Video: Ben Feels the Beat of NYC with Choreo from HELL'S KITCHEN

Hello, you big beautiful Broadway world. It's me, your Broadway buddy, Ben Cameron, back again with a long, awaited episode of Dance Captain Dance Attack

It's been a while since we've been dancing and befooting with you, so I'm super excited to have you here with us

Today we are saying one thing and one thing only, and that is, let's hear it for New York

Because at long last, after much pleading and begging and stomping of my big gay feet, we get to dance with the dance captain

from one of my favorite musicals of all time, Hell's Kitchen. And if you haven't seen it, get a ticket if you can

It is absolutely magical. But what's really crazy and exciting about today's episode

never been done before, well I'll show you. Let's welcome our dance captains, Rachel Ma

But wait, there's more. Welcome Willie Robertson! But wait, there's more. There's more in our first triple threat three-peat dance captain extravaganza

Welcome back to the show, Nico the Hensu! Nico's here! What an entrance

All right, I'm excited. It's a triple fret three-peat today. Friend, are you ready? This is where we holding up

Let's have a dance captain dance attack! We are learning the last big dance phrase from the show

It's in some entire state of mind. It is a celebration. It is euphoric

It is cathartic. The first lyric is, she'd be spiked out, and we're going to explode on count one, and it goes, whew

We have a big jump explosion on count one. She'd be spiked out

We twist the knees and we break the elbows. Nice we have a split of the legs we go a circle with the hands and the legs would open Three who Yeah yes Sheepy spiked out she be trippo referee and then we have this release this drop and we go

foo, whew, too, foo. Yes. We have a few hypo jumps and we're gonna go left, left, right, left

So it's a up. Yes. Oh, I remember right, yes. I'm gonna look so stupid here we go

Great, all right for this up, we're gonna have two accents to the right

Oh yes, nice. The next line goes, tell about, tell from her attitude that she's most definitely from

So we're gonna take it out of pointer fingers and we're gonna jump out and do a pointed gesture

We're gonna split the legs, the left leg's gonna go front, Nice

So we're gonna go, A, A, A. Tell the one, out of the two, hey

Oh, four, yes, Tell us, Tup, Taw, T. We're gonna open the legs

and then we're gonna shift. The arms are gonna go, one, two, three, one, two, three

One, two, three. Nice, the legs are gonna go, right, five, right

to the left. One, two, three, arms and down. Yes. Yes. Oh, there's a split

Ba, ba, ba, ba. Okay, one, two, three, one, two, three. Excellent

Shall we keep that way? I think so, yeah. Right, we just went. T題, ta, t, ta, t, bha

We have a head accent to the right and to the left. Up, down, up, down, up, down

Yes, sweet. Nice, so the rhythm goes, B. B, b, b, b, b, b, b, b

One, two, one, two, three. Up down, up, down. Hey! That's where we lose the glasses

Up, down, up down. Huh. Yeah. Yes sir Excellent Thank you Go A A eh eh Tell her about her attitude that she most definitely from from from Yep

The next lyric is, Statue of Liberty, home of the world trade

Great, so we have, like, hu, huh, we have two ticks. Tata, ta, ta, ta, ta, ta, ta. Yeah

World Trade. Home of the world trade. And you're underclap. Underclap. Alright, this next step is you have one round like this

and the other hand is dropping the stint rope. Okay. And we have down and we're right right first and we go

damn, down. So there, look, there. So are you going to make it

One, two, three, four, one, two, three, four. I'm laughing because I love it

I don't know what I can do it, but I love. Just do that. two, three, four. Yeah

I do, go, yeah! We have a cross turn to that. Thank God

The easy thing we can do it. Yeah! We're gonna face it this way

so it's not full of the turn. It's like a three-quarters, so we can double arms out. Foo! Foo! Yes

So we have world trade, and a one, and a one, cross, go! Yeah

Punch and that right Tybo Yeah Punch and up Baseball bat Punch and baseball bat Yes

You better get the timing too, yes. Yes. All right, here we go

State that. You can put the right knee. That. That. Hey. Hey

You could swat up the arms however you like. Okay. Five. Six, hey

Say, hey. Hey! Oh! New your step, new step. That's the way the rhythm goes

New step. New step. New step. New step. New step. The arms are going

New back and the back. Back and right, left, right. Right, left, right

And then back and down. Back and back. And bring it up

And bring it up. And then button. Bottom. And the button? Yes. continue. Yes. Yes. Yes

She is hyped down. She could trip a referee. Hey, Yeah, Tell by attitude that she won't step in it from

Statue of Liberty home of the world trade. Hey, hey, yeah. Mom in the queen

Yon, she's from the empire state. That's, that's, that's, that. New York, New York

New York. Oh my gosh, we did

Let's hear it. Not one from New York. We're finishing incredible dance captains

Nika, William, Rachel, thanks to Art, New York Studios. It's fabulous here

And now it's your turn, my friends, to show your inner New Yorker

from the choreography field all of the plus. Post on your socialist. hashtag DCBA, how the fish of broadband roll, and the bed does Broadway

Be good to your dance captains, be good to each other. Ready, and... One, two, three

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