Up next in 10
EMMERDALE STARS Frazer Hines and Peter Amory appearing on the Costa Blanca | With Moody on BayRadio
Oct 29, 2024
Emmerdale stars Frazer Hines and Peter Amory joined Moody live on BayRadio with just a week to go until the premiere of Aladdin at the Auditori Teulada-Moraira on Spain's Costa Blanca.
Along with some of the details of what to expect from this big production of the classic pantomime, there were some funny and fascinating tales from behind the scenes on the soap, Frazer's time as the longest running Doctor Who companion alongside Patrick Troughton, and how he came to work with (and give advice to) THE Charlie Chaplin.
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0:00
well we've teased this up enough and
0:01
delighted to welcome not only uh Peter
0:03
emry uh but Fraser Hines from uh the
0:07
upcoming Panter you must remind me to
0:08
mention the Panter because there's so
0:09
much I want to talk to you both about we
0:11
might get distracted a little bit all
0:12
right but B I appreciate you coming
0:14
because I know little under the weather
0:16
the yes I do apologize if I sound a
0:18
little bit nasal but hopefully by next
0:20
week it'll all gone well as Brit say
0:22
there's a lot of it going around with
0:24
something going around so uh yeah well I
0:26
blame my wife for this she gave it to me
0:28
last week so um we're still
0:31
talking well you should you've got a
0:33
week to shake that off but be F way
0:35
because you're baddy right in the uh in
0:37
the show yes well yes he's he's quite
0:40
bad he's just sort of um treated badly
0:44
so he treats other people badly because
0:46
this is a production of Aladdin so
0:47
that's abanazar right abanazar I'm glad
0:50
you said abanazar a lot of people say
0:52
eaner which is certainly Into A
0:54
Christmas Carol and screwed no is abaza
0:57
okay definitely all right and Fraser
0:59
welcome it's a real pleasure to meet you
1:01
yeah oh yes I'm playing the policeman
1:03
which I've never done before actually
1:05
normally I'm wishiwashi or or the
1:07
Emperor or something like that but um
1:08
yeah what about um because I would have
1:10
asked the writer this but you'll be able
1:12
to answer it I'm sure these sort of
1:14
shows it's a sort of thing that gets
1:16
re-evaluated you know uh re written with
1:19
the times in mind because you know one
1:21
or two bits in here you may change the
1:22
names and some the change your name and
1:25
obviously you put in topical gags you
1:27
know um like places the sort of culture
1:30
some of the cultural references that
1:32
from maybe the 50s and 60s need need
1:34
updating people get their Jewelers ey
1:36
piecing on the script oh no we we alter
1:38
those to to bring up to date yeah sure
1:41
yeah yeah and and I think the audience
1:42
love that if you put in something that
1:44
was been in the newspaper that morning
1:46
they oh gosh that can't have been in the
1:48
script and they feel all sort of they've
1:49
seen something that nobody else has
1:51
seen if a local football team has just
1:54
lost that's always a good one for a baby
1:57
yes and it's a popular team and you just
1:59
tell them result although you can get
2:01
yourself in trouble because I was just
2:02
walking past the Green Room in one stage
2:04
and I saw the results of the X Factor on
2:08
a Saturday night oh and I thought it
2:10
would be very funny if I said and but
2:13
and by the way can't remember who it was
2:15
so and so won The X Factor well you
2:18
could have heard a pin drop I mean they
2:20
were Furious cuz they were all taping
2:22
it and so I'd give them the G you failed
2:26
to say spoiler alert yeah they didn't
2:28
they didn't like that one now I know
2:31
both of you from emale of course um I
2:34
apologize if I do call you Chris J
2:35
because you I really was watching the
2:36
show at that um that as the Buddy Chris
2:40
Tate part of the uh the Tate family yeah
2:43
I never I never got to watch it I was
2:44
always in the studio working but I
2:47
gather it was quite good that's it was
2:49
it was a that was really when it became
2:51
you know started to take over as the big
2:53
soap because it was always a little bit
2:55
sort of more Niche well it wasn't it
2:57
wasn't so much Niche it was more uh
2:59
comfortable and it was you know going in
3:03
there in the first time it was it was it
3:05
was daunting because we didn't actually
3:07
know what we were there for and the
3:09
Press got a hold of things and started
3:10
saying that we're we're there to Jazz it
3:13
up so obviously with the likes of Sheila
3:16
Mercy or Fraser or people and it's I
3:19
found it quite offensive and uh it it
3:23
wasn't meant in a way and it was just
3:25
the way the the Press grabbed hold of it
3:28
as far as we were concerned were just
3:30
doing a job you know so it was all a bit
3:33
there was no animosity to you know it
3:35
was as you said it was the Press we've
3:37
thought no it's just another family
3:39
coming in yeah actually take bit the
3:41
workload off us sure now talking of
3:43
families I mean you am I right in saying
3:45
you were there from the very start very
3:47
first episode very first episode as a
3:49
suton 1972 it was Beck Andale as it was
3:52
called Beck Andale royalty sugdens
3:55
that's right yeah there were and uh
3:57
lovely people I mean we we got on so I
3:59
mean Sheila was like a real mother to In
4:01
fact when my my own mother died Sheila
4:03
and her husband Peter they were going to
4:06
adopt me an she said you know cuz we got
4:08
on so well and she was a great cook she
4:10
was like a real fantastic real mother
4:13
fantastic woman yeah so real so the one
4:15
of the good old matriarchs of TV if
4:18
anyone from outside of the UK they
4:21
probably sure they heard of emel it was
4:22
called emel farm at the time and it was
4:24
about farming it involved farming yes we
4:27
we had to do the real work when we
4:29
turned up to work that day it didn't say
4:31
Matt and Joe are it said Matt and Joe
4:33
are working so whatever the farmer
4:35
Arthur was doing he had to stop we had
4:38
to step in and whether it was sheep
4:41
shearing or dipping sheep or driving
4:44
combine harvest that was we love that
4:46
driving the combine oh the dark glasses
4:48
and all Moody good but so no if you
4:51
there was times when the dialogue didn't
4:53
I've got a sheep on its back I'm
4:56
shearing it and I'm say talking of ma
4:58
what do you think I me I just can say
5:00
the L just a sheep with his legs in the
5:03
air and and if you think it gets cold
5:06
here try and winter there doing Farm
5:09
scenes like I had to go and visit the
5:10
farm or something like that and uh I
5:13
remember doing a scene with Clive Hornby
5:15
played Jack and he was literally shaving
5:20
um lambs and I was so cold and we were
5:23
trying to do this dialogue and our teeth
5:25
kept chattering really and the sound
5:26
said you're going to have to stop that
5:28
well we can't stop it it was so
5:30
my mom always says that she says look at
5:32
that it's beautiful when it's sunny or
5:34
you know in the summer but boy gets
5:36
chilly remember the old opening titles
5:38
as well cuz they they still show those
5:39
if you go up the dusty end of the TV
5:41
channels you get reruns of the you know
5:43
the very early ones and that opening it
5:45
looks so Bleak little farmhouse in the
5:47
on the horizon ble but beautiful yeah
5:50
yeah yeah but as you say yes I used to
5:52
love the riding scen you with CLA King
5:55
if you're working with somebody who can
5:57
ride as well Meander couldn't ride so
5:59
well so you're always worried about you
6:01
know but CLA and now we did hunting
6:04
scenes and just jumping fences and uh
6:07
really that was great fun yeah yes I
6:10
think there's the still the occasional
6:11
nod towards farming like someone needs
6:13
to call the vet or something but it's
6:15
it's lot more sort of different family
6:17
sort of story lines days I think it's
6:20
got I'll be honest I haven't got time to
6:22
watch it but um it did that's why they
6:26
went they wanted to pull it away from
6:27
the farming element and there was a lot
6:29
of uh complaint about there a lot of
6:32
people said I'm never going to watch it
6:33
again because because of the lack of
6:36
farming in it and uh you know that's the
6:39
sort of thing I enjoyed the farming bit
6:41
but obviously I was never really
6:42
involved in that no sure am I right in
6:44
thinking you were both there for the the
6:45
big sort of turnaround episode to be the
6:47
plane crash oh yes oh yeah I lost my
6:49
legs oh that's how you yes of course
6:52
yeah landed on my head ah and you were
6:54
in the vehicle I was in in fact I was
6:58
married at the time and uh
7:00
and I was in the car crash I had all
7:02
this makeup so I just drove home with
7:04
makeup about 2 in the morning and rang
7:06
the doorbell at home my wife open I fell
7:08
in oh my D what's happening said no just
7:11
makeup oh she clubbing me around a year
7:14
old don't you get me worried like that
7:17
but pretty effective though because it
7:18
sounded like oh look at this they're
7:20
getting desperate you know bringing a
7:21
big dramatic storyline but it really
7:23
works it work but 3 weeks of night
7:25
shoots in Winter he didn't do it in the
7:28
summer oh it was cold and I'm lying on
7:31
the ground one time in the box where the
7:33
the pub had fallen on me so it was just
7:36
a space it was like a little coffin that
7:38
you crawled into and obviously I
7:40
couldn't use my hands cuz it was in the
7:42
coffin and they just before take can
7:45
someone get the snow off piece's face I
7:48
thought Cy that's what it is it was
7:50
going in my eyes so they were literally
7:52
wiping the the snow off it was that cold
7:55
wow and it's like 3 in the morning
7:57
stopped shooting at 5: in the morning
7:59
everyone was absolutely exhausted and we
8:02
had two directors at the same time and I
8:05
I remember I finished at midnight and uh
8:07
I looked at my call cheat for the other
8:09
director 700 in the morning so I went on
8:11
a minute yeah I'm called at 7:00 said
8:13
yeah yeah I said when am I supposed to
8:15
learn the lines oh don't be awkward
8:16
phrase I me no I finished at midnight
8:19
yeah and You' called me at 7 and they
8:21
just they didn't look at each other's
8:22
schedules that's that's another thing i'
8:24
I've heard as well in with especially
8:26
with the Soaps that um because they went
8:28
to so many days a week you know maybe
8:30
three or every night sometimes you don't
8:32
get much time to uh to learn your bits
8:34
and rehearse or no no just rehearse
8:38
rehear that's a swear word used to we
8:41
it's a tight it's a tight old shed when
8:43
I started we we um used to have a days
8:46
rehearsal in the studio and I used to
8:49
say that's not long enough I've got all
8:50
these scenes and when I left I there was
8:54
no rehearsal you knew it and you went
8:56
for a take and this is what and you had
8:58
to do it okay You' make mistakes but it
9:02
wasn't appreciated but rehearsals no
9:05
there no soap actors we don't got time
9:07
they work very hard yes I I do gather
9:09
that yeah it looks glamorous they they
9:11
earn no money they do and anyone and you
9:14
hear actors that say well I'd never do a
9:16
so so well do you think you could and
9:20
because it's they try and be derogatory
9:22
about it but any soap actor particularly
9:24
the main ones the people got the main
9:26
parts are working night and day
9:29
mhm and uh they deserve everything they
9:32
get when we first started we we did six
9:36
episodes on a month we'd do two weeks of
9:38
out filming at the farm or the village
9:40
whatever and then two weeks of Studio
9:42
but you'd rehearse Monday Tuesday
9:44
Wednesday producers run Thursday and in
9:46
the studio Friday yeah and of course um
9:49
that was nothing new to you crazy go
9:51
back a lot further than that I was going
9:53
to actually start with this because
9:54
first thing that comes up on your
9:55
Wikipedia is that you're in a film with
9:57
Charlie Chaplain that's right it's great
10:00
if if I'm at a dinner party somebody
10:01
says oh I McKellen said to me the other
10:03
day I said well Charlie chapl one said
10:05
to me and the KN from what yeah and uh
10:10
par M writer he said fras I think you're
10:13
you must be one of the few actors alive
10:16
that work with Charlie Chaplain and this
10:18
is kind of his last main role it wasn't
10:19
his last film yes it was King of New
10:21
York and I I said I mean I was 11 years
10:24
old and I suggested some comedy to him
10:26
and instead of him
10:28
suggested brilliant Charlie taking
10:31
opportunity and said him going I'm
10:32
Charlie effing I've written produced
10:35
starring director he said what's your
10:36
idea of Comedy so I told him he said
10:39
yeah if we take that and then we do that
10:42
then we have the comedy he listened to
10:44
11 so if I'm doing a panto and a little
10:46
babe comes up says Mr hind Mr I've got a
10:48
new joke I don't go listen kid I know
10:50
enough joke I go what's your joke and
10:53
nine times out a 10wn I'll go on stage
10:54
that night and use it get a great laugh
10:57
cuz chaplain listened to an 11 old kid
11:00
extraordinary he was just a week to go
11:03
till the Aladdin gets underway in Tad
11:05
Mara the auditor there and to have the
11:08
two principal Stars really and both uh
11:10
former evl Stars pet rry and Fraser
11:13
Hines in this morning you just saying uh
11:15
Peter you saw OMD for like 50p back in
11:17
the day yes St Andrews Hall in um
11:20
Norwich they just released this single
11:23
called electricity of course electricity
11:25
and um they were uh they were totally
11:28
unknown so to go and see them it was it
11:32
was fantastic I love it when you see
11:33
those old ticket stubs and the price you
11:35
know even even a festival was like 2
11:37
probably probably worth worth a few quid
11:40
yeah now here's the thing um 23rd of
11:42
November we're at Fraser hin is here and
11:45
we haven't even mentioned Doctor Who no
11:48
uh because there was a big thing of
11:50
course because yesterday was the 60th
11:52
anniversary of the JFK assassination
11:54
that's right when it was supposed to go
11:56
out first right it was yeah but then
11:59
so they they showed it bit later 60 that
12:03
I can't believe that's today 60 years
12:04
ago yeah now of course you weren't in
12:06
the first one with um William Harner
12:08
were you on there with Patrick trouton
12:09
Yeah Pat he was lovely yeah lovely man
12:11
to work with yes I know people used to
12:13
see him bump into around Stratford
12:15
occasionally and he was
12:17
yeah one of his sons lives there David
12:19
right David yeah but um were you a
12:22
victim of um I think so of the sort of
12:25
BBC's you know saving money at the time
12:28
why we don't see many of your episodes
12:29
cuz they wiped the tapes they wiped the
12:31
tapes or they could rewind you know re
12:35
record over record over them yeah but
12:37
they found quite a few I mean they found
12:39
a lot more than you but yeah I'm in the
12:41
Guinness Book of Records which a friend
12:43
of mine gave me a book about five six
12:46
years ago for
12:48
Christmas you know he said no no pH look
12:50
at page 72 or something I went and it
12:52
says phas hind the longest running
12:54
companion in doto it's Jamie and it took
12:56
me about two weeks to realize actually
12:58
to get in the book of record you've got
13:00
to do something you know they can't just
13:02
say yeah well you yeah you SW the
13:03
channel you've got to be doing something
13:05
really good so I thought oh yeah in his
13:07
book of records yeah and that was the
13:09
second doctor of course and it was
13:10
really starting to uh gather uh momentum
13:13
and and it's back of course if you you
13:14
seen any of the more recent no no I
13:16
Haven but I did when recently the tales
13:19
of the TARDIS I went back with Wendy
13:21
panbury and we shot that we couldn't
13:24
tell anybody we we were shooting what
13:26
are you doing in Wales I said I was it
13:28
doctor to Convention you know we we had
13:30
to keep it quiet
13:31
until yeah and I mean a big uh you to
13:35
call them hoans um I don't know the
13:37
fans but um I I love the five doctors
13:40
which she made a briefest of appearances
13:42
in um yeah I was supposed to be in that
13:43
all the way through but Emma wouldn't
13:45
release me oh right so and the producers
13:48
oh I want you in it for so I rang him up
13:51
so I got next Wednesday Thursday off he
13:52
said all right yeah great and I facts
13:55
that's how long ago came through and
13:57
said no I the doctor's right no ah is
14:00
that it I said but I want to see Patrick
14:03
in Wendy again so yeah I went down and
14:05
then after doing it John Nathan turn
14:07
just said it looked like you two had
14:08
been in an a prop cover for 16 years cuz
14:11
it was 16 years later right he said do
14:13
you want to do some more and I said yeah
14:15
so we went to Seville yeah which was
14:18
great yeah yeah I have that on DVD for
14:20
some reason it's it's great so because
14:22
it's got the ones that I came up with
14:23
although Tom Baker wasn't in it properly
14:25
was he he was so they they featured a
14:26
shot of him a five do no they just used
14:28
a a dummy he was where I started really
14:31
and then py Davison to who I share a
14:33
birthday with so now getting on back on
14:35
to panto M um so this is Aladdin as we
14:39
said it's you know it's brought up to
14:40
date with the because the basic stories
14:42
there but then um brought up to date
14:44
script
14:45
wise and who's worked on this then are
14:48
we giving them a nod here a mention um
14:50
oh we've got a lovely princess Gabriella
14:54
pan she's she she's lovely she's a
14:56
princess you got pan this time oh p oh
14:59
yeah oh that's good oh yes yeah he said
15:03
pined or something the other day oh no
15:05
pin pin yeah and you there's some local
15:07
representation I know cuz we you've seen
15:09
a couple of the girls from the local
15:11
schools CP the international schools
15:12
here yeah that was a nice little touch I
15:14
thought to to go go casting and You' got
15:17
Steve Barkley playing the Dame and he's
15:19
great cuz he he plays the your favorite
15:22
instrument I've worked with Steve quite
15:24
a lot and when I see the ukulele come
15:27
out I find it quite
15:30
quite astonishing and he's got the
15:32
ukulele this time if you haven't heard
15:34
it it's very good but it's just my ears
15:36
heard it a lot right yeah yeah I saw I
15:39
think I've only been to maybe one a
15:41
couple of pantos and I have to say it
15:43
was your uh your ex-wife in it I think
15:45
dick wittington with JMA Craven in oh
15:47
really yes yeah and you know the old
15:49
tradition of um a girl playing a boy is
15:52
the lead uh that was uh that was quite
15:54
something for a young lad growing up
15:56
wasn't quite short to make of it but um
15:57
I did have I did yeah I was became quite
15:59
a fan of hers actually I call Jamma
16:02
marinade cuz she left me
16:05
overnight friends actually I didn't want
16:07
to I've Just Seen marinade on TV it's
16:09
they all know it I don't want to bring
16:11
anything up there but I'll just sort of
16:12
mention it anyway because it's kind of
16:14
relevant but is that so just remind us
16:17
of who the so the main character that is
16:20
uh Aladdin and that is a male playing
16:22
that right yes it is yeah okay all right
16:24
and you have so you're the ailio he's
16:26
great I mean he break dances he he comes
16:29
that's very impressive
16:31
oh R around and yeah and it's got all
16:35
the the usual elements in there bit of
16:36
audience participation do they there's a
16:39
lot of that yeah I think you'd feel I
16:41
mean I know it's become like a bit of a
16:43
cliche the old oh know it isn't and all
16:45
that but I think people would feel
16:47
cheated if you didn't have that in some
16:48
you got to have this behind you oh yes
16:50
it is oh no it isn't oh you got to all
16:52
that it interesting because some of the
16:53
kids here obviously that who were born
16:56
won't have actually seen
16:59
a panto and it'll and
17:01
also their Spanish kids tend to be a lot
17:04
more
17:05
polite um then British kids will just
17:09
you know yeah they're not shy but it'll
17:12
be interesting to see if they yeah get
17:15
get free with it what what is your name
17:17
PC um crackers PC crackers crackers I've
17:20
seen different sorry I've seen different
17:22
names for it on the on the various
17:24
Flyers but assisted by um PC Bonkers
17:28
yeah that's Mullins yeah okay all right
17:31
and um yeah so quite the cast I mean
17:32
what they what they do here is there's a
17:34
lot of um sort of local uh amateurs if
17:37
you like that do put on Productions but
17:39
um this is a chance to see you
17:41
know local Productions it's usually Char
17:45
Shouting Out and because you here do you
17:48
no well it's it's not you know a Spanish
17:50
tradition obviously but a lot of the
17:51
Brits the local people do get together
17:53
and they put on these shows usually for
17:55
Charities so it's for a good uh good
17:57
cause but yeah all all so they might be
17:59
used to you know um audience
18:01
participation but um maybe this is a a
18:04
step up I should say next next level if
18:07
you like all right we don't want to do
18:08
anyone down in the Arts love well no
18:11
they're doing they're doing their best
18:12
so this is from next Thursday then um do
18:15
we know about how getting tickets Cu uh
18:17
detailed should I ask you or should I
18:19
just read it off the flyer myself yeah
18:21
this is with Costa pantomimes because
18:23
that's the company so costop pantomimes
18:24
Doom or or I did learn yesterday instant
18:28
ticket
18:30
online yes um the boss told me and this
18:32
is at the the auditor which is a nice
18:34
bit of local language for you valencian
18:37
name tail out at Mora and that's quite
18:40
the venue have you you've been in there
18:41
I presume no not yet seen yet I've seen
18:43
some pictures of it yeah looks um looks
18:46
very impressive yeah this two two
18:48
soldout shows already haven't oh
18:50
excellent it's good good to hear because
18:52
this is um another example of how it
18:55
comes down to how little time you have
18:57
to to rehearse yeah
18:59
you could kind of learn and then Monday
19:01
we go get into the theater and I think
19:04
then you you do a tech run and that's
19:07
when they're doing that so you're in the
19:09
dressing room going that's where you
19:11
start getting scared yeah yeah sure you
19:14
don't teach them still get nervous do
19:15
you doing this sort of thing I think
19:16
everyone gets a bit nerv oh You' got to
19:18
you you just learn to control it better
19:21
hopefully I did hear someone talking
19:23
about um it's just that moment when
19:24
you're in the wings the difference
19:26
between you know you could be standing
19:28
there maybe just chatting maybe a little
19:30
bit nervous but then suddenly when you
19:32
see a pro actor do it soon as they walk
19:34
out on stage boom just instantly into it
19:36
and when you hope boom as AOS to yeah
19:39
right it's just that change up of uh
19:41
being a normal person then going
19:43
straight into character and giving it
19:44
plenty on particularly in stage I
19:46
standing the wings and if we're talking
19:48
about Cricket or horse racing or
19:50
something then I've got to say right
19:52
just do my first three lines to wipe all
19:55
that you know so you I did it once
19:57
before I was just talking I straight
19:58
back on stage and went ah right I mean
20:03
just the tiniest of sort of refreshes
20:05
but you don't go into the whole the
20:06
method thing you've never nether you
20:08
done done all that immersing yourself in
20:10
the character oh no that's that's
20:12
dangerous yeah if you you know if you
20:14
strangling somebody you might strangle
20:16
them you know you you hear the stories I
20:18
mean the performances come out nicely
20:20
like Jim Carrey and that but they go
20:21
home they take the character
20:23
home 24 hours illness yeah I mean it's
20:27
and they have problems it's like if you
20:30
if you if you have to break down in
20:32
tears the last thing you want to do is
20:35
think about personal stuff you just do
20:37
it technically because you don't want to
20:40
punish yourself you it's it's a job it's
20:42
not real so that method stuff I never
20:46
fully understand who was it that played
20:49
Lincoln and he had to be in the
20:51
character Daniel de all the time and I I
20:54
kept thinking well when the director
20:56
comes up and says right you come in you
20:57
sit down you get are you right who is
21:00
this man telling me the president of
21:03
America what to do yeah well he he's
21:06
famous for it of course well um Brenda
21:10
frier um tells the story who who was in
21:13
my left foot with I'm not having to go
21:16
at Danos but he he spent the time and
21:19
being fed um his lunch and things like
21:22
that really yeah he because he couldn't
21:25
use his hands and he did all that and
21:28
Bren had to feed him uh in the canteen
21:32
I'm I'm I'm sorry I'm sorry but it's
21:35
it's a little too far can he won an
21:37
Oscar for it but yeah well yeah sure
21:39
everyone uh is it sounds like he's done
21:43
with it now though he say he had enough
21:45
well I think there lies the answer yeah
21:48
sure he's probably punished himself he's
21:50
absolutely exhausted and wants a quiet
21:52
life I can understand maybe someone
21:54
hanging on to an accent around set you
21:56
know during the breaks yeah sometimes
21:59
to to get out of if you're if it's a
22:02
strong accent you you tend to just keep
22:04
it going I don't class set is sort of
22:07
method acting no I think that's
22:10
just yeah that that just your brain is
22:12
telling you that's what how you've got
22:14
to speak whereas method acting when
22:15
you're talking about you know spoon
22:18
feeding or or you can't walk so you have
22:20
to be carried somewhere which I think is
22:23
no well more for for feeding him said oh
22:28
B he probably had quite the say in the
22:30
in the relationship you know you know
22:35
can both of you can you you cry on Q or
22:37
do you have to go for the Glycerine
22:39
thing no I can I can cry yeah I but it's
22:41
that a thing where you think have to
22:42
think about something personal um just a
22:45
quick delve into it and then carry on
22:48
but also the writing's good you don't
22:50
have to you you you can understand that
22:53
it's um It's upsetting if we open on
22:57
Thursday I'll probably cry
22:59
Thursday morning yes yes what's the most
23:02
horrific thing you can think of Peter we
23:04
open next
23:06
Thursday yeah I actually I mentioned
23:08
that um WhatsApp we had through and You'
23:10
never heard of it it was the guys
23:12
amended it now it known as the Silver
23:13
sword this true phraser this is you're
23:15
in yeah that was a good old days when it
23:17
was only BBC and all the family would
23:19
sit around have Sunday dinner and then
23:21
they'd watch the silver sword I remember
23:24
the silver sword yeah Melvin Hayes I
23:27
must have you must oh yeah cuz it's
23:30
before my time yeah oh oh God yeah I
23:32
must admit it's a new one on me but uh
23:35
you it was and the flashing blade oh God
23:39
yeah got to fight for what you want what
23:42
you do you see I Still Still was there
23:45
in the front room yeah well they had
23:47
some good old theme Tunes back in the
23:49
day of course s Ronnie Hazel Hurst who
23:51
oh yes yeah you know I like the um we're
23:54
getting really off track here just
23:55
chatting now but um one of my favorite
23:57
Pub facts is you know some mother do
23:59
have them um the theme to
24:01
that yeah you know it's some that Sim
24:04
spelling out some mothers do have them
24:06
in Mor code oh is it yeah imagine the
24:09
SOS s o at the start so
24:13
it's it's spelling out the title of the
24:15
uh the series in More's code not a lot
24:17
of people know that see no no off
24:19
position on the genius switch back at
24:21
the BBC there like dempy mate piece who
24:23
did the music for that was it Alan
24:25
Parker or someone oh don't know maybe
24:27
there was some if you look at music I
24:29
always do because I look at the credits
24:31
and some of those um Houston films and
24:33
LWT things they had big names writing
24:38
and writing directing and composing the
24:41
music very big just a week too then say
24:45
and uh well why wouldn't you come along
24:47
to this because
24:48
it's traditional panto fun for all the
24:50
family there something for everyone
24:52
it'll be a good laugh um we hope you
24:55
enjoy it but come
24:57
along cuz we'll have fun M and until
25:00
15th of December yeah and and you're
25:02
allowed to boo you can we can boo you
25:04
can't we you but very quietly I get very
25:08
upset and so there's a musical turn in
25:10
there as well CH man gets his ukulele
25:12
out oh yes Steve he's most you'll enjoy
25:17
it he's very good he's very good and the
25:19
dancers are great I mean the
25:22
choreography is really good as well it
25:24
is actually very good yeah all right
25:26
well there's so much more I could love
25:27
to talk to you about but uh she'll let
25:28
you get on we've got to get back yes
25:30
you're going to get back a day
25:31
job no I appreciate your time thanks
25:33
ever so much guys and all the best thank
25:35
you very much you Moody not moody yeah
25:37
I'm not supposed to say good luck am I
25:39
it's break a leg right thank you Peter
25:43
Ry and pra hind Aladdin starting next
25:45
week in at Mara on the Costa blaner
25:47
even if you're a little bit further a
25:49
field maybe worth making the trip with
25:50
the family to come along and see that
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