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Video: GIRL FROM THE NORTH COUNTRY Cast Hits the Road
May 16, 2024
The North American Tour of Girl From the North Country, written and directed by celebrated playwright Conor McPherson and featuring Tony Award-winning orchestrations by Simon Hale, has officially hit the road! In this video, watch as two of the show's stars, Jennifer Blood and John Schiappa recently sat down with BroadwayWorld's Richard Ridge to chat about the 25-city tour.
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Hello, I'm Richard Ridge for Broadway World
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Bob Dylan and Connor McPherson's musical Girl from the North Country is getting ready to hit the road
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And I caught up with two of the show stars, Jennifer Blood and John Skiappa
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I am thrilled to be sitting with the two of you here before you get on the road for Girl from the North Country
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How excited are the two of you to get ready to take this show on the road? I'm really excited. It's so nice to come back and to get to play these
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great roles in this beautiful show. And I'm excited to travel. I'm excited to go to all these cities
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Oh, for sure. I think one of the things that makes me so happy about this is that the show started the public in 2018
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We moved to Broadway in 2020 and opened and then the pandemic shut us down. And then we reopened it 21
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And we reopened again in 22. And I feel like the show just never got to get to its audience
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And by going on the road in 2023, I feel like we're gonna take it across the country
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and get it to people I feel should see the show. I just really think it's gonna play well
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I'm curious to see how it's accepted in the rust belt and in the plain states
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And I'm excited, oh, and let's talk about the food too. Food in all those places
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I thought you did the stage food. Not the stage food. I was like, we don't get to eat the stage food this time
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What is the stage food? Is it plastic? Is it real? Oh no, it's real
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There's a Thanksgiving scene and everyone is up stage eating turkey and biscuits and biscuits. Stuffing
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Yes, cranberry. Mayanames. You can make a sandwich. Coffee. We have coffee
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Everybody's cream and sugar, all of it. I love this. Okay. You started talking about touring
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You've toured before. You've never really toured before. No, I have not
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Okay, so what insight are you giving him about the world of touring or is anybody else in your company that's like tour
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Like, I've had nine shows. Thank God. There are people who are sending things to our group text
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You know, bring this, bring this, don't bring this. travel light, Jen, you're insane for thinking you can only travel with a carry-on bag
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Things like that, you know. You were sending some things from tour France about some great products to bring to cook in the hotel rooms
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Yeah, yeah, it's wrong. Because who knew these products existed? It's like a collapsible pot that you can cook
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A collapsible, you know, who knew? And, you know, kettles and things that are compact for traveling, I'm so, so out of it
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I'm so learning all of the tricks to touring. Because I love to ask everybody when they go on the road, like, what are you putting in your trunk
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What are you taking? Like, what are those feel good things from home that you're like, that's got to go into my regular suitcase, not to the trunk
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Are there certain things you want to take that you have to take? Feel good things
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Last time I think I brought a lot more feel good things. This time I know I need to bring like my sleep mask, my little noise machine, my little hotel humidifier, things for sleeping in hotels that can be noisy or
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you know, just are different. But for the most part, I think the thing I learned last time traveling was
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I got home and I saw all my stuff and I was like, I've been away from all this stuff for a year and I'm fine
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I could really downsize. So, I'm downsizing. I don't know. Before you need to leave. Yeah
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John, for you, things you must take with you. Or fun things you want to break. I should have thought of those things
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I'm still working that out. Um, yeah. Yeah. Yeah. Shoes. No, I don't know
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A winter coat. Everybody tells me that by the time you get off the road, you're going to want to burn everything you traveled with
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You will not want to look at it again. So, you know, I just had the bright idea
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I'm like, oh, my iPad, I can fill it with all my photos of my wife and kids and have it playing in the room
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I'm like, yeah. And other people say, oh, bring a candle for your room or a scarf to put over your lap
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I'm like, what? I don't know. Until you get that you're going to be like, I should have brought the scarf
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You're right. all this stuff. Yeah, I have not figured it out. Last time I brought my, I have this sort of creepy old
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doll from the Goodwill that I brought like to every job that I had ever been on for the last
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like 15 years and I brought it with me touring and I take pictures of her all over the place
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Is she going? She, I mailed her back. I put her in the box and I remember taking pictures
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and sending it to my castmate saying, do you think it's a bad idea for me to ship Baby J home
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And they're like, no, no, it's fine. I've got pictures. of her waving and someone stole my box from outside of the front of my house so baby jay went missing
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like we almost put up pliers all over the neighborhood my husband was so sad um but so now i'll just
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have to travel with my uh my creepy doll necklace i love that yeah so she's so at least you have
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photos of this i have photos of her and i also have the uh the necklace which is actually just like
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a bunch of dull heads yeah but yeah it's like to remind you not to take anything too seriously
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I love that though. You said a necklace of doll heads? It's a necklace of doll heads
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I think I'll mostly be in a dressing room by myself, but there are people who have sort of
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objective to this necklace. They're like, oh, I don't know a little worried about this
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Everyone's going to want to come to your dressing room now and see the necklaces
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I love that. Let's go back to this show. We all fell in love with the show at the public theater
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I mean, I fell in love with it all over again on Broadway. Were you connected from the very beginning you two
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When did you join the Girl from North Country? The Girl from the World Country. I joined for the Broadway company as a swing in 2020
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I was down at the public in 2018. I was in the show and covering many parts
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and it was fantastic. I was so excited when it got the nod to move up town
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because like I said, I think it's a great show that needs to be seen. Yeah
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So when you first got involved in that, like, this is a really special musical
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I mean, look who, I mean, it's Bob Dylan music. It's, you know, Coddickferson's incredible story
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And they blend. so beautifully together. The interesting thing, the first time I saw this musical, I was like
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wow, Bob could have written these songs for this musical, you know? So when you first got involved
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in this, like what made this so special for you early on? Well, it's interesting. I agree. It's such
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a unique piece. It is a special, beautiful, sort of poetic piece that when you look at it on paper
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you read Conner's play, and you go, this is amazing. And right then I'm thinking, I just want to be in the
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room while we're working on this because I'm fascinated. And then when you hear the music of Dylan and the way that Simon Hale has arranged it
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and orchestrated in the surprising ways in which both he and Connor use the music in the show
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you instantly go, this is special. This is not like anything else you've ever seen
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You can't categorize it as this or that. It is its own beautiful, unique piece
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And it's funny and it's poetic and it's charming and it's full of life and the structure
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of life and the happiness of those things. It's just, it's its own thing and it's fantastic. Yeah
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So when you got involved and you read it for the first time or whatever, like what were your initial thoughts
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and how special it was? Well, I was just wondering, I remember when I read it
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before I went in for the audition, I was like, how does the music fit into this? I don't completely understand
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Like what should I do Am I singing as the character How does it work And then you know I went in and I auditioned and I just kind of did my thing and Then at the first rehearsal we did a re and you know so many people had already done it a read
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And just sitting around in a circle hearing it and then hearing the music come in and there are people playing instruments and
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It was just amazing and sort of magical the way it all came together. It was just like oh and I don't know
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that anyone could have articulated to me like this is how the music works but seeing it it's
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just this magical thing yeah yeah because you both started as swings or understudies which is the
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saving grace of our business it always has been but i mean i think the pandemic really put a you know
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matched a name with what you all do i mean you saved so many shows i mean it wasn't for swings
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and understudies you know all these shows would have shut down and you know it's happening now happening now swings and understudies of saving shows all over again. Do you remember the
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first times you went on in these roles? Yes. Who went on first? Well first
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well I talk about who you play in the show. You first because you were actually on
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first. Yeah. I play Elizabeth Lane. I was on first. I first I went on as one of the
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ensemble women and that was fine but also nerve-wrecking because you spend most of your time in
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understudy rehearsal working on the roles. So there were things that I probably never really walked through
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and you're just walking like, I hope I'm not going to run into anybody
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But then I went on for Elizabeth, I think in December of 2020
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and it was about an hour before the show. I had just eaten a whole bag of chips
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And like, I was not planning on this, you know? And the stage manager came out to me, he's like
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well, you know, there might be a COVID situation. We won't know, because they always would retest everybody
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you know to make sure it wasn't a false positive and well if you want to go down and run anything you know go run and it's uh it was it was so scary
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being an understudy is so scary I think but I think one thing that was so
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lucky about that time as an understudy is that you got to do it so many times in a
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row that you really get to get the notes and put them into action and start
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finding your own things and find your way and it was such a beautiful role to
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get to explore. I don't, I am I allowed to like give stuff away
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or I don't, I don't know. Can I talk about like what, who she is
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Or I mean, she has early onset dementia. Or it's never specifically said in the piece
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but she's sort of in different worlds, you know, and that is so much fun I think as an actor
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because you get to, you have just so much freedom. You know, this can be really creative and imaginative and it's really fun
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What do you remember about that first performance on stage as her? What do I remember
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I do remember just standing in the wings being like, oh boy, oh boy
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This is, that like before that first entrance, just scary stuff. The first act, I remember the first act feeling like, all right
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And then the second act, it was, It was, you know what? I do remember, I remember the second act thing started
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to get a little less like I might, I was late for maybe one line
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And I remember telling Bob Joy, who played Dr. Walker, I remember it being like, oh, sorry, I missed that line
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He's like, I had the best improv. Hi, it was so great
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I'm like, thank you. You're so kind. Yeah, I remember there was some fun in it even
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after you get past that like moment in the wings of being like, oh God, what's gonna happen
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That's great. And for you? I play Nick Lane, who is married to Elizabeth, and he's trying to keep the boarding house that they started together running on its feet
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He's sort of this guy who's just, he's got all the plates in the air, and he's spinning them, and he's trying to keep them going and sort of keep everybody happy in the place from falling apart
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And it's Duluth, 1934, the Depression. So it's an interesting role to tackle because he's one of the few characters who doesn't sing
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And he doesn't sing for many reasons, but the main reason is that he's a guy who is a little bit bottled up
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And to have him sing and have that a private moment would kind of unleash that bottled up stuff
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So it makes for a very interesting scene, several scenes in the show
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The first time I went on was, fortunately it was planned, so I knew I was going on
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I actually went on for Mr. Burke, which this character plays the drums in the show
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Now, my 7-year-old self was really excited about playing the drums. My adult self was poop in his pants
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I was like, I got to play the drums with the professional band that's over there
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And the drum sets all the way in this corner, the band's up there. So the sound is a little wild
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And I just remember thinking before I went out. It was like, okay, you're really doing this
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This is about to happen. Oh, it's happening. And you're just, it's all running through your head
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And you're sitting down in the chair. And you're looking at like, oh, I'm going to start playing. There's a thousand people out there
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And then, you know, I don't really remember anything except that moment like, oh, my goodness
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This is, I can't stop this. This is happening. And it was a blast
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It ended up being my favorite thing to do. The drumming. Oh, my gosh. Yes
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I loved it. Because everybody I spoke to about that first time on stage is I remember it making my entrance
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Yeah, we're being terrified beforehand making my entrance and then taking my bow. Oh my god
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I have no memory actually and I remember Oh that one moment was so great and I'm like what? I have no idea what I did? I don't remember any of it
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It's just a blur. Yeah, so when you found out you were going on this incredible tour now this national tour it's going everywhere
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I mean when you found out like what you What went to your mind at first time
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I'm like, I'm going. I mean, it was a big decision for me
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because I have a family now, I have two kids. But it was, I mean, it felt like such a gift
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that they were offering me this rule. I wasn't really expecting that
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And yeah, I've been just really excited for the last couple of months coming up to this
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to get to work on it, to get to do this great part so many, like every day
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And I've reached the point where I'm excited about my family getting to be a part of this
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They're not touring with us, but they'll be out to visit a lot, and I'm like, well, my kids will get to see a lot of places
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and we'll get to explore those together. Maybe one of them will get to see me in a show for the first time, which is exciting
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Chris, how old are your kids? Two and a half and six Nice Yeah That would be great to have them on the road to visit you in these key cities Yes we got plans of all the places we going to see There like a place where you can make your own crayon in Minneapolis
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I'm really excited about that. I'm really selling it up. I'm like, you can make your own crayon and name it
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But yeah. Oh, I love that. Yeah. And when you first found out you were going on the road in this
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Well, similar feelings. I was sort of surprised and impressed, not impressed
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not impressed, I'm sorry, surprised and honored that I was going to get to do this part and sort of
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shepherd it along the way and actually one of the first things I said was to my agent's
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who's playing Elizabeth and I found out it was you and I was so happy I was like oh this is going to be good
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and I then I was just crazy because I couldn't tell anyone for a long time the offer came
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it's like I can't tell anyone and then I didn't know about who else was in the show yet and so
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you know there were a couple of months of like oh my gosh Oh, my gosh. And then you go, am I doing this? I'm doing this. I'm packing up and going on the road and leaving the home behind
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And then they would get excited about the adventure. And then I'd think, am I crazy? And I'm ultimately, I'm extremely excited about the adventure
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So I love that you get these jobs and like, you can't tell anybody for six months. And it's like, you're actors. And it's like, you know, it's hard
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And then you talk to everybody on like Facebook and everybody else who's done the show or just, you know, social meeting
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You're like, oh, what are you up to? What are you up to? Right. Yeah. Yes, I know. It's figuring out. It's like, who else is coming
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And you heard anything about the tour? That kind of stuff, yeah. Well, let's talk about the first stop is where Bob Dylan was born, right
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Yes. Such a great thing. The birthplace of Bob Dylan, Minnesota. And we've just found out recently that the theater
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were playing the Orphium, he was the owner of for quite some time
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And his children sort of grew up there as theater rats and answering phones and hanging out
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backstage. So it's got a history to it connected to the show, which
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It's very exciting. It's going to be fun. That's going to be wild, isn't it? Yeah. I want to go back to the beginning
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When you were growing up, was there a defining moment for each of you where you said
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I want to be a performer and try to make a living at this? No. It just kind of happened
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I had grown up doing theater in the community and in high school
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because that's what my parents did, like community theater. And my grandparents before them, it's like this long history of
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of like a hundred years in the community theater. And then it came time to go to college
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I was like, well, I guess I'll study theater. And my family was very supportive
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because they all loved it so much. And that's just kind of what I did
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It just kind of happened. You know, it's interesting. Almost the same. I grew up not really doing anything in the theater
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I played sports, but my dad did community theater with the church, if you can believe that
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I just remember seeing it as a kid going, oh, that's kind of cool. And as I got into high school, I started to dabble a little bit more in it and started to enjoy it more than the other stuff
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And I was like, well, I might as well go to school for that. Let's see what. What's what
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I remember my dad saying to me, are you sure you want to do this? And I'm like, yeah, I can always go back to school
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And he walked out of the room. And then he walked back in and he gave me a big hug. And he's like, you just go after it
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I was like, oh, I didn't even know you. You know. So it was something I think he had always wanted to do
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I had no idea. And I sort of slid into it and never looked back
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Never looked back. That is great. Broadway debuts are really special. What was your Broadway debut
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I took over as the cover for Sutton Foster in Violet, halfway through that run
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And I never went on for her, but I was in the clapping chorus
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in that one scene. And so I got to go out there and sing and step touch
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and clap a little bit every night. And even just doing that, I was very happy
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to be in that Broadway theater on stage. It's a special thing Broadway debut is you know
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you wait and hope that it happens for you that you can maybe one day walk through that stage door
18:48
sign your name in and just, you know, do it here. Yeah, it is something magical just being in that Broadway house
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I remember when I did Matilda here in town, I felt like every night I was just so grateful that I was living my dream
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I'm like, here I am, this thing that I dreamed of for so long, and I'm doing it
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Yeah. Yeah. John for you. Oh, this may date me a little bit, but my Broadway debut was Grease Ball and Starlight Express, which I replaced Bob Torrey in that show
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A year after he had opened it, I did basically the second year, and it was amazing
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I mean, that set was, I always say if it had it opened five years later, it'd probably still be running
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It was just an amazing kind of time when families and people were just starting to come to the theater
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But that show, for all of the hard knocks it gets, was really an amazing experience in some incredibly talented people
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And that was at the Gershwin. And flash forward many, many years later, I replaced it, it was Dr. Dilleman in Wicked
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and I get shown in the theater up to my dressing room, and it's my old dressing room
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And there are things there that I had done and built and put up there, and they're still there
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And then I thought, oh, if that's still there, I wonder if I walked upstairs and on the very top floor
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there are, this is crazy, there are like little roads painted across the top of the stage
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and they built ramps up to the doorways, and over the doorways
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because up there for fire and reasons the doors are closed and raised
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So you would have to make a quick change to the other side of the stage if you were on the
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third level of the set. You'd do that and you'd ride across the top of the theater, the other side
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You'd run down the stairs and your gates and you'd come out. Whoa
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And those are still there. The cherry picker that took me up to the third level to do the entrance as Greece ball, we'd sign
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the wall. All of that is still up there. And those are the kinds of things about the theater that I love
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You realize so many people have trod those boards before you. And there's something sort of sacred about that
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I am always deeply touched by. I can't quite explain it. It's just magical
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You were skating three levels up? Oh, my gosh. Oh, my God. Yeah, explain to people to Star Atlantic Express
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I saw it in London first. Then I saw it here, but I'm rolling skates for the whole show
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Yeah, yeah, with this incredible costume. Because you play trains. Yeah, you play trains, and I had Jane Krakowski hanging off my back and we're skating
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around and up and down, and you're wearing this costume that's like, you know, 30 pounds
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It's like you've gone to the stadium to play a game of ice hockey, you know, and you do it every night
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And it was crazy. And you're singing and you're skating. And there were people that were dancing on skates
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And it's really remarkable, remarkable. Do you still skate? I do. I love it
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I do. But you know, it's funny, because I didn't skate when I started to dance, teach me
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So yeah, my trick was rolling backwards slowly. When they're like, OK, show us your tricks
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I was like, backwards. I'm coasting. That's it. That's all I got
21:51
You're hired. Yeah That amazing But I want to go back to this show What made this show could you all done so many incredible shows what made this so special for each of you Oh
22:04
Go ahead. Well, I mean, just the fact that we went through this pandemic during this time is a huge part
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of it. The way that the cast kept connected and the how close we all had to be, I think, to put this thing together and keep it going
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And I mean, that end, it's the combination of the music and this play that just come together
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in this magically beautiful way that, like, kind of can't be described that I think is just so
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special to get to be a part of and to get to experience every night. Yeah. Yeah, 100%. The fact that through all of these stops and starts and stuff
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and starts and re-opening, the cast was just became tighter and tighter and tighter and
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it's such a family-oriented group to begin with. It was just magical. For me personally
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getting to work on it at the public in 2018 and reading it and wanting to do the show so badly
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skip forward all these years to get to actually play this role that I've been watching and
23:16
just loving in this piece that I adore is really, It's magical
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It's a once-in-a-lifetime kind of experience for me. I've never been with the show for almost five years
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Yeah. I think the piece itself, now I can't speak for all the other companies
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like London and Canada. But I wonder if every company, if there's something about this piece that really does feel like it creates a family
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and this sense of goodwill, which is interesting because of the way the piece comes together
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and that it's set in this boarding house. house in the Depression and everyone is kind of finding themselves there at sort of a tough
23:58
spot but but they have each other you know I think it I wonder if it's something about the
24:05
piece that creates this I think there's universal truths for all of that right of of
24:12
gathering and perseverance and hope and looking for the next day it's going to be better than
24:19
the last one and there's something I think you're right I would be curious to ask the other if they feel all this too
24:24
I would say yes because I think that's what the show projects. And something about making the music together
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I mean, just there are people who play instruments and everyone sings on a lot of the songs
24:37
It's something about, it feels almost like an old party where everyone got together and sang, you know
24:44
Yeah. It lifts you up. Well, let's talk about that incredible music by Bob Dylan
24:50
Did you know a lot of this music before you got involved the show? I didn't, but I did. You know, I knew so many covers. And then I was like
24:57
oh, that's a Bob Dylan song. Oh, that's a Bob Dylan song. That's the same thing. I was like, oh, my goodness, that's Bob Dylan. And then you start looking at the lyrics and like, oh, wow
25:04
Yeah. I get it. I get why he got the Pulitzer. So good. Yeah, I, uh, like you
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I was peripherally aware of his music unknowingly that these covers were his. Yeah
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And then hearing the arrangements that Simon has done is amazing because you hear the go back and you listen to Bob's version and you're like wow
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It's so different and it works so beautifully And that's the theatricality part of it where they were able to take this music and really
25:39
within Connor story make it forward the emotion the moment The story you never know which it's going to do but it always does one of those things in a most beautiful way
25:51
So I felt the same thing. I didn't really know Bob's music because I was brought up on cast albums
25:56
in soundtracks and I was like, oh. And then I was like, his music's so theatrical
26:00
the way the arrangements are done. But like I said, it just fits so beautifully
26:04
into Connor's story. Now let's get into Connor. All right. All right
26:09
Oh, that's terrible. All right. It's all good. All right. Let me see what I want to do
26:13
Let's just, oh, let's just pick a favorite. Do you have a favorite number in the show
26:17
Is there a favorite moment of this show which you'd love to watch or listen to? of one of our songs
26:25
I love slow train license to kill. Yeah. There's something about, oh, it's just so fun
26:31
and being out there with the tambourines. And, yeah, I can't even describe it
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And I also love just throwing my hair around. For me, I probably have two songs
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One is I want you because of the unusual way. when you listen to the original song and you look how they use it in the show, it's
26:53
spectacularly beautiful. Did I say spectacularly? Yeah, I love that new word. It's a new word
26:59
I've just done of that. And then Duquesne. Duquesne whistle because of the moment it comes from
27:06
it's also one of my favorites. And just talk briefly about Connor's poetic play, this incredible
27:12
play he's written, what it means to each of you as actors. It's, I mean, it's just a beautiful piece and there's so much to dig into. And
27:20
there's a lot of mystery to it. There's a lot of questions that you'll probably come out with
27:28
that are really left up to you to interpret. And that's interesting. I think as an audience member
27:36
I think you could see this play many times and come out with different things and notice different
27:41
things and find different questions. As an actor, it's fascinating because there are so many
27:47
different ways you can go. I think there are so many, it like sort of alludes to so many American
27:54
stories and plays and not American stories, I mean like the Bible and Our Town and of Mice
28:03
and Men are all stories that come up in your mind, I think, when you see this. I mean
28:10
he's incredible. It's a story full of hope and perseverance and struggle and joy and
28:17
filled with music and laughter and all of those things. I think you get on something I really love about the show is there's a lot of mystery to it and
28:23
people who've seen the show take away whatever They see in it which I think is best theater when somebody thinks a scene meant one thing and somebody else thinks of man
28:34
Oh no no I meant something else and you realize oh they're bringing their life and their experiences into the theater and as they watch this piece
28:41
They're seeing what they need to see and I think that's magical
28:47
when that happens in the theater. There is no one definite version
28:51
Well, I know you have to actually go to rehearsal right now, but I want to thank you for dropping by to talk to me at Broadway World
28:57
and just have the best time bringing this incredible musical around the country to so many new audience members
29:04
who may be experiencing theater for the very first time. Oh, my God, I love Bob Dylan's songs
29:09
and you're going to introduce them to this new art for. Yes. Yeah, thank you
29:13
Have a great time on the road
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