0:06
Congratulations, you got a Tony! I know, I can't believe it. Totally unexpected
0:11
This is my Broadway debut, you know. I'm so grateful for whoever wrote it for us
0:17
and for the whole team, basically. I'm very grateful. What made this so special for you with designing this show
0:26
I mean, I am German, so, you know, there's a history. And I think that there were a few designers up for the job
0:38
and Patrick Marber and Sonia Friedman felt I was the right person for the job
0:43
So I'm very grateful. And I am just, I was very honored to work with Tom Stoppard
0:50
and bringing the story alive. And, you know, art in a way, it's very important
0:55
but also it's got a deeper meaning. So it was really, it was just
1:01
I can't even articulate what it meant. It meant everything. Your costumes are stunning
1:07
Thank you. There's such a vast array of them. What was, like, the biggest challenge for you to design
1:11
with the vastness of what you had to design? I think it's to go and clarify which characters
1:18
you know, are children and then they're adults and then they're older
1:22
And just to convey this to the audience, that the audience can follow the characters
1:29
all the way through. That was, like, I think at the forefront of everything. Yeah
1:35
Beautifully done. Would you just hold your Tony up, spin it? Just tell me what comes to mind. Yay
1:38
More Tonys. Siblings for my little Tony
