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Video: Hailee Kaleem Wright Is a Sparkling Diamond
Sep 3, 2024
Hailee Kaleem Wright burst on the scene starring in hit shows like Paradise Square, Six, and now as the alternate Satine in Moulin Rouge!. She talks about the journey, the difference between alternates, standbys, and understudies, and the work it takes to be ready to star in a giant musical like Moulin Rouge!.
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Are you ready? It's The Roundtable with me, Robert Bannon. Hey, Broadway World family
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Welcome to The Roundtable. I'm so excited for you to meet us here on another Friday
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I hope you're having a great week. You know, sometimes there are shows that just make us smile
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There are shows that we go to when people come and visit New York, we say, you have to come see this show
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I'm right now in Detroit visiting my man, and this show's coming to Detroit
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And you gotta go to New York and see the show. And our next guest, I met at Broadway Barks
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when she was in six. She is incredible. You wanna talk about voice, acting, and drop dead
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Hayley, you're gorgeous. You're just gorgeous. Can we just admit that? We just have to admit it
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Hayley, Hayley Kaleem Wright, welcome to The Roundtable. Hi. You're so beautiful
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You're really blush, thank you. I am fascinated by your journey and your arc
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from Texas to New York City and everywhere in between Broadway. And you are now a state
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this is like just shows, books, show, show, show. Oh my gosh, you're so sweet
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Thank you. And yes, Texas is a building. What's up everybody for Texas
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Yeah, definitely. Yeah, yeah, everything's bigger in Texas, isn't it? That's what they say
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Now, you are here, obviously, Moulin Rouge has been running as a juggernaut
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And when we've had Austin Durant on the show, or when we've had other people that have been on this show
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we've talked about what it's like to be in a show that is epic and big
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From the second the audience walks into the space, there's a whole 360 environment around them
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What's it been like to join this show in particular? Oh my goodness, it's such an honor
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My first time seeing the show was while I was in rehearsals
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Because I've been either on the same schedule as the rest of the shows
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or just couldn't afford it to be honest, couldn't come. So to be able to sit in by the sound booth
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and I watched these amazing artists and I literally began to cry
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because I was like, I can't believe I'm part of this. And now, and I think too, the show is so spectacular
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It's such a big spectacle and there's a lot going on, but the people inside the building
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are so kind and so loving. And I've been supported from day one
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even in the audition, just a supportive, amazing environment that is special
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It is so special. And so I just, I'm thrilled, it's so cool
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Well, before we get into the nitty gritty of it all, you can get your tickets at mulanrovesmusical.com
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The show is in on Broadway. The show is also touring around the country
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So if you're not able to get to New York, support, I just say, Hayley, just support art
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no matter where you live. Yes. It's transformative and we need it
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We need art more than ever. We need escapism more than ever, but we need a mirror also more than ever
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And I think Mulan Rouge provides a happy medium where you get a life lesson
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but you also get a lot of fun and a lot of music that you know and that you love
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So I think it's one of the special shows in the Broadway lexicon that I think will remain
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for, it will run for 50 years. I think so. I think so, yes
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And you bring up the point, which is what I love. If you have a young theater
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I teach musical theater in New Jersey. If you have young fans of theater
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who have never seen a show or you want to introduce people to art, this is such a great show
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because you're gonna go in there and know the story and know the song. So you enjoy it
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Enjoy it. So for you, a little trip down memory lane, while we're talking
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Hayley, you can follow her on Instagram so you can stay up to date because she'll be bouncing and doing work
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for also 50 more years plus. Your litany of your career, people may know you from Paradise Square
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and the work that you did in Paradise Square. People may know you from your work in Six
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And now people can see you over there in Moulin Rouge, which is playing at the Hirschfeld Theater
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When you look back at your, or and tours and all of the work
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that you've done, regional work, when you look back at Texas, when you look back
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I was reading a bit about your story, the decision your family made to move to New York
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which is such a leap of faith. Oh, yes. What's it like when you walk in a stage door every night
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The dream came true. Yeah. Yeah, it has. It has come true
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And it's been so expansive. I mean, my Broadway debut was also my principal debut
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and also my Tony's. I got to perform at the Tony's. I mean, for that alone was like
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I was like, okay, that's good. I'm happy. And it was so transformative to bring Broadway back
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after the pandemic. And so the journey has definitely been a trip and a half
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but it was so worth it. And I think that I garnered tools along the way
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that led me to Satine. Like the grittiness of Paradise Square is reminiscence of a mantra, right
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And the regalness and the strength of Aragon is embedded into Satine and her making her way out
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And then my actual life story is kind of somewhere intertwined with Satine's life story
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in some ways and some facets of seeing your own talents and deciding to push past your circumstances, right
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So I feel like my whole life and my career have kind of conjoined into this one moment
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to allow me to bring all of myself to Satine, to this role
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And yeah, it's remarkable. I'm so grateful. And I walk with so much gratitude every single day
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Yes, come on. I love, before we talk about Satine more and what your job is there
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and I wanna know what life is like from the second you come down from the ceiling
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to what does it mean to be an alternate versus standby versus swing versus all of that stuff
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that some of us don't understand that are not on Broadway. But you talk about your personal story
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Last year, your personal story was picked up from People Magazine to the New York Post
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to a lot of different outlets. A show, crazy, what? But when was the decision made
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that you were going to talk about your personal story and was it scary
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Oh yeah, it was. But you know what? I was on MTV's True Life
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If you're a millennial, you might remember that. It's gone now. But I was on a True Life episode
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that was really the docuseries of me in my beginning journey. So I felt like it made sense to just be
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to kind of close the chapter a little bit as well, but also open up and say
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hey, it hasn't been easy to get here. If I can do it, you can do it too
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I was homeless, I was in shelters. I had to fight through many obstacles, but I made it
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And you can too. And I was hoping, and I think that it was
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a way to reach across because I feel like sometimes, especially with theater, it can feel inaccessible
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because if you weren't there on that night and that theater, if you missed it
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then it's kind of almost like it didn't happen, kind of. So it was a way for me to try my best
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to reach to the communities that may not be able to come and see the theater, but know that
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give them some inspiration and allow them to maybe dream a little bigger
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think a little bit more on what they want and think about how they could possibly get it
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because I'm living proof that it's possible. That's what's so moving. Like I said, I taught public school education
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for this is gonna be my 16th year. And there is such a stigma about students
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who are not placed in homes. There is such a stigma about what their families
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must be like, what's going on in their house. All these ideas in the public lexicon that we have such
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we are so stereotypical about what it means. Is that one of the reasons you spoke about it
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Is it to put a... Yeah, it's to de-stigmatize. I think there's a lot of, like you said
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a lot of misunderstanding. There's layers and levels to being unhoused. And I think the biggest thing too was that
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me and my family were not addicts. We were not in and out of jail systems. We were not in and out of anything
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but just hard times and circumstances. And I think we're all learning a little bit more
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to be more empathetic because money and the economy and everything is kind of all just being very much exposed
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of how sensitive it is. And I think majority of families are
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I think it's what, $400 away from possibly facing homelessness themselves, right
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So, but this was all happening in 2011 for me. And so we weren't having these conversations
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and we weren't talking about it. So it was a secret for many, many, many years
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I had people that I've worked with during that time that had no idea
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So I think it was freedom for me, it was freedom for my family and for my story
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but also just to allow, I always wanna be the person to kind of lead the charge
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in that way to say, it's okay to be vulnerable. It's okay to share some of the ugly parts
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because we live in an, well, I'm working in an industry that's all about glamor and beauty
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and the disguise sometimes. And so it was nice to be able to pull that down
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and say, hey, this is the real Haley and this is what I've been through. And if you can relate, cool
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And if you can't just hear me out and here's my story and maybe somebody else's too
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Well, you're gonna inspire, you already have inspired many people with telling your story and we're so grateful
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you get to tell it with us. And it is amazing. Patti LaBelle sang a song called Two Steps Away
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We're all two steps away from something, that really life-changing moments. We really need in this, especially this year
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empathy and love to all people. You were in Japan. Now, like this is, you were in Japan working
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and in the articles, you say making good money, living your best life out there in Japan
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And then you have this desire to take your money and your will and spirit and jump on a plane
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and come to New York with no plan. Yeah, yeah. I mean, it was kind of, so I had been in New York already
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I'd had that whole experience of bouncing around in New York for three and a half years
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And my last audition was for Universal Studios Japan. That was the last audition I did
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before I left New York officially. And I was like, you know what? We've tried, we failed, it's okay
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Let's pack up. Let's go back to Texas, literally. And I left in September
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We tried to start over in Texas and I got the call in February
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that I would be leaving to Japan in March. Crazy process. And then I spent two years in Japan
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and I fell in love with the culture. Basically that was my college. I grew up there, I feel like
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a part of me grew up there. And it was the first time that I had independence
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I had my own space. I was 6,000 miles away from home. It was my first time out of the country
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It was so many firsts for me. But I was also given the opportunity
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to be on stage every day. And I was learning more about myself
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and I was falling more in love with being on stage and telling stories. And I was in the tale of Beetlejuice
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And I played the Bride of Frankenstein. But it was still just a way to connect with audiences
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And I really started to really understand who I was and find myself in that timeframe
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And so, yeah, after I left, I did a cruise ship contract that took me to like 23 countries
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And that was really great. So I got to see the world. And again, going back to the conversation we had
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about empathy, seeing, I went to India. And so I, and I've been to other places
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that were maybe not as touristy. And so I saw the real parts of the country
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and it really, it gave me a perspective shift about what I had experienced in New York
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because I understood that it could be so, it could be so much different
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You know, I don't wanna say worse, but you know, it could be, it could have been
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And so I gathered all of these world experiences from traveling around the globe
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And yet I was still had this desire to do more, to challenge myself more, to just see
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throw my hat in the ring, see if I could make it. And New York just kind of continued
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to help me evolve as a performer. I kept getting, you know, little
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shout out to Kimberly Exum, who I reached out to immediately, who I'd known through my mom working out in New York
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She did Ain't Misbehavin' with my mom. And I said, hey Kim, she was on Broadway
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as Nabilungi at the time. And I said, hey, can you help me out
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I don't know where to start. And she was like, go to the Growing Studio
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and do this and do that. And, you know, and then it was from there, I had more people that helping hands, you know
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So I've had all these helping hands and souls along my journey that have affirmed my talent
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and affirmed that I'm not crazy to believe that it's possible for me to do these things
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And it's, like I said, it's been a whirlwind, but it's been really a testament to staying the course
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Stay the course. Because you never know what's on the other side
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With all of that journey behind you and you coming to New York and you reaching out
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and you start, what's it like when you get the phone call after you start pounding the pavement to go to auditions
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that you booked the Broadway gig? Like what was it like? It's nuts
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You know, my first Broadway touch was Carol King, beautiful, the Carol King musical
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And I did that on tour after, I think we were on tour for eight months
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nine months before the pandemic hit. And then we were sat down, right
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And so all of this time of like, I worked to get to this moment
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Actually, I'd done Paradise Square in Berkeley as well. So I've had like some credits, but I was still building
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I was still working. And then it feels like this, you know
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other shoe falls from the sky that you just can't plan for a global pandemic
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Nothing prepares you for that. And so this, you know, I'm a big believer in manifestation
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and visualization and journaling and writing out the things that you want
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So I really tapped back into that bag. And so I just kept being as intentional as I could
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with my time. I was creating music videos and reaching out with my friends
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my best friend, Sidney DuPont, Tony nominee, Sidney DuPont from Paradise Square
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He and I made music videos out in LA together. We, you know, cause I moved out to LA for a little bit
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and just got with nature and reconvened and realigned. But in that time, I really sat and asked for, you know
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I want to go to Broadway. I do want to, I want to originate a show
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I want to make my principle. I mean, every single thing that I wind up getting happened
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And so when I got the phone call that Paradise Square was gonna go to Broadway
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and we were gonna bring theater back to New York, Broadway back, I kind of had to pinch myself
15:06
I couldn't believe it. And it was all of the work, all of the nose crying in the bathroom at Telsey Studios
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all of the things that led to this moment. It was like, oh my gosh, it really, it really has paid off
15:24
It really has. And like I said, to do Paradise Square for us to get 10 Tony nominations and perform at the Tonys
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and, you know, make my Broadway and principle debut all in one like five month period
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I mean, this wasn't a long stretch, you know, it was a very short timeframe
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It just, it inspired me so much to dream bigger and to kind of, again, challenge myself more
15:51
and see what else was possible, you know. Oh, and so much more was possible and is possible
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and to be coming in the future. You know, the kids, the theater fans out there
16:05
that are out there in this world, there are certain shows that seem to have a life
16:09
of their own and Six is definitely one of them. There's the fan, wiki page, six page, all the queens
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you know, like there's just some of those shows that, is it, was it a juggernaut to be a part of a show like that
16:22
That's its own pop, like Moulin Rouge, it's its own, it's a concert
16:26
Yes, it's a totally different way to approach Broadway. And I love that I got to be a part of storytelling
16:35
with pop music. I mean, again, it speaks to my past. I have to go back to the past because it tells me
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it informs why I think these things feel so kismet and so perfect
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I was originally signed to a record label when I was 19
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in New York as well. Like I was songwriting in studios and creating other music for other people
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I got to sit in the studio with Jill Scott and Wyclef John and all these other people, you know
16:59
all these people who were making incredible music. So I thought that I was gonna do music full time
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So then to cut to six and I'm being a pop star basically
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And then this is the craziest part, where I signed my record deal at 19 years old
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was at the exact same building and almost the exact same floor as where we rehearsed six
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Oh, it's what? Full circle, crazy. So I'm walking into the building that I walked into
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basically at that time, like 10 years prior as a whole different person basically
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and with a whole different outlook on life and an outlook on my career. I mean, really full circle again
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gotta stay the course, right? Because when I was dropped from, well, I left the record label and everything fell to pieces
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Theater was the thing that picked me up. Japan was the thing that picked me up and this journey began itself, right
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So then to come back into this show where we were literally living in a world
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lit on fire from the minute the announcement was made. And then we also, this was
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I don't know how often this happens or if it has happened, but we did a full cash change over overnight
18:15
You had the original girls and some of the girls that came in after some of the OGs left on December 4th
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and on December 5th, you had an entire new cast. And some people knew that bought tickets
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and some folks didn't know. And we had to be at the level of what they were expecting
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first time ever doing it. There was no previews. There was no, we ran it maybe two times
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before doing it in front of a 900,000 piece audience. So the pressure was high because not only is it the fandom
18:46
but it was also just our own personal desire to be great on stage and to meet the task at hand
18:53
So it was like another one of those like meet the moments challenges in your career
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Where you're like, hey, I did that and it went well and I didn't die. Okay, cool
19:05
When you look at that cast, the cast you were in and shout out to Toby and Lucy and writing this show
19:09
cause it's so much fun. The cast that you were in are bananas
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I mean, you six are crazy, crazy talented. And so when we go through pieces by pieces
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it leads you now to this show and to Teen and Moulin Rouge
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So when you step into this, can you explain your role in this show
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Yeah, so I'm an alternate. So I went from doing eight shows a week in six
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to now I do one show a week. And I am basically on call in the building
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If at the time it was Courtney or now JoJo, if they need to take a break and have a moment
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or some God forbid anything happened mid show, I'm the person that they call on
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But it's such a stark difference to go from eight shows every single night to one
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And I'm still learning how to adjust to the schedule of being in the building and making sure that people see me
20:06
because they might not if I don't, I'm on the seventh floor in the building
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So if I don't make an effort to really go and say hi to my cast members and my crew members
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I might not see them until Sunday or whatever, Wednesday or whatever day I'm on
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So it's been quite an adjustment, but then it's like doing a larger role in this way
20:27
where I'm carrying a show for two hours with my co-star, whoever is playing Christian that night
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There's a lot more responsibility on my plate because it's almost like I left Destiny's Child
20:38
I feel like, it's like Beyonce and the girls and then it's like, okay, now I'm solo
20:44
Like that's how it feels a little bit where it's like, okay, now you have to kind of like really
20:49
it's not just one song anymore. This is a full, it's not only vocals
20:53
but it's also the storytelling. It's also comedy. It's so many things that I get to play with as an actress
20:59
It's incredible to have a role like Satine and then to celebrate the fifth year
21:04
And like, there's just an Aaron Tveis back and like, it's like, what is happening
21:09
It's like I've gotten literally the best of all the worlds and I'm so, I'm having so much fun
21:16
I mean, the costumes are absolutely fine and the songs are again, like in my wheelhouse and what I do
21:23
And so it's just been amazing to have the creative team embrace me so much
21:28
It allowed me to sing the way that I wanna sing and play with things
21:32
And it's just been such a beautiful environment to be a part of
21:38
Do you have a steady date? Like if we wanna see, or do we stay on your Instagram
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Like how do we find out when we can see you? Okay, so right now it's a little bit different
21:45
I have a feeling it might shift a little, but right now JoJo is in the building
21:50
and she's killing it, seven shows a week. And I'm kind of just popping in where she needs best
21:56
for her schedule, because she's also promoting her book with Yasha Presale
22:01
And so, right now it's a little different. It was Sundays. I think it might shift back to Sundays
22:07
once we get the next, all full times of team. So just stay tapped in with my Instagram
22:14
I have a whole channel actually, like a broadcast channel on Instagram
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where I'll tell you if I'm on that night, I try to give people as much advanced notice as possible
22:22
if you wanna get last minute tickets. But yeah, just follow me and stay tuned
22:26
I'm active on there and yeah, that's the best way. Yeah. We will be following on Instagram
22:32
and shout out to JoJo. I mean, I grew up, I'm born in 83
22:36
So I was in high school when Get Out came out and let's go. But so this is the best way to find out
22:42
So when you are up in the rafters, I'm not trying to give it away
22:46
but there's a moment where there's a big entrance. Yeah, kind of iconic
22:51
I'm scared for you. I'm scared. Hayley, I can't climb a ladder
22:54
What do you do? I am an adrenaline junkie. This is, I've been obsessed
23:00
Like I love it. It's so cool. I remember when I was studying for the role
23:07
that was the part that I didn't know about because I was still learning about the show because I hadn't seen it
23:10
So I was like, wait, what? Oh my God, this is so me. Like I just kept being like, this is me the whole time
23:16
I was like, I can't believe it. I didn't even know how perfect this role was for me
23:22
because I'm a glamorous adrenaline junkie kind of girl. Like it is all my world's rhinestone to perfection
23:28
So yeah, coming down and that being the entrance, I think it's the most like iconic entrance on Broadway
23:34
And it's such a fun moment. And Shirley Bassey, to start off with Shirley Bassey
23:39
who is my forever icon. I love Shirley Bassey. Just to start off with that song
23:44
Diamonds Are Forever, and lean over and just entice the audience and bring them into this world
23:49
and then switch into some Beyonce and some Rihanna. And like, it's like, what more do you need
23:57
Nothing, it's such a good time. You need to go get your tickets and see it. Yes
24:02
And a lot of times musical theater gets a bad reputation and sometimes jukebox musicals or musicals based on movies
24:08
like, oh, they're just gonna recreate the movie. But you all, you have, when you're on up there
24:15
you have, she has quite the arc and we're not spoiling alert, but she is somebody who has
24:19
we've seen the movie, you've seen, like she's somebody who has got a trajectory and she's ill and there's a journey
24:25
and there's love and there's class. And there's all sorts of things that are
24:29
of the themes of this. How do you connect to the character arc
24:33
Because you don't just sing pop songs and go to sleep. You're telling a story
24:37
Story, honey. Yeah, I've been wanting and desiring and calling in a role like this for years
24:44
I worked with Jen Waldman, my coach, my acting coach and my vocal coach, Doug Peck
24:50
for two weeks before I even got into rehearsal to talk about the story and to talk about
24:56
what she's been through, deep dive into the character arc and the work that it's gonna take on stage vocally
25:03
and emotionally to get the stamina for that. And so it was a lot of hours and a lot of conversations
25:10
And I feel the biggest thing about Satine that I want, I think, to shine through
25:16
And I think I connect the most to is that she is for her people
25:20
That she moves out of love for the people that she cares about
25:24
And that she's actually so selfless within all of it. It may not come off that way, but she's for her crew
25:33
and she's trying to keep all of the people that she loves happy
25:37
And you see what happens when you try to do that. And I feel for her in so many ways
25:44
And so there's things that your character does that sometimes you don't agree with, but you have to do anyway
25:48
And so it's been quite a journey to connect and stay with the ebbs and flows of what's the highs
25:57
and lows of what's going on with her. And I have so much fun. My co-stars on stage are so phenomenal
26:04
And as a standby, I just wanna always make sure that I'm upholding the show that they know
26:09
and that they do every night. I think that's also a big part of being a standby and an understudy is just making sure that when I come in
26:15
that they don't feel like, oh, why is Haley doing something? That it's honoring the piece
26:20
and honoring what they know every night and that the audience gets a fresh story every single night
26:24
So this is what I really did ask for this. And I'm so grateful to do it every night
26:31
or every night that I'm on. I love Haley. Your story is so moving
26:35
Your journey is so moving. You all wait to hear her sing. If you haven't seen her sing, go Google, schmoogle something and look it up
26:42
You talked about, you were as a writer, a record deal. I want the Haley album
26:46
I'm ready. Oh my gosh, oh my gosh, thank you. I'm working on music right now
26:50
I'm in the lab as they say, I'm in the lab. I've been so inspired
26:54
I've also fallen in love during this contract. So I have a lot to put on record
27:02
Let's go. The best truly is then yet to come. So we're gonna get our tickets to mulanrusemusical.com
27:09
and see the show. We're gonna find out when you're on. Any night's a great night
27:13
but come see the show and go follow Haley on Instagram. We're gonna follow you on Instagram
27:17
so we can see what's the next show, what's the next project, when your music's coming out and what other magical tricks you have up your sleeve
27:23
Yeah, and you can find me on TikTok as well. So I'm on there being silly, doing hair stuff
27:28
and all kinds of silly stuff on there. Where's my phone? I'm keep calling right now
27:34
We thank you for sharing the vulnerable parts of your life and sharing your journey
27:38
because there are so many people that need to hear that and see that there are ways to overcome
27:43
There are better days ahead. And if you have a dream and a desire, then there's a way to do it
27:48
And you're living proof of that every single day. Thank you. Thank you so much
27:52
This has been so fun. This has been so fun. We love you
27:56
Anytime, please. My show is your show. Oh, I appreciate it. Thank you so much
28:00
Can you even be more obsessed with her? Is she not the most beautiful person
28:04
She is so beautiful and so sweet and so charming and so wonderful. And I just love the Haley Kaleem Wright
28:09
I love that you're here on the round table. I love that you're watching us on Broadway World
28:13
where Broadway gets its news. I hope you like the show and you've enjoyed us and you could see our past episodes here
28:18
We're on every single Friday or you can go to the Broadway Podcast Network and you could watch us there, listen to us
28:23
I guess you should say there, or my YouTube channel, which is over at robertbannon.com
28:27
You could click the link because we do a live show on Thursdays and we have other episodes that are on
28:31
besides our Broadway World exclusives. And I hope you follow along, listen to my music on Spotify
28:36
be a part of it and go see some art, support artists today. If it's Broadway, if it's off Broadway
28:41
if it's regional, if it's community, if it's a movie, a TV show, a concert
28:45
cabaret, whatever, jazz club, go to paint something. I don't know, just be an artist
28:50
get in touch with your artistic life and there's something for you to do. If Haley can do it, you can do it, we can do it
28:56
I love you for being here. Thanks so much for being here and the best is always yet to come. I'll see you next week right here on the round table
29:01
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