But no one looks at the in-between. That is a great way of putting it
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Once again, I'm angry at Andrew for saying something more eloquently than I could have done
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But that's 100% accurate. This is a book about the in-betweens of some of those things that I'm known for
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It's also a look at the in-betweens of very personal stories in between the cracks of my somewhat tragic upbringing when I found out that my father had another family at the age of six and how that sort of led me down a path in a career of trying to be funny
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initially to try to make my mom come out of a deep depression and stupor, and then realize
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oh, this is kind of a superpower. What if I invested time and energy into this
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Okay, so early on growing up, Hollywood Playhouse. Is that where... Hollywood, not California, by the way, Hollywood, Florida
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Hollywood Playhouse for the performing arts. I was about 10 around there when I started
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I had an incredible teacher. His name was James Michael. A lot of people don't know
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This talk about this in the book, but at the time I was going to this small children's playhouse
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with a young Randy Rainbow and Seth Gable, who would both go on to become stars in their own right
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And the three of us were being inspired by this incredible technician of art and drama
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And this guy, James Michael, was sort of my first big mentor
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And he really taught me about emotional truth. And, you know, I talk about this anecdote in my book of him talking about when he needs to cry on command
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He always has one trigger word that sets him up. And that word is why
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And I didn't understand it. I kept saying, why? And no tears would come
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And it was only later in life that I understood the meaning of that
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And it was such an unbelievable, like, lightning bulb realization. And for me, that why always comes down to the sort of tragic realities that we deal with in our life
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And when you can sort of draw a line between that question and the connective tissue of your own sort of personal tragedies along the way or your hardships, whatever they may be, it becomes
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something that is very honest, it becomes something that's very real, and it becomes sort of a path
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for how to tackle these things on camera or on stage. So 10 years old, great, valuable lesson
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You know, there's so much to talk about in this book, because, I mean, there's life lessons everywhere in this book. But between high school and college, did you go to Disney World to try
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to get a job I did I went to Disney World in Florida I grew up in South Florida and Disney World has a casting center And so I went there
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My senior year of high school, I was going to university school of Nova Southeastern University
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and a very long name for high school. And I was like, okay, I've got a summer to kill
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Let me try to apply for a job at Disney. So I sat down with this head hunter
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or the casting person, I was like, I think I would be a really good
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jungle crew skipper. And she looked at me and she said, no, that is not a job opening we have for you
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But if you'd like to do concessions or janitorial work, we can arrange that
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And I was like, that sounds really inviting, but I'm going to try my hand at something else
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So I pivoted. I worked for an ad agency. It was fired after two weeks
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My big ad that I wrote was it was 1-800 telematress and I had, my boss was like
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I need something, any copy and I, thinking about it, I come back in two days later
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and I go, I got it, and he reads, he takes a paper, he reads it out loud
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and he goes, are you having trouble sleeping? Why are you telling me
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1-800 telematress. And I thought it was brilliant. I was shown the door
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So it's not very successful early on. Then went to Carnegie Mellon drama and was quite a class
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Yeah. Mention some of these people who were in your class. It was crazy. Well, it wasn't even just my class
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It was the damn school. Like seniors when I was a freshman, Joe Magnello, Matt Bomer, Cody de Pablo
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you know, there were, like in every class, there were would-be superstars
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And then in my class, you had people like Leslie Odom Jr., Roryl Malley, and one Josh Grobin
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who literally left as a freshman to go become capital, Josh, capital Grobin, leaving us all behind
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But it was unbelievable. It was an amazing opportunity to be surrounded by people who were so much more talented than I was
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and to be able to learn from them, you know, even underclassmen, Megan Hilty was the year younger than me, Patina Miller
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It was really crazy. You were just surrounded by glorious talent. But you applied to three schools
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Yeah. Well, I applied to more than three schools. Okay. I applied to way too many schools
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My parents were like, do you know how much we're spending on applications
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And really, I was hedging my bets, Richard, because I didn't think I was going to get into any of them
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But my top choices, Northwestern, number one. Juilliard, number two. That was it
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If I could go to those places, I was set. They did not see it that way
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they sent me what people call a rejection letter Julia didn't even bother to send the letter
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Oh no they did they did I have that letter I kept that letter
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They were very kind to also let me know in the room that it was gonna work out
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They did a little bit of both Northwestern was great because I was in a class of 99
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Nine students applied to get into Northwestern Eight got in Can you guess who the ninth was
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Rhymes with job Ashkad. I did not get into either school. So my backup was Carnegie Mellon. And I bamboozled my way in. I
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Trojan horse my way into the school. I looked at the fine print and I saw that if you applied
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as a director, you had to audition for the program, which I thought was very odd. But I was like
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okay, all right. So I applied as a director, going, the head of the directing program
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Greg Lehane, takes a look at me. I do my piece. It's Marty by Patty Chayevsky
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And he looks at me and he goes, are you sure you want to be a director
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And I go, yeah, I mean, I guess I could be convinced
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to do something else. What are you thinking? He goes, I'd like to bring in the head of drama
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the head of acting. This guy Tony McKay comes in and he goes, why do you want to be a director And I was like well you know what guys I young Maybe I just pivot here and do acting and set And so I got into the acting program
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Where I did not exceed expectations was in my musical theater audition
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So I was flatly told, no, we don't think musicals are quite for you or in your future
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You have to give them this book. Oh, yeah. Planning on giving them a copy to them when I see them next
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No, it all worked out. I wouldn't change anything. To be fair, my dance audition was tragic
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So I understood why I didn't get into musical theater. I want to ask you about your S&L audition
10:06
Oh, do you? Yeah, no. It's tough. I mean, you can't ask me about it? No, can I ask you about S&L
10:10
Yes, absolutely. Only because of who directed your S&L audition tape. Or who was in it
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Yes, who is in it. Yes. So I, as one does when they graduate from a four-year conservatory and drama
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thought I should audition for Saturday Night Live. Usually people do improv or stand-up
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I decided to do a conservatory program. So I send an audition tape
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and my friend, Bryce Dallas-Haward, I somehow convinced her that her dad
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the legendary director, Ron Howard, should open the video for and with me
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So Ron, at the beginning of this audition tape, goes, live from your V
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This is my Ron Howard impression. He goes, live from your VCR, it's Josh Gat
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It was so dumb, and it was so wonderful. And much like Juilliard and Northwestern, S&L felt not quite ready for prime time
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So I, you know, I sort of struggled with, what do I do
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What is my place? I was bouncing back and forth between New York
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York in L.A. It was Rory O'Malley who actually said to me, you got to find a place to anchor yourself
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You're untethered. And only when you anchor yourself in one of these places, will you be able
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to ground yourself and take the next steps? Because I wasn't getting work. I was really
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struggling financially. And so I did just that. And I tethered my
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myself in Los Angeles. I did a black box theater show at the small theater
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called The Elephant Asylum, and I met my then girlfriend, would-be wife
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And off of that, I just sort of started getting like little jobs here and there
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And eventually that would lead to Spelling Bee. Yeah. Okay, because we're running out of time
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Favorite memory of doing Spelling Bee? Favorite memory of doing Spelling Bee was probably
12:17
my first night on stage. I, it was my first time ever on Broadway
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Yeah. And being there surrounded by this incredible cast in this Tony Award winning show was electric
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Except at the end of the show, I forgot to spell the word that Barfay spells in order to win the championship
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And I just remember Jesse Tyler Ferguson collapsing, laughing at my pain and trauma
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I completely, for that audience, misspell the world. And still one, because I had to, plot-wise
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Book of Mormon. Book Mormon, favorite memory had to be the night I got to perform the show for one of my
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legends, Robin Williams. You know, Robin was an inspiration to me. As the genie in Aladdin, he inspired me to one day, take the mantle, play a comic relief
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character in a movie called Frozen. And having Robin not only in the audience, but then come up to me after to my dressing
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room and gush about something I had done when it very much should have been the other way around
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was, it stayed with me for the rest of my life and was true inspiration
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You have a letter from him, don't you? I have a letter. It's in the book. It's a beautiful letter, and I treasure that memory
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and that gift that he gave me. And the journey of Frozen, because so many things, maybe
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Olaf was going to melt and wasn't going to be in the movie. I mean, there was so many things
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Olaf had a very troubling history. leading up to his presence in that movie
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And for a while, I was not going to be involved in it
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And for reasons I explained in the book, but the movie disappeared, then the character disappeared
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then I wasn't able to do it because I was doing something else. And it was a crazy journey that all came together
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And you know it is a movie that I thought was going to be really quite excellent but nobody knew that it would become what it became not a person especially not me
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Yeah. Yeah. Being a dad. How is that changed how you look at your life and how you look at your career now
14:32
Being a dad is my life. Being a dad dictates my career
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Anything that I do now, the question that... I ask myself is what does that mean in terms of my sacrifice as a father and what does that
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mean in terms of the benefit to my daughters. So it guides every decision I make
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While COVID was a really difficult time in my life and everybody's life, the silver lining
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was it reset my priorities. Being with my daughters in the morning through the evening, getting to literally teach them
15:08
learn with them, grow with them, experience with them. them. That was a gift. And it pivoted, you know, the way that I look at life, the way I look at
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everything. One day, they'll read this, I hope, and will get a little bit more insight into me
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And a part of that was, you know, I didn't have the dad I needed, the dad I desperately wanted
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and I wanted to be all of that for them and more. And in a way, that was a gift, is having
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perspective from loss was something that inspired me to be the best father I could be
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Yeah. Gutenberg, you returned to Broadway with Andrew Reynolds. I did. I returned to Broadway with Mr. Andrew Reynolds, who's now cheating on me on Broadway with
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Lynn Manuel Miranda. Don't think I haven't read about that. Andrew, I would read the phone book with Andrew
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He is the Jekyll to my hide. He is the Martin to my short
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He is the father figure I never had and always want. No, he's not that
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But he is so many things to me. We have the best comic chemistry together
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I love that man. Gutenberg was one of the great thrills of my life
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And just doing a show with nobody but Andrew was such an exquisite experience
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And one that I'm greedy to do again sometime soon. Yeah. You always return to the theater
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Every decade. Yeah. And what's really great about that is because of the success you've had with like frozen and everything else
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you're bringing a whole new audience to the theater and they're like, oh my gosh, they do this live
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Yes. What that means to you. Theater is my everything. Yeah. It's my great equalizer
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And I talk in the book about how at least once a decade in my life, I must, I mandate that I come back
17:05
on stage. Yeah. And the reason is, is you can't cheat, you can't fake it
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You have to be there every second of every moment, eight times a week, regardless of how
17:17
your knees feel, regardless of how your voice feels, you just do it
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Yeah. No excuses. People paying a premium and you in return are getting a gift that you otherwise never get
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which is this communal, holy experience. Yeah. A one-of-a-kind experience every night that is never the same
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always different, albeit small differences, big differences, whatever they may be, it's always different
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And I love that. And I feed off of that. And so my hope is that it won't be another 10 years before I come back
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My hope is that I will very much be back sooner rather than later. So finally, what are the proudest of this book, which has just come out
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The proudest thing about this book is how Svelte, the editors made me look on the cover
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this is not natural. As much as it looks like me, there was a little digital magic
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in thinning some of the lines of my face. So that is the greatest achievement
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Otherwise, it's the ability to share stories that I hope inspire everyone
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You know, I talk about my career, but I also talk about important things
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like my struggle with anxiety, my struggle with weight, my struggle with body image
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I hope that's an inspiration for people who read the book. I hope they see an ally
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they see a friend, they see a person who's been through everything they have
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and has come out the other side of it, still struggles with it
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But hopefully, you trust me and you have a great experience in the process
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I'm so excited about this book and I'm so excited for people to read it
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